Many People Plan To Accomplish Many Things On The First Day So That The Rest Of The Year Also Goes Well. It’s That Time When People Start The Day With “This Is Going To Be My Year”, And They Love The Support And Wishes They Get From Everyone Close To Them. It’s A New Day, And It Celebrates The End Of 2023. On January 1, We Are Sure To Be Hit With A New Wave Of Hope For A New Beginning. If You Are Looking For Easy-To-Download Happy New Year's Day 2024 Images Or Wishes That Motivate People To Achieve Their Goals To Send On New Year's Day, We Have Made A Nice Collection Of The Same. Go Ahead And Share These Wishes With Everyone You Know.<br />

Passengers and crew on a commercial flight question their ethics when an attempt to stop a deportation occurs on their flight minutes before take-off.

Director: Elliott Power<br />
Cinematographer: Deepa Keshvala <br />
Executive Producer: Daniel Wolfe <br />
Producer: Elliott Power <br />
Production Company: Love Song <br />
Editor: Dave Davis at Trim<br />
Producer: Tatyana Alexandra <br />
Edit Assistant: Zach Milonas<br />
Colourist: Simon Bourne at Framestore<br />
Colour Producer: Chris Anthony <br />
Flame Artist: Chris norton at The Mill <br />
VFX Producer: Clare Melia <br />
<br />
Local Production: Radioaktive <br />
Executive Producer: Sasha Bevka<br />
Producer: Valentyn Petyshkin<br />
Production Manager: Emil Skulskiy<br />
1st Assistant Director: Kristina Ilyina<br />
Steadicam Operator: Max Salo <br />
Stills Photographer: Artem Nadyozhin <br />
Stylist: Lee Christmas <br />
Make Up Artist: Dasha Taivas<br />
Hair Stylist: Iris Onufrienko<br />
Runner: Anton Chykalovets<br />
<br />
Special Thanks: Dan Williams, Louis Ganellin, Miink

I am Nick, a freelance photographer. <br />
In the past 10 years I‘ve been travelling and photographing around the world. <br />
What I realized, though, was that I had gradually stopped seeking new destinations. I found a place that offered me a sense of stability and warmth where my inspiration and creativity amplified. Nature in all its’ forms was still surrounding me: Snowy landscapes, deep canyons, lakes and rivers, vast forests and of course the sea.<br />
<br />
In the end, I think I found my destination, a place that has nurtured me, and has always been so close to me. That makes me feel home! <br />
Greece.<br />
<br />
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<br />
Produced and directed - Nick Kontostavlakis<br />
Editing - FKY https://vimeo.com/fky<br />
Cinematography - Nick Kontostavlakis & Antonis Kitsikis<br />
Voice - Dimitris Kaplanis<br />
Camera - Antonis Kitsikis<br />
Time-lapse - Nick Kontostavlakis & Nikos Pomonis<br />
Drone - Nick Kontostavlakis<br />
<br />
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<br />
Music - Tony Anderson<br />
<br />
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<br />
Camera Equipment :<br />
<br />
www.anima-vision.com & www.whitebalance.gr <br />
<br />
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<br />
You can follow me at: <br />
Facebook - facebook.com/nickkontostavlakispage<br />
Instagram - instagram.com/nickkontostavlakis<br />
Website - http://www.nickkontostavlakis.com <br />
Google + - plus.google.com/u/0/102206608476266130067<br />
<br />
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<br />
Some technical info:<br />
Shot mostly with Canon C200 + Angenieux 30-90 EZ 1<br />
DJI Inspire + X5s <br />
Nikon Dslrs for timelapse.

Director: Elliott Power<br />
Cinematographers: Edson Reyes, Ramón Sampaio, Axel Cuevas de Chaunac <br />

Executive Producer: Nicky Barnes
<br />
Producer: Erin Kennedy<br />
Production Company: Somesuch <br />
Editorial Company: Cut + Run
<br />
Editor: Beau Dickson
<br />
Title Design: Dorçia Studio<br />

Creative Director: Daryl Higgins<br />
Additional Photography: Elliott Power, Saint Louis Chess Club, Kevin Duggin<br />
<br />
Agency: Droga5 <br />
Copywriter: Emily Berger<br />
Senior Art Director: Jason Gold<br />
Associate Producer: Connor Hagan<br />
<br />
Special Thanks: Daniel Wolfe, Adriana Cebada Mora

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?<br />
<br />
<br />
<br />
Client: We Are Playgrounds<br />
Director: Erwin van den IJssel<br />
<br />
Additional Animation: Hugo Morais, Kanso Ogbolu<br />
Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

