utdrag

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Margaux Rust

Director: Ivan Zacharias<br />
Production Company: SMUGGLER<br />
EPs: Patrick Milling-Smith, Brain Carmody, Allison Kunzman<br />
Producer: Nick Landon<br />
Editorial House: Robota<br />
Editor: Filip Malasek<br />
Advertising Agency: Grey<br />
Global CCO: John Patroulis<br />
CCO EU & Creative Chairman UK: Javier Campopiano<br />
President/CCO UK: Laura Jordan Bambach<br />
Global ECD, Volvo: Emiliano Gonzalez De Pietri<br />
Creative Directors: Sam Haynes, John Gibson<br />
Copywriters: Sam Haynes, Javier Campopiano<br />
Art Director: John Gibson<br />
CSO: Raquel Chicourel<br />
Strategic Planners: Bhavin Pabari, Gilliam Caldwell-Dunn<br />
Chief Client Officer: Jeremy Pyne<br />
Business Director: Justine Johnson<br />
Account Director: Andy Wynn<br />
Account Manager: Cara Simcock<br />
Agency Senior Producer: Lindsay Moyes<br />
Agency Print Producer: Richard Ross<br />
Designer: Michael Stephens<br />
Social Media Agency: Wildfire<br />
Managing Director: Olivia Clarkson<br />
Creative Director: Vikesh Amey Bhatt<br />
Account Director: Charlotte Scott<br />
Strategy Director: Asad Shaykh

Toast 2 is the triumphant follow-up to 2015’s tour de force on the culture of makernistas. Watch the original film here: https://vimeo.com/152218119<br />
<br />
For every giant leap forward, there are baby leaps backward. For every thumbs up, a middle finger. Middle fingers can stop you or you can use them as kindling. Kindling that starts a powerful fire. And the longer that fire endures, the smell of burning middle fingers gives way to something far sweeter – the smell of victory. This is the story of that smell. <br />
<br />
Written by Andy Corbett<br />
Directed by Matt Sklar<br />
DP - Eric Bader<br />
Color - Ryland Jones <br />
Original song by Charles Ingram <br />
<br />
find us on the gram:<br />
@mattasklar<br />
@corblazmo

fbvnj gfgjbv ghnj

Director: Elliott Power<br />
Cinematographer: Diego Garcia<br />
Managing Partner: Kelly Bayett<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: Deannie O’Neil<br />
Head of Production: Paige Kauffman<br />
Production Company: Love Song <br />
1st Assistant Director: Khucame Morales<br />
2nd Unit Directors: Louis McCourt<br />
Producer: Natalia Casanova<br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Edit Assistant: Matthew Blacklock<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Local Production: The Lift <br />
Partner: José Barrera<br />
Executive Creative Director: Dan Williams at The Mill<br />
Flame Artist: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Score: Miink <br />
Music Supervision: Sunny Kapoor Curation <br />
Sfx: Barking Owl Gus koven <br />
VO: Ja’Lisa Arnold <br />
Stylist: Paola Alfaro & Void<br />
Make Up: Valeria Salas <br />
Production Design: Christian Stone <br />
<br />
Client: Stock X<br />
Agency: Mojo Supermarket

OFFICIAL SELECTION: San Francisco Another Hole in the Head, Indie Memphis, HorrorFest International, Nashville, FERATUM International, Brooklyn Horror, Tallgrass, IndieCork, Omaha, Waco Independent, Philadelphia Independent, NEPA Horror Fest, Boston Underground, Chattanooga, Nitehawk Shorts Festival, Lighthouse International, Sarasota Film Fest, FINAL FRAME Horror Short Competition, HorrorHaus, Anomaly, and Sherman Oaks<br />
<br />
<br />
LOGLINE: Halloween night, three friends high in a van, and an urban legend surrounding a cult singer's mysterious death in a fire - what could go wrong?<br />
<br />
<br />
Starring - Jack Russell Richardson, Andrea Granera, Glori Dei Filippone, Nick Corbo, Matt Weir, Rob Christie <br />
Written & Directed by Zach Fleming<br />
Produced by Lizz Astor<br />
Director of Photography - Jake Moore<br />
Assistant Director - Jonathan Hall<br />
Production Design & Miniature Build - Sophie Porter-Hyatt<br />
Art Assistant - Josie Heston<br />
SFX - Matt Weir<br />
Makeup + SFX Assistant - Rob Christie<br />
Costume Designer - Meredith King<br />
Production Assistants - Jordan Unverzagt and Caleb Brown<br />
Assistant Camera - Remington Long<br />
Gaffer - Tony Mikhnevich<br />
Key Grip - Rob Douthat<br />
Swing - Olivia Tyler<br />
Steadicam - Quinn Gundersen<br />
Sound - Ian Berman<br />
Sound Design & Mix - Matthew Scott Baker<br />
Editor - Phil Chernyak <br />
Composer - Nick Corbo / Mood Ring Music<br />
Title Design & Visual Effects - Tyler Rubenfeld + Richard Krolewicz<br />
Colorist - Matthew Greenberg / Irving Harvey<br />
Artwork by Tyler Rubenfeld + Stephanie Monahan

