Two dudes think they found the cure for zombie bites.<br />
SXSW <br />
Telluride Horror Show<br />
Shivers <br />
Monsterfest GOLDEN LOMAX<br />
Mutoscope<br />
Berlin FIlm Night<br />
Nevermore BEST SHORT US/CANADA & AUDIENCE AWARD BEST SHORT US/CANADA<br />
Regard<br />
Landshut<br />
Panic Fest <br />
Florida<br />
Brussels Fantastic <br />
Calgary Underground<br />
Bonebat<br />
Fantaspoa <br />
Milwaukee <br />
Cabane A Sang <br />
Dark Bridges SILVER AUDIENCE AWARD - SHORT<br />
Portland Horror<br />
Hyperreal Film Club<br />
Southside <br />
StokerCon <br />
Chattanooga <br />
InFest <br />
Six Feet Under Horror Fest FUNNIEST SHORT<br />
Snake Alley<br />
Fantosfreak FIRST PLACE<br />
Fantasia <br />
Houston Horror <br />
Popcorn Frights <br />
Defy <br />
Ravenheart <br />
FRIGHTFEST <br />
Genreblast<br />
Sydney Underground <br />
MotelX <br />
Skate Or Die <br />
Southern Horror Showcase<br />
Court Metrange <br />
El Paso<br />
Charlotte<br />
Bolton BEST THREE MINUTE QUICKIE<br />
Dark Red<br />
Joe Bob World Drive-In HUBIE<br />
Eerie Horror <br />
Dead Of Night <br />
Screamfest <br />
Brooklyn Horror <br />
Atlanta Horror BEST MICRO SHORT<br />
Halloweenapalooza BEST ONE-LINER<br />
Mayhem <br />
Happenstance <br />
TOHORROR Fantastic <br />
Dead and Sudburied<br />
Spasm<br />
Knoxville Horror<br />
Celluloid Screams <br />
Vancouver Horror Show <br />
Hysteria Fest <br />
IMAGINE <br />
FilmQuest <br />
Winter Chills <br />
24fps International <br />
Anomoly<br />
Southern Screen <br />
La Vieja Encina BEST SHORT FILM - NON-SPANISH <br />
Zubroffka BEST MIDNIGHT SHORT<br />
Courts Mais Trash

Content warnings: conversion therapy, coercion, transphobia, psychological harm.<br />
<br />
It’s been nearly five years since the UK Government first promised to ban so-called ‘conversion therapy’. Yet today, more than 1.5 million LGBTQ+ people in England and Wales remain at risk of these harmful attempts to ‘cure’ us.<br />
<br />
We made this short film with Stonewall and 21* other LGBTQ+ organisations, based on the real experiences of conversion therapy survivors.<br />
<br />
The UK Government recently moved to put a legislative ban back on the table. But after years of U-turns and broken promises, it's vital that the UK Government does not delay any further, and publishes a draft Bill and timetable for legislation as soon as possible.<br />
<br />
<br />
Produced by Academy films. Agency The&Partnership.

Directed by Benjamin Nicolas<br />
Dop Neel Potgieter <br />
Produced by Satellite My love<br />
Graded by Arthur Paux<br />
Pilot - Maxime tregaro<br />
Girl - Emeline Ponthieu<br />
<br />
Sound - KOUZ<br />
Post Production - Delapost Paris<br />
Edit and compo - Sebastien Mollard<br />
<br />
Shot on Alexa Mini

Forrest Cepeda died in a distracted driving accident eight years ago. Yet the grief and trauma of his loss still haunts his family years later.<br />
<br />
Directed by Errol Morris

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?<br />
<br />
<br />
<br />
Client: We Are Playgrounds<br />
Director: Erwin van den IJssel<br />
<br />
Additional Animation: Hugo Morais, Kanso Ogbolu<br />
Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

A cautionary tale.

