a Moonhouse film<br />
<br />
featuring Griff Washburn and Sadie<br />
director & cinematography: Ben Moon<br />
executive producer: Sean Patrick Sheahan | Best Friends Music<br />
editor: Jake Price<br />
colorist: Skip Armstrong<br />
music & score: Goth Babe<br />
sound design & final mix: Luke Mathers | Cascadian Sound<br />
archival footage: Levi Hoffbeck | 204Made<br />
<br />
made possible with the support of Amazon Music and JUNESHINE

Client: Channel 4<br />
Agency: 4creative<br />
Production: Art Practice <br />
<br />
Executive Creative Director: Lynsey Atkin<br />
Creative Directors: Mike Skrgatic, Daniel Wolfe, Lynsey Atkin, Bafic<br />
<br />
Directors: Elliott Power, Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic and James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, The Romantix, Dan Tobin Smith, Daniel Wolfe & Matthew Watson<br />
<br />
Voiceover: John Joseph Holt<br />
<br />
4Creative<br />
<br />
Executive Creative Director: Lynsey Atkin<br />
Managing Director: Katie Jackson<br />
Executive Producer: Louise Oliver<br />
Senior Producer: Lauren Holden<br />
Production Manager: Hope Sutherland<br />
Junior Producer: Jazz Stradling<br />
<br />
Channel 4<br />
<br />
Chief Marketing Officer: Zaid Al-Qassab<br />
Marketing Director: Amber Kirby<br />
Head of Brand Transformation: Matt Berry<br />
Marketing Lead, Brand Transformation: Simi Murthy<br />
Marketing Executive, Brand Transformation: Lana Camp<br />
<br />
Art Practice x Love Song<br />
<br />
Creative Director (Art Practice): Mike Skrgatic<br />
Creative Director (Love Song): Daniel Wolfe<br />
<br />
<br />
Executive Producer: James Guy<br />
Producer: Bonnie Anthony<br />
Production Manager: Julia Guignabel<br />
Production Coordinator: Shirley Crawford <br />
Production Assistant: Katie Reid<br />
<br />
Directors of Photography: Daniel Landin, Eponine Momenceau<br />
Moco Supervisor: Simone Tartaglia <br />
Moco Operator: Tomi Keeling <br />
1st Assistant Director: Rob Blishen <br />
Production Designer: Arthur De Borman<br />
Art Directors: Matthew Fraser, Imogen Grant Toner<br />
Casting Directors: Kharmel Cochrane, Claire Catterson, Found Casting, Belinda Norcliffe<br />
Costume Designers: Hannah Edwards, Bratsk Collective, Ella Lucia <br />
Hair & Makeup: Lu Hinton, Ainslie Currie <br />
Editor: Fouad Gaber, Trim Editing<br />
VFX and Post Production: Time Based Arts<br />
Audio Post Production: String and Tins <br />
<br />
<br />
Time Based Arts<br />
<br />
Producer: Chris Aliano<br />
2D Supervisors: Stephen Grasso, Leo Weston, Miguel Wratten<br />
CG Supervisors: Mike Battcock, Sam Osborne, Nick Smalley<br />
2D Team: Manolo Perez, Jamie Crofts, Olivia O’Neil, Lucy Lawrence, Valeria Scalamandre, Eleonora Laddago, Bernie Varela, Chris Fraser, Dan Cowley, Tom Robinson<br />
CG Team: Ben Cantor, Nigel Timms, Bethan Williams, Ian Baird, Jordan Coles, Maxime Ponsart, Joe Ibbett, Teodora Retegan, Quentin Corker-Marin, Stephen Ross <br />
Grading: Max Ferguson Hook, Simone Grattarola<br />
<br />
String and Tins <br />
<br />
Audio Post Production: String and Tins<br />
Sound Supervisor: Will Cohen<br />
Sound Designers: Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen, Mike Bamford<br />
Music Composers: Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman, Anthony Moore<br />
Music Supervisors: Laura-Leigh Smith and Mike Bamford<br />
Audio Producers: Laura-Leigh Smith and Rachel Hough<br />
<br />
Optical Arts & Dan Tobin Smith<br />
<br />
Founder / Creative Director: Dan Tobin Smith<br />
EP / Studio Director: Hannah May<br />
Creative Directors: Fabrice Le Nezet, Martin Pryor, Joe Jackson<br />
CG team: Nicolas Damour, Flora Macleod<br />
Creative Assistant: Minna Griffiths<br />
Production Assistant: Stephanie Skarbek<br />
<br />
The Line <br />
<br />
Directors: Tim McCourt, Max Taylor<br />
Executive Producer: Laura Breaden<br />
Producer: Macarena Gaset

