The search for affordable housing and pressures created by gentrification lead to a unique predicament for a young artist, in this sharp satirical comedy by Amina Sutton and Maya Tanaka.<br />
<br />
Directors: Amina Sutton and Maya Tanaka<br />
Writer: Amina Sutton<br />
Executive Producers: Amber Dennis, Amina Sutton, and Maya Tanaka<br />
Producers: Selah Peterson, Amina Sutton, and Maya Tanaka<br />
Actors: Amina Sutton and Wyatt Cenac<br />
Director of Photography: Alexa Mignon Hiramitsu <br />
Art Director: Katie Quinlisk<br />
Film Editor: Priscilla Mena<br />
Composer: Jacob Rosati<br />
Assistant Camera: Kayli Weiss<br />
Sound Mixer: Alanna Murray <br />
Gaffer: Julia Gowesky <br />
Makeup: Blythe Irish <br />
Assistant Editor: Jenn Nielsen<br />
Additional Editing: Kevin Tully <br />
Sound Designer: Jacob Rosati <br />
Colorist: Stefan Hueneke<br />
Title Design: Jeannette Lee<br />
Production Assistant: Chanelle Jones<br />
All archival courtesy of The Prelinger Archives

Shot in the Arabian desert with a haunting backdrop of the Burj Khalifa, Universal Machine is set in a post-apocalyptic world where a gifted young girl must find a way to understand and overcome a violent encounter with a life-like android<br />
<br />
New York-based director and artist Daniel Askill enlisted a host of international creative talent for this project. Renowned American minimalist composer Philip Glass scores an ominous orchestral piece undercut by a stirring mezzo-soprano. Belgian choreographer and Beyonce’s 2017 Grammy performance director Sidi Larbi Cherkaoui planned the elaborate fight sequences, while the android was CGI mapped to Japanese dancer Tzuki Kozuki. The star of the film, Evnika Sadvakassova, is a boxer who gained the Guiness World Record for the most full contact punch strikes by a female in one minute. She won this accolade in 2018 at the age of 11. <br />
<br />
Read a Q&A about Universal Machine with Daniel Askill: https://bit.ly/2mzVltC

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"Final Offer" by Mark Slutsky<br />
<br />
A down-on-his-luck lawyer awakes in a doorless room to find he's been selected to negotiate on behalf of the human race.

·Production Company: The Youth<br />
·Director: YUCA<br />
·Director of Photography: Giordano Maestrelli<br />
·Still Photography & Video Collection: YUCA<br />
·Direção de arte: YUCA e The Youth crew<br />
·Editing: YUCA<br />
·Executive Producer: Eduardo Lubiazi<br />
·Color Grade: Acauan Pastore<br />
·1st AC: Duran Sodré<br />
·Post Production Supervisor: Diogo Gameiro <br />
<br />
·Creatives: Renan Molin, Lindsei Barros, Charles Faria<br />
·Music Production Company: Jamute<br />
·Music Producers: James Pedrozo Pinto, Daniel Telles, Thiago Lester, Leck Gomes and Marcos Vaz<br />
·Executive Producer: Alejandro Ramos Lepez<br />
·Sound Engineers: Otavio Bertolo, Fernanda Galetti and Rafael Laurenti<br />
·Production Coordinators: Julianna Zuppo and Leonardo Vieira<br />
<br />
·Special thanks: Lab:Lab Analógico, Sabiá Laranjeira, Armada, Tatunca Nara.

Short Film | Argentina | 2022 | 13 Min |<br />
<br />
Ricardo is set to play Jesus in a small town biblical reenactment. While he is crossing the countryside in a hurry to make it on time, he’ll crash upon a dilemma. Do miracles exist?<br />
<br />
<br />
<br />
Premiered in Tribeca Film Festival 2022.<br />
<br />
Written and Directed by MUMU<br />
<br />
STARRING<br />
Martin Tchira as "Ricardo"<br />
Milagros Azem as "Milagros"<br />
<br />
CREDITS<br />
Produced by Lula Meliche and Tomas Medero<br />
AD by Lucas Galambos<br />
Cinematography by Santiago Cantillo<br />
Production Design by Magdalena Peralta<br />
Costume Design by Rocio Ortiz de Latierro and Johy Turek<br />
HMU by Cecilia Bukovac and Rocio Marrodan<br />
Casting Director by Julian Calviño<br />
Sound by Martin Blaya, Martin Porta and Emiliano Monsegur<br />
Color Grade by Alejandro Armaleo<br />
VFX by M&M and Mariano Olivari<br />
Graphic Design by Marcelo Granero<br />
Edited by MUMU<br />
Film Process, Scan and Transfer by Kodak Film Atlanta Lab<br />
<br />
<br />
With the support of Rebolucion

