A short animation exploring the concept of 'Worldview'.<br />
Working in collaboration with Theos Think Tank, Culham St Gabriel's Trust and Canterbury Christ Church University.<br />
<br />
Directed, animated & designed by Emily Downe<br />
Words by Emily Downe, Trevor Cooling and Bob Bowie<br />
Music & Sound by Jan Willem de With

From Ranbir Kapoor to Agastya Nanda and Sara Ali Khan, check out the list of top 5 Bollywood celebrities who have "secret Instagram accounts".

ADIDAS ORIGINALS – SAM FENDER (GAZELLE)<br />
<br />
Production Company: Agile Films <br />
Director: Yoni Lappin <br />
Executive Producer: Myles Payne Executive Producer: Andy Eaton<br />
Producer: Laura Mival <br />
Director of Photography: Sam Meyers <br />
Production Designer: Elena Isolini <br />
Stylist: Lorena Maza <br />
Production Manager: Erinn Fitzgerald <br />
Production Manager: Harry Chambers <br />
<br />
CLIENT <br />
<br />
Senior Brand Comms Manager: Will Wall <br />
Senior Brand Comms Manager: Nicky Waller <br />
Originals Category Lead: Georgia Wagstaff <br />
Senior Director Brand Comms: Steve Marks <br />
Digital Publishing Manager: Pooja Popat <br />
Partner Publishing Assistant Manager: Lynette Sraha <br />
<br />
AGENCY <br />
<br />
Agency: UDOX <br />
Creative Director: Jack Reynolds <br />
Associate Creative Director: Jake Wesley <br />
Senior Creative Producer: Michael Radford <br />
Head of Production: Claire Ramasamy <br />
Senior Account Manager: Becky Burchell <br />
<br />
POST-PRODUCTION <br />
<br />
Edit House: MARSHEEN <br />
Editor: Rob Daglish <br />
Assistant Editor: Matthew Blacklock <br />
Post-producer: Harriet Cawley <br />
Colour: Electric Theatre Company<br />
Colourist: Jason Wallis <br />
Post-producer: Oliver Whitworth <br />
Sound Designer: Christian Blad <br />
Post-producer: Oksana Steblyk <br />
Head of Post: Martin Fickling <br />
Online Editor: Mossie Cassidy <br />
Online Editor: Natalya Holley <br />
Online Editor: Jamie Thomas Kirby

“FATHERS” is a powerful film that interrogates and challenges stereotypes surrounding the role of the black father in modern society.<br />
<br />
“FATHERS” gives us an insight into the emotional and spiritual lives of a group of young black men, whose mental health is all too often disregarded. <br />
<br />
It charts their experiences navigating the persistent tug of war between providing for their families, fulfilling their creative and artistic ambitions and raising a young family. <br />
<br />
The film is underscored by a beautiful sound-bed, with music from the album "Our Father" by Azekel, and accompanied by the rich tones of artist and poet Sophia Thakur. Thakur’s voice is heard on the film itself – highlighting a mother’s perspective of the battle that she sees these "superheroes" going through. <br />
<br />
Created by BYUS Group, consisting of Azekel, Ade Adesina, Olan Collardy & Dumas Haddad, who are all young fathers in the creative industry themselves. They have endeavoured to provide a truly artistic, innovative unique and artistic approach to documentary storytelling.<br />
<br />
https://directorsnotes.com/2019/07/04/dumas-haddad-fathers/<br />
<br />
Artist: Azekel<br />
Director: Dumas Haddad<br />
Creative Director: Ade Adesina<br />
Director of Photography: Olan Collardy<br />
Production Company: ByUsGroup Films<br />
1st AC: Kairo Jones<br />
Colourist: Peter Oppersdorff<br />
Grade House: MPC<br />
Audio Mix: Delvinder Singh<br />
Music Courtesy of Azekel from the album 'Our Fathers'<br />
Narrator & Voice Over: Sophia Thakur<br />
<br />
All footage available to license from Film Supply: flmsp.ly/fthrsdh

