Our 8 days trip to Morocco was so fast paced and intense but this was the only way we could have explored so much of this mysterious and vibrant country. We travelled from Casablanca to Marrakech, passing through Volubilis, Meknes, Fes, Merzouga and Ait Ben Haddou. <br />
<br />
I spent most of the time with the camera and mic turned on trying to capture most of it, ending up with more than 230 Gb of raw footage edited in this short movie about Morocco's specific vibe. 2 weeks later, I've got this short clip sorted out and meant to pass this vibe on to anyone who watches it.

Forrest Cepeda died in a distracted driving accident eight years ago. Yet the grief and trauma of his loss still haunts his family years later.<br />
<br />
Directed by Errol Morris

SATELLIKE - artistic sceneries of Asia, created with ink on a piece of paper.<br />
<br />
This project was initiated by a job I did for the National Palace Museum of Taipeh. The museum ran an exhibition on culture treasures of the history of Taiwan in 2020. I was hired to create fluid and abstract interpretations of some iconic items, a collection of several drawings and artworks. I decided to develop my existing methods further, stepping away from stock paints and ink and creating most of the paints myself. One important aspect was to implement natural colors and realistic earth tones to the color palette and focus more on details than on a commercial look with punchy color and contrast.<br />
Over a period of 4 months, I experimented with natural substances like sand, stone powder and historic pigments. Some of these supplies are rare and expensive, for example jade and malachite powder. <br />
<br />
On Set: https://vimeo.com/507198210<br />
<br />
What you see in SATELLIKE are very long shots of watery ink in motion on several coats of half dried paint. Drying the paint leads to organic structures which can be brought to life again with water, ink and sour flow release mediums. The results look different from my usual approach, way more realistic and less otherworldly. I was excited about the aesthetics of the images and decided to do an individual piece. Although this is the final result for now, it feels more like I’m at the very beginning.<br />
<br />
Thanks for watching.<br />
<br />
_________________________________________________________<br />
This video is available in 8K SDR and HDR for commercial usage. <br />
Request a license here: https://www.terracollage.com/licensing<br />
Music licensed via Premiumbeat: "The Watch" by Tristan Barton.<br />
_________________________________________________________<br />
<br />
Terracollage // Experimental Fluid Art and Macro Cinematography // Stock Footage // Licensing // Production // 8K // HDR<br />
<br />
http://www.terracollage.com<br />
http://www.facebook.com/terracollage<br />
http://www.instagram.com/romandegiuli

Earth to COP was the creative response from HTYT Ltd to the brief given to them to produce the Leaders Summit Opening Ceremony for COP26. This film - shown to over 120 World Leaders at the conference - formed the pivotal moment of the ceremony and presents an eyewitness portrait of climate change. Using dramatic mobile phone footage from around the world, this short film shows the extent of damage caused by the change in our climate, contrasted with the beauty of Earth - what is at stake and what our leaders need to protect. It underlines that we have seen some progress, but we need further and faster action.<br />
<br />
The composer of the music for the film, Steven Price is an Academy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him the Academy Award and Critics' Choice Award.<br />
<br />
The Earth to COP film was independently produced by Harder Than You Think and is a partnership with Bloomberg. The film will be widely distributed, including through a principal partnership with Bloomberg, a global partnership with WWF and with TikTok, who share the ambition to help bring Earth to COP to a worldwide audience. It will also be played on digital screens across the UK. <br />
<br />
<br />
<br />
© 2021 HTYT Ltd<br />
<br />
www.earthtocop.org <br />
#earthtocop<br />
<br />
Created by Greg Nugent<br />
Producer: Barnaby Spurrier<br />
Director: Matt Houghton<br />
Editor: Abolfazl Talooni<br />
Executive Producers: Baroness Liz Sugg, Charlotte Todman <br />
Composer: Steven Price<br />
Archive Producer: Aisling Conboy<br />
Production Manager: Paris Faro<br />
Senior Researcher: Calum Campbell<br />
Researcher: Kirsty Asher<br />
<br />
Audio Post Production Studio: String and Tins<br />
Supervising Sound Editor: Will Cohen<br />
Sound Effects Editor: Kaspar Broyd<br />
Re-Recording Mixer: Lawrence Kendrick<br />
Audio Post Producers: Eimear Ní Ghuaire, Alina Miroshnichenko<br />
Picture Post Production Studio: Framestore<br />
Post Production Producers: Sara Beckman, Jake Saunders<br />
Data Services Manager: Nick Rafferty<br />
Post Production Senior Editor: Carey Williams<br />
Flame Artist: Luigi Russo<br />
Head of Grade: Steffan Perry<br />
Digital Assets Editor: Nic Lowicz<br />
Graphic Design: North Studios<br />
Offline Edit Facilities: Azimuth Post Production<br />
<br />
Captions and BSL Production: Cambridgeshire Deaf Association<br />
BSL Translator: Daryl Jackson<br />
Translation Presented by TransPerfect <br />
Accessibility Consultant: Sinéad Burke<br />
Accessibility Consultant: Haben Girma

