Director : Guy Ritchie <br />
Production: Soixante Quinze X Reset<br />
Producer : Emmanuel Guiraud, Annabelle Fournier<br />
Post producer: Anne Segrettin <br />
<br />
Post Production : The Mill Paris <br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphanie Mollet <br />
VFX Supervisor : Stéphane Pivron <br />
CG Supervisor : Mathias Barday <br />
Editing : Nicolas Larrouquère <br />
Grading : Jean-Clément Sorret (Company 3) <br />
Concept : Nathan Lucas, Alain Descamps <br />
Modeling & Environnement : Mehdi Rami <br />
Matte Painting : Fabien Barrau, Sergey Likharyev <br />
Generalist : Adrien Borzakian <br />
Keen tools : Tytouan Botte <br />
FX : David Roubah <br />
Lighting : Valentin Lesueur <br />
AI : Yanis - French Faker <br />
Compositing : Eric Lemains Guillaume Poueymarie <br />
Flame : Stéphane Pivron, Damien Canameras, Aurélien Teurlai, Valentin Gingembre, Sébastien Kremer, Damien Peiro, Franck Lambertz<br />
Motion graphics : Agathe Sayegh

Executive Producer : Fabrice Damolini <br />
VFX Producer : Sébastien Noyon, Grégory Tournier <br />
CG Supervisor : Guillaume Dadaglio <br />
Shoot : Damien Canameras <br />
Grading : Mathieu Caplana <br />
Generalist : Guillaume Dadaglio <br />
Rigging : Alexandre Sauthier, Marine Sisnaki, Claire Auvin <br />
Animation : Marie Moyer <br />
Lighting : Valentin Lesueur <br />
Motion Design : Julien Maurin, Jean-Martin Mossu, Alexandre Tarquini<br />
Compositing : Sébastien Podsiadlo, Benjamin Boisgard, Aurélie Gondoin, Rémy Meillat, Margaux Chambas

Director: Ivan Zacharias<br />
Production Company: SMUGGLER<br />
EPs: Patrick Milling-Smith, Brain Carmody, Allison Kunzman<br />
Producer: Nick Landon<br />
Editorial House: Robota<br />
Editor: Filip Malasek<br />
Advertising Agency: Grey<br />
Global CCO: John Patroulis<br />
CCO EU & Creative Chairman UK: Javier Campopiano<br />
President/CCO UK: Laura Jordan Bambach<br />
Global ECD, Volvo: Emiliano Gonzalez De Pietri<br />
Creative Directors: Sam Haynes, John Gibson<br />
Copywriters: Sam Haynes, Javier Campopiano<br />
Art Director: John Gibson<br />
CSO: Raquel Chicourel<br />
Strategic Planners: Bhavin Pabari, Gilliam Caldwell-Dunn<br />
Chief Client Officer: Jeremy Pyne<br />
Business Director: Justine Johnson<br />
Account Director: Andy Wynn<br />
Account Manager: Cara Simcock<br />
Agency Senior Producer: Lindsay Moyes<br />
Agency Print Producer: Richard Ross<br />
Designer: Michael Stephens<br />
Social Media Agency: Wildfire<br />
Managing Director: Olivia Clarkson<br />
Creative Director: Vikesh Amey Bhatt<br />
Account Director: Charlotte Scott<br />
Strategy Director: Asad Shaykh

SATELLIKE - artistic sceneries of Asia, created with ink on a piece of paper.<br />
<br />
This project was initiated by a job I did for the National Palace Museum of Taipeh. The museum ran an exhibition on culture treasures of the history of Taiwan in 2020. I was hired to create fluid and abstract interpretations of some iconic items, a collection of several drawings and artworks. I decided to develop my existing methods further, stepping away from stock paints and ink and creating most of the paints myself. One important aspect was to implement natural colors and realistic earth tones to the color palette and focus more on details than on a commercial look with punchy color and contrast.<br />
Over a period of 4 months, I experimented with natural substances like sand, stone powder and historic pigments. Some of these supplies are rare and expensive, for example jade and malachite powder. <br />
<br />
On Set: https://vimeo.com/507198210<br />
<br />
What you see in SATELLIKE are very long shots of watery ink in motion on several coats of half dried paint. Drying the paint leads to organic structures which can be brought to life again with water, ink and sour flow release mediums. The results look different from my usual approach, way more realistic and less otherworldly. I was excited about the aesthetics of the images and decided to do an individual piece. Although this is the final result for now, it feels more like I’m at the very beginning.<br />
<br />
Thanks for watching.<br />
<br />
_________________________________________________________<br />
This video is available in 8K SDR and HDR for commercial usage. <br />
Request a license here: https://www.terracollage.com/licensing<br />
Music licensed via Premiumbeat: "The Watch" by Tristan Barton.<br />
_________________________________________________________<br />
<br />
Terracollage // Experimental Fluid Art and Macro Cinematography // Stock Footage // Licensing // Production // 8K // HDR<br />
<br />
http://www.terracollage.com<br />
http://www.facebook.com/terracollage<br />
http://www.instagram.com/romandegiuli