One extract from a series of 10 commissioned video installations by Ben Briand.<br />
<br />
<br />
Artist<br />
http://www.benbriand.com<br />
<br />
Music By<br />
http://www.basilhogios.com.au

Iceland is one of my favorite countries to travel to & I absolutely love capturing my experiences there. It was even better getting to show my Wife’s family this place we’ve grown to love so much over the past 5 years. “Gusts From The Highlands” is my 3rd travel piece I’ve had the pleasure of creating there. Bringing along the Leica Q2 was a great addition in the toolkit for shooting the photos you see in this piece. It was fun experimenting with the Sirui anamorphic’s as well. Thanks to my love Christie LaPlant for all the killer drone shots!<br />
<br />
Dir/DP/Edit/Color: Cody LaPlant<br />
Drone Op: Christie LaPlant<br />
Music licensed by Musicbed: Tony Anderson - Farthest Seas

A journey into the vibrant and competitive world of Southern house culture told through the eyes of vogue dancer Starfyyre Ninja, member of the Iconic House of Ninja and House Mother of the Florida Chapter of the Kiki House 'Old Navy'. <br />
<br />
<br />
Directed by: Aisha Amin<br />
Producer: Cameron Morton<br />
Executive Producers: Matt Seger, Dexter Brierley, Alex Max, Meetra Javed<br />
DP: Xavi Portillo<br />
Editor: Jamie Lansdowne<br />
Sound Design & Mix: Zack Wright<br />
Color: Kath Raisch at Company 3<br />
Sound Ops: Jeff Cannon and Tyler Cardwell<br />
1st ACs: Andy Patania and Thomas Blanks<br />
Gaffer: Andy Seely<br />
<br />
An Underhill Film Production<br />
Made in Partnership with Ghetto Film School and Red Bull Media House.