CAST
Best Friend ... John Craven
Best Friend ... Charles Shaw Robinson

CREW
Director / Writer / Cinematographer ... Mario Furloni
Composer ... William Ryan Fritch
Editor ... Mario Furloni
Producers ... Mario Furloni, Kate McLean, Laura Heberton
Co-Producers ... Robert Arnold, Jason Sussberg
Colorist ... Robert Arnold
Sound Recordist ... Henrique Campos
Story By ... Mario Furloni
Sound Designer ... Peter Albrechtsen
Re-recording Sound Mixer ... David Barber
Dialogue Editor ... Thomas Pape
Sound Effects Editor ... Mikkel Nielsen
Foley Artist ... Heikki Kossi, MPSE
Foley Mixer ... Lauri Marjamaa
Foley Editor ... Pietu Korhonen
Sound Facilities ... Offscreen, Copenhagen
Foley Studio ... H5 Film Sound, Ltd

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Earth to COP was the creative response from HTYT Ltd to the brief given to them to produce the Leaders Summit Opening Ceremony for COP26. This film - shown to over 120 World Leaders at the conference - formed the pivotal moment of the ceremony and presents an eyewitness portrait of climate change. Using dramatic mobile phone footage from around the world, this short film shows the extent of damage caused by the change in our climate, contrasted with the beauty of Earth - what is at stake and what our leaders need to protect. It underlines that we have seen some progress, but we need further and faster action.<br />
<br />
The composer of the music for the film, Steven Price is an Academy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him the Academy Award and Critics' Choice Award.<br />
<br />
The Earth to COP film was independently produced by Harder Than You Think and is a partnership with Bloomberg. The film will be widely distributed, including through a principal partnership with Bloomberg, a global partnership with WWF and with TikTok, who share the ambition to help bring Earth to COP to a worldwide audience. It will also be played on digital screens across the UK. <br />
<br />
<br />
<br />
© 2021 HTYT Ltd<br />
<br />
www.earthtocop.org <br />
#earthtocop<br />
<br />
Created by Greg Nugent<br />
Producer: Barnaby Spurrier<br />
Director: Matt Houghton<br />
Editor: Abolfazl Talooni<br />
Executive Producers: Baroness Liz Sugg, Charlotte Todman <br />
Composer: Steven Price<br />
Archive Producer: Aisling Conboy<br />
Production Manager: Paris Faro<br />
Senior Researcher: Calum Campbell<br />
Researcher: Kirsty Asher<br />
<br />
Audio Post Production Studio: String and Tins<br />
Supervising Sound Editor: Will Cohen<br />
Sound Effects Editor: Kaspar Broyd<br />
Re-Recording Mixer: Lawrence Kendrick<br />
Audio Post Producers: Eimear Ní Ghuaire, Alina Miroshnichenko<br />
Picture Post Production Studio: Framestore<br />
Post Production Producers: Sara Beckman, Jake Saunders<br />
Data Services Manager: Nick Rafferty<br />
Post Production Senior Editor: Carey Williams<br />
Flame Artist: Luigi Russo<br />
Head of Grade: Steffan Perry<br />
Digital Assets Editor: Nic Lowicz<br />
Graphic Design: North Studios<br />
Offline Edit Facilities: Azimuth Post Production<br />
<br />
Captions and BSL Production: Cambridgeshire Deaf Association<br />
BSL Translator: Daryl Jackson<br />
Translation Presented by TransPerfect <br />
Accessibility Consultant: Sinéad Burke<br />
Accessibility Consultant: Haben Girma

Also check out my Pyongyang film here: https://vimeo.com/300271709<br />
<br />
A few weeks back I had the chance to visit Pyongyang and attend the Mass Games there. This show is by far the most incredible and amazing performance I have ever laid my eyes on. Watch this 4 minute film and you will know why. Only a communist country can pull something like this off I guess. However, I do not want to get involved in politics here, so please do your own research. <br />
<br />
<br />
Many thanks to Simon Cockerell and Jessica Mader from Koryo Tours ( https://koryogroup.com ) and Ri So Hyang, Kim Sun Mi, Lee Song Hyok, Kim Yong Un from KITC for arranging permissions and making this project possible. <br />
By the way: I did not get paid to shoot this film!<br />
<br />
Mass Games can basically be described as a synchronized socialist-realist spectacular, featuring over 100,000 participants in a 90-minute display of gymnastics, dance, acrobatics, and dramatic performance, accompanied by music and other effects, all wrapped in a highly politicized package. Students practiced every day from January onwards. The 90 minute performance is held every evening at 7pm and features the 'largest picture in the world' a giant mosaic of individual students each holding a book whose pages links with their neighbours’ to make up one gigantic scene. When the students turn the pages the scene or individual elements of the scene change, up to 170 pages make up one book. <br />
In August 2007, the Mass Games were recognised by Guinness World Records as the largest gymnastic display with 100,090 participants at the May Day Stadium in Pyongyang. (Source Wikipedia)<br />
<br />
A time-lapse tilt-shift film by Joerg Daiber.<br />
<br />
Facebook: https://www.facebook.com/MiniatureFilms<br />
Twitter: http://www.twitter.com/spoonfilm<br />
YouTube: http://www.youtube.com/littlebigworld<br />
Web: http://www.spoonfilm.com<br />
<br />
You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license<br />
<br />
WATCH FULL SCREEN!<br />
Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite.<br />
<br />
Music: The Internationale by Pierre De Geyter, performed by Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky<br />
and Swan Lake by Pyotr Il'yich Tchaikovsky, performed by Apollo Symphony Orchestra.

