Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their Auntie Pinky’s house in southeast San Diego in 2006.<br />
<br />
—<br />
<br />
50+ FESTIVAL SELECTIONS AND WINNER OF:<br />
2023 Sundance Film Festival · Short Film Grand Jury Prize (Academy Qualifying)<br />
2023 SXSW Film & TV Festival · Special Jury Award for Vision<br />
2023 Nevada City Film Festival · Best Production Design, Best Editing<br />
2023 San Diego Filipino Film Festival · Jury Award for Best Short Narrative, Audience Award<br />
2023 Drunken Film Fest Oakland · Best U.S. Narrative<br />
2023 San Diego Asian Film Festival · Grand Jury Prize<br />
<br />
—<br />
<br />
FEATURING<br />
Kailyn Dulay<br />
Melissa Arcaya<br />
Elle Rodriguez<br />
Whitney Agustin<br />
Gina Gimongala<br />
Alex Atienza<br />
Allen Wayne Anderson<br />
Joseph Mayang<br />
<br />
WRITER AND DIRECTOR<br />
Kayla Abuda Galang<br />
<br />
PRODUCERS<br />
Samantha Skinner<br />
Udoy Rahim<br />
Alifya Ali<br />
David Oconer<br />
Kayla Abuda Galang<br />
<br />
FIRST ASSISTANT DIRECTOR<br />
Matt Stryker<br />
<br />
SCRIPT SUPERVISOR<br />
Cleveen Dominguez<br />
<br />
PRODUCTION ASSISTANTS<br />
Nikia Fenix<br />
Edrian Pangilinan<br />
Jamuelle Zumel<br />
<br />
DIRECTOR OF PHOTOGRAPHY<br />
Rajinee Buquing<br />
<br />
FIRST ASSISTANT CAMERA<br />
Emily Sanchez<br />
<br />
SECOND ASSISTANT CAMERA<br />
Marissa Roxas<br />
<br />
DIGITAL IMAGING TECHNICIAN<br />
Jonathan De Guzman II<br />
<br />
GAFFER<br />
Hannah Barker<br />
<br />
KEY GRIP<br />
Roland Lazarte<br />
<br />
GRIP<br />
Matthew Fitzpatrick<br />
<br />
PRODUCTION SOUND MIXER AND RECORDIST<br />
Will Kurzner<br />
<br />
PRODUCTION DESIGNERS<br />
Meryl Aquino<br />
Serina Chantrachuck<br />
<br />
FOOD STYLIST<br />
Anthony Ayatin<br />
<br />
WARDROBE SUPERVISORS<br />
Annabelle Sundara<br />
Carlo Ybanez<br />
<br />
MAKEUP & HAIR ARTIST<br />
Rochelle Sunglao<br />
<br />
ASSISTANT HAIR & MAKEUP ARTIST<br />
Lily Soleil Correa Lewites<br />
<br />
STILLS PHOTOGRAPHERS<br />
David Oconer<br />
Matt Stryker<br />
<br />
EDITORS<br />
Kayla Abuda Galang<br />
Matt Stryker<br />
<br />
ASSISTANT EDITOR<br />
Jonathan De Guzman II<br />
<br />
SOUND DESIGNER AND COMPOSER<br />
Will Kurzner<br />
<br />
RE-RECORDING MIXERS<br />
Will Kurzner<br />
Morgan Honaker<br />
<br />
VISUAL EFFECTS<br />
Tate Gibson<br />
<br />
COLORIST<br />
Alex Winker<br />
<br />
TITLE DESIGNER<br />
Serina Chantrachuck<br />
<br />
MUSIC CONSULTANT<br />
Graham Kurzner<br />
<br />
AUSTIN UNIT GAFFER<br />
Maurice Vellas<br />
<br />
AUSTIN UNIT PRODUCTION DESIGNER<br />
Emily Sturrock

To celebrate the 15 year-anniversary of Staff Picks, we invited 15 icons from the program to create interactive mixtapes of their favorite Staff Picks. This mixtape was created by [Carlos López Estrada <br />
<br />
Visit https://vimeo.com/campaigns/generation-vimeo to see more and keep an eye out for new mixtapes in the coming months! <br />
<br />
Join us and create your own Staff Picks Mixtape of work that has inspired you over the last 15 years! Learn how and enter to win exclusive Staff Pick swag here: https://vimeo.com/blog/make-yo....ur-own-staff-picks-m