Director: Elliott Power<br />
Cinematographer: Deepa Keshvala <br />
Executive Producer: Daniel Wolfe <br />
Producer: Elliott Power <br />
Production Company: Love Song <br />
Editor: Dave Davis at Trim<br />
Producer: Tatyana Alexandra <br />
Edit Assistant: Zach Milonas<br />
Colourist: Simon Bourne at Framestore<br />
Colour Producer: Chris Anthony <br />
Flame Artist: Chris norton at The Mill <br />
VFX Producer: Clare Melia <br />
<br />
Local Production: Radioaktive <br />
Executive Producer: Sasha Bevka<br />
Producer: Valentyn Petyshkin<br />
Production Manager: Emil Skulskiy<br />
1st Assistant Director: Kristina Ilyina<br />
Steadicam Operator: Max Salo <br />
Stills Photographer: Artem Nadyozhin <br />
Stylist: Lee Christmas <br />
Make Up Artist: Dasha Taivas<br />
Hair Stylist: Iris Onufrienko<br />
Runner: Anton Chykalovets<br />
<br />
Special Thanks: Dan Williams, Louis Ganellin, Miink

Happy Christmas 2018 from all of us at Passion Animation Studios.<br />
Directed by MegaComputeur<br />
<br />
Sound - Mcasso<br />
Producer - Adriana Piasek-Wanski

June 2014<br />
<br />
Featuring Angela Trimbur and Graham Becket<br />
<br />
Director: Jimmy Marble<br />
Producer: Sage Price<br />
Executive Producers: Jett Steiger and Lana Kim<br />
Production Company: Ways & Means<br />
Production Coordinator: Jake Breslaurer<br />
DP: Eli Goldstein<br />
Production Designer: Aron Filkey<br />
Hair/Makeup: Sabrina Wilson<br />
Stylist: Georgia Stockwell<br />
1st AC: Erin Douglas<br />
2nd AC: Skylar Boccio<br />
Gaffer: Alvin Octoman<br />
Key Grip: Joeseph Wagoner<br />
Production Assistants: Lani Trock<br />
On site chef: Colin Kohler<br />
Colorist: Danny Reams<br />
<br />
Lani Trock, Jake Breslaurer, and Joeseph Wagoner as the cloaked figures

