Joe Buffalo is an Indigenous skateboarding legend. He’s also a survivor of Canada’s notorious Indian Residential School system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dream of turning pro.<br />
<br />
A short hybrid documentary executive produced by Tony Hawk and distributed by The New Yorker. <br />
<br />
Watch the full film here: https://vimeo.com/757444197<br />
<br />
<br />
IDA Awards - Best Short Nomination<br />
DOC NYC - Awards Shortlist<br />
SXSW - Audience Award<br />
Tribeca - Official Selection<br />
REGARD - Jury & Audience Awards<br />
Calgary Underground - Jury & Audience Awards<br />
NorthwestFest - Best Canadian Short<br />
Planet In-Focus – Best Canadian Short<br />
Local Sightings - Best Short Documentary<br />
Nevada City - Best Cinematography & Editing<br />
Bendfilm - Best Indigenous Short<br />
Cordillera - Best Indigenous Short<br />
Telefilm Canada’s “Not Short On Talent” @ Cannes 2021<br />
<br />
Director & Editor - Amar Chebib<br />
Writers - Joe Buffalo & Amar Chebib<br />
Producers - Hayley Morin, Mack Stannard, Amar Chebib<br />
Executive Producer - Tony Hawk & Mohammad Gorjestani<br />
Cinematographer - Liam Mitchell<br />
1st AC - Solomon Chiniquay<br />
Sound Design & Mix - Matt Drake<br />
Post-Sound Mentee - Kaitlyn Redcrow<br />
Colourist - Sam Gilling<br />
<br />
Production Company - Luminus Films<br />
In Association With - Even/Odd<br />
With the Participation of - The Canada Council for the Arts<br />
Distributed by The New Yorker

Beware of the killer pigeon !<br />
<br />
---<br />
Directed, shot and edited by Morgan Jouquand<br />
Starring : Miel de Montagne & Victor Cascarigny<br />
Production Designer : Thibault Ceasar<br />
Produced by Etienne Piketty for Recherche & Développement<br />
Assistant Cam & FPV Drone : Bruce Touron<br />
Location Manager : Julien Chatelain<br />
<br />
---<br />
Seamstress : Belza Beausoleil - Roxane Eygret - Thomas Ceseldi<br />
Grind Guitar Construction : Luigi Loridan<br />
Thanks to Antoine Gautron - Sudside - La Cité Des Arts De La Rue

A cautionary tale.

CAST
Best Friend ... John Craven
Best Friend ... Charles Shaw Robinson

CREW
Director / Writer / Cinematographer ... Mario Furloni
Composer ... William Ryan Fritch
Editor ... Mario Furloni
Producers ... Mario Furloni, Kate McLean, Laura Heberton
Co-Producers ... Robert Arnold, Jason Sussberg
Colorist ... Robert Arnold
Sound Recordist ... Henrique Campos
Story By ... Mario Furloni
Sound Designer ... Peter Albrechtsen
Re-recording Sound Mixer ... David Barber
Dialogue Editor ... Thomas Pape
Sound Effects Editor ... Mikkel Nielsen
Foley Artist ... Heikki Kossi, MPSE
Foley Mixer ... Lauri Marjamaa
Foley Editor ... Pietu Korhonen
Sound Facilities ... Offscreen, Copenhagen
Foley Studio ... H5 Film Sound, Ltd