Director: Elliott Power<br />
Cinematographer: Josep Pardo & Pau Muñoz<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: José Barrera <br />
Producer: Cristina Barres <br />
Creative Director: Laura Urraca<br />
Production Company: The Lift x Love Song <br />
1st Assistant Director: Lloret Gironés <br />
Production Manager: Renzo Zorrilla <br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Executive Creative Director: Dan Williams at The Mill<br />
Creative Director: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Titles: Dorçia Studio <br />
Stylist: Paola Alfaro & Xochitl West <br />
Stylist Assistant: Zyanya Lizbeth Galvan Medina <br />
Sfx Make Up: Adam Zoller <br />
Make Up: Valeria Salas <br />
Art Department: Ana Cristina Icazbalceta <br />
Locations: Andreas Macias<br />
<br />
Special Thanks: Alejandro Garcia Contreras, Ángela Leyva, Lorena Vega, Samatha Zabaleta

Director : Elena Petitti Di Roreto & Martin de Thurah<br />
Agency : Publicis <br />
Production : Henry<br />
DOP : Timios Bakatakis<br />
Editor : Francesco Roma, Yannick Giffard<br />
<br />
<br />
Post production : Prodigious<br />
Post-producer : Nathalie Depas<br />
<br />
VFX Studio :The Mill Paris<br />
Executive Producer : Christophe Huchet<br />
VFX Producer : Kahina Lamblin<br />
VFX Supervisor : Vincent Venchiarutti<br />
Shoot Supervisor : Damien Canameras<br />
CG Supervisor : Guillaume Ho Tsong Fang<br />
Rigging : Marine Sisknaki<br />
Animation : Clotilde Blondel<br />
FX : Karim Lachaize<br />
Lighting : Marouan El Bekri<br />
Compositing : Mathias Barday<br />
Flame : Valentin Gingembre<br />
Motion : Vincent Ewald, Alexandre Tarquini<br />
<br />
- Etalonnage -<br />
Colourist : Jean-Clément Soret<br />
Colourist Assistant : Loïc Lavaux

After suffering from suicidal depression, Darius Sam, a 20-year-old from Lower Nicola First Nation, finds running as a catalyst for transformation. Within a matter of months, he attempts a 100-mile ultramarathon in subzero temperatures to raise awareness for addiction and mental health in his community.<br />
<br />
Featuring – Darius Sam, Mark Nendick, Danielle McDougall, Shane Charters<br />
<br />
Director, Producer, & Editor – Amar Chebib<br />
Producer – Hayley Morin<br />
Executive Producer – Geoff Vreeken<br />
Cinematographer – Jason Mannings<br />
<br />
Line Producer – Olivia Golosky<br />
Production Manager – Mia Metz<br />
Camera Assistant – Soloman Chiniquay<br />
Drone Operator – Rob Antill<br />
Location Sound – Tyler Devon Gillis<br />
Colourist – Sam Gilling<br />
Sound Designer/Mixer – Matt Drake<br />
In Association with Kiddo Films<br />
With Support from Even/Odd, Marmoset, & Lorne Lapham<br />
Distributed by The New Yorker

Director: Elliott Power<br />
Cinematographer: Diego García & Harry Wheeler<br />
Executive Producer: James Guy<br />
<br />
2nd Unit Director: Louis McCourt <br />
2nd Unit Director: Cieron Magat <br />
Stop Frame Animation: Chris Ullens <br />
Directors Assistant: Verity May Lane <br />
<br />
1st AD: Hayley Williams<br />
1st AD: Ewan Stewart <br />
2nd AD: Chris Mears <br />
<br />
Producer: Shirley O’Connor<br />
Production Manager: Kelly Brown <br />
Production Assistant: Hayley West <br />
Cast Coordinator: Joss George Gilbert <br />
<br />
Production Designer: Arthur De Borman<br />
Art Director: Laurie Walters<br />
Art Director: Imogen Toner<br />
Dresser: Paddy McGurn<br />
Dresser: Kiss Marshall<br />
Props: Alastair Fletcher<br />
Props: Oscar McIntosh <br />
Tech: Kenny McGuire<br />
Tech: Alan Crozier<br />
Art Assistant: Molly Shearer<br />
Art Assistant: Cara Connelly<br />
<br />
Focus Puller: Jason Dully<br />
Focus Puller: Damien Leigh<br />
<br />
Service Production Company: MTP<br />
<br />
Producer: Maeve McMahon <br />
Production Manager: Italia Bianco <br />
Production Manager: Marcy Paterson<br />
Production Coordinator: Callum Crozier<br />
Production Assistant: Keran Smyth <br />
Production Assistant: Luke Keogh <br />
Production Assistant: Char Mckelvie <br />
Casting Assistant: Celine Antal<br />
<br />
Location Manager (London): Kim Fenton<br />
Location Manager (Scotland): Neil Mackay<br />
Assistant Location Manager: Davey Gales <br />
<br />
Post Supervisor: Dan Williams<br />
Post Creative Director: Carl Norton <br />
Post Producer:<br />
<br />
Casting (Scotland): Holly Jane Ritchie<br />
Casting (London): Kharmel Cochrane <br />
<br />
Editor: Dom Leung <br />
Edit Producer: Harriet Cawley <br />
<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony <br />
<br />
Music Supervision: Curation Music <br />
<br />
Wardrobe Stylist: Hannah Edwards <br />
Wardrobe Assistant: Marouane Joubba <br />
Wardrobe Assistant: Valentin Bren<br />
Wardrobe Assistant: Denise Coombes <br />
Wardrobe Assistant: Karen Bertolini <br />
Wardrobe Assistant: Katy Smilie <br />
<br />
Make Up & Hair: Kat Morgan<br />
Make Up & Hair Asst: Courtney Lightbody<br />
Make Up & Hair Asst: Paula Rebanks <br />
<br />
Client: EE<br />
Agency: Saatchi & Saatchi <br />
Chief Creative Officer: Ben Mooge<br />
Executive Creative Director: Will John<br />
Senior Creative: Sam Simmonds<br />
Senior Creative: George Boyle<br />
Exec Producer: Dan Heighes <br />
Exec Producer: Alex Pemberton <br />
Managing Partner: Jonathan Tapper<br />
Business Leader: Rania Kouros <br />
Account Manager: James Graham <br />
Account Manager: Louisa Pundey <br />
Production Assistant: Jessie Watkins Homeyard

