NIHON is a personal work of mine that explores the uncanny vertigo I enter when I am pulled into Japan. It’s my closest attempt at expressing to others what I experience as a foreigner traveling through its many levels of stimulus.<br />
<br />
For a breakdown on the process please visit - Nihonfilm.com

Also check out my Pyongyang film here: https://vimeo.com/300271709<br />
<br />
A few weeks back I had the chance to visit Pyongyang and attend the Mass Games there. This show is by far the most incredible and amazing performance I have ever laid my eyes on. Watch this 4 minute film and you will know why. Only a communist country can pull something like this off I guess. However, I do not want to get involved in politics here, so please do your own research. <br />
<br />
<br />
Many thanks to Simon Cockerell and Jessica Mader from Koryo Tours ( https://koryogroup.com ) and Ri So Hyang, Kim Sun Mi, Lee Song Hyok, Kim Yong Un from KITC for arranging permissions and making this project possible. <br />
By the way: I did not get paid to shoot this film!<br />
<br />
Mass Games can basically be described as a synchronized socialist-realist spectacular, featuring over 100,000 participants in a 90-minute display of gymnastics, dance, acrobatics, and dramatic performance, accompanied by music and other effects, all wrapped in a highly politicized package. Students practiced every day from January onwards. The 90 minute performance is held every evening at 7pm and features the 'largest picture in the world' a giant mosaic of individual students each holding a book whose pages links with their neighbours’ to make up one gigantic scene. When the students turn the pages the scene or individual elements of the scene change, up to 170 pages make up one book. <br />
In August 2007, the Mass Games were recognised by Guinness World Records as the largest gymnastic display with 100,090 participants at the May Day Stadium in Pyongyang. (Source Wikipedia)<br />
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A time-lapse tilt-shift film by Joerg Daiber.<br />
<br />
Facebook: https://www.facebook.com/MiniatureFilms<br />
Twitter: http://www.twitter.com/spoonfilm<br />
YouTube: http://www.youtube.com/littlebigworld<br />
Web: http://www.spoonfilm.com<br />
<br />
You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license<br />
<br />
WATCH FULL SCREEN!<br />
Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite.<br />
<br />
Music: The Internationale by Pierre De Geyter, performed by Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky<br />
and Swan Lake by Pyotr Il'yich Tchaikovsky, performed by Apollo Symphony Orchestra.

A short film for UK-based charity Live Life Give Life. <br />
Find out more - https://livelifegivelife.org.uk/<br />
<br />
Direction and Animation - Daniel Stankler<br />
Creative Direction - Roydon Turner<br />
Produced by - Awesonova<br />
Sound by - Zing Audio

A Johannesburg cyclist on his daily commute playfully engages with the sprawling city.<br />
<br />
Featured on:<br />
<br />
Radavist - http://theradavist.com/2017/10/please-do-not-count-this/<br />
<br />
Monster Children - http://www.monsterchildren.com/65592/pls-not-count-lesson-hazardous-commuting/<br />
<br />
Between 10and5 - http://10and5.com/2017/10/13/r....iding-through-joburg

In a first-of-its-kind Polo collaboration, Grammy-nominated pianist and composer Romain Collin was asked to, quite literally, make music with Ralph Lauren clothing. Along with Jeremy Loucas, the duo named FOSS (@_fossfossfoss) accepted the challenge, making a song in a remote New York cabin in two days, using clothes as the foundation.<br />
<br />
Directed by Matthew Palmer<br />
Shot by Samuel Ott and Matthew Palmer<br />
Edited by Sam Zarrin at Legion Post<br />
Color by Yoomin Lee<br />
Sound Design / Mix by Sam Costello at Legion Post<br />
Clothing by Ralph Lauren<br />
Music by FOSS - Romain Collin and Jeremy Loucas