In this short film, you will be taken on a journey through the incredibly varied landscapes of this imposing continent, South America. <br />
<br />
One year of travel, nine countries, countless hours on busses, motorbikes, and cars. Hundreds of thousands of images taken. 30TB of data used, 5 months of editing. The time-lapse film features South America like it has never been before with images from Brazil, Venezuela, Guyana, Colombia, Argentina, Chile, Peru, Bolivia and Ecuador.<br />
Read more about the project on https://www.mortenrustad.com/south-america<br />
<br />
The music is specially composed for this video by Jogeir. Check him out on Soundcloud: https://soundcloud.com/jogeirmusic<br />
<br />
To see what equipment I used, see this video: https://youtu.be/Vg6h0U3S8_o<br />
Motion control gear by Syrp (https://www.syrp.co/)<br />
<br />
The clips in this film are available for licensing at resolutions up to 8K (7680*4320). Contact information can be found at mortenrustad.com<br />
<br />
Produced by VJUS (https://www.vjus.no)<br />
<br />
For more of Morten's work, check out https://www.mortenrustad.com

In September 2017, I stepped up to the starting line of the Run Rabbit Run 100 in Steamboat Springs, Colorado, alongside my friend Jayson Sime. The race is a 102.9-mile ultramarathon with 20,000 feet of elevation gain, which is no small feat for a couple of guys who don’t know what they’re doing.<br />
<br />
Jayson had talked me into it, and if I were to be completely honest, I’d say we were there to test out his life philosophy, which is basically that you can do anything you dream up, as long as you put in the work and refuse to quit. That ethic has worked for him in almost every other area of life, despite growing up in poverty, one of six children with no father, and dyslexia.<br />
<br />
In the six months leading up to the race, we figured since we weren’t naturally talented runners, the best thing we could do is work hard. So we ran 50- to 70-mile weeks all summer, and went through a full range of feelings: fear, regret, sadness, FOMO, hunger, thirst, exhaustion, pain, and joy. And gluttony, which is not a feeling, but what happens after you run 20 or more miles. The chart below is a representation of a training plan for a 100-mile race (but if you’re really looking to train for a 100-mile race, you should find a real training plan online or in a book).<br />
<br />
How did the race go? You can watch our film, How to Run 100 Miles, to find out. No spoilers here.<br />
<br />
Directed and produced by Brendan Leonard<br />
<br />
Co-Directors: Hilary Oliver and Aidan Haley<br />
Editor: Aidan Haley<br />
Cinematography: Brendan Leonard and Hilary Oliver<br />
Animation: Brendan Leonard and Eric Bucy<br />
<br />
Steamboat Springs Unit:<br />
Director of Photography: Forest Woodward<br />
Additional Cinematography:<br />
Aidan Haley, Brody Leven, Syd Jones, Jayson Sime, and Brendan Leonard<br />
<br />
Original Score: Cleod9 Music<br />
Featured Performers: Ian McLeod, Peter Mulcahy, and Matt Sedivy<br />
Audio Post Production: Scotty Beam/Cleod9 Music<br />
<br />
“Puppets”<br />
Performed by Atmosphere<br />
Written & Produced by Atmosphere<br />
S. Daley for Upsidedown Heart Music (ASCAP) & A. Davis for Ant Turn That Snare Down (ASCAP)<br />
Taken from the album When Life Gives You Lemons, You Paint That Shit Gold<br />
Used Courtesy of Rhymesayers Entertainment, LLC <br />
<br />
Thanks<br />
Run Rabbit Run<br />
U.S. Forest Service<br />
Meghan Hicks<br />
Joe and Kathy Leonard<br />
Cheryl Sime<br />
Anders Norblom<br />
Kate Duch<br />
Paolo Mottola<br />
Syd Jones and Debi Sule<br />
Angie Lundstedt<br />
Brody Leven<br />
Christian Folk<br />
Luke Nelson<br />
Bodie Johnson<br />
Jessica DiCarlo<br />
Mr. Rider<br />
<br />
-----------------------------------------------------------------------------------------------------------<br />
At Recreational Equipment, Inc. (REI), we love to get outside and play, and we know first-hand the importance of quality outdoor gear. We stand behind all our products with a 100% satisfaction guarantee, and we design our own line of award-winning REI brand gear and clothing. Whether you're new to outdoor adventure or a seasoned pro, we gladly share our enthusiasm for our products—and the trails, slopes and waterways where we play.<br />
<br />
Shop REI.com: https://www.rei.com/<br />
Take a class: https://www.rei.com/learn.html<br />
Travel with REI: https://www.rei.com/adventures<br />
Learn something new: https://www.rei.com/learn/expert-advice<br />
Find a trail: https://www.rei.com/h/adventure-projects<br />
Read: https://www.rei.com/blog<br />
REI Membership: https://www.rei.com/membership/benefits

