Every year in May, the Centifolia rose blooms in Grasse, France. It is the rarest, most fragrant rose in the world and can only be harvested by hand, at dawn, within a four-hour window. Rose pickers from neighboring towns arrive every May at rose fields which have been cultivated by the family for six generations. In this short doc, the harvesters reflect on their relationship to the rose and the personal meaning of this fleeting bloom.<br />
<br />
director BRADLEY TANGONAN <br />
cinematographer JEREMY SNELL<br />
producer ALEXANDRA BYER<br />
line producer MADELEINE ASKWITH <br />
creative director DEBORAH ROYER<br />
creative operations CAROLINA KINA<br />
1st AC TIMOTHEE ARENE<br />
sound recordist CHRISTOPHER SCHNEIDER<br />
editors NICK STONE / BRADLEY TANGONAN<br />
music JORDAIN WALLACE<br />
sound mix and design ZAK ENGEL<br />
color KATH RAISCH / COMPANY 3

Creativity has the power to change the way we see each other, and the world. Sometimes, seeing things through a new lens can make all the difference.<br />
<br />
Animation Director: Anna Mantzaris

Full VFX breakdown: https://youtu.be/FkK7ty8ymDc

Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their Auntie Pinky’s house in southeast San Diego in 2006.<br />
<br />
—<br />
<br />
50+ FESTIVAL SELECTIONS AND WINNER OF:<br />
2023 Sundance Film Festival · Short Film Grand Jury Prize (Academy Qualifying)<br />
2023 SXSW Film & TV Festival · Special Jury Award for Vision<br />
2023 Nevada City Film Festival · Best Production Design, Best Editing<br />
2023 San Diego Filipino Film Festival · Jury Award for Best Short Narrative, Audience Award<br />
2023 Drunken Film Fest Oakland · Best U.S. Narrative<br />
2023 San Diego Asian Film Festival · Grand Jury Prize<br />
<br />
—<br />
<br />
FEATURING<br />
Kailyn Dulay<br />
Melissa Arcaya<br />
Elle Rodriguez<br />
Whitney Agustin<br />
Gina Gimongala<br />
Alex Atienza<br />
Allen Wayne Anderson<br />
Joseph Mayang<br />
<br />
WRITER AND DIRECTOR<br />
Kayla Abuda Galang<br />
<br />
PRODUCERS<br />
Samantha Skinner<br />
Udoy Rahim<br />
Alifya Ali<br />
David Oconer<br />
Kayla Abuda Galang<br />
<br />
FIRST ASSISTANT DIRECTOR<br />
Matt Stryker<br />
<br />
SCRIPT SUPERVISOR<br />
Cleveen Dominguez<br />
<br />
PRODUCTION ASSISTANTS<br />
Nikia Fenix<br />
Edrian Pangilinan<br />
Jamuelle Zumel<br />
<br />
DIRECTOR OF PHOTOGRAPHY<br />
Rajinee Buquing<br />
<br />
FIRST ASSISTANT CAMERA<br />
Emily Sanchez<br />
<br />
SECOND ASSISTANT CAMERA<br />
Marissa Roxas<br />
<br />
DIGITAL IMAGING TECHNICIAN<br />
Jonathan De Guzman II<br />
<br />
GAFFER<br />
Hannah Barker<br />
<br />
KEY GRIP<br />
Roland Lazarte<br />
<br />
GRIP<br />
Matthew Fitzpatrick<br />
<br />
PRODUCTION SOUND MIXER AND RECORDIST<br />
Will Kurzner<br />
<br />
PRODUCTION DESIGNERS<br />
Meryl Aquino<br />
Serina Chantrachuck<br />
<br />
FOOD STYLIST<br />
Anthony Ayatin<br />
<br />
WARDROBE SUPERVISORS<br />
Annabelle Sundara<br />
Carlo Ybanez<br />
<br />
MAKEUP & HAIR ARTIST<br />
Rochelle Sunglao<br />
<br />
ASSISTANT HAIR & MAKEUP ARTIST<br />
Lily Soleil Correa Lewites<br />
<br />
STILLS PHOTOGRAPHERS<br />
David Oconer<br />
Matt Stryker<br />
<br />
EDITORS<br />
Kayla Abuda Galang<br />
Matt Stryker<br />
<br />
ASSISTANT EDITOR<br />
Jonathan De Guzman II<br />
<br />
SOUND DESIGNER AND COMPOSER<br />
Will Kurzner<br />
<br />
RE-RECORDING MIXERS<br />
Will Kurzner<br />
Morgan Honaker<br />
<br />
VISUAL EFFECTS<br />
Tate Gibson<br />
<br />
COLORIST<br />
Alex Winker<br />
<br />
TITLE DESIGNER<br />
Serina Chantrachuck<br />
<br />
MUSIC CONSULTANT<br />
Graham Kurzner<br />
<br />
AUSTIN UNIT GAFFER<br />
Maurice Vellas<br />
<br />
AUSTIN UNIT PRODUCTION DESIGNER<br />
Emily Sturrock