Director: Elliott Power<br />
Cinematographer: Diego Garcia<br />
Managing Partner: Kelly Bayett<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: Deannie O’Neil<br />
Head of Production: Paige Kauffman<br />
Production Company: Love Song <br />
1st Assistant Director: Khucame Morales<br />
2nd Unit Directors: Louis McCourt<br />
Producer: Natalia Casanova<br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Edit Assistant: Matthew Blacklock<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Local Production: The Lift <br />
Partner: José Barrera<br />
Executive Creative Director: Dan Williams at The Mill<br />
Flame Artist: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Score: Miink <br />
Music Supervision: Sunny Kapoor Curation <br />
Sfx: Barking Owl Gus koven <br />
VO: Ja’Lisa Arnold <br />
Stylist: Paola Alfaro & Void<br />
Make Up: Valeria Salas <br />
Production Design: Christian Stone <br />
<br />
Client: Stock X<br />
Agency: Mojo Supermarket

DIRECTOR - Parker Seaman <br />
CD - Clare Gillen <br />
PRODUCER - Melissa Langaas & Parker Seaman <br />
DP - Franklin Ricart <br />
PD - Matt Sokoler <br />
STYLIST - Shadi Khastedai <br />
MAKEUP ARTIST - Leigh Marder-Shwartz <br />
AD - Steve Bagnara <br />
GAFFER - Kevin Yr. Cho <br />
KEY GRIP - Zachary White <br />
VFX SUPERVISOR - Erik Ande <br />
EDITOR - Jacob Ehrlich <br />
COLORIST - Josh Bohoskey <br />
TITLE DESIGN - John Cranston  <br />
<br />
<br />
CAST<br />
DILLON FRANCIS<br />
ERIC WAREHEIM<br />
CHLOE CHERRY<br />
TONY CAVALERO<br />
JOSEPHINE LEE<br />
MORGAN QUINN <br />
DIPLO<br />
<br />
DAVID KATZ MANNING<br />
JENNY F. SHIBLEY<br />
MARY DELL MAY<br />
KELCEY WATSON<br />
JULIO MEIJA | TESS CARGES<br />
DEVIN DAS<br />
LUIS ESPINOSA<br />
MATT TOTH<br />
STEPHEN PECK<br />
HAROLD MINTZ<br />
LILY BEREN<br />
ARTHUR HICKMAN

https://www.imdb.com/title/tt8954790/?ref_=ttfc_fc_tt<br />
<br />
Wins & Achievements<br />
Silver medal, student Academy Awards. 2019, Los Angeles.<br />
5th place in fiction, CILECT prize. 2019, Cannes.<br />
Special jury award, student BAFTA. 2019, Los Angeles.<br />
Gnist-prisen, Kortfilmfestivalen. 2019, Grimstad.<br />
Hederlig omtale Gullstolen, Kortfilmfestivalen. 2019, Grimstad.<br />
Best cinematography, Amandus international student film festival. 2019, Lillehammer.<br />
<br />
Official Screenings & Nominations<br />
International competition, Raindance film festival. 2019, London.<br />
Drama-film competition, Aesthetica Short Film Festival. 2019, York.<br />
International competition, Tel Aviv student film festival. 2019, Tel Aviv.<br />
Next generation, Brussels short film festival. 2019, Brussel.<br />
Nordic mid competition, Sundsvall film fest. 2019, Sundsvall.<br />
Next nordic generation, Filmfestivalen i Haugesund. 2018, Haugesund.