A mixture of stop motion, AI animation and live action. <br />
<br />
https://shots.net/news/view/how-hugh-mulhern-forged-the-future-of-body-horror<br />
<br />
Director - Hugh Mulhern<br />
Producer -Alexander Handschuh<br />
EP: Laura Clayton<br />
Prod Co: Riff Raff Films<br />
<br />
DP: Eoin McLoughlin<br />
Editor: Joseph Taylor<br />
AI Animator: @infinite_____vibes<br />
Designer: Rory Mullen<br />
Stop Motion Animator: Ben Cresswell<br />
Prosthetics: @yaz_____xl<br />
1AC: James Wicks<br />
Gaffer: Jorge Higgins<br />
Grade: Peter Opporsdorff<br />
Grip: Wolf Wasserman<br />
Titles: @iloveettel111<br />
Runners: Anais Lukaku and Anastasiia Soviak <br />
Bike fella: Big Boss R<br />
<br />
Creative Director: Nadine Persaud<br />
Video commissioner: Lisa Foo<br />
Label: AWAL<br />
<br />
<br />
Starring Jack Rolf.<br />
<br />
Huge thanks to The Assembly Rooms and The Mill.

'Nomadic Life' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com <br />
written and directed by www.benbriand.com

For Your Consideration. Best Short Documentary. <br />
<br />
<br />
An 81-year old Black American woman speaks about her life as a teacher, author, wife and friend whilst seeing the last of her living siblings for the first time in 25 years. <br />
<br />
<br />
Directer/Producer/Cinematographer/Composer/Editor/Colorist: Sterling Hampton IV<br />
Drone/Aerial Photography: Joey Killeen<br />
5.1 Mix: Bob Tiwana<br />
<br />
<br />
<br />
<br />
Sterling Hampton IV<br />
https://www.clashoftheartisticminds.com/

Empathy, efficiency, and a willingness to adapt – Kai Lin’s KLIPPA prosthetic foot is inspired by mountain goats and a desire to help people. Kai’s story explores his unlikely alliance with Arc’teryx athlete, Craig DeMartino, from which the pair serve up a holy grail for adaptive rock climbers – a badass prosthetic foot, that won’t just level the playing field, but will dish up, if not superpowers, then a real sense of empowerment. Which is almost the same thing.<br />
<br />
Part 1 of the Arc'teryx series "Problem Solvers".<br />
<br />
Directed by: Jordan Manley<br />
<br />
Featuring: Kai Lin & Craig Demartino<br />
<br />
Producers:<br />
<br />
Diana Bruccullieri<br />
Angela Percival<br />
James Kim<br />
Jill Young<br />
Laura Yale<br />
<br />
Cinematography, Editing, Sound Design: Jordan Manley<br />
<br />
Additional Sound Design and Mix: Jeff Yellen / Ridgeline Sound<br />
<br />
Animation: Jordan Manley and Daniel Irvine<br />
<br />
Editorial Advisors: Daniel Irvine and Chad Manley<br />
<br />
Grip, Assistant Camera, Assistant Editor: Bill Hawley<br />
<br />
Rigging:<br />
<br />
Cyndy DeMartino<br />
Paul McSorely<br />
Angela Vanwiemeersch<br />
Ken Gibson