BIG DATA is the paranoid pop music brainchild of Alan Wilkis. Visit https://www.bigdata.fm/ for more info.<br />
<br />
His new single, “Monster (feat. Jamie Lidell),” is available now: bigdata.lnk.to/monsterYD<br />
<br />
Short of the week: https://www.shortoftheweek.com/2018/11/22/big-data-l1zy/<br />
<br />
"L1ZY" LOGLINE: A typical family is terrorized in a series of commercials for BIG DATA's revolutionary new A.I. product.<br />
<br />
Watch the L1ZY launch spot, here: vimeo.com/271867658<br />
<br />
Credits:<br />
<br />
Created by GHOST+COW and BIG DATA<br />
<br />
Directed by GHOST + COW<br />
<br />
Written by BIG DATA and GHOST+COW<br />
<br />
Executive Produced by BIG DATA<br />
<br />
Produced by Steve Cozzarelli <br />
<br />
Players: <br />
<br />
Claire Burns - Mary<br />
David Levin - Gerry<br />
Juliet Brett - Alison<br />
Alexander Jameson - Brandon<br />
Sondra James Weil - Neighbor<br />
Lizy Ryan - L1ZY<br />
<br />
Director of Photography - Luke Mccoubrey<br />
<br />
Edited by Geordie Anderson<br />
<br />
Score and original music by Alan Wilkis<br />
<br />
Sound design and mix by Brian Goodheart <br />
<br />
Sonic Union Producer - Halle Petro<br />
<br />
Colored by Ashley Ayarza<br />
<br />
Nice Shoes Producer - Elizabeth Mitchell <br />
<br />
VFX artist - Tim Mearini<br />
<br />
Production designer - Jana Bergstedt<br />
<br />
Makeup / SFX artist - Emma Berley<br />
<br />
Art PA / Driver - Scott Raven<br />
<br />
Wardrobe Stylist - Kayci Rothweiler<br />
<br />
1st AD - Ruby Walters<br />
<br />
Assistant camera - Julian Tran<br />
<br />
Sound mixer - Edward Morris<br />
<br />
Camera PA - Beth Fletcher <br />
<br />
Key Grip - Jesse Moritz<br />
<br />
Grips - Landon Yost, Mitch Perrin<br />
<br />
Gaffer - Jesse Sanchez-Strauss<br />
<br />
Swing - Rylie Patterson<br />
<br />
Production assistants - Smij McBee, Angie Blas<br />
<br />
Special thanks to alldayeveryday productions, De Boer Media