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Jerry Schwartz

A new action packed short film straight from the palms of a Nigerian mother who on one fateful night, serves her son a set of slaps so powerful that it changes his life forever. Full of twist and turns this film celebrates the most neglected heroes of today: Black Mums.<br />
<br />
BIFA 2023 BEST SHORT FILM WINNER <br />
AESTHETICA 2023 BEST SHORT FILM WINNER <br />
BFI LFF 2023 AUDIENCE AWARD FOR BEST FILM/WORK<br />
<br />
Learn more about the project: <br />
https://directorsnotes.com/202....3/11/13/abdou-cisse- <br />
<br />
<br />
<br />
Credits: <br />
<br />
Supported By: BBC Film <br />
Production Company: June & Stella Productions<br />
In Association With: Joi Productions & Ugly Child"<br />
<br />
Written & Directed By: Abdou Cissé<br />
Produced By: Cheri Darbon & George Telfer<br />
<br />
Executive Producers: Dionne Farrell, Joy Gharoro-Akpojotor, Akwasi Poku & Abdou Cissé<br />
<br />
Director Of Photography: Anna Macdonald<br />
Editors: André Rodrigues & Marvin Jay Alvarez<br />
Production Designer: Paix Robinson<br />
Costume Designer: Rhona Ezuma<br />
Hair & Makeup Designer: Olimpia Stoicea<br />
Sound Design & Mix: Adam Smyth<br />
Casting Director: Hannah Marie Williams<br />
<br />
First Assistant Director: Sam Barnham<br />
Production Manager: Chanel Parkinson<br />
Sound Recordist: Antonios Moutzianou<br />
Gaffer: Vini Curtis<br />
<br />
Cast<br />
(In Order Of Appearance)<br />
Mrs Adeyemi Kemi Lofinmakin<br />
Ade Tom Moutchi<br />
Mr Adeyemi Femi Ogunjobi<br />
Young Ade Josh Tedeku<br />
Jess Isabella Sylvester<br />
Mrs Adeyemi's Friend Tomi Ogunjobi<br />
Younger Ade Aston Poku<br />
Waiter Tom Bonington<br />
Emma Ozioma Ihesiene<br />
<br />
Production Assistant: Kelsey Mcinnis<br />
Production Assistant: Darren Sintes<br />
Production Runner: Ollie Morris<br />
Production Runner (Daily): Ethan Mcdowell <br />
<br />
Second Assistant Director: Fred Searle<br />
Third Assistant Director: Keerthana Rajakulasingham<br />
Floor Runner: James Barnham <br />
<br />
First Assistant Camera: Ondrej Rybar<br />
Second Assistant Camera: Chelsea Bernard<br />
Camera Trainee: Ester Edusi<br />
Camera Trainee: Nathan Rubins<br />
<br />
Gaffer (Daily): Jamie Hitchin<br />
Lighting Technician: Jorge Higgins<br />
Lighting Technician: Seb Barnett<br />
<br />
Steadicam Operator Junior: Agyeman Owusu<br />
<br />
Boom Operator: Collin Patterson<br />
<br />
Art Director: Oli Cassels<br />
Set Dresser: Rema Kashay<br />
Art Department Assistant: Jaimin Patel<br />
Art Department Assistant: Christine Cave<br />
Art Department (Daily): Lucy Barsegian <br />
<br />
Costume Assistant: Tilly Phelan<br />
Costume Assistant (Daily): Pascale Davies<br />
<br />
Hair & Makeup Assistant: Lily Rayan<br />
Hair & Makeup (Daily): Tillie Robinson-Smith<br />
<br />
Script Supervisor: Paul Rosescu<br />
<br />
Movement Director: Ronin Traynor<br />
<br />
Stills Photographer: Aliyah Ochere<br />
<br />
Casting Assistant: Bryony Pulizzi<br />
<br />
Chaperone: Kwabena Poku<br />
<br />
Health And Safety Advisor: Hollie Johnson Jha Safe T<br />
Medic & Covid Supervisor: Jamie Lewis The Movie Medics<br />
<br />
<br />
<br />
Supporting Artists <br />
<br />
Chefs & Waiters:<br />
Douglas Grant - Clive Cohen -Naida Khvrych - Martin Crossingham - Peter Wilkinson - Nico Jouavell "<br />
<br />
Restaurant Diners: <br />
Michelle Sedgemore - Graham Andrew- Alex Leleszis - Jose Soria-Cano<br />
Julia Satue - Xahria Preudhomme - P.J. Perkin - Grace Kelly - Abbey Monteiro <br />
- Sophie Leseberg - Maggie Chapman - Glyn Lewis - Igor Belache - Carla Lopes"<br />
<br />
SA Casting: Mad Dog Casting<br />
<br />
Post Production <br />
Edit House: The Assembly Rooms<br />
Edit Producer: Joshua Gochez<br />
<br />
Audio Post Production: String And Tins<br />
Additional Sound Design: Jim Stewart<br />
Audio Producer: Alina Miroshnichenko<br />
<br />
Colour And Finish By: Electric Theatre Collective<br />
Colourist: Jason Wallis<br />
Colour Executive Producer: Oliver Whitworth<br />
Colour Grading Assistant: Janak Griffin-Rai<br />
Additional Post House: Comppo<br />
Additional Post Director: Julián L. Cóppola<br />
<br />
Vfx Supervisor: Ruslan Borysov<br />
Cg Generalist & Motion Design: Stepan Polivanov <br />
Motion Design Ekaterina Platonova<br />
<br />
Music Consultant: Dane Bradshaw <br />
<br />
Title Designer: Gideon Cudjoe<br />
<br />
Production Legals: Sheridans<br />
<br />
Production Insurance: WK Film Insurance <br />
Camera & Lighting Truck Driver: Mark Hatton Rs Management Services <br />
Caterers Fresh & Funky <br />
<br />
Camera Equipment Provided By: Feral Equipment Extreme Facilities<br />
Lighting Equipment Provided By: Green Kit<br />
Sfx Equipment: Matter Sfx<br />
<br />
Locationsuk Film Location - Salt Film Radios Wavevend <br />
Film Director Of BBC Films: Rose Garnett<br />
Commissioning Executive: Eva Yates<br />
Legal And Business Affairs Manager: Livy Sandler<br />
Production Executive: Emma Kayee<br />
Production Manager: Brett Webb<br />
Legal & Business Affairs Assistant: Ruth Sanders<br />
<br />
Developed By BBC Films

Directed by Colin Solal Cardo<br />
Story by Christine and the Queens & Colin Solal Cardo<br />
Screenplay by Colin Solal Cardo<br />
Produced by Rémy Solomon<br />
Executive producers: Julien Berlan, Elsa Rakotoson, Marie Fioriti<br />
DOP: Crille Forsberg <br />
Choreographer: Ryan Heffington<br />
Editor: Tianès Montasser <br />
Costume Designer: Jonathan Huguet<br />
Set Designer: Jeanne Ader<br />
Color grading: Fabien Pascal <br />
Guest starring: Caroline Polachek and Félix Maritaud as “The Fauna”<br />
Dancers: Brandon Masele, Emmanuelle Soum, Enzo Boffa, Josh Wild, Liza Lapert, Maji Claire, Patric Kuo, Silvia Contento<br />
<br />
Extras:Adam Dahibi, Adam Grandval, Alan Tardif, Alexia Pereira, Aminata Thiboult, Bonnie El Bokeili, Coli-Fary Diouf, Erwan Fale, Eva Studzinski, Fabian Lamy, Fatoumata Diawara, Fleur Dujat, Jordy Van Beghin, Laurent Benhenni, Mariana Benenge, Mélissa Bocoum, Melvin Malheurty, Nicolas Lecourt Mansion, Pricile Ugena, Reihane Grandguillaume, Roxanne Ky, Ryan Meng, Sahné Rasoanaivo, Serena Freira, Stencia Yambogaza, Thomas Lelong, Tidiane Diop, William Dybele<br />
<br />
Line Producer: Ophélie Stavropoulos<br />
Production Coordinator: Mélanie Gilbon<br />
First Assistant Director: Juliette Mabille<br />
Second Assistant Director: Elsa Michon<br />
Assistant Choreographer: Benjamin Milan<br />
Casting Extras: Dourane Fall, Conan Laurendot<br />
Leader Extra: Fiona Bègue<br />
Assistant: Hugo Dao<br />
<br />
First Assistant Camera: Loup Lebreton<br />
Second Assistant Camera: Dimitri Sorel<br />
Third Assistant Camera: Jimmy Nguyen<br />
Steadicam Operator: Rémi Quilichini<br />
B Camera Operator: Julien Pujol<br />
<br />
Art Department Coordinator: Marie-Aubrey Molès<br />
Second Assistant Art Director: Isabelle Lawson<br />
Prop Master: Victor Delbos<br />
Set Decorators: Lisa Boukobza, Gilles Garnier, Clothilde Cras De Belleval, Timon Milon, Laurent Saint-Gaudens, Océane Dufau<br />
<br />
Unit Manager: Kim Shewy<br />
Unit Assistants: Marion Prieux, Jean-Fred David, Djibyrile Sy, Romane Botquin, Penelope Ader, Charles Crapart, Alexandre Do, Emilia Massias, Jérôme Babinard, Sacha Hayon<br />
Gaffer: Basile Barniské<br />
Electricians: Adrien Lallau, François Auclair, Vincent Taberlet, Marchal Bedy, Frédéric Chevrier, Lucas Janiszewski, Matthieu Legoupil<br />
Key Grip: Tristan Morin<br />
Grips: Zaher Megdiche, Camille Conroy, Tanguy Bourgeois, Thomas Canivet, Ugo Villaume<br />
<br />
Make-Up Artist: Manu Kopp<br />
Hair Stylist: Pawel Solis<br />
<br />
First Assistant Costume Designer: Sarah Bernard<br />
Second Assistant Costume Designer: Lise Breton<br />
Adjuster: Brice Fernandes<br />
Stylist Extras: Pierre De Mones<br />
Stylist Extras Assistants: Jill Gattegno, Louise Pisselet<br />
<br />
Sfx Make-Up Designers: Raphaël Guionnet, Charlotte Arguillere, Antoine Wayne, Cindy Bohn, Joël Mogade, Alexis Kinebanyan, Christophe Mureau<br />
<br />
Sound Recordist: Charles Darnaud<br />
Sound Mix: Alban Lejeune, Eliott Sebbag<br />
Sound Mastering: Ash Workman<br />
<br />
Post Production: Everest<br />
Head Of Post Production: Sylvain Obriot<br />
Color Grading: Fabien Pascal<br />
Post Producer Fx: Chloé Juillard<br />
Editing Assistant: Ella Dixon<br />
Technical Post Producer: Jeremy Le Bris<br />
Graphists: Vincent Heine, Stephane Gassin, Francois Puget, Damien Thiebot<br />
Title Designer: Julien Seiller<br />
Typographer: Julien Priez<br />
Set Photographer: Jonathan ‘Ojoz’ Adelaide<br />
<br />
Special thanks to: Les équipes de l’Opéra national de Paris, Nicolas Lecourt Mansion, Julien Pujol, Silverway, Kodak, Everest, Rvz