Director: Elliott Power<br />
Cinematographer: Deepa Keshvala <br />
Executive Producer: Daniel Wolfe <br />
Producer: Elliott Power <br />
Production Company: Love Song <br />
Editor: Dave Davis at Trim<br />
Producer: Tatyana Alexandra <br />
Edit Assistant: Zach Milonas<br />
Colourist: Simon Bourne at Framestore<br />
Colour Producer: Chris Anthony <br />
Flame Artist: Chris norton at The Mill <br />
VFX Producer: Clare Melia <br />
<br />
Local Production: Radioaktive <br />
Executive Producer: Sasha Bevka<br />
Producer: Valentyn Petyshkin<br />
Production Manager: Emil Skulskiy<br />
1st Assistant Director: Kristina Ilyina<br />
Steadicam Operator: Max Salo <br />
Stills Photographer: Artem Nadyozhin <br />
Stylist: Lee Christmas <br />
Make Up Artist: Dasha Taivas<br />
Hair Stylist: Iris Onufrienko<br />
Runner: Anton Chykalovets<br />
<br />
Special Thanks: Dan Williams, Louis Ganellin, Miink

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Agency : Proximity (TBWA)<br />
Production : Diplomats<br />
Post production studio : The Mill Paris <br />
Executive Producer : Fabrice Damolini<br />
VFX Producer : Sébastien Noyon<br />
VFX & CG Supervisor : Mickael Girod<br />
Supervision Shoot : Alban Lelièvre<br />
Grading : Mathieu Caplane<br />
Concept Art/ Environment : Nathan Lucas, Fabien Barrau<br />
Modeling/Shading : Alex Corcoy<br />
Matte Painting : Benjamin Bardou<br />
Rigging : Marine Sisnaki<br />
Previz/Animation : Guillaume Poueymarie, Ferdinand Boutard, Alban Lelièvre, Alexandre Sauthier<br />
FX : Thomas Arsene<br />
Lighting : Adrien Borzakian, Lucas Bachelet, Yohan Grau, François-Xavier Gonnet<br />
Motion : Alexandre Tarquini<br />
Compositing : Laurent Launes, Randy Gudin, Arthur Sayanoff<br />
Flame : Stéphane Pivron

Passengers and crew on a commercial flight question their ethics when an attempt to stop a deportation occurs on their flight minutes before take-off.