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Jerry Schwartz

Party time is all the time...<br />
<br />
Directed by Nick Roney <br />
for Stink Films & Callen<br />
<br />
STINK FILMS<br />
Executive Producers — Ryland Burns, Katie Lambert, & Martha McGuirk<br />
<br />
CALLEN<br />
CCO — Craig Allen<br />
Creatives — Matt Nall / Kyle Davis<br />
Executive Producer — Mike Davidson<br />
<br />
NAMESAKE CONTENT<br />
Producer — Elisha Gustafson<br />
<br />
Director of Photography — Christopher Ripley<br />
1st AC — Jordan Utley & Spencer Goff<br />
2nd AC — Chris Hammock & Brenna Empey<br />
Camera PA — Corbin Dallin<br />
Gaffer — Brent Rowland & Jared Jaynes<br />
Best Boy Electric — Josh Miller<br />
Key Grip — AJ Beer<br />
Dolly Grip — Elias Jeppeson<br />
Grip — Camille Johnson & Christian Spangler<br />
<br />
Production Designer — Cortni Wimberley & Meg Cabell<br />
Propmaster — Emma Swenson<br />
Art PA — Jaimy Lee<br />
Special Effects: Roundy SPFX<br />
Animatronic Designer: Chris Hanson<br />
Graphics: Tiffany Wardle<br />
<br />
Wardrobe Stylist — Subrina Mohr & Lianna Hartley<br />
Wardrobe Assistant — Ciera Perry<br />
HMU — Subrina Mohr<br />
SPFX Makeup — Laura Hendricks<br />
<br />
1st AD — Tyson Whitney<br />
PAs — Gaylen Smith, Austin Farmer, McKenzie Smith, Nathan Smith, Matt Gagnon, Stephen St. Peter, Duncan Biles, Beth Kearsley, April Stromberg<br />
Choreographer — Naomi Pacheco<br />
<br />
Editor — Dusten Zimmerman<br />
Post House — Exile Edit<br />
VFX Supervisor — Ryan Game<br />
VFX Artists — Alex Budlan, John Bashyam, Geoff Stephenson<br />
CGI Artist — Vicki Juhasz<br />
Colorist — Chris Ripley<br />
Sound Designer — Shaun Yee<br />
<br />
CAST<br />
Chipper — James Morris<br />
Chipper Stand Ins — John Anderson & Renny Wardle<br />
Devin — Alex Weyerstall<br />
Bully — Jagger Woolstenhulme<br />
Employee — Martin Courtney<br />
Doctor — Palmer Scott<br />
Bus Stop Woman — Robin Wardle<br />
Kids — Quinn Gustafson, Jonah Hashimoto, Rhythm Pacheco, Samuel Hashimoto, Reiken Barber, Damon Clement, Owen Clement<br />
Birthday Party Dad — Craig Allen

vhfd njcgh bvghk

Director : Sivaroj Kongsakul<br />
Agency : BeGood<br />
Production : La Pac<br />
<br />
Executive Producer: Claire Garraud<br />
VFX Producer : Benjamin Cathala<br />
VFX Supervisor: Vincent Venchiaruttil<br />
Modeling & Environnement : Guillaume Thébaut<br />
Matte Painting : Alain Descamps<br />
Animation : Ludovic Martin, Guillaume Thébaut<br />
Lighting - Compositing : Anthony Tran<br />
Motion : Vincent Venchiarutti, Franck Maillet, Maxime Orsini, Jérémy Chicheportiche, Caroline Mistral, Cyril Hiard<br />
Grading : Arthur Paux<br />
Editor Assistant : Maité Tamain

O Black Hole! is a winner of the 2022 Best of the Year award. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
<br />
Renee Zhan's imaginative animated space opera follows a woman who can't stand the passing of time—until she inevitably turns into a black hole, absorbing everyone and everything she loves.<br />
<br />
Directed by Renee Zhan

Amidst the depths of despair, a grieving mother finds her voice to challenge the forces of injustice and inspire hope.

A film by Erin Semine Kökdil
Featuring Teresa Smith

2016 || Black & White || 16mm
Shot on a Bolex

Trailer: https://vimeo.com/195874915

Screenings:
Camden International Film Festival, 2018
Hot Docs International Film Festival, 2018
Big Sky Documentary Film Festival, 2018
New Filmmakers New York, 2018
Denton Black Film Festival, 2018
The People’s Film Festival, 2018
FECIBogotá, 2018
Drunken Film Fest - Oakland, 2018
International Documentary Film Festival Amsterdam (IDFA), 2017
San Francisco Frozen Film Festival, 2017
March on Washington Film Festival, 2017
SF DocFest, 2017
Palm Springs International Shortfest, 2017

Permanence is a human construct.<br />
<br />
<br />
Made with Runway Gen-2.