A city portrait of Cairo during heavy rain and little shine. The weather is a metaphor to the chaos my underprepared city and its dwellers have to experience when the “unexpected” happens, in contrast to the usual chaos that is the city itself.<br />
<br />
The film takes you on a ride through different neighborhoods in Cairo while the Egyptian Painter Salah Taher shares his views about the city on the radio.<br />
<br />
Dir: Karim Shaaban<br />
DP: Fawzi Darwish<br />
<br />
Sound Design & Mix : Fady Garas<br />
Grading: Ahmed Essam <br />
Editing: Karim Shaaban <br />
<br />
<br />
Music : Dark Travels - Alistair Sung

Anna Mantzaris created a beautiful and melancholy Christmas film for Greenpeace France. Ending with a pledge to make our cities breathable, the film tells the story of a little girl who appears to be protecting her bear from the cold, but it turns out she's aware of an even more dangerous problem.

Content warnings: conversion therapy, coercion, transphobia, psychological harm.<br />
<br />
It’s been nearly five years since the UK Government first promised to ban so-called ‘conversion therapy’. Yet today, more than 1.5 million LGBTQ+ people in England and Wales remain at risk of these harmful attempts to ‘cure’ us.<br />
<br />
We made this short film with Stonewall and 21* other LGBTQ+ organisations, based on the real experiences of conversion therapy survivors.<br />
<br />
The UK Government recently moved to put a legislative ban back on the table. But after years of U-turns and broken promises, it's vital that the UK Government does not delay any further, and publishes a draft Bill and timetable for legislation as soon as possible.<br />
<br />
<br />
Produced by Academy films. Agency The&Partnership.

In this short film, you will be taken on a journey through the incredibly varied landscapes of this imposing continent, South America. <br />
<br />
One year of travel, nine countries, countless hours on busses, motorbikes, and cars. Hundreds of thousands of images taken. 30TB of data used, 5 months of editing. The time-lapse film features South America like it has never been before with images from Brazil, Venezuela, Guyana, Colombia, Argentina, Chile, Peru, Bolivia and Ecuador.<br />
Read more about the project on https://www.mortenrustad.com/south-america<br />
<br />
The music is specially composed for this video by Jogeir. Check him out on Soundcloud: https://soundcloud.com/jogeirmusic<br />
<br />
To see what equipment I used, see this video: https://youtu.be/Vg6h0U3S8_o<br />
Motion control gear by Syrp (https://www.syrp.co/)<br />
<br />
The clips in this film are available for licensing at resolutions up to 8K (7680*4320). Contact information can be found at mortenrustad.com<br />
<br />
Produced by VJUS (https://www.vjus.no)<br />
<br />
For more of Morten's work, check out https://www.mortenrustad.com