A Small Antelope Horn’ by Carlo Rovelli, theoretical physicist, founder of loop quantum gravity theory and bestselling author, is out now exclusively on Alexander. Set in northern Tanzania, this non-fiction feature follows Rovelli’s recent journey from studying black holes to tracking animals with the Hadza—one of the last hunter-gatherer societies in Africa. Read by Academy Award-nominated actor Richard E. Grant, ‘A Small Antelope Horn’ speaks of the history of civilisation, and the timeless wisdom of nomadic lifestyles of the past.<br />
<br />
Read, listen, and watch the full story on Alexander. Available in the App Store.<br />
<br />
Written by @carlitorovelli <br />
Read by @richard.e.grant <br />
Directed by @_rubberband<br />
Animated by @james_siewert_artwork<br />
Music by @cosmosheldrake<br />
Creative direction @lookstudiosnyc

Earth to COP was the creative response from HTYT Ltd to the brief given to them to produce the Leaders Summit Opening Ceremony for COP26. This film - shown to over 120 World Leaders at the conference - formed the pivotal moment of the ceremony and presents an eyewitness portrait of climate change. Using dramatic mobile phone footage from around the world, this short film shows the extent of damage caused by the change in our climate, contrasted with the beauty of Earth - what is at stake and what our leaders need to protect. It underlines that we have seen some progress, but we need further and faster action.<br />
<br />
The composer of the music for the film, Steven Price is an Academy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him the Academy Award and Critics' Choice Award.<br />
<br />
The Earth to COP film was independently produced by Harder Than You Think and is a partnership with Bloomberg. The film will be widely distributed, including through a principal partnership with Bloomberg, a global partnership with WWF and with TikTok, who share the ambition to help bring Earth to COP to a worldwide audience. It will also be played on digital screens across the UK. <br />
<br />
<br />
<br />
© 2021 HTYT Ltd<br />
<br />
www.earthtocop.org <br />
#earthtocop<br />
<br />
Created by Greg Nugent<br />
Producer: Barnaby Spurrier<br />
Director: Matt Houghton<br />
Editor: Abolfazl Talooni<br />
Executive Producers: Baroness Liz Sugg, Charlotte Todman <br />
Composer: Steven Price<br />
Archive Producer: Aisling Conboy<br />
Production Manager: Paris Faro<br />
Senior Researcher: Calum Campbell<br />
Researcher: Kirsty Asher<br />
<br />
Audio Post Production Studio: String and Tins<br />
Supervising Sound Editor: Will Cohen<br />
Sound Effects Editor: Kaspar Broyd<br />
Re-Recording Mixer: Lawrence Kendrick<br />
Audio Post Producers: Eimear Ní Ghuaire, Alina Miroshnichenko<br />
Picture Post Production Studio: Framestore<br />
Post Production Producers: Sara Beckman, Jake Saunders<br />
Data Services Manager: Nick Rafferty<br />
Post Production Senior Editor: Carey Williams<br />
Flame Artist: Luigi Russo<br />
Head of Grade: Steffan Perry<br />
Digital Assets Editor: Nic Lowicz<br />
Graphic Design: North Studios<br />
Offline Edit Facilities: Azimuth Post Production<br />
<br />
Captions and BSL Production: Cambridgeshire Deaf Association<br />
BSL Translator: Daryl Jackson<br />
Translation Presented by TransPerfect <br />
Accessibility Consultant: Sinéad Burke<br />
Accessibility Consultant: Haben Girma