Director - Ian Pons Jewell<br />
Director of Photography - Mauro Chiarello <br />
Production company - Reset Content<br />
Managing Director - Dave Morrison<br />
Executive Producer - Deannie O'Neil<br />
Producer - Jon Adams<br />
Production Manager - Marketa Husecka<br />
Director’s Assistant - Emmanuelle Le Chat <br />
Production Designer - Robin Brown <br />
Costume Designer - Ameena Callender<br />
Gimbal - Florian Hatwagner<br />
Choreographer - Charlie Mayhew<br />
Choreographer Assist - Ryan Perkins <br />
1st AD - James Dyer <br />
Casting Director - Kharmel Cochrane <br />
<br />
Editorial - The Assembly Rooms<br />
Editor - Gaia Boretti <br />
Assistant Editor - Andre Rodrigues<br />
Executive Producer - Daniel Breheny<br />
<br />
Sound Design and Mix - String and Tins<br />
Sound Designer - Lawrence Kendrick<br />
Audio Producer - Laura-Leigh Smith<br />
<br />
Music - KOM <br />
Composer - Phil Kay <br />
Director/Head of Production - Andy Oskwarek<br />
<br />
Service Company - Radioaktive Film <br />
Executive Producer - Sasha Bevko<br />
Producer - Olya Kosenko <br />
1st AD - Val Semko <br />
2nd AD - Vadim Yuzba<br />
Production Manager - Yulia Sotnikova<br />
Production Coordinators - Val Petyshkin +Max Golubenko <br />
PAs - Vova Altsybeev + Anna Refel<br />
Chaperones - Roksolana Mudryk, Yura Korotun, Andrew Birch<br />
Photo BTS - Artem Nadezhyn<br />
Video BTS - Artur Byzhenko<br />
1st AC - Sergey Kolesnik<br />
Focuspuller - Peter Chetverykov<br />
AC cam A - Vadim Dubas <br />
AC cam B - Segrey Trush<br />
AC cam C - Yarik Braiko<br />
Gaffer - Leonid Sidorenko<br />
Key Grip - Andrey Gorovoy <br />
Chief Electric - Andrey Gorovoy<br />
Sparks - Firas Al Rikabi, Dmitry Remez, Artem Tischenko, Aleksandr Kasyanchuk, Evgeny Sherbak, Vova Tsukalo, Sasha Getman, Vova Akulov<br />
DITs - Jan Wachowski + Dima Samus<br />
Sound - Denis Ryskal + Bogdan Zynkevich<br />
Art Director - Vlad Ryzhikov <br />
Brigader - Vitaly Karpenko <br />
Stylist - Kostya Goncharuk <br />
Stylist - Scarlett Wallis<br />
Stylist Assistants - Maksimenko Andrey, Bondarenko Igor, Snesar Valeria<br />
MUA - Marta Skalska <br />
Pyro - Alexander Suvorov<br />
Prosthetics - Logos Anton, Alexander Antonyk, Alexander Ludanik, Kostya Zadorozhniy, Eugene Shtein, Kyryll Zhuravel <br />
<br />
VFX/Post - The Mill<br />
Executive Producer - Alex Fitzgerald, Heath Raymond<br />
Producer - Dan Crozier<br />
Associate Producer - Kevin Liu<br />
Production Supervisor - Colin Blaney, Noan John Vinod<br />
Line Producer - Rima Mondal, Bhawesh Upadhyay<br />
Creative Director - Dan Williams<br />
VFX Supervisor - Adam Droy<br />
2D Lead - Gianluca Di Marco, Antoine Douadi, Vinod Gopinathan<br />
CG Lead - Justin Kurtz<br />
Matte Painting - Cedric Mernard<br />
Color - Damien Vandercruyssen<br />
Compositing - Declan Andrews, Jonny Freeman, Malligeswaran K, Richard McKeand, Luke Midgley, Gangadharam Raja, Rich Roberts, Jyoti Tiwari, Giacomo Verri, Rafael Vormittag<br />
3D Supervisor - Gaurav Mathur<br />
Asset Lead - Dhanesh Sudhakaran <br />
CG - Kartik Arora, Joe Besagni, Kalpesh Bhikhabhai Patel, Harsh Borah, Yong Chan Kim, Maxime Cronier, Joshua Curtis, Amit Das, C Dinesh Reddy, Paul Donnellan, Laurie Estampes, Nicola Gilbert, Ujasgiri Goswami, Girish GR, Andreas Graichen, Shahid Hussain, Doug Johnson, Kieran Jordan, Dinesh Kanakaraj, Pradeep Katta, Fazal Khan, Sparsh Kumar, Alberto Lara, Tatjana Ljubimtseva, Mahesh M S, Keith McMenamy, Vijay Mohan, Robert Moore, Sriram Namana, Umesh Namdev, Melanie Okamura, Loganathan P, Kiran Prabhu, Guru Prasad, Nikhat Praween, Rijo R, Krushna Ramrao Kulsange, Vudatha Sai Krishna, Anil Sarki, Vikas Shinde, Navdeep Singh, Kuldeep Singh Waldia, Sudakshina Sridharan, Renato Suetake, Adem Suleyman, Akshay Suresh Lanjewar, Jadheer T P, Paul Tempelman, Somesh Tiwari, Alek Vacura, Dongili Varaprasad, Roman Vrbovsky<br />
Matchmove Lead - Murali Krishna Reddy<br />
Design - Wendy Eduarte, Fionna Mariani, Tetsuro Mise, Laura Nash, David Nelson, Sam Singleton<br />
Finishing - Michael Almodovar<br />
Shoot Supervisor - Aleksandar Djordjevic, Jim Radford, Dan Williams<br />
<br />
Agency - TBWA/Chiat/Day NY <br />
Executive Producer - Tina Lam<br />
Business Director - Nora Chivelly <br />
Operations Manager - Olivia Scala<br />
Business Manager - Nico Rodriguez<br />
Chief Strategy Officer - James Sowden<br />
Senior Strategists - Katelyn Saks, Sophie Engelstien, Mani Schlisser, Kayla Sredni<br />
Chief Creative Officer - Chris Beresford-Hill <br />
Creative Directors - Jexy Holman and Nuno Teixeira<br />
Senior Copywriter - Athanasia Efthimiu<br />
Senior Art Director - Alyssa Cavanaugh <br />
Director of Integrated Production - John Doris <br />
<br />
Client - Oculus / Facebook<br />
Creative Directors - Robbin Ingvarsson + Kako Mendez <br />
Executive Producer - Angela Fung <br />
Producer - Brian Coate <br />
<br />
Cast<br />
Hero Twins + Kaylee + Taitlyn Jaiy<br />
POP One Friend - Ryan Perkins<br />
POP One Friend - Malcolm Atobrah<br />
Beatsaber - Dreya Mac<br />
MoH Player - Jack Morris<br />
Walking Dead NPC - Vadim Pavlenko <br />
<br />
Zombies - <br />
Misha Makarov<br />
Tonya Romanenko<br />
Michael Anyim<br />
Sveta Оnopa<br />
Pavel Evchin<br />
<br />
POP One - Akeem Bello <br />
Chair Zombie/MoH Stunt/POP One stunt - Andrey Kaba<br />
Zombie/MoH Stunt/POP One stunt - Roman Korzhuk<br />
<br />
MoH / POP One stunt - <br />
Ivan Strizhakov<br />
Roman Stankevich <br />
Evgeniy Poliakov<br />
Nikolay Zavarygin <br />
Andrey Bezverkhniy<br />
Vadim Bezverkhniy<br />
Anton Zubchenko