Director: Elliott Power<br />
Cinematographer: Diego Garcia<br />
Managing Partner: Kelly Bayett<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: Deannie O’Neil<br />
Head of Production: Paige Kauffman<br />
Production Company: Love Song <br />
1st Assistant Director: Khucame Morales<br />
2nd Unit Directors: Louis McCourt<br />
Producer: Natalia Casanova<br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Edit Assistant: Matthew Blacklock<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Local Production: The Lift <br />
Partner: José Barrera<br />
Executive Creative Director: Dan Williams at The Mill<br />
Flame Artist: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Score: Miink <br />
Music Supervision: Sunny Kapoor Curation <br />
Sfx: Barking Owl Gus koven <br />
VO: Ja’Lisa Arnold <br />
Stylist: Paola Alfaro & Void<br />
Make Up: Valeria Salas <br />
Production Design: Christian Stone <br />
<br />
Client: Stock X<br />
Agency: Mojo Supermarket

utdrag

Senior is a Telluride icon, instrumental in the development of the Telluride Ski Resort. Telluride would not be what it is today without Senior.<br />
<br />
Directed by Ben Knight and Travis Rummel of Felt Soul Media /// www.feltsoulmedia.com<br />
Associate Producers: Annie Carlson and Lisa Eidsmo<br />
Archival material generously provided by: The Telluride Historical Museum, Senior Mahoney, Dean Rolley, Frank B. and Gladys M. Wilson Collection<br />
Music by Goldmund Song: Threnody www.unseen-music.com

Director: Nicolas Gordon<br />
Agency: HAVAS<br />
Client: Brooklyn Film Festival<br />
Line Producer: Dustin Highbridge<br />
1st AD: Lazzy Bear Walker<br />
<br />
Voiceover: Thomas Lennon<br />
<br />
Production Manager: Ben Thorn<br />
Production Coordinator: Lama Mouawad<br />
<br />
DP: J. D. Butler<br />
1st AC: Sai Aung Tun<br />
2nd AC: Austin Page<br />
<br />
Gaffer: Tristan Moffatt<br />
BBE: Travis Moffatt<br />
KG: Leo Sanchez<br />
BBG: Logan Alesso<br />
<br />
DIT: Brian Bigler<br />
VTR: Sam Baek<br />
Sound Mixer: Alex Dawson<br />
<br />
Production Designer: Lisa Garcia<br />
Art Director: Brian Marquez<br />
Prop Master: Natasha Romano<br />
Set Decorator: Annie Grafe<br />
Set Dresser: Antaeus Littlejohn<br />
<br />
Gill: Ellie Suh<br />
Interviewer: David Eli<br />
Woman: Danie Marie<br />
<br />
Stylist: Krisse Torgesson<br />
Make-Up Artist: Lisa Campos<br />
<br />
Location Manager: Travis Beck<br />
Location Scout: Suzanne LaChasse<br />
Site Rep: Franklyn James<br />
CCO: Melissa Goncalves<br />
Truck PA: Mitchell Nguyen<br />
Key PA: Amy Seach<br />
PA: Adam Rozenberg<br />
PA: Skye Grissom<br />
Pass Van PA: Martin Nazario<br />
Pass Van PA: Edgar Cortes<br />
<br />
Storyboard Artist: Vince Wei<br />
<br />
Production Company: Kin Films LLC<br />
President: Dustin Highbridge<br />
<br />
Editorial: Final Cut<br />
Editor: Antonio Gómez-Pan<br />
Assistant Editor: Julio Samaniego<br />
Head of Production: Rebecca Mitchell<br />
Executive Producer: Sarah Roebuck<br />
Producer: Kelly Budish<br />
<br />
Color: The Mill<br />
Colorist: Logan Highlen<br />
Color Assistant: Bap Man<br />
Color Assistant: Erwin Pasia<br />
Head of Production: Brandee Probasco<br />
Executive Producer: Krista Staudt<br />
Producer: Jackson Winkler<br />
<br />
Sound Design/Mix: Machine Sound<br />
Sound Design and Mix: Alex Bingham<br />
Sound Design and Mix: James Cobbold<br />
Assistant Engineer: Chas Langston<br />
Assistant Engineer: Michele Covio<br />
Executive Producer: Matej Oreskovic<br />
Senior Producer: Andi Lewis<br />
<br />
Conform: Significant Others<br />
Managing Director: Justin Brukman<br />
Executive Producer: Alyssa St. Vincent<br />
Head of Production: Gwynne Evans Reid<br />
ECD: Dirk Greene<br />
Lead Flame Artist: Phil Apostol<br />
GFX Artist: Phil B<br />
VFX Assistant: Kogan Li<br />
Producer: Kyla Amols<br />
Production Coordinator: Hoa Vu<br />
<br />
Music: Duotone<br />
Composer: Jordan Lieb<br />
Composer: Brad Fischer<br />
Executive Producer: Ross Hopman<br />
Senior Producer: Gio Lobato<br />
Creative Director: Peter Nashel<br />
<br />
Casting: AHC Casting