Director - Ian Pons Jewell<br />
Director of Photography - Mauro Chiarello <br />
Production company - Reset Content<br />
Managing Director - Dave Morrison<br />
Executive Producer - Deannie O'Neil<br />
Producer - Jon Adams<br />
Production Manager - Marketa Husecka<br />
Director’s Assistant - Emmanuelle Le Chat <br />
Production Designer - Robin Brown <br />
Costume Designer - Ameena Callender<br />
Gimbal - Florian Hatwagner<br />
Choreographer - Charlie Mayhew<br />
Choreographer Assist - Ryan Perkins <br />
1st AD - James Dyer <br />
Casting Director - Kharmel Cochrane <br />
<br />
Editorial - The Assembly Rooms<br />
Editor - Gaia Boretti <br />
Assistant Editor - Andre Rodrigues<br />
Executive Producer - Daniel Breheny<br />
<br />
Sound Design and Mix - String and Tins<br />
Sound Designer - Lawrence Kendrick<br />
Audio Producer - Laura-Leigh Smith<br />
<br />
Music - KOM <br />
Composer - Phil Kay <br />
Director/Head of Production - Andy Oskwarek<br />
<br />
Service Company - Radioaktive Film <br />
Executive Producer - Sasha Bevko<br />
Producer - Olya Kosenko <br />
1st AD - Val Semko <br />
2nd AD - Vadim Yuzba<br />
Production Manager - Yulia Sotnikova<br />
Production Coordinators - Val Petyshkin +Max Golubenko <br />
PAs - Vova Altsybeev + Anna Refel<br />
Chaperones - Roksolana Mudryk, Yura Korotun, Andrew Birch<br />
Photo BTS - Artem Nadezhyn<br />
Video BTS - Artur Byzhenko<br />
1st AC - Sergey Kolesnik<br />
Focuspuller - Peter Chetverykov<br />
AC cam A - Vadim Dubas <br />
AC cam B - Segrey Trush<br />
AC cam C - Yarik Braiko<br />
Gaffer - Leonid Sidorenko<br />
Key Grip - Andrey Gorovoy <br />
Chief Electric - Andrey Gorovoy<br />
Sparks - Firas Al Rikabi, Dmitry Remez, Artem Tischenko, Aleksandr Kasyanchuk, Evgeny Sherbak, Vova Tsukalo, Sasha Getman, Vova Akulov<br />
DITs - Jan Wachowski + Dima Samus<br />
Sound - Denis Ryskal + Bogdan Zynkevich<br />
Art Director - Vlad Ryzhikov <br />
Brigader - Vitaly Karpenko <br />
Stylist - Kostya Goncharuk <br />
Stylist - Scarlett Wallis<br />
Stylist Assistants - Maksimenko Andrey, Bondarenko Igor, Snesar Valeria<br />
MUA - Marta Skalska <br />
Pyro - Alexander Suvorov<br />
Prosthetics - Logos Anton, Alexander Antonyk, Alexander Ludanik, Kostya Zadorozhniy, Eugene Shtein, Kyryll Zhuravel <br />
<br />
VFX/Post - The Mill<br />
Executive Producer - Alex Fitzgerald, Heath Raymond<br />
Producer - Dan Crozier<br />
Associate Producer - Kevin Liu<br />
Production Supervisor - Colin Blaney, Noan John Vinod<br />
Line Producer - Rima Mondal, Bhawesh Upadhyay<br />
Creative Director - Dan Williams<br />
VFX Supervisor - Adam Droy<br />
2D Lead - Gianluca Di Marco, Antoine Douadi, Vinod Gopinathan<br />
CG Lead - Justin Kurtz<br />
Matte Painting - Cedric Mernard<br />
Color - Damien Vandercruyssen<br />
Compositing - Declan Andrews, Jonny Freeman, Malligeswaran K, Richard McKeand, Luke Midgley, Gangadharam Raja, Rich Roberts, Jyoti Tiwari, Giacomo Verri, Rafael Vormittag<br />
3D Supervisor - Gaurav Mathur<br />
Asset Lead - Dhanesh Sudhakaran <br />
CG - Kartik Arora, Joe Besagni, Kalpesh Bhikhabhai Patel, Harsh Borah, Yong Chan Kim, Maxime Cronier, Joshua Curtis, Amit Das, C Dinesh Reddy, Paul Donnellan, Laurie Estampes, Nicola Gilbert, Ujasgiri Goswami, Girish GR, Andreas Graichen, Shahid Hussain, Doug Johnson, Kieran Jordan, Dinesh Kanakaraj, Pradeep Katta, Fazal Khan, Sparsh Kumar, Alberto Lara, Tatjana Ljubimtseva, Mahesh M S, Keith McMenamy, Vijay Mohan, Robert Moore, Sriram Namana, Umesh Namdev, Melanie Okamura, Loganathan P, Kiran Prabhu, Guru Prasad, Nikhat Praween, Rijo R, Krushna Ramrao Kulsange, Vudatha Sai Krishna, Anil Sarki, Vikas Shinde, Navdeep Singh, Kuldeep Singh Waldia, Sudakshina Sridharan, Renato Suetake, Adem Suleyman, Akshay Suresh Lanjewar, Jadheer T P, Paul Tempelman, Somesh Tiwari, Alek Vacura, Dongili Varaprasad, Roman Vrbovsky<br />
Matchmove Lead - Murali Krishna Reddy<br />
Design - Wendy Eduarte, Fionna Mariani, Tetsuro Mise, Laura Nash, David Nelson, Sam Singleton<br />
Finishing - Michael Almodovar<br />
Shoot Supervisor - Aleksandar Djordjevic, Jim Radford, Dan Williams<br />
<br />
Agency - TBWA/Chiat/Day NY <br />
Executive Producer - Tina Lam<br />
Business Director - Nora Chivelly <br />
Operations Manager - Olivia Scala<br />
Business Manager - Nico Rodriguez<br />
Chief Strategy Officer - James Sowden<br />
Senior Strategists - Katelyn Saks, Sophie Engelstien, Mani Schlisser, Kayla Sredni<br />
Chief Creative Officer - Chris Beresford-Hill <br />
Creative Directors - Jexy Holman and Nuno Teixeira<br />
Senior Copywriter - Athanasia Efthimiu<br />
Senior Art Director - Alyssa Cavanaugh <br />
Director of Integrated Production - John Doris <br />
<br />
Client - Oculus / Facebook<br />
Creative Directors - Robbin Ingvarsson + Kako Mendez <br />
Executive Producer - Angela Fung <br />
Producer - Brian Coate <br />
<br />
Cast<br />
Hero Twins + Kaylee + Taitlyn Jaiy<br />
POP One Friend - Ryan Perkins<br />
POP One Friend - Malcolm Atobrah<br />
Beatsaber - Dreya Mac<br />
MoH Player - Jack Morris<br />
Walking Dead NPC - Vadim Pavlenko <br />
<br />
Zombies - <br />
Misha Makarov<br />
Tonya Romanenko<br />
Michael Anyim<br />
Sveta Оnopa<br />
Pavel Evchin<br />
<br />
POP One - Akeem Bello <br />
Chair Zombie/MoH Stunt/POP One stunt - Andrey Kaba<br />
Zombie/MoH Stunt/POP One stunt - Roman Korzhuk<br />
<br />
MoH / POP One stunt - <br />
Ivan Strizhakov<br />
Roman Stankevich <br />
Evgeniy Poliakov<br />
Nikolay Zavarygin <br />
Andrey Bezverkhniy<br />
Vadim Bezverkhniy<br />
Anton Zubchenko