A new action packed short film straight from the palms of a Nigerian mother who on one fateful night, serves her son a set of slaps so powerful that it changes his life forever. Full of twist and turns this film celebrates the most neglected heroes of today: Black Mums.<br />
<br />
BIFA 2023 BEST SHORT FILM WINNER <br />
AESTHETICA 2023 BEST SHORT FILM WINNER <br />
BFI LFF 2023 AUDIENCE AWARD FOR BEST FILM/WORK<br />
<br />
Learn more about the project: <br />
https://directorsnotes.com/202....3/11/13/abdou-cisse- <br />
<br />
<br />
<br />
Credits: <br />
<br />
Supported By: BBC Film <br />
Production Company: June & Stella Productions<br />
In Association With: Joi Productions & Ugly Child"<br />
<br />
Written & Directed By: Abdou Cissé<br />
Produced By: Cheri Darbon & George Telfer<br />
<br />
Executive Producers: Dionne Farrell, Joy Gharoro-Akpojotor, Akwasi Poku & Abdou Cissé<br />
<br />
Director Of Photography: Anna Macdonald<br />
Editors: André Rodrigues & Marvin Jay Alvarez<br />
Production Designer: Paix Robinson<br />
Costume Designer: Rhona Ezuma<br />
Hair & Makeup Designer: Olimpia Stoicea<br />
Sound Design & Mix: Adam Smyth<br />
Casting Director: Hannah Marie Williams<br />
<br />
First Assistant Director: Sam Barnham<br />
Production Manager: Chanel Parkinson<br />
Sound Recordist: Antonios Moutzianou<br />
Gaffer: Vini Curtis<br />
<br />
Cast<br />
(In Order Of Appearance)<br />
Mrs Adeyemi Kemi Lofinmakin<br />
Ade Tom Moutchi<br />
Mr Adeyemi Femi Ogunjobi<br />
Young Ade Josh Tedeku<br />
Jess Isabella Sylvester<br />
Mrs Adeyemi's Friend Tomi Ogunjobi<br />
Younger Ade Aston Poku<br />
Waiter Tom Bonington<br />
Emma Ozioma Ihesiene<br />
<br />
Production Assistant: Kelsey Mcinnis<br />
Production Assistant: Darren Sintes<br />
Production Runner: Ollie Morris<br />
Production Runner (Daily): Ethan Mcdowell <br />
<br />
Second Assistant Director: Fred Searle<br />
Third Assistant Director: Keerthana Rajakulasingham<br />
Floor Runner: James Barnham <br />
<br />
First Assistant Camera: Ondrej Rybar<br />
Second Assistant Camera: Chelsea Bernard<br />
Camera Trainee: Ester Edusi<br />
Camera Trainee: Nathan Rubins<br />
<br />
Gaffer (Daily): Jamie Hitchin<br />
Lighting Technician: Jorge Higgins<br />
Lighting Technician: Seb Barnett<br />
<br />
Steadicam Operator Junior: Agyeman Owusu<br />
<br />
Boom Operator: Collin Patterson<br />
<br />
Art Director: Oli Cassels<br />
Set Dresser: Rema Kashay<br />
Art Department Assistant: Jaimin Patel<br />
Art Department Assistant: Christine Cave<br />
Art Department (Daily): Lucy Barsegian <br />
<br />
Costume Assistant: Tilly Phelan<br />
Costume Assistant (Daily): Pascale Davies<br />
<br />
Hair & Makeup Assistant: Lily Rayan<br />
Hair & Makeup (Daily): Tillie Robinson-Smith<br />
<br />
Script Supervisor: Paul Rosescu<br />
<br />
Movement Director: Ronin Traynor<br />
<br />
Stills Photographer: Aliyah Ochere<br />
<br />
Casting Assistant: Bryony Pulizzi<br />
<br />
Chaperone: Kwabena Poku<br />
<br />
Health And Safety Advisor: Hollie Johnson Jha Safe T<br />
Medic & Covid Supervisor: Jamie Lewis The Movie Medics<br />
<br />
<br />
<br />
Supporting Artists <br />
<br />
Chefs & Waiters:<br />
Douglas Grant - Clive Cohen -Naida Khvrych - Martin Crossingham - Peter Wilkinson - Nico Jouavell "<br />
<br />
Restaurant Diners: <br />
Michelle Sedgemore - Graham Andrew- Alex Leleszis - Jose Soria-Cano<br />
Julia Satue - Xahria Preudhomme - P.J. Perkin - Grace Kelly - Abbey Monteiro <br />
- Sophie Leseberg - Maggie Chapman - Glyn Lewis - Igor Belache - Carla Lopes"<br />
<br />
SA Casting: Mad Dog Casting<br />
<br />
Post Production <br />
Edit House: The Assembly Rooms<br />
Edit Producer: Joshua Gochez<br />
<br />
Audio Post Production: String And Tins<br />
Additional Sound Design: Jim Stewart<br />
Audio Producer: Alina Miroshnichenko<br />
<br />
Colour And Finish By: Electric Theatre Collective<br />
Colourist: Jason Wallis<br />
Colour Executive Producer: Oliver Whitworth<br />
Colour Grading Assistant: Janak Griffin-Rai<br />
Additional Post House: Comppo<br />
Additional Post Director: Julián L. Cóppola<br />
<br />
Vfx Supervisor: Ruslan Borysov<br />
Cg Generalist & Motion Design: Stepan Polivanov <br />
Motion Design Ekaterina Platonova<br />
<br />
Music Consultant: Dane Bradshaw <br />
<br />
Title Designer: Gideon Cudjoe<br />
<br />
Production Legals: Sheridans<br />
<br />
Production Insurance: WK Film Insurance <br />
Camera & Lighting Truck Driver: Mark Hatton Rs Management Services <br />
Caterers Fresh & Funky <br />
<br />
Camera Equipment Provided By: Feral Equipment Extreme Facilities<br />
Lighting Equipment Provided By: Green Kit<br />
Sfx Equipment: Matter Sfx<br />
<br />
Locationsuk Film Location - Salt Film Radios Wavevend <br />
Film Director Of BBC Films: Rose Garnett<br />
Commissioning Executive: Eva Yates<br />
Legal And Business Affairs Manager: Livy Sandler<br />
Production Executive: Emma Kayee<br />
Production Manager: Brett Webb<br />
Legal & Business Affairs Assistant: Ruth Sanders<br />
<br />
Developed By BBC Films