2020 D&AD - WOODEN PENCIL DIRECTION<br />
2020 YDA - GOLD SCREEN<br />
2020 CAMERIMAGE - WINNER IN BEST CINEMATOGRAPHY IN A MUSIC VIDEO <br />
2020 UKMVA - NOMINATION IN PRODUCTION DESIGN & CINEMATOGRAPHY<br />
2021 KINSALE SHARK - SHORTLIST IN BEST PRODUCTION DESIGN<br />
2020 CICLOPE - NOMINATION IN BEST MUSIC VIDEO<br />
2020 RAINDANCE FILM FESTIVAL - FINALIST<br />
2020 BMVA - NOMINATION IN DIRECTION<br />
2020 BERLIN COMMERCIAL - NOMINATION IN DIRECTION, IDEA, BEST MUSIC VIDEO, CINEMATOGRAPHY<br />
<br />
Written and directed by Andzej Gavriss<br />
Production company | TakeShot films<br />
DP | Andrey Nikolaev<br />
Production Designer | Julija Fricsone Gavriss<br />
Executive Producer | Elena Panfilova<br />
Producers | Ravil Salikhov, Natalia Butova, Rudolf Mirzoev<br />
Line Producer | Masha Enatskaya<br />
1st AD | Elena Senatorova<br />
Cast | Zhenya Saveljeva<br />
Wardrobe Stylist | Irene Rovbelle<br />
Lead actors | Georgi Martirosyan, Evgeny Shwartz<br />
Editor | Vlad Yakunin<br />
Colorgrade | Matt Osborne<br />
CG | Dmitry Talin