Agency: Mullenlowe<br />
Director: Mads Broni<br />
Production Company: Passion Animation Studios

SATELLIKE - artistic sceneries of Asia, created with ink on a piece of paper.<br />
<br />
This project was initiated by a job I did for the National Palace Museum of Taipeh. The museum ran an exhibition on culture treasures of the history of Taiwan in 2020. I was hired to create fluid and abstract interpretations of some iconic items, a collection of several drawings and artworks. I decided to develop my existing methods further, stepping away from stock paints and ink and creating most of the paints myself. One important aspect was to implement natural colors and realistic earth tones to the color palette and focus more on details than on a commercial look with punchy color and contrast.<br />
Over a period of 4 months, I experimented with natural substances like sand, stone powder and historic pigments. Some of these supplies are rare and expensive, for example jade and malachite powder. <br />
<br />
On Set: https://vimeo.com/507198210<br />
<br />
What you see in SATELLIKE are very long shots of watery ink in motion on several coats of half dried paint. Drying the paint leads to organic structures which can be brought to life again with water, ink and sour flow release mediums. The results look different from my usual approach, way more realistic and less otherworldly. I was excited about the aesthetics of the images and decided to do an individual piece. Although this is the final result for now, it feels more like I’m at the very beginning.<br />
<br />
Thanks for watching.<br />
<br />
_________________________________________________________<br />
This video is available in 8K SDR and HDR for commercial usage. <br />
Request a license here: https://www.terracollage.com/licensing<br />
Music licensed via Premiumbeat: "The Watch" by Tristan Barton.<br />
_________________________________________________________<br />
<br />
Terracollage // Experimental Fluid Art and Macro Cinematography // Stock Footage // Licensing // Production // 8K // HDR<br />
<br />
http://www.terracollage.com<br />
http://www.facebook.com/terracollage<br />
http://www.instagram.com/romandegiuli

Executive Producer : Fabrice Damolini <br />
VFX Producer : Sébastien Noyon, Grégory Tournier <br />
CG Supervisor : Guillaume Dadaglio <br />
Shoot : Damien Canameras <br />
Grading : Mathieu Caplana <br />
Generalist : Guillaume Dadaglio <br />
Rigging : Alexandre Sauthier, Marine Sisnaki, Claire Auvin <br />
Animation : Marie Moyer <br />
Lighting : Valentin Lesueur <br />
Motion Design : Julien Maurin, Jean-Martin Mossu, Alexandre Tarquini<br />
Compositing : Sébastien Podsiadlo, Benjamin Boisgard, Aurélie Gondoin, Rémy Meillat, Margaux Chambas

Director's Cut<br />
<br />
directed by Jimmy Marble<br />
Produced by Taylor Vandegrift<br />
Produced by Ways & Means, with Smile<br />
DP: Daniel Fabelo<br />
Production Design: Lesley Arias<br />
<br />
www.jimmymarble.com

Tony’s Chocolonely is the impact company on a mission to make all chocolate 100% slave-free. In collaboration with Idris Ilba, we created a colorful manifesto about fair and unfair. <br />
<br />
Creative Agency: HERC the agency<br />
Creative Director: Rogier de Bruin & Emilio de Haan<br />
Account Director: Niels Heimens<br />
Agency Producer: Kiek Beljaars<br />
Choco monster animation: Brian Elstak<br />
Title design: Joëlle Strijk<br />
Mural design: Franko Rosas<br />
Chocolate shots: Chuck Studios<br />
<br />
Production: Division Paris<br />
Director: Helmi<br />
Director of Photography: Deepa Keshvala<br />
Executive Producer: Theo Gall<br />
Edit: Antonin Brones (Division)/ Etienne Gueriaux (Machine Molle) / Brian Ent (Kapsalon)<br />
Grading: Arthur Paux<br />
Post Production: Machine Molle<br />
Styling: Jill Gattegno<br />
Set producer: Alliochia Madeuf<br />
<br />
Music: Tshegue<br />
Narrative: Rogier de Bruin x Idris Elba<br />
Voice over: Idris Elba<br />
Sound design: Audentity / Niels den Otter<br />
Music Supervisor: Pitch & Sync London<br />
<br />
Client: Tony’s Chocoloney<br />
Thecla Schaeffer - Marketing Magic Maker (Head of Marketing)<br />
Sabrina Spong - Movement Lead Marketing<br />
Nadine de Ridder – Creative Strategist<br />
Martijn Beenen - Project Manager

