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Choose Go! for Conoco<br />
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produced by Taylor Vandegrift for Ways & Means<br />
DP David Robert Jones<br />
Contributing Animators: Bento Box, Stephen Pagano, Stanley Sunday, Emma at Night Lab, Ben Jones, John McGlaughlin, and Julian Gander<br />
Production Design Sean Costello<br />
Styling Jamie Catino<br />
MU Stephanie Nicole Smith<br />
Hair Preston Wada
A young actress is willing to do whatever it takes to get a part in the film of a famous director.<br />
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Grand Prize - Best Comedy Short - Rhode Island International Film Festival<br />
Best Cinematography - Fantasia International Film Festival<br />
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Stars / Sophie Faucher and Jade-Mariuka Robitaille<br />
Writers / Benoit Lach and Vincent Lafortune<br />
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Director / Benoit Lach<br />
Cinematographer / Olivier Gossot<br />
Art Director / William Boucher<br />
Costumes / Marie-Claude Guay<br />
Hair, Make-up / Léonie Lévesque Robert<br />
Son / Laurent Ouellette<br />
Casting / Denise Charest<br />
Mix - Martin Boisselle<br />
Editing / Benoit Lach<br />
Art Departement / Stephanie Pelletier Grenier, Etienne Paquette<br />
Camera and Electrical Departement / Maxime Boutin,<br />
Jean-Philippe Therrien, Maxime Forget.<br />
Location Management / Philppe Gravel<br />
Production assistant / Joelle Raymond, François Bouchard,<br />
Alex Da Cunha.<br />
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Producers / Vincent Lafortune and Benoit Lach<br />
Production / Blachfilms
In this short film, you will be taken on a journey through the incredibly varied landscapes of this imposing continent, South America. <br />
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One year of travel, nine countries, countless hours on busses, motorbikes, and cars. Hundreds of thousands of images taken. 30TB of data used, 5 months of editing. The time-lapse film features South America like it has never been before with images from Brazil, Venezuela, Guyana, Colombia, Argentina, Chile, Peru, Bolivia and Ecuador.<br />
Read more about the project on https://www.mortenrustad.com/south-america<br />
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The music is specially composed for this video by Jogeir. Check him out on Soundcloud: https://soundcloud.com/jogeirmusic<br />
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To see what equipment I used, see this video: https://youtu.be/Vg6h0U3S8_o<br />
Motion control gear by Syrp (https://www.syrp.co/)<br />
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The clips in this film are available for licensing at resolutions up to 8K (7680*4320). Contact information can be found at mortenrustad.com<br />
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Produced by VJUS (https://www.vjus.no)<br />
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For more of Morten's work, check out https://www.mortenrustad.com
A short film for our "STRESSED OUT" poster, illustrated by JOHNNY RYAN. <br />
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Starring: Connor Coyne <br />
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Kenny: Ronald Bronstein<br />
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Anne: Laura Korista<br />
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Christie: Julie Puglin<br />
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Directed/Written/Edited/Shot by: John Paul Lopez-Ali<br />
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Colored by: Chris Messina <br />
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Sound by: Ian Berman<br />
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Produced by: Emily Chin-Longobardi<br />
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PA’s: Eddy Charles, Tenaya Nasser-Frederick & Margaux Beck<br />
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Special Thanks: Becky Novick
SATELLIKE - artistic sceneries of Asia, created with ink on a piece of paper.<br />
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This project was initiated by a job I did for the National Palace Museum of Taipeh. The museum ran an exhibition on culture treasures of the history of Taiwan in 2020. I was hired to create fluid and abstract interpretations of some iconic items, a collection of several drawings and artworks. I decided to develop my existing methods further, stepping away from stock paints and ink and creating most of the paints myself. One important aspect was to implement natural colors and realistic earth tones to the color palette and focus more on details than on a commercial look with punchy color and contrast.<br />
Over a period of 4 months, I experimented with natural substances like sand, stone powder and historic pigments. Some of these supplies are rare and expensive, for example jade and malachite powder. <br />
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On Set: https://vimeo.com/507198210<br />
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What you see in SATELLIKE are very long shots of watery ink in motion on several coats of half dried paint. Drying the paint leads to organic structures which can be brought to life again with water, ink and sour flow release mediums. The results look different from my usual approach, way more realistic and less otherworldly. I was excited about the aesthetics of the images and decided to do an individual piece. Although this is the final result for now, it feels more like I’m at the very beginning.<br />
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Thanks for watching.<br />
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This video is available in 8K SDR and HDR for commercial usage. <br />
Request a license here: https://www.terracollage.com/licensing<br />
Music licensed via Premiumbeat: "The Watch" by Tristan Barton.<br />
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Terracollage // Experimental Fluid Art and Macro Cinematography // Stock Footage // Licensing // Production // 8K // HDR<br />
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http://www.terracollage.com<br />
http://www.facebook.com/terracollage<br />
http://www.instagram.com/romandegiuli
BMW G70 – The Protégé <br />
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I love the way you make me close my eyes<br />
Imagine us runnin' the fields, burnin' adrenaline<br />
Oh, I love the way you lose clothes, close my-<br />
The shadows you cast over me that I've only seen in my dreams<br />
Because you make my whole world go dark<br />
Kill the lights, kill the lights<br />
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Client: BMW China<br />
Agency: TBWA\Juice Network<br />
Director: Federico Mazzarisi<br />
Production House: MOD Shanghai<br />
EP: Iris Jin, Vicky Bai<br />
Italian Production: Tapeless Film<br />
Executive Producer: Federico Mazzarisi<br />
Production Manager: Rocco Marcandino<br />
Producer: Maria Chiara Taglienti<br />
First Assssitant Director: Daniele Fagone<br />
Director's Assistant: Elisa Deufemia <br />
Post Producer: Shirley Zhi<br />
DOP: Denis Guth<br />
Production Designter: Heimir Sverrisson<br />
Stylist: Davide Pizzotti<br />
Music: Kill the Lights / Hidden Citizens feat. Lush Machine<br />
Sound Design: Daniele De Virgilio<br />
Mixing: Shao Hang@20KM<br />
Editor: Marco Battiloro (DC)<br />
Song Yang (Client Version), <br />
Colorist: Valerio Liberatore, Frame By Frame<br />
Directors Agents: Nicholas Berglund, Rick Romaniuk <br />
Post House: Bloom Film Design<br />
Executive Producer: Claire Teng<br />
Post Producer: Anon Rungruengbangchan<br />
VFX Supervisor: Julien Vanhoenacker<br />
3D Generalists:<br />
Chatchawai Buangam<br />
Gorragote Dowrueng<br />
Mathilde Chauvelot<br />
Tanapat Chotiyannont<br />
Compositors:<br />
Chaithawat Pinsuwan<br />
Lapatlada Aphiratsakul<br />
Sukit Kongkedkrai<br />
Online Artists:<br />
Mathieu Jacobs<br />
May.W
Happy New Year 2024 Greetings: Motivational Quotes And Messages To Share With Loved Ones On New Year
Many People Plan To Accomplish Many Things On The First Day So That The Rest Of The Year Also Goes Well. It’s That Time When People Start The Day With “This Is Going To Be My Year”, And They Love The Support And Wishes They Get From Everyone Close To Them. It’s A New Day, And It Celebrates The End Of 2023. On January 1, We Are Sure To Be Hit With A New Wave Of Hope For A New Beginning. If You Are Looking For Easy-To-Download Happy New Year's Day 2024 Images Or Wishes That Motivate People To Achieve Their Goals To Send On New Year's Day, We Have Made A Nice Collection Of The Same. Go Ahead And Share These Wishes With Everyone You Know.<br />
Full VFX breakdown: https://youtu.be/FkK7ty8ymDc
Directed by Jimmy Marble<br />
Director of Photography by Kelly Moore<br />
Production Design by Ashely Fenton<br />
VFX by Christopher Doulgeris
Joe Buffalo is an Indigenous skateboarding legend. He’s also a survivor of Canada’s notorious Indian Residential School system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dream of turning pro.<br />
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A short hybrid documentary executive produced by Tony Hawk and distributed by The New Yorker. <br />
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Watch the full film here: https://vimeo.com/757444197<br />
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IDA Awards - Best Short Nomination<br />
DOC NYC - Awards Shortlist<br />
SXSW - Audience Award<br />
Tribeca - Official Selection<br />
REGARD - Jury & Audience Awards<br />
Calgary Underground - Jury & Audience Awards<br />
NorthwestFest - Best Canadian Short<br />
Planet In-Focus – Best Canadian Short<br />
Local Sightings - Best Short Documentary<br />
Nevada City - Best Cinematography & Editing<br />
Bendfilm - Best Indigenous Short<br />
Cordillera - Best Indigenous Short<br />
Telefilm Canada’s “Not Short On Talent” @ Cannes 2021<br />
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Director & Editor - Amar Chebib<br />
Writers - Joe Buffalo & Amar Chebib<br />
Producers - Hayley Morin, Mack Stannard, Amar Chebib<br />
Executive Producer - Tony Hawk & Mohammad Gorjestani<br />
Cinematographer - Liam Mitchell<br />
1st AC - Solomon Chiniquay<br />
Sound Design & Mix - Matt Drake<br />
Post-Sound Mentee - Kaitlyn Redcrow<br />
Colourist - Sam Gilling<br />
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Production Company - Luminus Films<br />
In Association With - Even/Odd<br />
With the Participation of - The Canada Council for the Arts<br />
Distributed by The New Yorker
A short animation, voiced by Dr Kathryn Mannix, which guides you gently on a step by step journey through the process of dying.<br />
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Acclaimed author, speaker and former palliative care physician Dr Kathryn Mannix has spent her medical career working with people who have incurable, advanced illnesses. The author of two Sunday Times Bestsellers – With The End in Mind and Listen, Dr Mannix is on a mission to reclaim the public’s understanding of dying.<br />
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CREDITS<br />
Written and voiced by Dr Kathryn Mannix<br />
Directed and designed by Emily Downe<br />
Animated by Martha Halliday<br />
Music and sound by Jan Willem de With<br />
Produced by Theos with thanks to The Fetzer institute
Client : Samsung <br />
CMO of MX Business : Stephanie Choi<br />
Vice President, Head of Global Brand Marketing Group : Sonia Chang <br />
Director : Yoonie Park <br />
Senior Manager : Youngeun Kang, MJ Kim, Adrian Wilson<br />
Manager : Sunhong (Sunny) Min, Jisu Goh<br />
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Agency : Widen+Kennedy Amsterdam<br />
Production : Caviar<br />
Director : Los Perez <br />
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Editing Company : Trim Editing <br />
Editor : Gaia Borretti, Paul Hardcastle<br />
Assistant Editor : Jacques Simon <br />
Producer : Tatyana Alexandra<br />
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Post production : The Mill <br />
Epic Nightography<br />
VFX Supervisor: Ben Turner<br />
Lead Flame: Ben Turner, Ricky Weissman<br />
2D Artists: Doru Ondun, Johan Alfort, Lucas Warren, Luis Rosell, Pedro Santos, Sabanayagam Veerasekaran, Stephen Miller, Amresh Kumar, Jai Singh, Luis Rosell, Udaykiran Chowdary, Pratyush Paruchuri, Vivek Takale<br />
3D Supervisor : Laurent Giaume<br />
3D Artists: Can Y. Sanalan, Fabian Frank, Florent Sanglard, Jean Grandgirard, Luca Maccarelli, Maximilian Mallmann, Nicola Gilbert, Paul Autric, Petroc Menuhin, Pol EscaleCabre, Selcuk Ergen, Silvia Bartoli<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Creative Director: Carsten Keller<br />
Executive Producer: Lauren Loftus<br />
Senior VFX Producer: Grace Thorpe, Dave Moore, Arjan Eekels<br />
Previz Artists : Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Roto & Paint : Abdul Labeeb K, Abhishek Deswal, Ajay S Kumbhar, Akhil Mohan, Anita Khandare, Anuj Pathania, Anurag Singh, Avinash Molawade, Avinash Molawade, Chetan Shelar, Dayanand Sinha, Deepak Gupta, Dilip Balu, Harshad Rane, Hetal Agarwala, Hrushikesh Tarade, Imrojul Khan, Jaydeep Rajendra Jadhav, Jegadeesan Velayutham, Karthik A, Laxman Janardhan Pawar, Mayur Chandrakant Kothawade, Mohammad Ghayasuddin, Nilesh Kale, Nilesh Ravindra Sutar, Onkar Ghatage, Pankaj Powar, Prahallad Majhi, Prajakta Rajendra Nagarkar, Prasad Ghadigaonkar, Pratibha Dubey, Rahul Mane, Raushan Kumar, Ravikumar Sharma, Ritesh Patil, Rohit Dinkar Kale, Rohit Kumar Singh, Rohit Kuppekar, Roshan Gawand, Sachin Kumar, Sandeep Mishra, Santosh Kondiba Lokhande, Sekh Sahangir, Sriram Parameshwaran, Sudev S, Suhas Sitaram Jadhav, Tejas Budhawale, Tushar Suresh Bhat, Tushar Tulsidas Burse , Yogesh Ahire, Moumita Pratihar, Narendra Kumar. Jeet, Devappa, Irshad<br />
Matchmove Artist: Anirudh Krishna Kurve, Asif Mohammad, Avaneetharan Karuppasamy, Chetan Balasaheb Kadam, M Lokesh, Nallur Suhas Bhat, Pratik Vilas Pawar, Praveenkumar Palani, Puppala Vinod Kumar, Rais Pinjari, Swapnil Bharat Nerkar, Vedant Jagdish Mutrak, Vurukuti Siva Sarweswar , Elangovan, Manoj Ravi.<br />
CG Artist: Aman Jain, Dipak Chularam Nimje, Govardhan B, Harshad Suresh Jadhav, Kanad Mohurle, Monu Bakoliya, Piyush Sharma, Premanand Shivanand Naik, Rachit Bhatia, Sandeep Kumar Yadav, Sindhuja M S, Sumit Yadav, Sumitha D, Yallamraju Venkata Raja Chandra, Yogesh Subhash Zend, Vikas Soni, Girish GR.<br />
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Epic Performance<br />
VFX Supervisors: Damien Canameras, Ben Turner<br />
Lead Flame: Damien Canameras<br />
2D Artists: Paul Goubet, Patrick Bennar<br />
3D Supervisor : Marouan El Bekri<br />
Digital Matte Painting: Nathan Lucas<br />
3D Artists: Marouan El Bekri, Valentin Lesueur<br />
Digital versions: Mickael Moercant, Maxime Orsini<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
VFX Producer: Stephanie Mollet<br />
Executive Producer: Fabrice Damolini<br />
Production Coordinator: Ewan Rosenstrauch, Mathilde Cohen-Selmon<br />
VFX Supervisors Seoul pick-up shoot: Yong Kim, Ian Baxter<br />
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Epic Vision Booster<br />
VFX Supervisors: Ben Turner, Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Lead: Johan Alfort<br />
2D Artists: Johan Alfort, Doru Ondun<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producers: Grace Thorpe, Arjan Eekels<br />
Previz Artists: Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
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Epic Night Video <br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
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Epic Battery<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
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Epic High Resolution<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
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Epic S Pen<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Artists: Ricky Weissman, Anthony Jarvis<br />
Colourist: Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels
El Viento is a non-profit providing opportunities for at-risk-youth in the Oak View community of Huntington Beach, California. If Oak View was a city, it would be the 11th poorest in the United States. Most families don't even think of education past high school. Since its inception, El Viento's afterschool program has given many students the support and structure to achieve unprecedented academic success. This is a story of three of those students.<br />
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Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography & Visual Effects by Noe Chavez<br />
Underwater Cinematography by Mike McMillan<br />
Location Sound by Samuel Mutch <br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Keen Collective (Courtesy of Marmoset)<br />
Colourist - Ayumi Ashley<br />
Production Manager - Kimberly Parker<br />
Production Assistants - Kevin Chang & Benjamin Peterson<br />
Translation - Tiffany Sainz & Lindsey Ridgway<br />
Security - Mark Parro
“FATHERS” is a powerful film that interrogates and challenges stereotypes surrounding the role of the black father in modern society.<br />
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“FATHERS” gives us an insight into the emotional and spiritual lives of a group of young black men, whose mental health is all too often disregarded. <br />