Directed and animated by Katy Wang<br />
Illustration and art direction by Charlotte Ager<br />
Music and sound by David Kamp<br />
<br />
Poem written and narrated by Wendell Berry<br />
<br />
I'm so excited and grateful to have collaborated with Charlotte Ager to bring to life her beautiful illustrations for this poem. This film involved the most intensive colouring process I've ever used for a project in order to try and accurately reproduce Charlotte's drawings done on paper.<br />
<br />
Animated in Adobe Animate & coloured in Photoshop<br />
<br />
https://www.itsnicethat.com/articles/katy-wang-charlotte-ager-the-peace-of-wild-things-animation-271020<br />
<br />
https://www.instagram.com/charlotte.ager/?hl=en<br />
https://www.instagram.com/watykang/?hl=en<br />
https://www.studiokamp.com/<br />
https://onbeing.org/

15 MINS // HINDI [ENGLISH & SPANISH SUBTITLES] // 2016<br />
<br />
WINNER Best documentary short at RAINDANCE FILM FEST 2017<br />
<br />
A personal project I shot in northern India. It's a short documentary about stunt drivers taking part in the daredevil sport known as "Maut ka kuan" (Well of Death). Premiered on NOWNESS: http://tinyurl.com/hms57ry<br />
Featured on NATIONAL GEOGRAPHIC: http://tinyurl.com/jxrwq9q<br />
<br />
<br />
Directed by<br />
Erik Morales<br />
<br />
Cinematography<br />
Daniel Fernandez Abelló<br />
<br />
Edited by<br />
Marc Soria<br />
<br />
Produced by <br />
CANADA & Early Man Films<br />
<br />
Executive Producers<br />
Oscar Romagosa<br />
Anand Menon<br />
<br />
Head of Production CANADA<br />
Alba Barneda<br />
<br />
Producer Barcelona<br />
Julia Carrasco<br />
<br />
Music by<br />
Toni M. Mir<br />
<br />
Sound FX by<br />
Miguel Mestres<br />
Angel Sound Studio<br />
<br />
Colorist<br />
Marc Morató<br />
La Metropolitana<br />
<br />
Online Editor<br />
Alvaro Posadas<br />
<br />
CAST:<br />
<br />
Riders:<br />
Raees<br />
Maharoof<br />
Aazim<br />
Shakir<br />
Babble<br />
<br />
Organiser:<br />
Imran Khan<br />
<br />
Line Producer<br />
Kaushik Guha<br />
Chanpreet Singh<br />
<br />
Production<br />
Subodh Gupta<br />
Danish<br />
<br />
Focus Puller<br />
Rishi Garg<br />
<br />
Camera Attendant's<br />
Sanju<br />
Ankush<br />
Ravi<br />
<br />
Sound by<br />
Sunil Kumar<br />
<br />
Facility <br />
Teja<br />
Raju<br />
Kamal<br />
<br />
<br />
Thanks:<br />
Nicolas Mendez, Lope Serrano, Sanju Ayappa, Ramon Arteman, Marc Matons, Marta Mancera, Juaco Molins, Trafalgar 13 Music House, Laura Serra Estorch, Luna Esquerdo, Carles Font Clos, Ramón Morejón, Luis Casacuberta, Sonam Sight.<br />
<br />
Special Thanks<br />
To the riders, support staff and the city of Soron for helping us till the end.