Directed by Mark Waring, the charming stop motion animation tells the story of two neighbouring, but divided villages. They accidentally chance upon each other’s egg and rice trade, and to their surprise, discover the celebrated and much-loved egg fried rice dish.<br />
<br />
<br />
Client: Standard Chartered Bank<br />
Agency: TBWA/Singapore, Six Toes<br />
Producer: Fiona Mcgregor, Joelle Goh, Sariyanti Sannie<br />
ECD: Andy Grant<br />
Creatives: Anne Brander, Franzi Krueger<br />
Production: Passion Pictures<br />
Director: Mark Waring<br />
Executive Producers: Belle Palmer, Debbie Crosscup, Graham Pryor<br />
Head Of Production: Mike Turoff<br />
Producer: Paige Sullivan, Adriana Wong, Carlos Zalapa<br />
Animation: Passion Animation Studios<br />
Head Of CG: Jason Nicholas<br />
VFX Supervisor: Dave Walker<br />
Passion Pipeline TD’s: Javier Edo, Yanti Suryati<br />
Art Direction: Alexandra Walker<br />
Character Design: Crystal Kung/ Reuben Mcnaughton/ Ronnie Mitchell<br />
Environment Design: Tulips & Chimneys<br />
Concept Art: Tulips & Chimneys<br />
Storyboard Lead: Barry Reynolds<br />
Animatic Editors: Kingsley Bailey/ Daniel Budin<br />
Co-Ordinators: Roxy Sibilski<br />
Compositors: Andre Bittencourt, Valeria Romano, Sergei Soley, Daniel Lopez, Eric Venti, Matheus Lacava<br />
Cg Modelling & Texturing: Ian Brown<br />
Lighter: Simon Brown<br />
SFX: Filipe Alcada, Colin Peret, Darlene Buttner,David Berrocoso<br />
DMP: Jakub Gryglicki, Ronnie Mitchell, Christian Mills, David Gibbons<br />
Layout: Idris Honor, David Burtle<br />
Editor: Kingsley Bailey<br />
Stop Motion Shoot<br />
Studios: Arch Film Studios<br />
Studio EP: Andy Gent<br />
Studio Manager: Lisa Hill<br />
DOP: Malcolm Hadley<br />
Principle Animators: Tobias Fouracre, Steve Warn, Andy Biddle<br />
Puppet Rigger: Andre Neemann<br />
Puppet Maintenance: Josie Corben/ Ciara Mcclean<br />
Art Department: Marina Ralph/ Mick Chippington<br />
1st AC: Mark Swaffield<br />
Motion Control Operator: Stuart Galloway<br />
Gaffer: Tim O’ Connell<br />
Spark: Bruno Inacio<br />
Runner: Nancy Duval-Smith<br />
Post Production: Universal Production Partners<br />
Colorist: Simona Cristea<br />
Color Producer: Claudia Burns<br />
Grading Facilities: Coffee & TV<br />
Finishing House: Stone Dogs<br />
3D Printers: Arch Model Studios<br />
Motion Control Supplier: Justin Pentecost @ Portable Motion Control<br />
Music: Soviet Science

Director : Sivaroj Kongsakul<br />
Agency : BeGood<br />
Production : La Pac<br />
<br />
Executive Producer: Claire Garraud<br />
VFX Producer : Benjamin Cathala<br />
VFX Supervisor: Vincent Venchiaruttil<br />
Modeling & Environnement : Guillaume Thébaut<br />
Matte Painting : Alain Descamps<br />
Animation : Ludovic Martin, Guillaume Thébaut<br />
Lighting - Compositing : Anthony Tran<br />
Motion : Vincent Venchiarutti, Franck Maillet, Maxime Orsini, Jérémy Chicheportiche, Caroline Mistral, Cyril Hiard<br />
Grading : Arthur Paux<br />
Editor Assistant : Maité Tamain

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

The search for affordable housing and pressures created by gentrification lead to a unique predicament for a young artist, in this sharp satirical comedy by Amina Sutton and Maya Tanaka.<br />
<br />
Directors: Amina Sutton and Maya Tanaka<br />
Writer: Amina Sutton<br />
Executive Producers: Amber Dennis, Amina Sutton, and Maya Tanaka<br />
Producers: Selah Peterson, Amina Sutton, and Maya Tanaka<br />
Actors: Amina Sutton and Wyatt Cenac<br />
Director of Photography: Alexa Mignon Hiramitsu <br />
Art Director: Katie Quinlisk<br />
Film Editor: Priscilla Mena<br />
Composer: Jacob Rosati<br />
Assistant Camera: Kayli Weiss<br />
Sound Mixer: Alanna Murray <br />
Gaffer: Julia Gowesky <br />
Makeup: Blythe Irish <br />
Assistant Editor: Jenn Nielsen<br />
Additional Editing: Kevin Tully <br />
Sound Designer: Jacob Rosati <br />
Colorist: Stefan Hueneke<br />
Title Design: Jeannette Lee<br />
Production Assistant: Chanelle Jones<br />
All archival courtesy of The Prelinger Archives