A new action packed short film straight from the palms of a Nigerian mother who on one fateful night, serves her son a set of slaps so powerful that it changes his life forever. Full of twist and turns this film celebrates the most neglected heroes of today: Black Mums.<br />
<br />
BIFA 2023 BEST SHORT FILM WINNER <br />
AESTHETICA 2023 BEST SHORT FILM WINNER <br />
BFI LFF 2023 AUDIENCE AWARD FOR BEST FILM/WORK<br />
<br />
Learn more about the project: <br />
https://directorsnotes.com/202....3/11/13/abdou-cisse- <br />
<br />
<br />
<br />
Credits: <br />
<br />
Supported By: BBC Film <br />
Production Company: June & Stella Productions<br />
In Association With: Joi Productions & Ugly Child"<br />
<br />
Written & Directed By: Abdou Cissé<br />
Produced By: Cheri Darbon & George Telfer<br />
<br />
Executive Producers: Dionne Farrell, Joy Gharoro-Akpojotor, Akwasi Poku & Abdou Cissé<br />
<br />
Director Of Photography: Anna Macdonald<br />
Editors: André Rodrigues & Marvin Jay Alvarez<br />
Production Designer: Paix Robinson<br />
Costume Designer: Rhona Ezuma<br />
Hair & Makeup Designer: Olimpia Stoicea<br />
Sound Design & Mix: Adam Smyth<br />
Casting Director: Hannah Marie Williams<br />
<br />
First Assistant Director: Sam Barnham<br />
Production Manager: Chanel Parkinson<br />
Sound Recordist: Antonios Moutzianou<br />
Gaffer: Vini Curtis<br />
<br />
Cast<br />
(In Order Of Appearance)<br />
Mrs Adeyemi Kemi Lofinmakin<br />
Ade Tom Moutchi<br />
Mr Adeyemi Femi Ogunjobi<br />
Young Ade Josh Tedeku<br />
Jess Isabella Sylvester<br />
Mrs Adeyemi's Friend Tomi Ogunjobi<br />
Younger Ade Aston Poku<br />
Waiter Tom Bonington<br />
Emma Ozioma Ihesiene<br />
<br />
Production Assistant: Kelsey Mcinnis<br />
Production Assistant: Darren Sintes<br />
Production Runner: Ollie Morris<br />
Production Runner (Daily): Ethan Mcdowell <br />
<br />
Second Assistant Director: Fred Searle<br />
Third Assistant Director: Keerthana Rajakulasingham<br />
Floor Runner: James Barnham <br />
<br />
First Assistant Camera: Ondrej Rybar<br />
Second Assistant Camera: Chelsea Bernard<br />
Camera Trainee: Ester Edusi<br />
Camera Trainee: Nathan Rubins<br />
<br />
Gaffer (Daily): Jamie Hitchin<br />
Lighting Technician: Jorge Higgins<br />
Lighting Technician: Seb Barnett<br />
<br />
Steadicam Operator Junior: Agyeman Owusu<br />
<br />
Boom Operator: Collin Patterson<br />
<br />
Art Director: Oli Cassels<br />
Set Dresser: Rema Kashay<br />
Art Department Assistant: Jaimin Patel<br />
Art Department Assistant: Christine Cave<br />
Art Department (Daily): Lucy Barsegian <br />
<br />
Costume Assistant: Tilly Phelan<br />
Costume Assistant (Daily): Pascale Davies<br />
<br />
Hair & Makeup Assistant: Lily Rayan<br />
Hair & Makeup (Daily): Tillie Robinson-Smith<br />
<br />
Script Supervisor: Paul Rosescu<br />
<br />
Movement Director: Ronin Traynor<br />
<br />
Stills Photographer: Aliyah Ochere<br />
<br />
Casting Assistant: Bryony Pulizzi<br />
<br />
Chaperone: Kwabena Poku<br />
<br />
Health And Safety Advisor: Hollie Johnson Jha Safe T<br />
Medic & Covid Supervisor: Jamie Lewis The Movie Medics<br />
<br />
<br />
<br />
Supporting Artists <br />
<br />
Chefs & Waiters:<br />
Douglas Grant - Clive Cohen -Naida Khvrych - Martin Crossingham - Peter Wilkinson - Nico Jouavell "<br />
<br />
Restaurant Diners: <br />
Michelle Sedgemore - Graham Andrew- Alex Leleszis - Jose Soria-Cano<br />
Julia Satue - Xahria Preudhomme - P.J. Perkin - Grace Kelly - Abbey Monteiro <br />
- Sophie Leseberg - Maggie Chapman - Glyn Lewis - Igor Belache - Carla Lopes"<br />
<br />
SA Casting: Mad Dog Casting<br />
<br />
Post Production <br />
Edit House: The Assembly Rooms<br />
Edit Producer: Joshua Gochez<br />
<br />
Audio Post Production: String And Tins<br />
Additional Sound Design: Jim Stewart<br />
Audio Producer: Alina Miroshnichenko<br />
<br />
Colour And Finish By: Electric Theatre Collective<br />
Colourist: Jason Wallis<br />
Colour Executive Producer: Oliver Whitworth<br />
Colour Grading Assistant: Janak Griffin-Rai<br />
Additional Post House: Comppo<br />
Additional Post Director: Julián L. Cóppola<br />
<br />
Vfx Supervisor: Ruslan Borysov<br />
Cg Generalist & Motion Design: Stepan Polivanov <br />
Motion Design Ekaterina Platonova<br />
<br />
Music Consultant: Dane Bradshaw <br />
<br />
Title Designer: Gideon Cudjoe<br />
<br />
Production Legals: Sheridans<br />
<br />
Production Insurance: WK Film Insurance <br />
Camera & Lighting Truck Driver: Mark Hatton Rs Management Services <br />
Caterers Fresh & Funky <br />
<br />
Camera Equipment Provided By: Feral Equipment Extreme Facilities<br />
Lighting Equipment Provided By: Green Kit<br />
Sfx Equipment: Matter Sfx<br />
<br />
Locationsuk Film Location - Salt Film Radios Wavevend <br />
Film Director Of BBC Films: Rose Garnett<br />
Commissioning Executive: Eva Yates<br />
Legal And Business Affairs Manager: Livy Sandler<br />
Production Executive: Emma Kayee<br />
Production Manager: Brett Webb<br />
Legal & Business Affairs Assistant: Ruth Sanders<br />
<br />
Developed By BBC Films