Introducing Ralph, the new spokes-bunny of the global campaign to ban animal testing for cosmetics. #SaveRalph​​ is a powerful stop-motion animation short film produced by Humane Society International, featuring an all-star multinational cast including Taika Waititi, Ricky Gervais, Zac Efron, Olivia Munn, Pom Klementieff, Rodrigo Santoro, Tricia Helfer and more. https://hsi.global/SaveRalph​<br />
<br />
Save Ralph is a powerful stop-motion animation short film featuring Oscar winner Taika Waititi as the voice of Ralph, who is being interviewed for a documentary as he goes through his daily routine as a “tester” in a lab.<br />
<br />
HSI’s #SaveRalph​ campaign tackles the cruelty of animal testing in an original and unexpected way—using the story of one bunny to shine a light on the plight of countless rabbits and other animals in laboratories around the world.<br />
<br />
While Ralph is animated, the miseries he endures in the short film are far from made up. As Spencer Susser, the director of Save Ralph, says, “It's so important that Ralph feels real because he represents countless real animals who suffer every day.” <br />
<br />
Susser, known for his film Hesher, is among a slate of powerhouse celebrities and influencers who collaborated with Humane Society International on the making of Save Ralph. In addition to Waititi as Ralph and Gervais as the interviewer, the film has Zac Efron as Bobby, Olivia Munn as Marshmallow, Pom Klementieff as Cinnamon and Tricia Helfer as Cottonballs. <br />
<br />
Producer Jeff Vespa (Voices of Parkland) teamed up with the Arch Model studio of puppet maker supreme Andy Gent (Isle of Dogs, The Grand Budapest Hotel) on the production. https://hsi.global/SaveRalph

Client : Samsung <br />
CMO of MX Business : Stephanie Choi<br />
Vice President, Head of Global Brand Marketing Group : Sonia Chang <br />
Director : Yoonie Park <br />
Senior Manager : Youngeun Kang, MJ Kim, Adrian Wilson<br />
Manager : Sunhong (Sunny) Min, Jisu Goh<br />
<br />
Agency : Widen+Kennedy Amsterdam<br />
Production : Caviar<br />
Director : Los Perez <br />
<br />
Editing Company : Trim Editing <br />
Editor : Gaia Borretti, Paul Hardcastle<br />
Assistant Editor : Jacques Simon <br />
Producer : Tatyana Alexandra<br />
<br />
Post production : The Mill <br />
Epic Nightography<br />
VFX Supervisor: Ben Turner<br />
Lead Flame: Ben Turner, Ricky Weissman<br />
2D Artists: Doru Ondun, Johan Alfort, Lucas Warren, Luis Rosell, Pedro Santos, Sabanayagam Veerasekaran, Stephen Miller, Amresh Kumar, Jai Singh, Luis Rosell, Udaykiran Chowdary, Pratyush Paruchuri, Vivek Takale<br />
3D Supervisor : Laurent Giaume<br />
3D Artists: Can Y. Sanalan, Fabian Frank, Florent Sanglard, Jean Grandgirard, Luca Maccarelli, Maximilian Mallmann, Nicola Gilbert, Paul Autric, Petroc Menuhin, Pol EscaleCabre, Selcuk Ergen, Silvia Bartoli<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Creative Director: Carsten Keller<br />
Executive Producer: Lauren Loftus<br />
Senior VFX Producer: Grace Thorpe, Dave Moore, Arjan Eekels<br />