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Jerry Schwartz

www.fuckmerichard.com<br />
<br />
SXSW, MIFF, SEATTLE, SXSW SYDNEY, SHOW ME SHORTS, BOLTON SHORTS<br />
<br />
DALLAS INTERNATIONAL, PHILADELPHIA, INDIE STREET, SYDNEY UNDERGROUND, AUSTRALIAN WOMEN’S, KYIV INTERNATIONAL SHORT FILM, HOLLYSHORTS SCREENING SERIES, ADULT FILM, REUNION  <br />
<br />
BEST DIRECTION - AUSTRALIAN WOMEN'S SHORT FILM FESTIVAL<br />
BEST PERFORMANCE - SUMMER SHORT SERIES<br />
BEST NARRATIVE - WALLA WALLA MOVIE CRUSH <br />
<br />
Directed by Lucy McKendrick, Charlie Polinger<br />
Produced by Jenna Grossano, Lucy McKendrick, Charlie Polinger<br />
Written by Lucy McKendrick<br />
Cinematography by Steven Breckon<br />
Production Design by Eloise Ayala<br />
Edited by Ollie Knocker<br />
Costume Design by Katharina Windemuth<br />
Sound Design by Johnny Marshall<br />
Makeup by Blythe Irish <br />
Colorist Natasha Leonnet<br />
Gaffer Joel Kingsbury<br />
Grip Thomas Sireci <br />
<br />
Sally Lucy McKendrick<br />
Richard Nathan Wallace<br />
Mother Kem Metcalf

WWW.THETIPSYGYPSIES.NET<br />
<br />
From the souks and craftsmen of Marrakesh and Fes to the dunes of Merzouga and continuing on high into the Atlas mountains, see Morocco like you've never seen it before.<br />
<br />
'MOROCCO' takes you on a journey beyond the obvious and into the heart and soul of this beautiful country. <br />
<br />
The film was shot over the course of a month.<br />
<br />
Equipment:<br />
Sony A7SII<br />
Sony 24-70mm f4<br />
Came Single TV 3-axis gimbal<br />
<br />
Edited on Adobe Premiere CC<br />
<br />
Directed by: Nathaniel Connella<br />
Produced by: The Tipsy Gypsies www.thetipsygypsies.net<br />
Filmed and edited by: Nathaniel Connella<br />
Color Grade by: Terry Politis www.ixorvfx.com<br />
Sound Mix by: Luis Rosario<br />
<br />
Music:<br />
<br />
Dhafer Youssef - Oud and Vocals<br />
<br />
Moroccan Spirit - La Mamounia<br />
<br />
Simo Lagnawi - Sandika<br />
<br />
Anello Capuano / Bruno Assenmacher - Ay Jan / Alap Robab / Srang Srang Srang (Afghanistan)

Directed by Kyra & Constantin 'First Christmas' is a love story told in beautiful animation with woodland characters spreading the message. We follow Henry the Hedgehog as he starts at a new school. His spikes make it hard for him to fit in but luckily he has a friend, Squirrel, looking out for him. The CGI animation has been given a truly unique tactile and fuzzy feel with Kyra & Constantin telling the story of love through the adorable characters.

Christie's - Santo is a winner of the 2022 Best of the Year award in the Branded category. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
<br />
Featuring dancer and choreographer Botis Seva, this intimate expression of faith was inspired by ancient Greek and Roman sculpture and religious scenes in medieval books of hours.<br />
<br />
Directed by Freddie Leyden