In a first-of-its-kind Polo collaboration, Grammy-nominated pianist and composer Romain Collin was asked to, quite literally, make music with Ralph Lauren clothing. Along with Jeremy Loucas, the duo named FOSS (@_fossfossfoss) accepted the challenge, making a song in a remote New York cabin in two days, using clothes as the foundation.<br />
<br />
Directed by Matthew Palmer<br />
Shot by Samuel Ott and Matthew Palmer<br />
Edited by Sam Zarrin at Legion Post<br />
Color by Yoomin Lee<br />
Sound Design / Mix by Sam Costello at Legion Post<br />
Clothing by Ralph Lauren<br />
Music by FOSS - Romain Collin and Jeremy Loucas

Made by Capsaicinco for Walden Pond Books in Oakland, CA. Buy from Walden Pond Books online at: https://bookshop.org/shop/waldenpondbooks<br />
<br />
Writer/Director: Ryland Walker Knight<br />
Creative Director: Sean Gillane<br />
Producer: Chris Walters<br />
<br />
Narrator: Esmé Weijun Wang<br />
Customer: Tracy Nguyen<br />
<br />
Director of Photography: Peggy Peralta<br />
Gaffer: Matt Stouppe<br />
Art Director: Amanda Beane<br />
Asst. Director: Andrew Juncker<br />
<br />
1st AC: Annie Li<br />
2nd AC: Brandon Smith<br />
Best Boy Electric: Marc Lenahan<br />
Key Grip: Ryan Moore<br />
Best Boy Grip: Jon Sun<br />
Grip: DeVron Randle<br />
<br />
Additional photography: Seng Chen<br />
Additional 1st AC: Anthony Rosario<br />
<br />
Production Asst.: Maxine Day Johnson<br />
<br />
Edit+VFX: Capsaicinco<br />
VO Recording Engineer: Jeremy Goody<br />
Sound Designer + Re-recording Mixer: Matthew Tammariello

Director : Neels Castillon<br />
<br />
Agency : Publicis Luxe<br />
<br />
Production : Psycho<br />
DOP: Arnaud Potier<br />
<br />
VFX STUDIO<br />
The Mill Paris:<br />
Executive Producer: Cécile Hubin<br />
VFX Producer: Cédric Negrel<br />
VFX Coordinator: Ghalia Chammat<br />
Shoot supervision: Franck Lambertz, Jean-Christophe Olivier<br />
VFX Supervisor: Franck Lambertz, Olivier Jarry<br />
Matte Painting: Benjamin Bardou, Sergey Likharyev<br />
FX: Felix Guglielmi<br />
Lighting: Valentin LeSueur<br />
Compositing: Arthur Sayanoff<br />
Generalist: Paul Goubet, Guillaume Hupe<br />
Concept: Nathan Lucas<br />
Flame: Franck Lambertz, Sebastien Kremer<br />
Motion: Olivier Jarry, Yohann Leroy, Jean Christophe Olivier, Agathe Sayegh, Max Loriot, Jean-Yves Parent -Julien Pinot<br />
Colourist: Sébastien Mingam, Nicolas Guibert<br />
Colourist assistant: Loic Lavaux<br />
Editor: Sébastien/ Motion Palace, Chloé Charrier, Cécile Crilout<br />
<br />
<br />
Music (making-of) : « Open Wide » by @awirleon.

Agency : Chanel <br />
Editor : Maxime GIllier<br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphane Pivron<br />
VFX Supervisor : Nicolas Rochette<br />
Flame : Valentin Gingembre - Damien Canameras<br />
After : Joao De Figeirero - Franck Maillet - Julien Morin

Agency : Proximity (TBWA)<br />
Production : Diplomats<br />
Post production studio : The Mill Paris <br />
Executive Producer : Fabrice Damolini<br />
VFX Producer : Sébastien Noyon<br />
VFX & CG Supervisor : Mickael Girod<br />
Supervision Shoot : Alban Lelièvre<br />
Grading : Mathieu Caplane<br />
Concept Art/ Environment : Nathan Lucas, Fabien Barrau<br />
Modeling/Shading : Alex Corcoy<br />
Matte Painting : Benjamin Bardou<br />
Rigging : Marine Sisnaki<br />
Previz/Animation : Guillaume Poueymarie, Ferdinand Boutard, Alban Lelièvre, Alexandre Sauthier<br />
FX : Thomas Arsene<br />
Lighting : Adrien Borzakian, Lucas Bachelet, Yohan Grau, François-Xavier Gonnet<br />
Motion : Alexandre Tarquini<br />
Compositing : Laurent Launes, Randy Gudin, Arthur Sayanoff<br />
Flame : Stéphane Pivron