ADIDAS ORIGINALS – SAM FENDER (GAZELLE)<br />
<br />
Production Company: Agile Films <br />
Director: Yoni Lappin <br />
Executive Producer: Myles Payne Executive Producer: Andy Eaton<br />
Producer: Laura Mival <br />
Director of Photography: Sam Meyers <br />
Production Designer: Elena Isolini <br />
Stylist: Lorena Maza <br />
Production Manager: Erinn Fitzgerald <br />
Production Manager: Harry Chambers <br />
<br />
CLIENT <br />
<br />
Senior Brand Comms Manager: Will Wall <br />
Senior Brand Comms Manager: Nicky Waller <br />
Originals Category Lead: Georgia Wagstaff <br />
Senior Director Brand Comms: Steve Marks <br />
Digital Publishing Manager: Pooja Popat <br />
Partner Publishing Assistant Manager: Lynette Sraha <br />
<br />
AGENCY <br />
<br />
Agency: UDOX <br />
Creative Director: Jack Reynolds <br />
Associate Creative Director: Jake Wesley <br />
Senior Creative Producer: Michael Radford <br />
Head of Production: Claire Ramasamy <br />
Senior Account Manager: Becky Burchell <br />
<br />
POST-PRODUCTION <br />
<br />
Edit House: MARSHEEN <br />
Editor: Rob Daglish <br />
Assistant Editor: Matthew Blacklock <br />
Post-producer: Harriet Cawley <br />
Colour: Electric Theatre Company<br />
Colourist: Jason Wallis <br />
Post-producer: Oliver Whitworth <br />
Sound Designer: Christian Blad <br />
Post-producer: Oksana Steblyk <br />
Head of Post: Martin Fickling <br />
Online Editor: Mossie Cassidy <br />
Online Editor: Natalya Holley <br />
Online Editor: Jamie Thomas Kirby

Trailer for wry short film developed by BBDO New York<br />
Full Film Here (Director's Cut) : http://vimeo.com/31191754<br />
<br />
For http://www.theartofshaving.com<br />
<br />
Director - Ben Briand<br />
www.benbriand.com<br />
http://twitter.com/ben_briand<br />
<br />
Executive Producer - Scott Gardenhour<br />
Producer - Kati Haberstock<br />
www.theinstitute.tv<br />
<br />
Cinematography - Eigil Bryld<br />
www.eigilbryld.com<br />
<br />
Wardrobe Design - Amy Westcott<br />
www.imdb.com/name/nm0922492<br />
<br />
Production Design - Kiki Giet <br />
http://kikigiet.com<br />
<br />
Editor - Michael Saia<br />
www.jumpny.tv

David Wain discusses life in Los Angeles and international capital cities with writer, director, actor, and comedian David Wain.<br />
<br />
Produced by Flaunt Magazine<br />
Written and Directed by Jimmy Marble<br />
<br />
2012<br />
www.jimmymarble.com

Filmmaker Kristoffer Borgli practiced lucid dreaming for months to prepare for this world's first attempt at interviewing a person from inside a dream.<br />
<br />
With the help of the Pasadena Sleep Clinic, Al Warren (actor and friend of Borgli) sat down to talk about the movie Dream Scenario, which is now available on VOD, all while Kristoffer Borgli was in deep sleep, replying through en EEG head cap connected to a speaker.

Short Film for Breast Cancer Now !!! I was asked to visualise the nuances and complexities of women’s relationship with their breasts. I hope you find some relatable moments in here and are inspired to check your boobs however you may feel about them. <br />
<br />
OUTSTANDING ANGEL ALERT ....<br />
<br />
Production company - Strange Beast<br />
Producer - Amy Ashton<br />
Senior Producer - Zoe Muslim<br />
Executive Producer - Kitty Turley<br />
Animation - Anna Ginsburg, Matt Lloyd, George Wheeler, Sheetal Thankey, Harriet Gillian <br />
Animation Assistants - Laura Jayne Hodkin, Natasha Pollack, Maria Beverley Morris, Eloise Garlick, Sorrel Milne<br />
Music Composition - George Grinling<br />
Executive Creative Director - Steve Back, Weber Shandwick<br />
Associate Creative Director - Janelle Feliciano, Weber Shandwick<br />
<br />
THANK YOU EVERYONE THIS ONE WAS A REAL JOY. Gonna order some nipple tassels to celebrate.

Coming Home is an intimate portrait of Freedom Dabka Group, a group of Palestinian-American performers who use the traditional Dabka dance as a means to connect to their community, their culture, and each other. Shot on 16mm under the unique constraints of 2020-21 featuring archive photography from The Palestinian Museum.<br />
<br />
Written & Directed by Naim Naif & Margot Bowman <br />
Produced by Meghan Doherty <br />
Produced by Naim Naif & Margot Bowman <br />
Production Company: Portal NY <br />
Introducing Freedom Dabka Group <br />
Featuring archive photography from The Palestinian Museum Digital Archive <br />
Cinematographer - Kenny Suleimanagich <br />
Editor - Aika Miyake <br />
Trailer Editor - Rain Keene<br />
Music Director - Gisela Fullà Silvestre<br />
Colorist - Houmam Abdallah <br />
Title Design - Mooni Studios <br />
<br />
Associate Producer - Ali Rosa Salas <br />
Associate Producer - Serene Huleileh <br />
Production Manager - Sokhna Samb <br />
Translation - Sloan Abihaidar <br />
SteadiCam - Austin Castelo <br />
<br />
Sound<br />
Ken Goodwin (Silver Sound) <br />
Peter Getz (Sound Co-op)<br />
<br />
Post Production<br />
Post Producer- Jake Williams <br />
Managing Partner - Michelle Eskin<br />
Executive Producer - Amburr Farls<br />
Assistant Editor - Hans Choi<br />
Color Producers - Joey Fitzsimmons, Anya Knower <br />
Stills Photography - Louis Browne <br />
Film Processing - Metropolis Post<br />
Finishing - Harley Astorga<br />
<br />
<br />
US Broadcast - POVDocs / PBS<br />
World Premier - SXSW<br />
Winner Best Short - Palestine Cinema Days