"That moment when perspective changes everything". A content piece for Texas Monthly and Frost Bank. Musician 'Shakey Graves' describes a pivotal moment in his life which became a catalyst for creativity.<br />
<br />
Direction: Lee Arkapaw and Tessa Chong<br />
Animation: Clem Stamation, Lee Arkapaw, and Tessa Chong<br />
Sound design and audio: Alister Mew

Director: Nicolas Gordon<br />
Agency: HAVAS<br />
Client: Brooklyn Film Festival<br />
Line Producer: Dustin Highbridge<br />
1st AD: Lazzy Bear Walker<br />
<br />
Voiceover: Thomas Lennon<br />
<br />
Production Manager: Ben Thorn<br />
Production Coordinator: Lama Mouawad<br />
<br />
DP: J. D. Butler<br />
1st AC: Sai Aung Tun<br />
2nd AC: Austin Page<br />
<br />
Gaffer: Tristan Moffatt<br />
BBE: Travis Moffatt<br />
KG: Leo Sanchez<br />
BBG: Logan Alesso<br />
<br />
DIT: Brian Bigler<br />
VTR: Sam Baek<br />
Sound Mixer: Alex Dawson<br />
<br />
Production Designer: Lisa Garcia<br />
Art Director: Brian Marquez<br />
Prop Master: Natasha Romano<br />
Set Decorator: Annie Grafe<br />
Set Dresser: Antaeus Littlejohn<br />
<br />
Gill: Ellie Suh<br />
Interviewer: David Eli<br />
Woman: Danie Marie<br />
<br />
Stylist: Krisse Torgesson<br />
Make-Up Artist: Lisa Campos<br />
<br />
Location Manager: Travis Beck<br />
Location Scout: Suzanne LaChasse<br />
Site Rep: Franklyn James<br />
CCO: Melissa Goncalves<br />
Truck PA: Mitchell Nguyen<br />
Key PA: Amy Seach<br />
PA: Adam Rozenberg<br />
PA: Skye Grissom<br />
Pass Van PA: Martin Nazario<br />
Pass Van PA: Edgar Cortes<br />
<br />
Storyboard Artist: Vince Wei<br />
<br />
Production Company: Kin Films LLC<br />
President: Dustin Highbridge<br />
<br />
Editorial: Final Cut<br />
Editor: Antonio Gómez-Pan<br />
Assistant Editor: Julio Samaniego<br />
Head of Production: Rebecca Mitchell<br />
Executive Producer: Sarah Roebuck<br />
Producer: Kelly Budish<br />
<br />
Color: The Mill<br />
Colorist: Logan Highlen<br />
Color Assistant: Bap Man<br />
Color Assistant: Erwin Pasia<br />
Head of Production: Brandee Probasco<br />
Executive Producer: Krista Staudt<br />
Producer: Jackson Winkler<br />
<br />
Sound Design/Mix: Machine Sound<br />
Sound Design and Mix: Alex Bingham<br />
Sound Design and Mix: James Cobbold<br />
Assistant Engineer: Chas Langston<br />
Assistant Engineer: Michele Covio<br />
Executive Producer: Matej Oreskovic<br />
Senior Producer: Andi Lewis<br />
<br />
Conform: Significant Others<br />
Managing Director: Justin Brukman<br />
Executive Producer: Alyssa St. Vincent<br />
Head of Production: Gwynne Evans Reid<br />
ECD: Dirk Greene<br />
Lead Flame Artist: Phil Apostol<br />
GFX Artist: Phil B<br />
VFX Assistant: Kogan Li<br />
Producer: Kyla Amols<br />
Production Coordinator: Hoa Vu<br />
<br />
Music: Duotone<br />
Composer: Jordan Lieb<br />
Composer: Brad Fischer<br />
Executive Producer: Ross Hopman<br />
Senior Producer: Gio Lobato<br />
Creative Director: Peter Nashel<br />
<br />
Casting: AHC Casting