www.reengage..org.uk<br />
<br />
For many of us, Christmas is undoubtedly the most wonderful time of the year. But for over half a million older people, the season is not something to look forward to. Re-engage, the only charity committed to tackling loneliness amongst over-75s, and Passion Animation Studios beautifully depict the silent suffering of those with no choice but to spend the season alone.<br />
<br />
If you would like to support Re-engage, you can donate to their Big Give Christmas fundraiser, through which all donations will be doubled until noon, Tuesday 10th December, or visit their website www.reengage.org.uk.

a Moonhouse film<br />
<br />
featuring Griff Washburn and Sadie<br />
director & cinematography: Ben Moon<br />
executive producer: Sean Patrick Sheahan | Best Friends Music<br />
editor: Jake Price<br />
colorist: Skip Armstrong<br />
music & score: Goth Babe<br />
sound design & final mix: Luke Mathers | Cascadian Sound<br />
archival footage: Levi Hoffbeck | 204Made<br />
<br />
made possible with the support of Amazon Music and JUNESHINE

fhj dhbb

BMW G70 – The Protégé <br />
<br />
I love the way you make me close my eyes<br />
Imagine us runnin' the fields, burnin' adrenaline<br />
Oh, I love the way you lose clothes, close my-<br />
The shadows you cast over me that I've only seen in my dreams<br />
Because you make my whole world go dark<br />
Kill the lights, kill the lights<br />
<br />
Client:  BMW China<br />
Agency:  TBWA\Juice Network<br />
Director: Federico Mazzarisi<br />
Production House: MOD Shanghai<br />
EP: Iris Jin, Vicky Bai<br />
Italian Production: Tapeless Film<br />
Executive Producer: Federico Mazzarisi<br />
Production Manager: Rocco Marcandino<br />
Producer: Maria Chiara Taglienti<br />
First Assssitant Director: Daniele Fagone<br />
Director's Assistant: Elisa Deufemia <br />
Post Producer: Shirley Zhi<br />
DOP: Denis Guth<br />
Production Designter: Heimir Sverrisson<br />
Stylist: Davide Pizzotti<br />
Music: Kill the Lights / Hidden Citizens feat. Lush Machine<br />
Sound Design: Daniele De Virgilio<br />
Mixing: Shao Hang@20KM<br />
Editor: Marco Battiloro (DC)<br />
Song Yang (Client Version), <br />
Colorist: Valerio Liberatore, Frame By Frame<br />
Directors Agents: Nicholas Berglund, Rick Romaniuk <br />
Post House: Bloom Film Design<br />
Executive Producer: Claire Teng<br />
Post Producer: Anon Rungruengbangchan<br />
VFX Supervisor: Julien Vanhoenacker<br />
3D Generalists:<br />
Chatchawai Buangam<br />
Gorragote Dowrueng<br />
Mathilde Chauvelot<br />
Tanapat Chotiyannont<br />
Compositors:<br />
Chaithawat Pinsuwan<br />
Lapatlada Aphiratsakul<br />
Sukit Kongkedkrai<br />
Online Artists:<br />
Mathieu Jacobs<br />
May.W

A young man gets very carried away with his can of Ballantines and Cola.<br />
<br />
Cannes Young Director Award recipient www.benbriand.com<br />
<br />
Cinematography www.hughmiller.com.au

September 2015

'Nomadic Life' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com <br />
written and directed by www.benbriand.com