Previz Artists : Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Roto & Paint : Abdul Labeeb K, Abhishek Deswal, Ajay S Kumbhar, Akhil Mohan, Anita Khandare, Anuj Pathania, Anurag Singh, Avinash Molawade, Avinash Molawade, Chetan Shelar, Dayanand Sinha, Deepak Gupta, Dilip Balu, Harshad Rane, Hetal Agarwala, Hrushikesh Tarade, Imrojul Khan, Jaydeep Rajendra Jadhav, Jegadeesan Velayutham, Karthik A, Laxman Janardhan Pawar, Mayur Chandrakant Kothawade, Mohammad Ghayasuddin, Nilesh Kale, Nilesh Ravindra Sutar, Onkar Ghatage, Pankaj Powar, Prahallad Majhi, Prajakta Rajendra Nagarkar, Prasad Ghadigaonkar, Pratibha Dubey, Rahul Mane, Raushan Kumar, Ravikumar Sharma, Ritesh Patil, Rohit Dinkar Kale, Rohit Kumar Singh, Rohit Kuppekar, Roshan Gawand, Sachin Kumar, Sandeep Mishra, Santosh Kondiba Lokhande, Sekh Sahangir, Sriram Parameshwaran, Sudev S, Suhas Sitaram Jadhav, Tejas Budhawale, Tushar Suresh Bhat, Tushar Tulsidas Burse , Yogesh Ahire, Moumita Pratihar, Narendra Kumar. Jeet, Devappa, Irshad<br />
Matchmove Artist: Anirudh Krishna Kurve, Asif Mohammad, Avaneetharan Karuppasamy, Chetan Balasaheb Kadam, M Lokesh, Nallur Suhas Bhat, Pratik Vilas Pawar, Praveenkumar Palani, Puppala Vinod Kumar, Rais Pinjari, Swapnil Bharat Nerkar, Vedant Jagdish Mutrak, Vurukuti Siva Sarweswar , Elangovan, Manoj Ravi.<br />
CG Artist: Aman Jain, Dipak Chularam Nimje, Govardhan B, Harshad Suresh Jadhav, Kanad Mohurle, Monu Bakoliya, Piyush Sharma, Premanand Shivanand Naik, Rachit Bhatia, Sandeep Kumar Yadav, Sindhuja M S, Sumit Yadav, Sumitha D, Yallamraju Venkata Raja Chandra, Yogesh Subhash Zend, Vikas Soni, Girish GR.<br />
<br />
Epic Performance<br />
VFX Supervisors: Damien Canameras, Ben Turner<br />
Lead Flame: Damien Canameras<br />
2D Artists: Paul Goubet, Patrick Bennar<br />
3D Supervisor : Marouan El Bekri<br />
Digital Matte Painting: Nathan Lucas<br />
3D Artists: Marouan El Bekri, Valentin Lesueur<br />
Digital versions: Mickael Moercant, Maxime Orsini<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
VFX Producer: Stephanie Mollet<br />
Executive Producer: Fabrice Damolini<br />
Production Coordinator: Ewan Rosenstrauch, Mathilde Cohen-Selmon<br />
VFX Supervisors Seoul pick-up shoot: Yong Kim, Ian Baxter<br />
<br />
Epic Vision Booster<br />
VFX Supervisors: Ben Turner, Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Lead: Johan Alfort<br />
2D Artists: Johan Alfort, Doru Ondun<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producers: Grace Thorpe, Arjan Eekels<br />
Previz Artists: Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
<br />
Epic Night Video <br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
<br />
Epic Battery<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
<br />
Epic High Resolution<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
<br />
Epic S Pen<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Artists: Ricky Weissman, Anthony Jarvis<br />
Colourist: Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels

Director : Sivaroj Kongsakul<br />
Agency : BeGood<br />
Production : La Pac<br />
<br />
Executive Producer: Claire Garraud<br />
VFX Producer : Benjamin Cathala<br />
VFX Supervisor: Vincent Venchiaruttil<br />
Modeling & Environnement : Guillaume Thébaut<br />
Matte Painting : Alain Descamps<br />
Animation : Ludovic Martin, Guillaume Thébaut<br />
Lighting - Compositing : Anthony Tran<br />
Motion : Vincent Venchiarutti, Franck Maillet, Maxime Orsini, Jérémy Chicheportiche, Caroline Mistral, Cyril Hiard<br />
Grading : Arthur Paux<br />
Editor Assistant : Maité Tamain

https://www.imdb.com/title/tt1....5290820/?ref_=nm_knf

A musician finds a painful shortcut to writing new hits.<br />
<br />
<br />
Produced by<br />
Brain Dead Studios<br />
Cult Status<br />
<br />
<br />
CAST<br />
Mac Demarco as…Archie<br />
Whitmer Thomas as…Todd<br />
Steve Hernandez as…Pat<br />
Kaitlin Yaffe as…Sound Engineer<br />
Elisha Yaffe as…Sweaty Assistant<br />
<br />
Written and Directed by<br />
Jonny Look<br />
<br />
Produced by<br />
Elisha Yaffe<br />
<br />
Executive Producers<br />
Steve Smith<br />
Meg Murnane <br />
Kyle Ng <br />
Gavin Dogan<br />
<br />
Director of Photography<br />
Chris Westlund<br />
<br />
Production Designer<br />
Carson Giles<br />
<br />
Archie Design:<br />
Alex McMillan<br />
<br />
Archie Fabrication:<br />
Alex McMillan<br />
Tom Burns<br />
Steve Smith<br />
<br />
Editor<br />
Scott Hanson<br />
<br />
Original songs and music composed by<br />
Nick Cross<br />
<br />
Costume Designer<br />
Diana Dillon<br />
<br />
VFX<br />
Simon Mowbray <br />
<br />
Sound Mix & Design<br />
Chase Everett<br />
<br />
Color Correction<br />
Daniel Stonehouse @Crayon<br />
<br />
Graphics by<br />
Jason Look @Looksdiscount<br />
<br />
Additional Puppeteering<br />
Lauren Malizia<br />
Adam Willis<br />
<br />
1st Assistant Director<br />
James Beard<br />
<br />
Art Director<br />
Jillian Oliver<br />
<br />
Additional Design<br />
Olga Nesvetaylov<br />
<br />
1st A/C<br />
Andrew Plaza<br />
<br />
Chief Lighting Technician<br />
Jeff Caroli<br />
<br />
Key Grip<br />
Adam Presley<br />
<br />
Sound<br />
Morgan Chan<br />
<br />
Make Up<br />
Teal Druda<br />
<br />
Set Dresser<br />
Max Look<br />
<br />
PA<br />
Cade Howell<br />
<br />
Special Thanks<br />
<br />
Friends & Family<br />
Sam Cannon + Sam Cannon studios <br />
Freestyle Filmworks<br />
Lauren Malizia<br />
Adam Willis<br />
Patrick Muhlburger <br />
Nick Rooney<br />
Najeeb Marc Tarazi <br />
Michael Langan<br />
Julian Muller<br />
Gage Lindsten

Joe Buffalo is an Indigenous skateboarding legend. He’s also a survivor of Canada’s notorious Indian Residential School system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dream of turning pro.<br />
<br />
A short hybrid documentary executive produced by Tony Hawk and distributed by The New Yorker. <br />
<br />
Watch the full film here: https://vimeo.com/757444197<br />
<br />
<br />
IDA Awards - Best Short Nomination<br />
DOC NYC - Awards Shortlist<br />
SXSW - Audience Award<br />
Tribeca - Official Selection<br />
REGARD - Jury & Audience Awards<br />
Calgary Underground - Jury & Audience Awards<br />
NorthwestFest - Best Canadian Short<br />
Planet In-Focus – Best Canadian Short<br />
Local Sightings - Best Short Documentary<br />
Nevada City - Best Cinematography & Editing<br />
Bendfilm - Best Indigenous Short<br />
Cordillera - Best Indigenous Short<br />
Telefilm Canada’s “Not Short On Talent” @ Cannes 2021<br />
<br />
Director & Editor - Amar Chebib<br />
Writers - Joe Buffalo & Amar Chebib<br />
Producers - Hayley Morin, Mack Stannard, Amar Chebib<br />
Executive Producer - Tony Hawk & Mohammad Gorjestani<br />
Cinematographer - Liam Mitchell<br />
1st AC - Solomon Chiniquay<br />
Sound Design & Mix - Matt Drake<br />
Post-Sound Mentee - Kaitlyn Redcrow<br />
Colourist - Sam Gilling<br />
<br />
Production Company - Luminus Films<br />
In Association With - Even/Odd<br />
With the Participation of - The Canada Council for the Arts<br />
Distributed by The New Yorker