Agency : Proximity (TBWA)<br />
Production : Diplomats<br />
Post production studio : The Mill Paris <br />
Executive Producer : Fabrice Damolini<br />
VFX Producer : Sébastien Noyon<br />
VFX & CG Supervisor : Mickael Girod<br />
Supervision Shoot : Alban Lelièvre<br />
Grading : Mathieu Caplane<br />
Concept Art/ Environment : Nathan Lucas, Fabien Barrau<br />
Modeling/Shading : Alex Corcoy<br />
Matte Painting : Benjamin Bardou<br />
Rigging : Marine Sisnaki<br />
Previz/Animation : Guillaume Poueymarie, Ferdinand Boutard, Alban Lelièvre, Alexandre Sauthier<br />
FX : Thomas Arsene<br />
Lighting : Adrien Borzakian, Lucas Bachelet, Yohan Grau, François-Xavier Gonnet<br />
Motion : Alexandre Tarquini<br />
Compositing : Laurent Launes, Randy Gudin, Arthur Sayanoff<br />
Flame : Stéphane Pivron

Remember the lyrics to protect your love life.<br />
<br />
<br />
'An ode to changing times. What started as an actual conversation with a close friend, the grimmest man I know, blurting the words - 'I love Taylor Swift', left me contemplating about the whys and hows of our Anthropocene. The film chooses a direct & light-hearted approach to contradict the otherwise meta-modern landscape we reside in.'<br />
<br />
<br />
Director & Writer - Pranav Bhasin<br />
Cast - Vvansh Sethi, Eklavey Kashyap (& Bhumika Ahuja)<br />
Producer - Vishal Sane <br />
Associate Director - Saarth Padmakar<br />
DOP - Aditya Sharma<br />
Assistant Everything - Vikrant Patankar<br />
Sound Recordist Rajat Diwan<br />
Sound Design Anish Poduval<br />
Music by Sarang Menon<br />
Line Producer - Vitthal Kalmukle<br />
Title & Poster Design - Akshita Sinha<br />
<br />
This film exists thanks to Aashna Sharma, Ibad Shaikh, Biswapati Sarkar & Supavitra Babul.<br />
<br />
Thank you for watching!

Since he was a kid growing up in Upper Marlboro Maryland, Chase Young dreamed of playing Pro Football and getting “the call” on draft day – but he didn’t imagine the moment being under quarantine and in a COVID-19 world. <br />
<br />
We teamed up with Beats by Dre to capture the last days before Chase’s dreams of becoming a Pro came true. While in quarantine, Chase reflects on his journey and how the current times give him a renewed perspective on the importance of family. <br />
<br />
This project was developed, produced, and captured remotely following strict health and safety guidelines with Chase, his family, and our crews’ safety top of mind.<br />
<br />
Client - Beats by Dre<br />
Production Company - Even/Odd<br />
Directors - Amar Chebib & Mohammad Gorjestani<br />
Producer - Heron Bourke<br />
Remote Shooter - Ian Thomas<br />
Editor - Lauren Connelly

Most kids from underserved communities in the Bay Area would never see a golf course if it wasn't for The First Tee of San Francisco. But more than a youth sports nonprofit, The First Tee provides resources and mentorship to help these adolescents pursue higher education and become successful adults. They asked us to tell the story of their transformational program.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography by Noe Chavez<br />
Sound Recording by Jeff Dragomanovich & Patrick Shaffer<br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Dead Light (Courtesy of Marmoset)<br />
Colourist - David Tomiak<br />
Gaffer/Grip/AC - Tandy Kyne<br />
Production Manager - Rachel Barth<br />
Production Assistant - Shervin Nakhjavani