Feelings get complicated and oddly mutual amongst a trio of friends in Heavy Chemistry, a short comedy about love, friendship, attraction, hunger, lust, and other complex chemical reactions.<br />
<br />
World Premiere, SXSW 2018<br />
Official Selection, DIFF 2018<br />
<br />
https://www.facebook.com/heavychemistry/<br />
<br />
Writer / Director / Editor: Blair Rowan<br />
Produced by: Quinn Eisenbraun & Blair Rowan<br />
Director of Photography / Colorist: HutcH<br />
<br />
CAST<br />
Jonathan Barnes - Boyfriend<br />
Amber Emery - Girlfriend<br />
Chris Gardner - Best Friend<br />
Chris Billings - Pizza Guy<br />
Farah White - Newscaster<br />
<br />
Assistant Director: Quinn Eisenbraun<br />
Audio Recordist: Mike Walker<br />
Post Audio: Gordon Gibson<br />
Assistant Camera / Grip: Casey Pepin<br />
Head Production Assistant: James Hargrave<br />
Set Photographer / Production Assistant: Clayton Browning

A short film by Diego Berakha Otal<br />
Original Spanish version vimeo.com/685320983?share=copy<br />
<br />
"Now I Know Where to Find you" is a story about my childhood in Spain and the trip I made to Argentina when I was 12 years old. One day I decided that I wanted to live with my father. I missed him too much. 10,000 km later a whole new life began for me, but my childhood memories didn't fade away. And, of all these memories, the memory of my yaya (grandmother) was always vivid. She raised me as if I was her own son, when none of my parents were ready to do that.<br />
<br />
The story stems from a unique discovery that I made while wandering around with Google Maps. This discovery was so moving that I felt the need to tell the story, my story.<br />
<br />
_<br />
<br />
Premiered at 2022 BAFICI

Directed by Mark Waring, the charming stop motion animation tells the story of two neighbouring, but divided villages. They accidentally chance upon each other’s egg and rice trade, and to their surprise, discover the celebrated and much-loved egg fried rice dish.<br />
<br />
<br />
Client: Standard Chartered Bank<br />
Agency: TBWA/Singapore, Six Toes<br />
Producer: Fiona Mcgregor, Joelle Goh, Sariyanti Sannie<br />
ECD: Andy Grant<br />
Creatives: Anne Brander, Franzi Krueger<br />
Production: Passion Pictures<br />
Director: Mark Waring<br />
Executive Producers: Belle Palmer, Debbie Crosscup, Graham Pryor<br />
Head Of Production: Mike Turoff<br />
Producer: Paige Sullivan, Adriana Wong, Carlos Zalapa<br />
Animation: Passion Animation Studios<br />
Head Of CG: Jason Nicholas<br />
VFX Supervisor: Dave Walker<br />
Passion Pipeline TD’s: Javier Edo, Yanti Suryati<br />
Art Direction: Alexandra Walker<br />
Character Design: Crystal Kung/ Reuben Mcnaughton/ Ronnie Mitchell<br />
Environment Design: Tulips & Chimneys<br />
Concept Art: Tulips & Chimneys<br />
Storyboard Lead: Barry Reynolds<br />
Animatic Editors: Kingsley Bailey/ Daniel Budin<br />
Co-Ordinators: Roxy Sibilski<br />
Compositors: Andre Bittencourt, Valeria Romano, Sergei Soley, Daniel Lopez, Eric Venti, Matheus Lacava<br />
Cg Modelling & Texturing: Ian Brown<br />
Lighter: Simon Brown<br />
SFX: Filipe Alcada, Colin Peret, Darlene Buttner,David Berrocoso<br />
DMP: Jakub Gryglicki, Ronnie Mitchell, Christian Mills, David Gibbons<br />
Layout: Idris Honor, David Burtle<br />
Editor: Kingsley Bailey<br />
Stop Motion Shoot<br />
Studios: Arch Film Studios<br />
Studio EP: Andy Gent<br />
Studio Manager: Lisa Hill<br />
DOP: Malcolm Hadley<br />
Principle Animators: Tobias Fouracre, Steve Warn, Andy Biddle<br />
Puppet Rigger: Andre Neemann<br />
Puppet Maintenance: Josie Corben/ Ciara Mcclean<br />
Art Department: Marina Ralph/ Mick Chippington<br />
1st AC: Mark Swaffield<br />
Motion Control Operator: Stuart Galloway<br />
Gaffer: Tim O’ Connell<br />
Spark: Bruno Inacio<br />
Runner: Nancy Duval-Smith<br />
Post Production: Universal Production Partners<br />
Colorist: Simona Cristea<br />
Color Producer: Claudia Burns<br />
Grading Facilities: Coffee & TV<br />
Finishing House: Stone Dogs<br />
3D Printers: Arch Model Studios<br />
Motion Control Supplier: Justin Pentecost @ Portable Motion Control<br />
Music: Soviet Science

