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To celebrate the 15 year-anniversary of Staff Picks, we invited 15 icons from the program to create interactive mixtapes of their favorite Staff Picks. This mixtape was created by Sindha Agha <br />
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Visit https://vimeo.com/campaigns/generation-vimeo to see more and keep an eye out for new mixtapes in the coming months! <br />
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Join us and create your own Staff Picks Mixtape of work that has inspired you from the last 15 years! Learn how and enter to win exclusive Staff Pick swag here: https://vimeo.com/blog/make-yo....ur-own-staff-picks-m
Empathy, efficiency, and a willingness to adapt – Kai Lin’s KLIPPA prosthetic foot is inspired by mountain goats and a desire to help people. Kai’s story explores his unlikely alliance with Arc’teryx athlete, Craig DeMartino, from which the pair serve up a holy grail for adaptive rock climbers – a badass prosthetic foot, that won’t just level the playing field, but will dish up, if not superpowers, then a real sense of empowerment. Which is almost the same thing.<br />
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Part 1 of the Arc'teryx series "Problem Solvers".<br />
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Directed by: Jordan Manley<br />
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Featuring: Kai Lin & Craig Demartino<br />
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Producers:<br />
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Diana Bruccullieri<br />
Angela Percival<br />
James Kim<br />
Jill Young<br />
Laura Yale<br />
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Cinematography, Editing, Sound Design: Jordan Manley<br />
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Additional Sound Design and Mix: Jeff Yellen / Ridgeline Sound<br />
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Animation: Jordan Manley and Daniel Irvine<br />
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Editorial Advisors: Daniel Irvine and Chad Manley<br />
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Grip, Assistant Camera, Assistant Editor: Bill Hawley<br />
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Rigging:<br />
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Cyndy DeMartino<br />
Paul McSorely<br />
Angela Vanwiemeersch<br />
Ken Gibson
Director : www.benbriand.com<br />
DOP : www.ariwegner.com<br />
Production Co : http://www.collider.com.au<br />
Agency : M&C Saatchi
Tony’s Chocolonely is the impact company on a mission to make all chocolate 100% slave-free. In collaboration with Idris Ilba, we created a colorful manifesto about fair and unfair. <br />
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Creative Agency: HERC the agency<br />
Creative Director: Rogier de Bruin & Emilio de Haan<br />
Account Director: Niels Heimens<br />
Agency Producer: Kiek Beljaars<br />
Choco monster animation: Brian Elstak<br />
Title design: Joëlle Strijk<br />
Mural design: Franko Rosas<br />
Chocolate shots: Chuck Studios<br />
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Production: Division Paris<br />
Director: Helmi<br />
Director of Photography: Deepa Keshvala<br />
Executive Producer: Theo Gall<br />
Edit: Antonin Brones (Division)/ Etienne Gueriaux (Machine Molle) / Brian Ent (Kapsalon)<br />
Grading: Arthur Paux<br />
Post Production: Machine Molle<br />
Styling: Jill Gattegno<br />
Set producer: Alliochia Madeuf<br />
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Music: Tshegue<br />
Narrative: Rogier de Bruin x Idris Elba<br />
Voice over: Idris Elba<br />
Sound design: Audentity / Niels den Otter<br />
Music Supervisor: Pitch & Sync London<br />
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Client: Tony’s Chocoloney<br />
Thecla Schaeffer - Marketing Magic Maker (Head of Marketing)<br />
Sabrina Spong - Movement Lead Marketing<br />
Nadine de Ridder – Creative Strategist<br />
Martijn Beenen - Project Manager
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for Time Magazine<br />
DP Drew Bienenmann<br />
editor Sage Price<br />
produce by Vacation Theory
A city portrait of Cairo during heavy rain and little shine. The weather is a metaphor to the chaos my underprepared city and its dwellers have to experience when the “unexpected” happens, in contrast to the usual chaos that is the city itself.<br />
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The film takes you on a ride through different neighborhoods in Cairo while the Egyptian Painter Salah Taher shares his views about the city on the radio.<br />
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Dir: Karim Shaaban<br />
DP: Fawzi Darwish<br />
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Sound Design & Mix : Fady Garas<br />
Grading: Ahmed Essam <br />
Editing: Karim Shaaban <br />
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Music : Dark Travels - Alistair Sung
In Dmytro Sukholytkyy-Sobchuk’s film, sculptors in western Ukraine who used to make religious statues retrain to fight the Russian invasion.<br />
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The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d
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