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It charts their experiences navigating the persistent tug of war between providing for their families, fulfilling their creative and artistic ambitions and raising a young family. <br />
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The film is underscored by a beautiful sound-bed, with music from the album "Our Father" by Azekel, and accompanied by the rich tones of artist and poet Sophia Thakur. Thakur’s voice is heard on the film itself – highlighting a mother’s perspective of the battle that she sees these "superheroes" going through. <br />
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Created by BYUS Group, consisting of Azekel, Ade Adesina, Olan Collardy & Dumas Haddad, who are all young fathers in the creative industry themselves. They have endeavoured to provide a truly artistic, innovative unique and artistic approach to documentary storytelling.<br />
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https://directorsnotes.com/2019/07/04/dumas-haddad-fathers/<br />
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Artist: Azekel<br />
Director: Dumas Haddad<br />
Creative Director: Ade Adesina<br />
Director of Photography: Olan Collardy<br />
Production Company: ByUsGroup Films<br />
1st AC: Kairo Jones<br />
Colourist: Peter Oppersdorff<br />
Grade House: MPC<br />
Audio Mix: Delvinder Singh<br />
Music Courtesy of Azekel from the album 'Our Fathers'<br />
Narrator & Voice Over: Sophia Thakur<br />
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All footage available to license from Film Supply: flmsp.ly/fthrsdh
Lost in the trappings of his own success, Jeremy embarks on a journey of self discovery. <br />
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Official selection Fantasia Film Festival 2023<br />
Special section Uppsala Short Film Festival 2023<br />
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A film by Andrew Duncan<br />
Production Pral
12 days of field recording summed up in this video about Kenya and its amazing landscapes and smiling people.<br />
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Thank's to everyone involved in this project :<br />
Dion Gawson - 2nd Camera Operator<br />
IDDEF - Organisation<br />
Nairobi Crew (Ramadhan, Salim, Nuño Gomes, Jafar, Mohammad)<br />
Malindi Crew (Saeed, Saidi, Cheikh Faisoual)<br />
All the Kenyans appearing in the video<br />
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Gear used:<br />
Panasonic GH4<br />
Different M43 lenses<br />
Zhiyun Crane 2<br />
Zoom H6<br />
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More at:<br />
http://www.facebook.com/cee-roo<br />
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Feel The Sounds Channel:<br />
http://bit.ly/2CZpmFG
Alzheimer's disease can leave patients and their families feeling lost with their worlds turned upside down. The charity France Alzheimer work to make sure that those living with the disease know they always have somewhere to turn.<br />
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Directed by Megacomputeur this CG short brings to life the charity's symbol, the compass, and shows that wherever someone is, they can receive the help they need.
A mixture of stop motion, AI animation and live action. <br />
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https://shots.net/news/view/how-hugh-mulhern-forged-the-future-of-body-horror<br />
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Director - Hugh Mulhern<br />
Producer -Alexander Handschuh<br />
EP: Laura Clayton<br />
Prod Co: Riff Raff Films<br />
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DP: Eoin McLoughlin<br />
Editor: Joseph Taylor<br />
AI Animator: @infinite_____vibes<br />
Designer: Rory Mullen<br />
Stop Motion Animator: Ben Cresswell<br />
Prosthetics: @yaz_____xl<br />
1AC: James Wicks<br />
Gaffer: Jorge Higgins<br />
Grade: Peter Opporsdorff<br />
Grip: Wolf Wasserman<br />
Titles: @iloveettel111<br />
Runners: Anais Lukaku and Anastasiia Soviak <br />
Bike fella: Big Boss R<br />
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Creative Director: Nadine Persaud<br />
Video commissioner: Lisa Foo<br />
Label: AWAL<br />
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Starring Jack Rolf.<br />
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Huge thanks to The Assembly Rooms and The Mill.
'Nomadic Life' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com <br />
written and directed by www.benbriand.com