A grandmother reads her grandchild a story called ‘The Gigantic Change’. The story of how, back in 2020, when the world was on the brink of collapse, humanity came together and worked harder than ever to save the environment.<br />
<br />
Statistical correction:<br />
It has come to light that the statistic referenced at 02:33 in the film is from a scientific paper which is now outdated. Instead of 'almost half of all species on Earth will be extinct’, a more accurate current estimate is 'up to 1 million more species could be extinct, due to human activity’.<br />
<br />
www.thegiganticchange.com <br />
<br />
Grandmother - Whoopi Goldberg<br />
Granddaughter - Livia Nelson<br />
Directors - George Lewin & Nicola Jane Francis<br />
Story - George Lewin<br />
Screenplay - Nicola Jane Francis & Josh Hughes<br />
Producer - Serena Schellenberg<br />
Executive Producer - Belle Palmer at Passion Pictures<br />
Designer & Animator - Nicola Jane Francis<br />
Sound Design - Chris Banks<br />
Music - Simon Chamberlain<br />
Casting Director - Nicci Topping Casting CSA<br />
Livia Nelson Represented by Creative kidz and Co<br />
VO Record - Factory Studios<br />
Partnership Consultant - Sarah Greenfield Clark

A young girl struggles to be present in her life while navigating the arbitrary rules of society, capitalism, and consumerism through the lens of childhood toys.

A little girl receives a letter from Santa Claus. Narrated by Academy Award Winner F. Murray Abraham.

Agency: Mullenlowe<br />
Director: Mads Broni<br />
Production Company: Passion Animation Studios

Director: Elliott Power<br />
Cinematographer: Diego Garcia<br />
Managing Partner: Kelly Bayett<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: Deannie O’Neil<br />
Head of Production: Paige Kauffman<br />
Production Company: Love Song <br />
1st Assistant Director: Khucame Morales<br />
2nd Unit Directors: Louis McCourt<br />
Producer: Natalia Casanova<br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Edit Assistant: Matthew Blacklock<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Local Production: The Lift <br />
Partner: José Barrera<br />
Executive Creative Director: Dan Williams at The Mill<br />
Flame Artist: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Score: Miink <br />
Music Supervision: Sunny Kapoor Curation <br />
Sfx: Barking Owl Gus koven <br />
VO: Ja’Lisa Arnold <br />
Stylist: Paola Alfaro & Void<br />
Make Up: Valeria Salas <br />
Production Design: Christian Stone <br />
<br />
Client: Stock X<br />
Agency: Mojo Supermarket

utdrag

15 MINS // HINDI [ENGLISH & SPANISH SUBTITLES] // 2016<br />
<br />
WINNER Best documentary short at RAINDANCE FILM FEST 2017<br />
<br />
A personal project I shot in northern India. It's a short documentary about stunt drivers taking part in the daredevil sport known as "Maut ka kuan" (Well of Death). Premiered on NOWNESS: http://tinyurl.com/hms57ry<br />
Featured on NATIONAL GEOGRAPHIC: http://tinyurl.com/jxrwq9q<br />
<br />
<br />
Directed by<br />
Erik Morales<br />
<br />
Cinematography<br />
Daniel Fernandez Abelló<br />
<br />
Edited by<br />
Marc Soria<br />
<br />
Produced by <br />
CANADA & Early Man Films<br />
<br />
Executive Producers<br />
Oscar Romagosa<br />
Anand Menon<br />
<br />
Head of Production CANADA<br />
Alba Barneda<br />
<br />
Producer Barcelona<br />
Julia Carrasco<br />
<br />
Music by<br />
Toni M. Mir<br />
<br />
Sound FX by<br />
Miguel Mestres<br />
Angel Sound Studio<br />
<br />
Colorist<br />
Marc Morató<br />
La Metropolitana<br />
<br />
Online Editor<br />
Alvaro Posadas<br />
<br />
CAST:<br />
<br />
Riders:<br />
Raees<br />
Maharoof<br />
Aazim<br />
Shakir<br />
Babble<br />
<br />
Organiser:<br />
Imran Khan<br />
<br />
Line Producer<br />
Kaushik Guha<br />
Chanpreet Singh<br />
<br />
Production<br />
Subodh Gupta<br />
Danish<br />
<br />
Focus Puller<br />
Rishi Garg<br />
<br />
Camera Attendant's<br />
Sanju<br />
Ankush<br />
Ravi<br />
<br />
Sound by<br />
Sunil Kumar<br />
<br />
Facility <br />
Teja<br />
Raju<br />
Kamal<br />
<br />
<br />
Thanks:<br />
Nicolas Mendez, Lope Serrano, Sanju Ayappa, Ramon Arteman, Marc Matons, Marta Mancera, Juaco Molins, Trafalgar 13 Music House, Laura Serra Estorch, Luna Esquerdo, Carles Font Clos, Ramón Morejón, Luis Casacuberta, Sonam Sight.<br />
<br />
Special Thanks<br />
To the riders, support staff and the city of Soron for helping us till the end.

“FATHERS” is a powerful film that interrogates and challenges stereotypes surrounding the role of the black father in modern society.<br />
<br />
“FATHERS” gives us an insight into the emotional and spiritual lives of a group of young black men, whose mental health is all too often disregarded. <br />
<br />
It charts their experiences navigating the persistent tug of war between providing for their families, fulfilling their creative and artistic ambitions and raising a young family. <br />
<br />
The film is underscored by a beautiful sound-bed, with music from the album "Our Father" by Azekel, and accompanied by the rich tones of artist and poet Sophia Thakur. Thakur’s voice is heard on the film itself – highlighting a mother’s perspective of the battle that she sees these "superheroes" going through. <br />
<br />
Created by BYUS Group, consisting of Azekel, Ade Adesina, Olan Collardy & Dumas Haddad, who are all young fathers in the creative industry themselves. They have endeavoured to provide a truly artistic, innovative unique and artistic approach to documentary storytelling.<br />
<br />
https://directorsnotes.com/2019/07/04/dumas-haddad-fathers/<br />
<br />
Artist: Azekel<br />
Director: Dumas Haddad<br />
Creative Director: Ade Adesina<br />
Director of Photography: Olan Collardy<br />
Production Company: ByUsGroup Films<br />
1st AC: Kairo Jones<br />
Colourist: Peter Oppersdorff<br />
Grade House: MPC<br />
Audio Mix: Delvinder Singh<br />
Music Courtesy of Azekel from the album 'Our Fathers'<br />
Narrator & Voice Over: Sophia Thakur<br />
<br />
All footage available to license from Film Supply: flmsp.ly/fthrsdh

Happy Christmas 2018 from all of us at Passion Animation Studios.<br />
Directed by MegaComputeur<br />
<br />
Sound - Mcasso<br />
Producer - Adriana Piasek-Wanski

Director: Elliott Power<br />
Cinematographer: Josep Pardo & Pau Muñoz<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: José Barrera <br />
Producer: Cristina Barres <br />
Creative Director: Laura Urraca<br />
Production Company: The Lift x Love Song <br />
1st Assistant Director: Lloret Gironés <br />
Production Manager: Renzo Zorrilla <br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Executive Creative Director: Dan Williams at The Mill<br />
Creative Director: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Titles: Dorçia Studio <br />
Stylist: Paola Alfaro & Xochitl West <br />
Stylist Assistant: Zyanya Lizbeth Galvan Medina <br />
Sfx Make Up: Adam Zoller <br />
Make Up: Valeria Salas <br />
Art Department: Ana Cristina Icazbalceta <br />
Locations: Andreas Macias<br />
<br />
Special Thanks: Alejandro Garcia Contreras, Ángela Leyva, Lorena Vega, Samatha Zabaleta

Long live