A short film by Diego Berakha Otal<br />
Original Spanish version vimeo.com/685320983?share=copy<br />
<br />
"Now I Know Where to Find you" is a story about my childhood in Spain and the trip I made to Argentina when I was 12 years old. One day I decided that I wanted to live with my father. I missed him too much. 10,000 km later a whole new life began for me, but my childhood memories didn't fade away. And, of all these memories, the memory of my yaya (grandmother) was always vivid. She raised me as if I was her own son, when none of my parents were ready to do that.<br />
<br />
The story stems from a unique discovery that I made while wandering around with Google Maps. This discovery was so moving that I felt the need to tell the story, my story.<br />
<br />
_<br />
<br />
Premiered at 2022 BAFICI

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

From a migrant family from UP to representing India globally, witness a story of belief and faith from the grassroot of India with a young boy poised to lead the nation’s quest for a medal at Breakdance for the first time and bring India the ULTIMATE GLORY.<br /><br />#kadambadhaoindia #righttosports #exide #exidecare #outlookindia #indiamovesonexide #asiangames #olympics #sports #sportsinindia #indiansports #asiangames2023 #breaking #breakdance #parisolympics #olympics

After 100 years of progress, AI bots have finally become too human for their own good.<br />
A TED Film<br />
Starring Rebecca Front and Hugh Skinner<br />
Directed by Chris Vernon and Emerald Fennell <br />
Written by James Ross Edwards<br />
Produced by Mother London

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?<br />
<br />
<br />
<br />
Client: We Are Playgrounds<br />
Director: Erwin van den IJssel<br />
<br />
Additional Animation: Hugo Morais, Kanso Ogbolu<br />
Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

Director: Saschka Unseld

Run Forever is a digital media artwork visualising the vision of Hyundai Motor’s sustainable design and green energy for a clean mobility society. In Run Forever, the runner is at one with nature, transforming from water, to hydrogen and oxygen, to pure energy, before returning to nature in the form of plants. Inspired by the water cycle, Hyundai Motor’s clean hydrogen fuel process is renewable, generating infinite energy for our runner to ‘run forever’.<br />
<br />
Run Forever launches the new brand space Hyundai Motorstudio Busan. The Motorstudio is a hub for design, exploring the power of design across all disciplines. Experiences in the Motorstudio are guided by the theme ‘Design to Live by’, reflecting how great design enriches and reinvents our everyday lives.<br />
<br />
Run Forever features on the Creative Wall at Hyundai Motorstudio Busan. The digital artwork is among a variety of arts and cultural exhibits in the space that allow visitors to experience the vision of the Hyundai Motor brand.<br />
<br />
The five-story Hyundai Motorstudio Busan is based in F1963, a cultural complex in the former Kiswire Suyeong wire rope factory designed by renowned architect Choi Wook. Universal Everything and Hyundai Motor have previously collaborated on a kinetic display experience and large-scale video artwork for the Hyundai Motorstudio in Goyang.<br />
<br />
Run Forever also features in Hyundai Motor’s commercial TV campaign about clean energy.<br />
<br />
https://universaleverything.co....m/projects/run-forev

In a documentary presented by Errol Morris and directed by Daniel Lombroso, a grandmother reckons with her sister’s sudden disappearance during the Second World War.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Jerry Schwartz