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'Letter to a Cycad' is a visual homage to the historic Palmhouse in Copenhagen, and a reflection on the evolution of plants and our human impact on the planet. Using a fictional voice of the late botanist Frederik Liebmann (1813-1856) who found and described the cycad species Dioon edule, the oldest specimen in the Palmhouse, the film explores life histories and the current biodiversity crisis. <br />
<br />
CREDITS<br />
<br />
PRODUCER<br />
Anders Drud<br />
<br />
ASSOCIATE PRODUCER<br />
Frederik Wolff<br />
<br />
MANUSCRIPT<br />
Rasmus Zwicki<br />
<br />
VOICE AND SOUND<br />
Rasmus Zwicki<br />
<br />
ART DIRECTION, STORY BOARD AND ANIMATION<br />
DarkMatters.dk<br />
<br />
<br />
THANKS <br />
Jesper Riis Christiansen<br />
Ole Seberg<br />
Tonni Eilertsen<br />
Hanne Espersen<br />
Henning Knudsen<br />
Nele Høgsbro<br />
<br />
Supported by IARU Virtual Museum Tours / UNIVERSITY OF COPENHAGEN

A short film for our "STRESSED OUT" poster, illustrated by JOHNNY RYAN.  <br />
<br />
Starring: Connor Coyne <br />
<br />
Kenny: Ronald Bronstein<br />
<br />
Anne: Laura Korista<br />
<br />
Christie: Julie Puglin<br />
<br />
Directed/Written/Edited/Shot by: John Paul Lopez-Ali<br />
<br />
Colored by: Chris Messina <br />
<br />
Sound by: Ian Berman<br />
<br />
Produced by: Emily Chin-Longobardi<br />
<br />
PA’s: Eddy Charles, Tenaya Nasser-Frederick & Margaux Beck<br />
<br />
Special Thanks: Becky Novick

Director: Elliott Power<br />
Cinematographer: Diego Garcia<br />
Managing Partner: Kelly Bayett<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: Deannie O’Neil<br />
Head of Production: Paige Kauffman<br />
Production Company: Love Song <br />
1st Assistant Director: Khucame Morales<br />
2nd Unit Directors: Louis McCourt<br />
Producer: Natalia Casanova<br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Edit Assistant: Matthew Blacklock<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Local Production: The Lift <br />
Partner: José Barrera<br />
Executive Creative Director: Dan Williams at The Mill<br />
Flame Artist: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Score: Miink <br />
Music Supervision: Sunny Kapoor Curation <br />
Sfx: Barking Owl Gus koven <br />
VO: Ja’Lisa Arnold <br />
Stylist: Paola Alfaro & Void<br />
Make Up: Valeria Salas <br />
Production Design: Christian Stone <br />
<br />
Client: Stock X<br />
Agency: Mojo Supermarket