Short Film for Breast Cancer Now !!! I was asked to visualise the nuances and complexities of women’s relationship with their breasts. I hope you find some relatable moments in here and are inspired to check your boobs however you may feel about them. <br />
<br />
OUTSTANDING ANGEL ALERT ....<br />
<br />
Production company - Strange Beast<br />
Producer - Amy Ashton<br />
Senior Producer - Zoe Muslim<br />
Executive Producer - Kitty Turley<br />
Animation - Anna Ginsburg, Matt Lloyd, George Wheeler, Sheetal Thankey, Harriet Gillian <br />
Animation Assistants - Laura Jayne Hodkin, Natasha Pollack, Maria Beverley Morris, Eloise Garlick, Sorrel Milne<br />
Music Composition - George Grinling<br />
Executive Creative Director - Steve Back, Weber Shandwick<br />
Associate Creative Director - Janelle Feliciano, Weber Shandwick<br />
<br />
THANK YOU EVERYONE THIS ONE WAS A REAL JOY. Gonna order some nipple tassels to celebrate.

Director : Neels Castillon<br />
<br />
Agency : Publicis Luxe<br />
<br />
Production : Psycho<br />
DOP: Arnaud Potier<br />
<br />
VFX STUDIO<br />
The Mill Paris:<br />
Executive Producer: Cécile Hubin<br />
VFX Producer: Cédric Negrel<br />
VFX Coordinator: Ghalia Chammat<br />
Shoot supervision: Franck Lambertz, Jean-Christophe Olivier<br />
VFX Supervisor: Franck Lambertz, Olivier Jarry<br />
Matte Painting: Benjamin Bardou, Sergey Likharyev<br />
FX: Felix Guglielmi<br />
Lighting: Valentin LeSueur<br />
Compositing: Arthur Sayanoff<br />
Generalist: Paul Goubet, Guillaume Hupe<br />
Concept: Nathan Lucas<br />
Flame: Franck Lambertz, Sebastien Kremer<br />
Motion: Olivier Jarry, Yohann Leroy, Jean Christophe Olivier, Agathe Sayegh, Max Loriot, Jean-Yves Parent -Julien Pinot<br />
Colourist: Sébastien Mingam, Nicolas Guibert<br />
Colourist assistant: Loic Lavaux<br />
Editor: Sébastien/ Motion Palace, Chloé Charrier, Cécile Crilout<br />
<br />
<br />
Music (making-of) : « Open Wide » by @awirleon.

'Mystery' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com<br />
<br />
written and directed by www.benbriand.com

It was time to escape. We were done. Tapped out.<br />
<br />
A week of festivities during the contest in France with an embarrassingly small amount of surfing had us refocused on what actually matters, so we left for Portugal. The Algarve. We gathered a merry crew: Chippa Wilson, Brendon Gibbens and Noah Collins. We rented a team manager and a van and hit the road. <br />
<br />
Oh the Algarve!<br />
<br />
Such warmth, such affordable prices. The Algarve is a dream. It is a west coast to pick up swell and a south coast to shelter you. The early days of the trip were marred by inconsistent swell and wind. Too big for the west coast. Too small for the south. Not to worry. We kill time. We eat. We sunbathe. We drink. We Scroll. We dip into Lagos. Inhibitions are loosened. <br />
<br />
The swell arrives – a return to normal programming. The west and the south. The west is modor-esq black cliffs in the cloud and the south is novelty beachbreaks with the most marvellous of backdrops in the sun. In true fashion, Portugal delivers and we surf until the very last smudge of light over the Atlantic, and as the inky blackness descends we clink Super Bocks and with weary eyes we reluctantly pack the van. It was time to head north. For some would stay in Portugal. Others would head to France. Others to LA. Others to Japan. Wetsuits still wet on arrival in Shibuya. <br />
<br />
The Retreat. <br />
<br />
A Wasted Talent short film, supported by Monster Energy.<br />
<br />
Filmed by Yentl Touboul & Guillem Cruells<br />
Edited by Yentl Touboul<br />
Produced by Alexei Obolensky<br />
Graphics by George Hatton<br />
Filmed on 16mm, super 8 & 4k in Portugal, November 2019.<br />
<br />
Check out the full feature in Wasted Talent Volume VI, now available via: https://www.wastedtalentmag.com/print