www.fuckmerichard.com<br />
<br />
SXSW, MIFF, SEATTLE, SXSW SYDNEY, SHOW ME SHORTS, BOLTON SHORTS<br />
<br />
DALLAS INTERNATIONAL, PHILADELPHIA, INDIE STREET, SYDNEY UNDERGROUND, AUSTRALIAN WOMEN’S, KYIV INTERNATIONAL SHORT FILM, HOLLYSHORTS SCREENING SERIES, ADULT FILM, REUNION  <br />
<br />
BEST DIRECTION - AUSTRALIAN WOMEN'S SHORT FILM FESTIVAL<br />
BEST PERFORMANCE - SUMMER SHORT SERIES<br />
BEST NARRATIVE - WALLA WALLA MOVIE CRUSH <br />
<br />
Directed by Lucy McKendrick, Charlie Polinger<br />
Produced by Jenna Grossano, Lucy McKendrick, Charlie Polinger<br />
Written by Lucy McKendrick<br />
Cinematography by Steven Breckon<br />
Production Design by Eloise Ayala<br />
Edited by Ollie Knocker<br />
Costume Design by Katharina Windemuth<br />
Sound Design by Johnny Marshall<br />
Makeup by Blythe Irish <br />
Colorist Natasha Leonnet<br />
Gaffer Joel Kingsbury<br />
Grip Thomas Sireci <br />
<br />
Sally Lucy McKendrick<br />
Richard Nathan Wallace<br />
Mother Kem Metcalf

Toast 2 is the triumphant follow-up to 2015’s tour de force on the culture of makernistas. Watch the original film here: https://vimeo.com/152218119<br />
<br />
For every giant leap forward, there are baby leaps backward. For every thumbs up, a middle finger. Middle fingers can stop you or you can use them as kindling. Kindling that starts a powerful fire. And the longer that fire endures, the smell of burning middle fingers gives way to something far sweeter – the smell of victory. This is the story of that smell. <br />
<br />
Written by Andy Corbett<br />
Directed by Matt Sklar<br />
DP - Eric Bader<br />
Color - Ryland Jones <br />
Original song by Charles Ingram <br />
<br />
find us on the gram:<br />
@mattasklar<br />
@corblazmo

Congo, maybe someone has already brought you back some stories, some sounds, some travel diaries. But what if there were more?<br />
<br />
Teaser episode 2 --> https://vimeo.com/137128190<br />
<br />
Directors / Executive producers / DOP : David Mboussou & Juan Ignacio Davila<br />
line co-producer : SPOA FILMS<br />
Production assistant : Emilie Lucas<br />
Starring Brice Djamboult<br />
Editing : Charlotte Audureau / Juan Ignacio Davila / Antoine Brun Hairion<br />
Assistant Editor : El Mehdi Bahou<br />
Assistant to filmmakers : Love Gildas<br />
Sound engineer: Mathieu Chiaverini / Eric Rey<br />
Color Grading: Dimitri Darul<br />
Logistic in Congo: Marian Ngolo <br />
<br />
Logistic crew in Congo : Destin Ambi - Jean Bruno Ibara - Loembe Richel - James Obanda - Malonga Godiel - Christian Mabanza<br />
<br />
Music : Encore Merci<br />
<br />
About the artists <br />
David Mboussou : www.vimeo.com/davidmboussou // https://twitter.com/davidmboussou<br />
Juan Ignacio Davila : https://vimeo.com/dvljuan // https://twitter.com/juan_dvl<br />
<br />
Join the community #iamcongo : https://www.facebook.com/pages..../I-am-Congo/16353855

In Dmytro Sukholytkyy-Sobchuk’s film, sculptors in western Ukraine who used to make religious statues retrain to fight the Russian invasion.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

The fever dream of a 1980s stand-up comic who is either having a nervous breakdown or the best set of his life.<br />
<br />
"Allen Anders - Live at the Comedy Castle (circa 1987)" is this week's Staff Pick Premiere! Read more about it on the Vimeo Blog here: https://vimeo.com/blog/post/allen-anders

Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where<br />
they were born and still live, celebrating the magnificent mountains where their desire to<br />
explore the wilderness has grown.<br />
‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land<br />
like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their<br />
own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the<br />
massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain<br />
enviromental they started appreciating wilderness and developing the outdoor skills that has allowed<br />
them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film,<br />
it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a<br />
devastating earthquake 10 years ago.<br />
<br />
MUSIC<br />
The Nature Of The Game - Dan Fogelberg<br />
Tell Me Lies - The Black Keys<br />
They Wore Blue - Otis Taylor<br />
Secret of Life - Lord Huron<br />
<br />
FILMING EQUIPMENT<br />
Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5<br />
Gimbal camera 1: Feiyu G6 Plus<br />
Lens filter camera1: Mag Filter CPL 42mm<br />
Camera 2: Canon EOS 100D<br />
Primary Lens: Canon EF-S 60 mm F2.8 USM Macro<br />
Spare Lens: Canon EF-S 24 mm F/2.8 STM<br />
GoPro: Hero 5 Black<br />
GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32<br />
GoPro Gimbal: Feiyu Tech WG2X<br />
Drone: DJI Mavic Air<br />
Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL -<br />
ND64/PL<br />
Microphone 1: RØDE VideoMic Pro<br />
Microphone 2: RØDE Lavalier GO<br />
Camera slider: Grip Gear Movie Maker 2<br />
Tripod 1: SIRUI T-025SK Carbon Fiber<br />
Tripod 2: JOBY GorillaPod 1K

A city portrait of Cairo during heavy rain and little shine. The weather is a metaphor to the chaos my underprepared city and its dwellers have to experience when the “unexpected” happens, in contrast to the usual chaos that is the city itself.<br />
<br />
The film takes you on a ride through different neighborhoods in Cairo while the Egyptian Painter Salah Taher shares his views about the city on the radio.<br />
<br />
Dir: Karim Shaaban<br />
DP: Fawzi Darwish<br />
<br />
Sound Design & Mix : Fady Garas<br />
Grading: Ahmed Essam <br />
Editing: Karim Shaaban <br />
<br />
<br />
Music : Dark Travels - Alistair Sung

A short film by Diego Berakha Otal<br />
Original Spanish version vimeo.com/685320983?share=copy<br />
<br />
"Now I Know Where to Find you" is a story about my childhood in Spain and the trip I made to Argentina when I was 12 years old. One day I decided that I wanted to live with my father. I missed him too much. 10,000 km later a whole new life began for me, but my childhood memories didn't fade away. And, of all these memories, the memory of my yaya (grandmother) was always vivid. She raised me as if I was her own son, when none of my parents were ready to do that.<br />
<br />
The story stems from a unique discovery that I made while wandering around with Google Maps. This discovery was so moving that I felt the need to tell the story, my story.<br />
<br />
_<br />
<br />
Premiered at 2022 BAFICI

an internet spot i made for italian jeans manufacturer Meltin' Pot featuring Sage Price.<br />
<br />
www.jimmymarble.com

"Win It" from Lola Kirke's EP 'Friends & Foes & Friends Again'<br />
<br />
Director and Choreographer: Celia Rowlson-Hall<br />
Associate Choreographer: Jesse Korvasky <br />
Production Company: Made by Limbo<br />
Exec Producer: Chris Dodds<br />
Line Producer: Jonathan Melton<br />
Production Manager: Tess Pereyo<br />
Set PA: Max Novick<br />
Driver/Set PA: Sam Prout<br />
Director's Assistant: Sarah Dahnke<br />
Editor: Matthew C Levy<br />
Colorist: Samuel Gursky<br />
Color House: Irving Harvey // Kerry Mack<br />
Site Rep: Greg Rutkin <br />
DP : Jake Saner<br />
1st AC: Alex Hass<br />
Gaffer: Reed Nisson<br />
Light Board Operator: Chris Lunney<br />
Key Grip: Tim Ciavara<br />
Production Designer: Kit Sheridan<br />
On Set Sound Mixer: Joe Damico<br />
Make-up: Manana Saralidze<br />
Hair: Jenny Thomas<br />
Vintage from Gabriel Held Vintage<br />
Costume Designer: Liana Blum<br />
Wardrobe Assistant: Claire Pruett<br />
Cow-Pokes: Ida Saki<br />
Cow-Poke: Jesse Korvasky<br />
Cow-Poke: Kingsley Ibeneche<br />
Cow-Poke: Renata Lima<br />
<br />
Dancers:<br />
Bethany Disque<br />
Danny Qiblawi<br />
Camila Arroyo<br />
Malin Barr<br />
Amy Bernardo<br />
Holly Sass<br />
Kate McGregor<br />
Adrienne Storrs<br />
Jacob Goodhart<br />
Rebecca Greenbaum<br />
Matilda Sakamoto<br />
Sarah Dahnke<br />
Claire Pruett<br />
Lauren Blair Smith<br />
Leal Zielinska<br />
Miranda Runyon<br />
Emily Pacilio<br />
Alexis Evans-Krueger<br />
<br />
Special thanks to Billy Jones at The Dance