Director: Elliott Power<br />
Cinematographer: Josep Pardo & Pau Muñoz<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: José Barrera <br />
Producer: Cristina Barres <br />
Creative Director: Laura Urraca<br />
Production Company: The Lift x Love Song <br />
1st Assistant Director: Lloret Gironés <br />
Production Manager: Renzo Zorrilla <br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Executive Creative Director: Dan Williams at The Mill<br />
Creative Director: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Titles: Dorçia Studio <br />
Stylist: Paola Alfaro & Xochitl West <br />
Stylist Assistant: Zyanya Lizbeth Galvan Medina <br />
Sfx Make Up: Adam Zoller <br />
Make Up: Valeria Salas <br />
Art Department: Ana Cristina Icazbalceta <br />
Locations: Andreas Macias<br />
<br />
Special Thanks: Alejandro Garcia Contreras, Ángela Leyva, Lorena Vega, Samatha Zabaleta

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Party time is all the time...<br />
<br />
Directed by Nick Roney <br />
for Stink Films & Callen<br />
<br />
STINK FILMS<br />
Executive Producers — Ryland Burns, Katie Lambert, & Martha McGuirk<br />
<br />
CALLEN<br />
CCO — Craig Allen<br />
Creatives — Matt Nall / Kyle Davis<br />
Executive Producer — Mike Davidson<br />
<br />
NAMESAKE CONTENT<br />
Producer — Elisha Gustafson<br />
<br />
Director of Photography — Christopher Ripley<br />
1st AC — Jordan Utley & Spencer Goff<br />
2nd AC — Chris Hammock & Brenna Empey<br />
Camera PA — Corbin Dallin<br />
Gaffer — Brent Rowland & Jared Jaynes<br />
Best Boy Electric — Josh Miller<br />
Key Grip — AJ Beer<br />
Dolly Grip — Elias Jeppeson<br />
Grip — Camille Johnson & Christian Spangler<br />
<br />
Production Designer — Cortni Wimberley & Meg Cabell<br />
Propmaster — Emma Swenson<br />
Art PA — Jaimy Lee<br />
Special Effects: Roundy SPFX<br />
Animatronic Designer: Chris Hanson<br />
Graphics: Tiffany Wardle<br />
<br />
Wardrobe Stylist — Subrina Mohr & Lianna Hartley<br />
Wardrobe Assistant — Ciera Perry<br />
HMU — Subrina Mohr<br />
SPFX Makeup — Laura Hendricks<br />
<br />
1st AD — Tyson Whitney<br />
PAs — Gaylen Smith, Austin Farmer, McKenzie Smith, Nathan Smith, Matt Gagnon, Stephen St. Peter, Duncan Biles, Beth Kearsley, April Stromberg<br />
Choreographer — Naomi Pacheco<br />
<br />
Editor — Dusten Zimmerman<br />
Post House — Exile Edit<br />
VFX Supervisor — Ryan Game<br />
VFX Artists — Alex Budlan, John Bashyam, Geoff Stephenson<br />
CGI Artist — Vicki Juhasz<br />
Colorist — Chris Ripley<br />
Sound Designer — Shaun Yee<br />
<br />
CAST<br />
Chipper — James Morris<br />
Chipper Stand Ins — John Anderson & Renny Wardle<br />
Devin — Alex Weyerstall<br />
Bully — Jagger Woolstenhulme<br />
Employee — Martin Courtney<br />
Doctor — Palmer Scott<br />
Bus Stop Woman — Robin Wardle<br />
Kids — Quinn Gustafson, Jonah Hashimoto, Rhythm Pacheco, Samuel Hashimoto, Reiken Barber, Damon Clement, Owen Clement<br />
Birthday Party Dad — Craig Allen

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Director: Elliott Power<br />
Cinematographers: Edson Reyes, Ramón Sampaio, Axel Cuevas de Chaunac <br />

Executive Producer: Nicky Barnes
<br />
Producer: Erin Kennedy<br />
Production Company: Somesuch <br />
Editorial Company: Cut + Run
<br />
Editor: Beau Dickson
<br />
Title Design: Dorçia Studio<br />

Creative Director: Daryl Higgins<br />
Additional Photography: Elliott Power, Saint Louis Chess Club, Kevin Duggin<br />
<br />
Agency: Droga5 <br />
Copywriter: Emily Berger<br />
Senior Art Director: Jason Gold<br />
Associate Producer: Connor Hagan<br />
<br />
Special Thanks: Daniel Wolfe, Adriana Cebada Mora

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Full VFX breakdown: https://youtu.be/FkK7ty8ymDc