Directed by The McGloughlin Brothers<br />
<br />
Agency: Arts & Letters Creative Co.<br />
ECD: Charles Hodges<br />
ECD: Molly Jamison<br />
Director of Strategy: Andy Grayson<br />
Strategy Director: Zack Stergar<br />
Strategist: Bodi Karsono<br />
Group Business Director: Brenda Schneider<br />
Business Director: Lindsey Kirkner<br />
Business Manager: Salim Collins<br />
Senior Producer: Beata Mastalerz<br />
Producer: Sean Riojas<br />
Creative Directors: Andrew Kong & Chris Kim<br />
Creatives: Sam Christian, Brendan Howard & Joe Hartley<br />
Music Supervisors: Casey Wheeler & Cam DiNunzio<br />
Director of Business Affairs: Lenora Cushing<br />
Business Affairs Managers: Jennifer Kmetzsch<br />
<br />
<br />
Production Company: Hinterland Films<br />
Producer: Lorraine Geoghegan<br />
Post Production Support: Jen Connolly, Penco Post<br />
VFX Support: Eddie Sheanon<br />
End Titles: Ian Downes<br />
Colorist: Philip Hambi<br />
Color Producer: Dan Hills<br />
<br />
Music:<br />
Composer: Nathan Micay<br />
Artist Management: !K7 Music<br />
Artist Manager: Will Saul<br />
Publishing: Domino Publishing Co.<br />
Senior Director, Creative Synch: Jess Martin<br />
VP, Licensing & Copyright: Seigo Takeshima<br />
Audio: Sonic Union<br />
Sound Designer/Mix Engineer: Julienne Guffain<br />
Audio Post Producer: Justine Cortale<br />
VO Talent: Nana Dadzie<br />
<br />
Client: ESPN<br />
EVP, Creative Studio and Marketing at ESPN: Tina Thornton<br />
Senior Director, Sports Marketing: Curtis Friends<br />
Senior Director, Sports Marketing: Lucas Ferraro<br />
Associate Director, Sports Marketing: Jason Ritchkoff<br />
Associate Manager, Sports Marketing: Maximo Reyes<br />
Marketing Coordinator, Sports Marketing: Mohammed Ahmed<br />
Associate Director, Marketing Production: Matt Cheron<br />
Associate Producer II: Jonathan Little<br />
Production Coordinator: Sean Andersen<br />
Production Coordinator: David Wimberly<br />
Production Coordinator: Chelsea Mikell<br />
Producer, G&L: Edward Nieves

Trailer

Around The Bend is a journey through the moments and memories that become milestones as we travel the road of life. Equally wonderful and transient, the experience is marked by our relationships, glued together by unconditional love, and carried beyond our time in the legacy of those who come behind.<br />
------<br />
License footage from the film here: https://www.filmsupply.com/shoots/around-the-bend-individuals-and-families-at-different-stages-of-life-in-los-angeles/18851<br />
------<br />
Writer & Director: Ross Haines<br />
Cinematographer: Benjamin Kitchens<br />
Executive Produced By: Trust<br />
Executive Producers: Sarah Brannan & Loren Victory<br />
Production Support: Riverside Entertainment<br />
Producers: Ian Sadler & Hope Rubinkowski<br />
Casting Director: Maria O’Driscoll<br />
Casting Company: Popcasting<br />
Executive Producer Post: Kayan Choi<br />
Editor: John Gallager<br />
Assistant Editor: Ilya Sarossy<br />
Assistant Editor: Mike Taylor<br />
Edit House: Outsider<br />
Original Score: Nicolas Barry<br />
Art Director: Tony Pizza<br />
Sound Design & Mix: Dan Hart<br />
Sound House: Shindig<br />
Colorist: Derek Hansen<br />
Color Producer: Jenny Bright<br />
Color House: AFX Creative<br />
Gaffer: Joshua Atkins<br />
Key Grips: Zandra Cullen & Luke Sacksteder<br />
1st AC: Max Harsant & Rayner Hallera<br />
2nd AC: Cameras: Joe Dibartolomeo & Natalie Izquierdo<br />
PAs: Ella Windmiller, Graham Mekjian & Elmer Aviles Jr.<br />
Hair & Makeup: Avie Mua<br />
Photographers: Joshua Peters & Marcus Gustafsson<br />
Poster Design: Dino Manuel & Brennan Hickey<br />
Camera: Panavision<br />
<br />
Cast:<br />
Karter Owolabi<br />
Amber Tiara<br />
Danice Page<br />
Korbin Han<br />
Joanna Cretella<br />
Blake Takahashi<br />
<br />
Kevin M. Walsh<br />
Thomas DeSanto<br />
Phil Painter<br />
Zarah Ellis<br />
Taze Ellis<br />
Linda Forrester<br />
Beverly Raegan Ma<br />
Atiana Price<br />
Wren Samudio<br />
Aspen Reign<br />
Ethan Clark<br />
Emma Clark<br />
Linda Dorsett<br />
Angelo Bendana<br />
Carlos Bendana<br />
Charlie Bendana<br />
Isaac Bendana<br />
Patricia Barela<br />
Ava Lee Rose<br />
Bryn Sage<br />
Vesna Ramos<br />
Brent Picha<br />
Slade Picha<br />
Christen Jang<br />
Shiva Ayama<br />
Hannah Weseloh<br />
Dawson Weseloh<br />
Henry Hayes<br />
Jannik Ouwersloot<br />
Joost Ouwersloot<br />
Vance Carraher<br />
Dayci Brookshire<br />
Cindy Le<br />
Julian Clark<br />
Rhonda Bankston<br />
Sol Jaime<br />
Fabian Jaime<br />
Bria Jaime<br />
Seth Hafley<br />
Taya Grace Bennigson<br />
Ida Kay<br />
Kush Patel<br />
Jacqueline Crowe<br />
<br />
Sagan Barbour<br />
Morgan Lee<br />
Summer Benson<br />
Hollidae Wilder Livingston<br />
Jennifer Scibetta<br />
Jordyn DeGreef<br />
Art Pitcher<br />
Very Special Thanks:<br />
Tess Canfield<br />
Nicholls Family<br />
Haines Family<br />
Khabazian Family<br />
AFX Creative<br />
Dynamic Dynosaur Studio<br />
Samuel Bennets<br />
Zach Meadow<br />
Cynthia Graner<br />
Bendon Nelson<br />
Pastor Alvarado<br />
Maliik Morales<br />
Andrew Litten<br />
A-Frames Creative<br />
Labrador Post

Most kids from underserved communities in the Bay Area would never see a golf course if it wasn't for The First Tee of San Francisco. But more than a youth sports nonprofit, The First Tee provides resources and mentorship to help these adolescents pursue higher education and become successful adults. They asked us to tell the story of their transformational program.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography by Noe Chavez<br />
Sound Recording by Jeff Dragomanovich & Patrick Shaffer<br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Dead Light (Courtesy of Marmoset)<br />
Colourist - David Tomiak<br />
Gaffer/Grip/AC - Tandy Kyne<br />
Production Manager - Rachel Barth<br />
Production Assistant - Shervin Nakhjavani

Trailer for wry short film developed by BBDO New York<br />
Full Film Here (Director's Cut) : http://vimeo.com/31191754<br />
<br />
For http://www.theartofshaving.com<br />
<br />
Director - Ben Briand<br />
www.benbriand.com<br />
http://twitter.com/ben_briand<br />
<br />
Executive Producer - Scott Gardenhour<br />
Producer - Kati Haberstock<br />
www.theinstitute.tv<br />
<br />
Cinematography - Eigil Bryld<br />
www.eigilbryld.com<br />
<br />
Wardrobe Design - Amy Westcott<br />
www.imdb.com/name/nm0922492<br />
<br />
Production Design - Kiki Giet <br />
http://kikigiet.com<br />
<br />
Editor - Michael Saia<br />
www.jumpny.tv

Written & Directed by Harry Israelson<br />
<br />
A Ways & Means Production<br />
www.ways-means.co<br />
<br />
Starring <br />
Lola Kirke<br />
Jack Henry Robbins<br />
<br />
Executive Producers<br />
Lana Kim<br />
Jett Steiger<br />
<br />
Produced by Sonja Mereu<br />
<br />
Cinematography by Jeff Leeds Cohn<br />
<br />
Music by Chaz Bear & Anthony Ferraro<br />
<br />
Color by Mikey Rossiter (The Mill)<br />
<br />
VFX by Dark Arts<br />
<br />
Sound Design by Unbridled Sound<br />
<br />
Special Thanks<br />
PANAVISION<br />
<br />
www.PrimaryColors.tv

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Jerry Schwartz