Marrakech <br />
<br />
filmed and edited by Gulliver Moore<br />
starring Alice Weston<br />
music: Choros by Ludvico Einaudi <br />
additional sound design: Jon Coles<br />
<br />
www.gullivermoore.co.uk<br />
https://www.instagram.com/gullivermoore<br />
<br />
Shot on a Sony A7Sii with a Tamron 24-70mm & 70-200mm

June 2014<br />
<br />
Featuring Angela Trimbur and Graham Becket<br />
<br />
Director: Jimmy Marble<br />
Producer: Sage Price<br />
Executive Producers: Jett Steiger and Lana Kim<br />
Production Company: Ways & Means<br />
Production Coordinator: Jake Breslaurer<br />
DP: Eli Goldstein<br />
Production Designer: Aron Filkey<br />
Hair/Makeup: Sabrina Wilson<br />
Stylist: Georgia Stockwell<br />
1st AC: Erin Douglas<br />
2nd AC: Skylar Boccio<br />
Gaffer: Alvin Octoman<br />
Key Grip: Joeseph Wagoner<br />
Production Assistants: Lani Trock<br />
On site chef: Colin Kohler<br />
Colorist: Danny Reams<br />
<br />
Lani Trock, Jake Breslaurer, and Joeseph Wagoner as the cloaked figures

Mark Waring and Anna Mantzaris,have collaborated on a whimsical yet beautifully crafted short for Honest Tea. Encouraging people to look at the impact of the decisions we make every day, the film shows how small actions can add up to big, impactful, inspiring things. Animated in stop motion, the film captures the lush textures and tactile surfaces of a handmade world. To match the natural ethos of Honest, the sets and puppets are all made of natural things – felt, card, paper, wool, cotton and wood. The film places a Mom at the centre of the story and shows all of the big (and positive) impacts her choice of Honest Tea can have from reducing sugar in her children’s diet to the farmers getting a fair wage for the ingredients that Honest use.

A complex construction site, New York’s skyline in the distance, and fresh betrayal. Stane is in charge on-site, soon to inherit the family business from her father, who built it up as a Croatian immigrant also building the American dream. But Stane’s marriage is under threat of demolition. What ensues is a public reckoning between traditional, patriarchal expectations made upon wives versus Stane’s own pain and anger. But Stane is building her own life story though — outside of the permission of men.<br />
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"Stane", a film by Antoneta Alamat Kusijanović, is the 26th commission from Miu Miu Women’s Tales. The acclaimed short-film series invites today’s most profound and original female directors to investigate vanity and femininity in the 21st century.<br />
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Antoneta Alamat Kusijanović (b.1985) is a Dubrovnik-born and New York based Croatian and American screenwriter and filmmaker. Her directorial feature debut, "Murina", executive produced by Martin Scorsese, premiered at the 2021 Cannes Film Festival in the Directors Fortnight section, and was honored with the Caméra d'Or Award presented to the Best First Film, subsequently garnering critical acclaim to become one of the Best Films of 2022. "Murina" was nominated for three Film Independent Spirit Awards, including Best First Feature, Best Breakthrough Performer and Best Cinematography. Her short-film, "Into the Blue", was awarded at the 67th Berlin International Film Festival.<br />
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“What does it mean to ‘give women power’ and ‘put women in power’?” says Kusijanovic. “I constantly hear it and I’m conflicted about that expression — power that is ‘given’ then also can be ‘taken’ away.” "Stane" reflects Kusijanović’s belief that, “sensuality needs to breathe through everything.” Although all her films, including this latest episode for Miu Miu Women’s Tales, invariably deal with the plight of women, Kusijanović admits that she never thinks first, “through politics or social message. I always start from character.” And from there the “issues of the world naturally emerge.” <br />
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"Stane" ’s themes are specific to her own culture but also universal: the sacrifices women must make to uphold the fabric of society; the familial frictions felt between generations of immigrants; cultural norms and private disquiet; the asymmetry of honour and dishonour between genders. <br />
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Antoneta Alamat Kusijanović’s new episode for Women’s Tales premiered at the Venice Film Festival’s “Giornate degli Autori” on September 3rd 2023<br />
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