12 days of field recording summed up in this video about Kenya and its amazing landscapes and smiling people.<br />
<br />
Thank's to everyone involved in this project :<br />
Dion Gawson - 2nd Camera Operator<br />
IDDEF - Organisation<br />
Nairobi Crew (Ramadhan, Salim, Nuño Gomes, Jafar, Mohammad)<br />
Malindi Crew (Saeed, Saidi, Cheikh Faisoual)<br />
All the Kenyans appearing in the video<br />
<br />
Gear used:<br />
Panasonic GH4<br />
Different M43 lenses<br />
Zhiyun Crane 2<br />
Zoom H6<br />
<br />
More at:<br />
http://www.facebook.com/cee-roo<br />
<br />
Feel The Sounds Channel:<br />
http://bit.ly/2CZpmFG

Director: Elliott Power<br />
Cinematographers: Edson Reyes, Ramón Sampaio, Axel Cuevas de Chaunac <br />

Executive Producer: Nicky Barnes
<br />
Producer: Erin Kennedy<br />
Production Company: Somesuch <br />
Editorial Company: Cut + Run
<br />
Editor: Beau Dickson
<br />
Title Design: Dorçia Studio<br />

Creative Director: Daryl Higgins<br />
Additional Photography: Elliott Power, Saint Louis Chess Club, Kevin Duggin<br />
<br />
Agency: Droga5 <br />
Copywriter: Emily Berger<br />
Senior Art Director: Jason Gold<br />
Associate Producer: Connor Hagan<br />
<br />
Special Thanks: Daniel Wolfe, Adriana Cebada Mora

A soap opera about rocks.<br />
<br />
Created for Adult Swim Smalls<br />
<br />
Written and Animated by Graham Mason<br />
VO by Brad Howe, Matthew Maher, Grace Rex, and Peter Smith<br />
Music by Tex Crick<br />
Sound Mix by Brent Busby<br />
Recording Engineer by Timothy Clearly <br />
Executive Producer: Dave Hughes<br />
Special Thanks to Nicole Boettcher

“FATHERS” is a powerful film that interrogates and challenges stereotypes surrounding the role of the black father in modern society.<br />
<br />
“FATHERS” gives us an insight into the emotional and spiritual lives of a group of young black men, whose mental health is all too often disregarded. <br />
<br />
It charts their experiences navigating the persistent tug of war between providing for their families, fulfilling their creative and artistic ambitions and raising a young family. <br />
<br />
The film is underscored by a beautiful sound-bed, with music from the album "Our Father" by Azekel, and accompanied by the rich tones of artist and poet Sophia Thakur. Thakur’s voice is heard on the film itself – highlighting a mother’s perspective of the battle that she sees these "superheroes" going through. <br />
<br />
Created by BYUS Group, consisting of Azekel, Ade Adesina, Olan Collardy & Dumas Haddad, who are all young fathers in the creative industry themselves. They have endeavoured to provide a truly artistic, innovative unique and artistic approach to documentary storytelling.<br />
<br />
https://directorsnotes.com/2019/07/04/dumas-haddad-fathers/<br />
<br />
Artist: Azekel<br />
Director: Dumas Haddad<br />
Creative Director: Ade Adesina<br />
Director of Photography: Olan Collardy<br />
Production Company: ByUsGroup Films<br />
1st AC: Kairo Jones<br />
Colourist: Peter Oppersdorff<br />
Grade House: MPC<br />
Audio Mix: Delvinder Singh<br />
Music Courtesy of Azekel from the album 'Our Fathers'<br />
Narrator & Voice Over: Sophia Thakur<br />
<br />
All footage available to license from Film Supply: flmsp.ly/fthrsdh

Located deep in the Saint Elias mountains where Alaska, British Columbia, and the Yukon converge, there is a place most skiers and snowboarders only dream of visiting. Brought to you by The North Face and Sherpas Cinema, Tsirku is a big-mountain adventure ski film featuring snowboarder Ralph Backstrom and skiers Hadley Hammer and Sam Anthamatten, who set out to tackle the fabled Corrugated spine lines of the Tsirku Glacier.

In Dmytro Sukholytkyy-Sobchuk’s film, sculptors in western Ukraine who used to make religious statues retrain to fight the Russian invasion.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d