Globe and Monster present a series of relatively short films about surfing <br />
and everything that goes along with it….CULT OF FREEDOM!<br />
<br />
Ok, It’s been a while but it’s worth the wait! The fourth installment in the CULT OF FREEDOM series features Creed McTaggart dancing his way through large funnels in WA and drawing wild lines on a recent strike to maxing Indo. Behold, THE CREED PART!<br />
<br />
A FILM BY JOE G<br />
<br />
SHOT BY:<br />
TOM JENNINGS<br />
BEREN HALL<br />
REX NINK-MOWDAY<br />
ISAAC JONES<br />
<br />
EDIT BY: <br />
MATT PAYNE<br />
<br />
POST:<br />
MAX EDIT!<br />
<br />
SOUNDTRACK<br />
<br />
WEST OZ<br />
"KICK OUT THE JAMS"<br />
BY: MC 5 <br />
<br />
INDO<br />
"RAIN (LIVE)" <br />
BY: DRAGON

After winning every major contest during the 2018 season, Chloe Kim became the top women’s superpipe snowboarder in the world at the age of 17. In what came as a surprise to many, in October of 2019 Chloe released a YouTube video announcing that she would be taking a break from competition that season and attend Princeton University instead. The years of rigorous competition schedules, obligations, training, and more were impacting her mental well-being and left little time for Chloe to discover who she really was, or to determine her own path. “I don’t want anyone to think I’m about to retire or anything like that - that’s not it. I just need some Chloe-time! I need to be a human, I need to be a normal kid for once, because I haven’t been able to do that my whole life. So I just wanted to give myself one year, the first time in seven years, to give myself a break from competing,” said Chloe. Watch her first full Beyond the Bib Season Four episode here, and stay tuned to DewTour.com for Episode Two.<br />
<br />
Directed by Jeremy Pettit<br />
<br />
See more from Beyond the Bib Season 4:<br />
https://vimeo.com/showcase/6879069

A little girl receives a letter from Santa Claus. Narrated by Academy Award Winner F. Murray Abraham.

A complex construction site, New York’s skyline in the distance, and fresh betrayal. Stane is in charge on-site, soon to inherit the family business from her father, who built it up as a Croatian immigrant also building the American dream. But Stane’s marriage is under threat of demolition. What ensues is a public reckoning between traditional, patriarchal expectations made upon wives versus Stane’s own pain and anger. But Stane is building her own life story though — outside of the permission of men.<br />
<br />
"Stane", a film by Antoneta Alamat Kusijanović, is the 26th commission from Miu Miu Women’s Tales. The acclaimed short-film series invites today’s most profound and original female directors to investigate vanity and femininity in the 21st century.<br />
<br />
Antoneta Alamat Kusijanović (b.1985) is a Dubrovnik-born and New York based Croatian and American screenwriter and filmmaker. Her directorial feature debut, "Murina", executive produced by Martin Scorsese, premiered at the 2021 Cannes Film Festival in the Directors Fortnight section, and was honored with the Caméra d'Or Award presented to the Best First Film, subsequently garnering critical acclaim to become one of the Best Films of 2022. "Murina" was nominated for three Film Independent Spirit Awards, including Best First Feature, Best Breakthrough Performer and Best Cinematography. Her short-film, "Into the Blue", was awarded at the 67th Berlin International Film Festival.<br />
<br />
“What does it mean to ‘give women power’ and ‘put women in power’?” says Kusijanovic. “I constantly hear it and I’m conflicted about that expression — power that is ‘given’ then also can be ‘taken’ away.” "Stane" reflects Kusijanović’s belief that, “sensuality needs to breathe through everything.” Although all her films, including this latest episode for Miu Miu Women’s Tales, invariably deal with the plight of women, Kusijanović admits that she never thinks first, “through politics or social message. I always start from character.” And from there the “issues of the world naturally emerge.” <br />
<br />
"Stane" ’s themes are specific to her own culture but also universal: the sacrifices women must make to uphold the fabric of society; the familial frictions felt between generations of immigrants; cultural norms and private disquiet; the asymmetry of honour and dishonour between genders. <br />
<br />
Antoneta Alamat Kusijanović’s new episode for Women’s Tales premiered at the Venice Film Festival’s “Giornate degli Autori” on September 3rd 2023<br />
<br />
<br />
#miumiu #miumiuwomenstales #giornatedegliautori #venicefilmfestival #stanefilm #nyc