A musician finds a painful shortcut to writing new hits.<br />
<br />
<br />
Produced by<br />
Brain Dead Studios<br />
Cult Status<br />
<br />
<br />
CAST<br />
Mac Demarco as…Archie<br />
Whitmer Thomas as…Todd<br />
Steve Hernandez as…Pat<br />
Kaitlin Yaffe as…Sound Engineer<br />
Elisha Yaffe as…Sweaty Assistant<br />
<br />
Written and Directed by<br />
Jonny Look<br />
<br />
Produced by<br />
Elisha Yaffe<br />
<br />
Executive Producers<br />
Steve Smith<br />
Meg Murnane <br />
Kyle Ng <br />
Gavin Dogan<br />
<br />
Director of Photography<br />
Chris Westlund<br />
<br />
Production Designer<br />
Carson Giles<br />
<br />
Archie Design:<br />
Alex McMillan<br />
<br />
Archie Fabrication:<br />
Alex McMillan<br />
Tom Burns<br />
Steve Smith<br />
<br />
Editor<br />
Scott Hanson<br />
<br />
Original songs and music composed by<br />
Nick Cross<br />
<br />
Costume Designer<br />
Diana Dillon<br />
<br />
VFX<br />
Simon Mowbray <br />
<br />
Sound Mix & Design<br />
Chase Everett<br />
<br />
Color Correction<br />
Daniel Stonehouse @Crayon<br />
<br />
Graphics by<br />
Jason Look @Looksdiscount<br />
<br />
Additional Puppeteering<br />
Lauren Malizia<br />
Adam Willis<br />
<br />
1st Assistant Director<br />
James Beard<br />
<br />
Art Director<br />
Jillian Oliver<br />
<br />
Additional Design<br />
Olga Nesvetaylov<br />
<br />
1st A/C<br />
Andrew Plaza<br />
<br />
Chief Lighting Technician<br />
Jeff Caroli<br />
<br />
Key Grip<br />
Adam Presley<br />
<br />
Sound<br />
Morgan Chan<br />
<br />
Make Up<br />
Teal Druda<br />
<br />
Set Dresser<br />
Max Look<br />
<br />
PA<br />
Cade Howell<br />
<br />
Special Thanks<br />
<br />
Friends & Family<br />
Sam Cannon + Sam Cannon studios <br />
Freestyle Filmworks<br />
Lauren Malizia<br />
Adam Willis<br />
Patrick Muhlburger <br />
Nick Rooney<br />
Najeeb Marc Tarazi <br />
Michael Langan<br />
Julian Muller<br />
Gage Lindsten