At Crankworx Cairns in 2023, Nicholi Rogatkin had a season-ending injury. This was the first time in his career that he had to sit out a season. This short highlights the magic of getting back on a bike again after injury.<br />
<br />
Presented by Specialized Bikes<br />
Directed, filmed, and edited by Keenan DesPlanques

Director: Ivan Zacharias<br />
Production Company: SMUGGLER<br />
EPs: Patrick Milling-Smith, Brain Carmody, Allison Kunzman<br />
Producer: Nick Landon<br />
Editorial House: Robota<br />
Editor: Filip Malasek<br />
Advertising Agency: Grey<br />
Global CCO: John Patroulis<br />
CCO EU & Creative Chairman UK: Javier Campopiano<br />
President/CCO UK: Laura Jordan Bambach<br />
Global ECD, Volvo: Emiliano Gonzalez De Pietri<br />
Creative Directors: Sam Haynes, John Gibson<br />
Copywriters: Sam Haynes, Javier Campopiano<br />
Art Director: John Gibson<br />
CSO: Raquel Chicourel<br />
Strategic Planners: Bhavin Pabari, Gilliam Caldwell-Dunn<br />
Chief Client Officer: Jeremy Pyne<br />
Business Director: Justine Johnson<br />
Account Director: Andy Wynn<br />
Account Manager: Cara Simcock<br />
Agency Senior Producer: Lindsay Moyes<br />
Agency Print Producer: Richard Ross<br />
Designer: Michael Stephens<br />
Social Media Agency: Wildfire<br />
Managing Director: Olivia Clarkson<br />
Creative Director: Vikesh Amey Bhatt<br />
Account Director: Charlotte Scott<br />
Strategy Director: Asad Shaykh

The fight of Li Xian, rising star actor in China.<br />
<br />
Production - Rocket Science Production china LT<br />
Executive producer - Inna Pan<br />
Line Producer - Baozi<br />
Production manager - Moting Ren and Dudu<br />
Production Assistant - Yiding<br />
<br />
Agency - 180 Shanghai<br />
<br />
Director - Benjamin Nicolas<br />
Cinematographer - Ming Hu<br />
1st Assistant Director - David<br />
Editor - Ben<br />
Colorist - Nikola Stefanovic at MPC Shanghai<br />
<br />
Talent -<br />
Actor - Li Xian<br />
Music/singer - MATT HOLUBOWSKI<br />
<br />
SFX Post production : MPC Shanghai<br />
<br />
Music and sound design : CULT NATION Montreal<br />
composer : connor seidel<br />
<br />
Stylism - Sakura Fisher<br />
Make up - Xin Wu

Director : Guy Ritchie <br />
Production: Soixante Quinze X Reset<br />
Producer : Emmanuel Guiraud, Annabelle Fournier<br />
Post producer: Anne Segrettin <br />
<br />
Post Production : The Mill Paris <br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphanie Mollet <br />
VFX Supervisor : Stéphane Pivron <br />
CG Supervisor : Mathias Barday <br />
Editing : Nicolas Larrouquère <br />
Grading : Jean-Clément Sorret (Company 3) <br />
Concept : Nathan Lucas, Alain Descamps <br />
Modeling & Environnement : Mehdi Rami <br />
Matte Painting : Fabien Barrau, Sergey Likharyev <br />
Generalist : Adrien Borzakian <br />
Keen tools : Tytouan Botte <br />
FX : David Roubah <br />
Lighting : Valentin Lesueur <br />
AI : Yanis - French Faker <br />
Compositing : Eric Lemains Guillaume Poueymarie <br />
Flame : Stéphane Pivron, Damien Canameras, Aurélien Teurlai, Valentin Gingembre, Sébastien Kremer, Damien Peiro, Franck Lambertz<br />
Motion graphics : Agathe Sayegh

Instagram: @waterballet<br />
Music and Video by Kamiel Rongen<br />
free Barbapapa EP @<br />
https://waterballet.bandcamp.com/album/barbapapa-ep<br />
<br />
Bookings&info: kamielkamiel@live.nl<br />
www.water-ballet.com

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Iceland is one of my favorite countries to travel to & I absolutely love capturing my experiences there. It was even better getting to show my Wife’s family this place we’ve grown to love so much over the past 5 years. “Gusts From The Highlands” is my 3rd travel piece I’ve had the pleasure of creating there. Bringing along the Leica Q2 was a great addition in the toolkit for shooting the photos you see in this piece. It was fun experimenting with the Sirui anamorphic’s as well. Thanks to my love Christie LaPlant for all the killer drone shots!<br />
<br />
Dir/DP/Edit/Color: Cody LaPlant<br />
Drone Op: Christie LaPlant<br />
Music licensed by Musicbed: Tony Anderson - Farthest Seas