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Director: Elliott Power<br />
Cinematographers: Edson Reyes, Ramón Sampaio, Axel Cuevas de Chaunac <br />

Executive Producer: Nicky Barnes
<br />
Producer: Erin Kennedy<br />
Production Company: Somesuch <br />
Editorial Company: Cut + Run
<br />
Editor: Beau Dickson
<br />
Title Design: Dorçia Studio<br />

Creative Director: Daryl Higgins<br />
Additional Photography: Elliott Power, Saint Louis Chess Club, Kevin Duggin<br />
<br />
Agency: Droga5 <br />
Copywriter: Emily Berger<br />
Senior Art Director: Jason Gold<br />
Associate Producer: Connor Hagan<br />
<br />
Special Thanks: Daniel Wolfe, Adriana Cebada Mora

Lost in the trappings of his own success, Jeremy embarks on a journey of self discovery. <br />
<br />
Official selection Fantasia Film Festival 2023<br />
Special section Uppsala Short Film Festival 2023<br />
<br />
A film by Andrew Duncan<br />
Production Pral

Joe Buffalo is an Indigenous skateboarding legend. He’s also a survivor of Canada’s notorious Indian Residential School system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dream of turning pro.<br />
<br />
A short hybrid documentary executive produced by Tony Hawk and distributed by The New Yorker. <br />
<br />
Watch the full film here: https://vimeo.com/757444197<br />
<br />
<br />
IDA Awards - Best Short Nomination<br />
DOC NYC - Awards Shortlist<br />
SXSW - Audience Award<br />
Tribeca - Official Selection<br />
REGARD - Jury & Audience Awards<br />
Calgary Underground - Jury & Audience Awards<br />
NorthwestFest - Best Canadian Short<br />
Planet In-Focus – Best Canadian Short<br />
Local Sightings - Best Short Documentary<br />
Nevada City - Best Cinematography & Editing<br />
Bendfilm - Best Indigenous Short<br />
Cordillera - Best Indigenous Short<br />
Telefilm Canada’s “Not Short On Talent” @ Cannes 2021<br />
<br />
Director & Editor - Amar Chebib<br />
Writers - Joe Buffalo & Amar Chebib<br />
Producers - Hayley Morin, Mack Stannard, Amar Chebib<br />
Executive Producer - Tony Hawk & Mohammad Gorjestani<br />
Cinematographer - Liam Mitchell<br />
1st AC - Solomon Chiniquay<br />
Sound Design & Mix - Matt Drake<br />
Post-Sound Mentee - Kaitlyn Redcrow<br />
Colourist - Sam Gilling<br />
<br />
Production Company - Luminus Films<br />
In Association With - Even/Odd<br />
With the Participation of - The Canada Council for the Arts<br />
Distributed by The New Yorker

2014 <br />
<br />
www.jimmymarble.com<br />
<br />
directed by Jimmy Marble<br />
Production Co.: Ways & Means<br />
Executive Producers: Lana Kim / Jett Steiger<br />
Producer: Sage Price<br />
DP: Kelly Moore<br />
Production Designer: Ashley Fenton<br />
Hair/Makeup: Laura Peyer<br />
Stylist: Chandra Chavez<br />
Colorist: Bossi Baker<br />
Staring: Bethany Toews<br />
With: Eric Johnson, Joey Bookout, Hannah R. Black, Kevin Malloy, Asma Kamara, Anabella Casanova, Dominique Generaux, Jillian Kliewer, Alix Isom, Michael Buchanan, Ana Coto, Georgia Stockwell, Avi Taylor, Jon Brown, Brent Worcester

As Hinkley Point C, Britain’s biggest nuclear power plant, rises next door, Sam, 11, dreams of protecting the fish he identifies with. He believes the only way is to go a private school – but his parents can’t afford the offer. As a last resort, they turn to the power company for funding, forcing Sam to decide what kind of person he wants to be.

Coming Home is an intimate portrait of Freedom Dabka Group, a group of Palestinian-American performers who use the traditional Dabka dance as a means to connect to their community, their culture, and each other. Shot on 16mm under the unique constraints of 2020-21 featuring archive photography from The Palestinian Museum.<br />
<br />
Written & Directed by Naim Naif & Margot Bowman <br />
Produced by Meghan Doherty <br />
Produced by Naim Naif & Margot Bowman <br />
Production Company: Portal NY <br />
Introducing Freedom Dabka Group <br />
Featuring archive photography from The Palestinian Museum Digital Archive <br />
Cinematographer - Kenny Suleimanagich <br />
Editor - Aika Miyake <br />
Trailer Editor - Rain Keene<br />
Music Director - Gisela Fullà Silvestre<br />
Colorist - Houmam Abdallah <br />
Title Design - Mooni Studios <br />
<br />
Associate Producer - Ali Rosa Salas <br />
Associate Producer - Serene Huleileh <br />
Production Manager - Sokhna Samb <br />
Translation - Sloan Abihaidar <br />
SteadiCam - Austin Castelo <br />
<br />
Sound<br />
Ken Goodwin (Silver Sound) <br />
Peter Getz (Sound Co-op)<br />
<br />
Post Production<br />
Post Producer- Jake Williams <br />
Managing Partner - Michelle Eskin<br />
Executive Producer - Amburr Farls<br />
Assistant Editor - Hans Choi<br />
Color Producers - Joey Fitzsimmons, Anya Knower <br />
Stills Photography - Louis Browne <br />
Film Processing - Metropolis Post<br />
Finishing - Harley Astorga<br />
<br />
<br />
US Broadcast - POVDocs / PBS<br />
World Premier - SXSW<br />
Winner Best Short - Palestine Cinema Days

Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where<br />
they were born and still live, celebrating the magnificent mountains where their desire to<br />
explore the wilderness has grown.<br />
‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land<br />
like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their<br />
own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the<br />
massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain<br />
enviromental they started appreciating wilderness and developing the outdoor skills that has allowed<br />
them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film,<br />
it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a<br />
devastating earthquake 10 years ago.<br />
<br />
MUSIC<br />
The Nature Of The Game - Dan Fogelberg<br />
Tell Me Lies - The Black Keys<br />
They Wore Blue - Otis Taylor<br />
Secret of Life - Lord Huron<br />
<br />
FILMING EQUIPMENT<br />
Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5<br />
Gimbal camera 1: Feiyu G6 Plus<br />
Lens filter camera1: Mag Filter CPL 42mm<br />
Camera 2: Canon EOS 100D<br />
Primary Lens: Canon EF-S 60 mm F2.8 USM Macro<br />
Spare Lens: Canon EF-S 24 mm F/2.8 STM<br />
GoPro: Hero 5 Black<br />
GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32<br />
GoPro Gimbal: Feiyu Tech WG2X<br />
Drone: DJI Mavic Air<br />
Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL -<br />
ND64/PL<br />
Microphone 1: RØDE VideoMic Pro<br />
Microphone 2: RØDE Lavalier GO<br />
Camera slider: Grip Gear Movie Maker 2<br />
Tripod 1: SIRUI T-025SK Carbon Fiber<br />
Tripod 2: JOBY GorillaPod 1K