Around The Bend is a journey through the moments and memories that become milestones as we travel the road of life. Equally wonderful and transient, the experience is marked by our relationships, glued together by unconditional love, and carried beyond our time in the legacy of those who come behind.<br />
------<br />
License footage from the film here: https://www.filmsupply.com/shoots/around-the-bend-individuals-and-families-at-different-stages-of-life-in-los-angeles/18851<br />
------<br />
Writer & Director: Ross Haines<br />
Cinematographer: Benjamin Kitchens<br />
Executive Produced By: Trust<br />
Executive Producers: Sarah Brannan & Loren Victory<br />
Production Support: Riverside Entertainment<br />
Producers: Ian Sadler & Hope Rubinkowski<br />
Casting Director: Maria O’Driscoll<br />
Casting Company: Popcasting<br />
Executive Producer Post: Kayan Choi<br />
Editor: John Gallager<br />
Assistant Editor: Ilya Sarossy<br />
Assistant Editor: Mike Taylor<br />
Edit House: Outsider<br />
Original Score: Nicolas Barry<br />
Art Director: Tony Pizza<br />
Sound Design & Mix: Dan Hart<br />
Sound House: Shindig<br />
Colorist: Derek Hansen<br />
Color Producer: Jenny Bright<br />
Color House: AFX Creative<br />
Gaffer: Joshua Atkins<br />
Key Grips: Zandra Cullen & Luke Sacksteder<br />
1st AC: Max Harsant & Rayner Hallera<br />
2nd AC: Cameras: Joe Dibartolomeo & Natalie Izquierdo<br />
PAs: Ella Windmiller, Graham Mekjian & Elmer Aviles Jr.<br />
Hair & Makeup: Avie Mua<br />
Photographers: Joshua Peters & Marcus Gustafsson<br />
Poster Design: Dino Manuel & Brennan Hickey<br />
Camera: Panavision<br />
<br />
Cast:<br />
Karter Owolabi<br />
Amber Tiara<br />
Danice Page<br />
Korbin Han<br />
Joanna Cretella<br />
Blake Takahashi<br />
<br />
Kevin M. Walsh<br />
Thomas DeSanto<br />
Phil Painter<br />
Zarah Ellis<br />
Taze Ellis<br />
Linda Forrester<br />
Beverly Raegan Ma<br />
Atiana Price<br />
Wren Samudio<br />
Aspen Reign<br />
Ethan Clark<br />
Emma Clark<br />
Linda Dorsett<br />
Angelo Bendana<br />
Carlos Bendana<br />
Charlie Bendana<br />
Isaac Bendana<br />
Patricia Barela<br />
Ava Lee Rose<br />
Bryn Sage<br />
Vesna Ramos<br />
Brent Picha<br />
Slade Picha<br />
Christen Jang<br />
Shiva Ayama<br />
Hannah Weseloh<br />
Dawson Weseloh<br />
Henry Hayes<br />
Jannik Ouwersloot<br />
Joost Ouwersloot<br />
Vance Carraher<br />
Dayci Brookshire<br />
Cindy Le<br />
Julian Clark<br />
Rhonda Bankston<br />
Sol Jaime<br />
Fabian Jaime<br />
Bria Jaime<br />
Seth Hafley<br />
Taya Grace Bennigson<br />
Ida Kay<br />
Kush Patel<br />
Jacqueline Crowe<br />
<br />
Sagan Barbour<br />
Morgan Lee<br />
Summer Benson<br />
Hollidae Wilder Livingston<br />
Jennifer Scibetta<br />
Jordyn DeGreef<br />
Art Pitcher<br />
Very Special Thanks:<br />
Tess Canfield<br />
Nicholls Family<br />
Haines Family<br />
Khabazian Family<br />
AFX Creative<br />
Dynamic Dynosaur Studio<br />
Samuel Bennets<br />
Zach Meadow<br />
Cynthia Graner<br />
Bendon Nelson<br />
Pastor Alvarado<br />
Maliik Morales<br />
Andrew Litten<br />
A-Frames Creative<br />
Labrador Post

In a documentary presented by Errol Morris and directed by Daniel Lombroso, a grandmother reckons with her sister’s sudden disappearance during the Second World War.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

Two dudes think they found the cure for zombie bites.<br />
SXSW <br />
Telluride Horror Show<br />
Shivers <br />
Monsterfest GOLDEN LOMAX<br />
Mutoscope<br />
Berlin FIlm Night<br />
Nevermore BEST SHORT US/CANADA & AUDIENCE AWARD BEST SHORT US/CANADA<br />
Regard<br />
Landshut<br />
Panic Fest <br />
Florida<br />
Brussels Fantastic <br />
Calgary Underground<br />
Bonebat<br />
Fantaspoa <br />
Milwaukee <br />
Cabane A Sang <br />
Dark Bridges SILVER AUDIENCE AWARD - SHORT<br />
Portland Horror<br />
Hyperreal Film Club<br />
Southside <br />
StokerCon <br />
Chattanooga <br />
InFest <br />
Six Feet Under Horror Fest FUNNIEST SHORT<br />
Snake Alley<br />
Fantosfreak FIRST PLACE<br />
Fantasia <br />
Houston Horror <br />
Popcorn Frights <br />
Defy <br />
Ravenheart <br />
FRIGHTFEST <br />
Genreblast<br />
Sydney Underground <br />
MotelX <br />
Skate Or Die <br />
Southern Horror Showcase<br />
Court Metrange <br />
El Paso<br />
Charlotte<br />
Bolton BEST THREE MINUTE QUICKIE<br />
Dark Red<br />
Joe Bob World Drive-In HUBIE<br />
Eerie Horror <br />
Dead Of Night <br />
Screamfest <br />
Brooklyn Horror <br />
Atlanta Horror BEST MICRO SHORT<br />
Halloweenapalooza BEST ONE-LINER<br />
Mayhem <br />
Happenstance <br />
TOHORROR Fantastic <br />
Dead and Sudburied<br />
Spasm<br />
Knoxville Horror<br />
Celluloid Screams <br />
Vancouver Horror Show <br />
Hysteria Fest <br />
IMAGINE <br />
FilmQuest <br />
Winter Chills <br />
24fps International <br />
Anomoly<br />
Southern Screen <br />
La Vieja Encina BEST SHORT FILM - NON-SPANISH <br />
Zubroffka BEST MIDNIGHT SHORT<br />
Courts Mais Trash

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute