www.reengage..org.uk<br />
<br />
For many of us, Christmas is undoubtedly the most wonderful time of the year. But for over half a million older people, the season is not something to look forward to. Re-engage, the only charity committed to tackling loneliness amongst over-75s, and Passion Animation Studios beautifully depict the silent suffering of those with no choice but to spend the season alone.<br />
<br />
If you would like to support Re-engage, you can donate to their Big Give Christmas fundraiser, through which all donations will be doubled until noon, Tuesday 10th December, or visit their website www.reengage.org.uk.

At Crankworx Cairns in 2023, Nicholi Rogatkin had a season-ending injury. This was the first time in his career that he had to sit out a season. This short highlights the magic of getting back on a bike again after injury.<br />
<br />
Presented by Specialized Bikes<br />
Directed, filmed, and edited by Keenan DesPlanques

Director: againstallodds<br />
This Christmas, Very.co.uk are celebrating the joy of giving in a film created by directors againstallodds. The film, part of a campaign by creative agency St Luke’s, follows the story of a woman as she travels home for Christmas accompanied by a flying heart. The heart flutters and grows as our heroine spreads joy with familiar Very-pink presents. As she spreads Christmas spirit her joy grows with every gift she gives.

Content warnings: conversion therapy, coercion, transphobia, psychological harm.<br />
<br />
It’s been nearly five years since the UK Government first promised to ban so-called ‘conversion therapy’. Yet today, more than 1.5 million LGBTQ+ people in England and Wales remain at risk of these harmful attempts to ‘cure’ us.<br />
<br />
We made this short film with Stonewall and 21* other LGBTQ+ organisations, based on the real experiences of conversion therapy survivors.<br />
<br />
The UK Government recently moved to put a legislative ban back on the table. But after years of U-turns and broken promises, it's vital that the UK Government does not delay any further, and publishes a draft Bill and timetable for legislation as soon as possible.<br />
<br />
<br />
Produced by Academy films. Agency The&Partnership.

Born out of his Jamaica sound system roots, DJ Kool Herc changed the face of the planet in the 1970s, resourcefully creating something out of nothing called Hip-Hop. Heavy bass, scratching, break dancing, rap, graffiti art and dress code, mixing old flavours and making new, fresh statements are at the core of the culture's expression. All of these component parts of HIP HOP I love, live for and are the driving forces behind what drove me to write, produce, finance and direct my contribution to the culture called Hip Hop Cafe.<br />
<br />
A short film for real HIP-HOP heads globally, this one is for you. As far as I am aware, a film like this hasn’t existed until now. <br />
<br />
<br />
Credits<br />
<br />
Written, directed and produced by Robbie Samuels www.superrocketman.com<br />
Producers: James Pearcey, Pranav Arya, Russell Would<br />
Line Producers: Romain Richard, Alex Olivares & Patrick Greene<br />
<br />
Cast<br />
<br />
Jack: Osy Ikhile<br />
Jenny: Carla Harrison-Hodge<br />
Marge: Shola Adewusi<br />
Bonita: Jenny Mayers<br />
Waitress: Ania Sowinski<br />
Waiter: Tom Haywood<br />
Chess Player: Tunji Falana<br />
Hov: Gary Beadle<br />
Mr Dobalina: Masashi Fujimoto<br />
Saxophone man: Miguel D'Oliveira<br />
Chef: Femi Houghton<br />
<br />
Production<br />
<br />
Director of Photography: Andrew Kuchanny<br />
Production Designer: Vicky Hurley<br />
Editor: Paul Boobyer<br />
Costume Designer: Anne-Aurélie Pillet<br />
First Ad: Chris Malin<br />
Second Ad: Sam Bokma<br />
Gaffer: Jim Agnew<br />
Spark: Edward Hiscox<br />
<br />
Production Assistants: Claire Nolan & Huw Edwards<br />
DIT: Henri Plint<br />
Prop Buyer: Felicity Wetherell<br />
1st AC: Calvin Day<br />
2nd AC: Abi Hurcomb<br />
Grip: Carl ’Lump’ Dunn<br />
Sound Recordist: Rowan October<br />
Wardrobe Assistant: Hanna Szirmai<br />
Makeup Artist: Jessica Goh<br />
Stills Photography: Cregg St. Rose<br />
Catering: Mamma & Honnie Tang<br />
<br />
Post-Production<br />
<br />
Titles and Credit Design: Mark One & Bentley Middlewick<br />
<br />
Digital Distortion<br />
<br />
Pre-Visualisation: Dan Sollis & Phil Trease<br />
<br />
Time Based Arts<br />
<br />
Post Producer: Sean Ewins<br />
Compositing: Jamie Crofts, Ralph Briscoe<br />
Additional Compositing: Linda Cieniawska<br />
Colourist: Jack McGinty<br />
<br />
Vaudeville <br />
<br />
Sound Supervisor: Scott Marshall<br />
Re-Recording Mixer: Luke Hatfield<br />
Dialogue Editor: Vincenzo Bosa<br />
Sound Designer: Tom Joyce<br />
<br />
Music<br />
<br />
Original Music by: Golden Kimono<br />
<br />
Dedicated to Nick, a man that loved the music more than most.

Tanya, world’s sexiest inventor, has just finished her newest invention: A future seeing machine. But, the future gets stuck in a loop and it’s super annoying.<br />
<br />
'UGH!' is this week's Staff Pick Premiere! Read more about it here: https://vimeo.com/blog/post/st....aff-pick-premiere-ug

A young man gets very carried away with his can of Ballantines and Cola.<br />
<br />
Cannes Young Director Award recipient www.benbriand.com<br />
<br />
Cinematography www.hughmiller.com.au

Director's Cut<br />
<br />
directed by Jimmy Marble<br />
Produced by Taylor Vandegrift<br />
Produced by Ways & Means, with Smile<br />
DP: Daniel Fabelo<br />
Production Design: Lesley Arias<br />
<br />
www.jimmymarble.com

written and directed by Jimmy Marble<br />
starring Theophilus Martins and Gillian Zinser<br />
<br />
produced by Sage Price and Lindsey Ramey<br />
production co Ways and Means, Vacation Theory<br />
<br />
director of photography Kelly Moore<br />
wardrobe by Georgia Stockwell<br />
production design by Sean Genrich<br />
<br />
<br />
WWW.JIMMYMARBLE.COM

Director: Ian Pons Jewell <br />
Production Company: ProdCo<br />
EP / Founding Partner: Zico Judge<br />
Executive Producer: Maddi Carlton <br />
Producer: Doochy Moult<br />
DOP: Mauro Chiarello<br />
Production Designer: Maruxa Alvar<br />
Prod. Coord: Tuixent Blanco<br />
VFX Supervisor: Giles Cheetham, Thiago Dantas <br />
<br />
Client: Indeed<br />
Client: Federico Carcich<br />
Client: Siobhan Reynolds<br />
Client: Clíona Hayes <br />
<br />
Agency: 72andSunny <br />
President: Simon Usifo<br />
Executive Producer LA: Angelo Mazzamuto<br />
Creative Director: Ashton Rose<br />
Sr. Writer: Natalie Warther <br />
Sr. Designer: Elizabeth Lay<br />
Brand Director: Kayla Moe<br />
Sr. Writer/Cd: Valeria Raimondi<br />
Sr. Producer: Karen Whitehouse<br />
Sr. Brand Manager: Belinda Harfod<br />
Brand Director: Victoria Turner<br />
Sr. Art Director: Reneé Lam<br />
NL Writer: Patrick Van Der Gronde<br />
Fr Speaking Creative: Margot Noel <br />
<br />
Service Company: Blur <br />
Founder: Mario Forniés <br />
Head of Production: Pablo Herraiz <br />
Line Producer: Olatz Herrera <br />
Production Manager: Ixai Olabarrieta<br />
Production Coordinator: Eva Termini<br />
Talent Coordinator: Nona Segimon<br />
Transport Coordinator: Letizia Migliavacca<br />
Set Manager: Javier Bellina<br />
Unit Manager: Carles Rius<br />
BLUR Office Manager: Blanca Cividanes<br />
Office PA: Alba Ufarte<br />
Office PA: Georgina Ruiz<br />
Talent Coord PA: Sarah Contreras Cano<br />
Director Chaperone: Javi Nieto (Bubu)<br />
Head PA: Miguel Michavila<br />
Client Driver: Juanjo Peña<br />
Agency Drivers: Lucas Cruz, Pedro Gall<br />
Crew Drivers: Jesus Quintana, Veronika Evlampieva, Maide Patiño, Rafa Rachitoff, Pedro Muñoz, Ghani Haddad, Diego Carrasco<br />
Talent Drivers: Bea Crespo, Alba Delgado <br />
<br />
Locations <br />
Location Manager: David Bello, Sergi Cabrera, Julian Pico. Dani Galvan <br />
<br />
AD’s:<br />
1st AD: Ferran Rial<br />
2nd AD: Mónica Sánchez<br />
3rd AD: Marc Graells <br />
Script: Gloria Blanes<br />
<br />
Camera<br />
1st AC: Adrian Rodriguez<br />
2nd AC: Pasha Chui<br />
VTR: Alvaro Pineda<br />
VTR Assistant: <br />
DIT: Gulcin Bekar<br />
Gimbal Ninja: Florian Hatwagner<br />
Camera Truck Driver: Fer Monsalve <br />
<br />
Lighting<br />
Gaffer: Rafa Ramirez<br />
Best Boy: Alejandro Narvaez<br />
Sparks: Cristobal Marin, Marc Canalda, Xavi Carrion, Nacho, Raul Gabarron<br />
<br />
Grip<br />
Key Grip: Dani Pulpo<br />
Grip Assistant: Rodrigo Alvarez <br />
<br />
Sound<br />
Sound Operator: Carles Prats<br />
Sound Assistant: Kemen Longo<br />
​​Audio Post Production - String and Tins<br />
Sound Design and Mix - Lawrence Kendrick<br />
Foley - The Foley Barn<br />
Audio Producer - Laura-Leigh Smith<br />
Music Edit: Gregory Caron<br />
VO artist: Julienne Jones<br />
<br />
Edit - The Den<br />
Editor: Tobias Suhm <br />
Sr Cutting Assistant: Kayla Hashimoto <br />
Assistant Editor: Joe D'Ovidio <br />
Assistant Editor: Jack Cantrell <br />
Assistant Editor: Louise Robert <br />
Sr. EP: Jennifer Mersis <br />
Sr. Producer: Amanda Ornelas <br />
Producer: Liz Shook<br />
<br />
VFX - ETC<br />
Producer: Oscar Wendt <br />
Co-ord: Emily Coyne<br />
EP: Antonia Vlasto <br />
VFX Supervisor: Thiago Dantas<br />
CG Lead: Dorianne Fibleuil <br />
<br />
Art Department <br />
Production Designer: Maruxa Alvar<br />
Art Director: Antoni Castells <br />
Art Coordinator: Pere Carreras <br />
Set Decorator: Nuria Muni<br />
Assist Set Decorator 1: Laura Agustí<br />
Assist Set Decorator 2: Lucía Dávila<br />
Props Buyer 1: Clara García<br />
Props Buyer 2: Julia Santisteban<br />
Stand By Props 1: Jerôme Gilbert<br />
Stand By Props 2: Marc Garcia<br />
Set Dresser 1: Sebastian M. Ostolaza<br />
Set Dresser 2: Pau Arnau Pascual<br />
Set Dresser 3: Raul Quiñonero<br />
Set Dresser 4: Sergi Ducet<br />
Set Dresser 5: Natalia Jacob <br />
Set Dresser 6: Jonathan Rodriguez <br />
Set Dresser 7: Roger Lopes<br />
Pintor: Lali Canosa<br />
<br />
Hair & Make-Up<br />
HMU Designer: Eva Quilez<br />
HMU Assistant: Lorena García<br />
HMU Assistant: Alvaro Sanchez<br />
HMU Assistant: Nika Ambrozic<br />
<br />
Wardrobe<br />
Stylist: Carolina Galiana<br />
1st Stylist Assistant: Júlia Puig Lombera <br />
1st Stylist Assistant: Marta Hernanz Lamas<br />
Stylist Assistant: Ivan Alarcón Matés<br />
Stylist Assistant: María Aznar Moros<br />
Stylist Assistant: Sofia Larrarte<br />
Stylist Assistant: Clara Elias <br />
Seamstress: Rosa Maria Perez<br />
<br />
Casting<br />
Casting Agency Spain: Bite Casting<br />
Casting Agency UK: Kharmel Cochrane<br />
Casting Agency France: Nohmad Casting<br />
Casting Agency NY: House Casting<br />
Casting Agency Netherlands: Bullet Models <br />
<br />
Talent<br />
Family:<br />
Clara: Cindy A. Teniente <br />
Mother: Marcela Andrade <br />
Father: Tomas Flores<br />
Uncle: Luís Raúl Cáceres <br />
Old Brother: Roberto García <br />
Grandma: Cecilia Bellorin <br />
Young Brother: Jeremy Gomez<br />
<br />
Apartment Couple: <br />
Man: Elan Butler<br />
Woman: Abiola Efunshile<br />
<br />
Dad-Daughter:<br />
Dad: Wenjun Gao <br />
Daughter: Yuya Chen <br />
<br />
Office resume checker:<br />
Clara’s Employer: Tamara Ndog <br />
Office Cv Checker: Jose Luis Miranda <br />
<br />
Plant Shop Owner:<br />
Plant Shop Owner: Dato Bekoshvili<br />
Plant Shop Owner: Dea Shavladze

Directed by Jimmy Marble<br />
Director of Photography by Kelly Moore<br />
Production Design by Ashely Fenton<br />
VFX by Christopher Doulgeris

Alzheimer's disease can leave patients and their families feeling lost with their worlds turned upside down. The charity France Alzheimer work to make sure that those living with the disease know they always have somewhere to turn.<br />
<br />
Directed by Megacomputeur this CG short brings to life the charity's symbol, the compass, and shows that wherever someone is, they can receive the help they need.

Client : Samsung <br />
CMO of MX Business : Stephanie Choi<br />
Vice President, Head of Global Brand Marketing Group : Sonia Chang <br />
Director : Yoonie Park <br />
Senior Manager : Youngeun Kang, MJ Kim, Adrian Wilson<br />
Manager : Sunhong (Sunny) Min, Jisu Goh<br />
<br />
Agency : Widen+Kennedy Amsterdam<br />
Production : Caviar<br />
Director : Los Perez <br />
<br />
Editing Company : Trim Editing <br />
Editor : Gaia Borretti, Paul Hardcastle<br />
Assistant Editor : Jacques Simon <br />
Producer : Tatyana Alexandra<br />
<br />
Post production : The Mill <br />
Epic Nightography<br />
VFX Supervisor: Ben Turner<br />
Lead Flame: Ben Turner, Ricky Weissman<br />
2D Artists: Doru Ondun, Johan Alfort, Lucas Warren, Luis Rosell, Pedro Santos, Sabanayagam Veerasekaran, Stephen Miller, Amresh Kumar, Jai Singh, Luis Rosell, Udaykiran Chowdary, Pratyush Paruchuri, Vivek Takale<br />
3D Supervisor : Laurent Giaume<br />
3D Artists: Can Y. Sanalan, Fabian Frank, Florent Sanglard, Jean Grandgirard, Luca Maccarelli, Maximilian Mallmann, Nicola Gilbert, Paul Autric, Petroc Menuhin, Pol EscaleCabre, Selcuk Ergen, Silvia Bartoli<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Creative Director: Carsten Keller<br />
Executive Producer: Lauren Loftus<br />
Senior VFX Producer: Grace Thorpe, Dave Moore, Arjan Eekels<br />
Previz Artists : Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Roto & Paint : Abdul Labeeb K, Abhishek Deswal, Ajay S Kumbhar, Akhil Mohan, Anita Khandare, Anuj Pathania, Anurag Singh, Avinash Molawade, Avinash Molawade, Chetan Shelar, Dayanand Sinha, Deepak Gupta, Dilip Balu, Harshad Rane, Hetal Agarwala, Hrushikesh Tarade, Imrojul Khan, Jaydeep Rajendra Jadhav, Jegadeesan Velayutham, Karthik A, Laxman Janardhan Pawar, Mayur Chandrakant Kothawade, Mohammad Ghayasuddin, Nilesh Kale, Nilesh Ravindra Sutar, Onkar Ghatage, Pankaj Powar, Prahallad Majhi, Prajakta Rajendra Nagarkar, Prasad Ghadigaonkar, Pratibha Dubey, Rahul Mane, Raushan Kumar, Ravikumar Sharma, Ritesh Patil, Rohit Dinkar Kale, Rohit Kumar Singh, Rohit Kuppekar, Roshan Gawand, Sachin Kumar, Sandeep Mishra, Santosh Kondiba Lokhande, Sekh Sahangir, Sriram Parameshwaran, Sudev S, Suhas Sitaram Jadhav, Tejas Budhawale, Tushar Suresh Bhat, Tushar Tulsidas Burse , Yogesh Ahire, Moumita Pratihar, Narendra Kumar. Jeet, Devappa, Irshad<br />
Matchmove Artist: Anirudh Krishna Kurve, Asif Mohammad, Avaneetharan Karuppasamy, Chetan Balasaheb Kadam, M Lokesh, Nallur Suhas Bhat, Pratik Vilas Pawar, Praveenkumar Palani, Puppala Vinod Kumar, Rais Pinjari, Swapnil Bharat Nerkar, Vedant Jagdish Mutrak, Vurukuti Siva Sarweswar , Elangovan, Manoj Ravi.<br />
CG Artist: Aman Jain, Dipak Chularam Nimje, Govardhan B, Harshad Suresh Jadhav, Kanad Mohurle, Monu Bakoliya, Piyush Sharma, Premanand Shivanand Naik, Rachit Bhatia, Sandeep Kumar Yadav, Sindhuja M S, Sumit Yadav, Sumitha D, Yallamraju Venkata Raja Chandra, Yogesh Subhash Zend, Vikas Soni, Girish GR.<br />
<br />
Epic Performance<br />
VFX Supervisors: Damien Canameras, Ben Turner<br />
Lead Flame: Damien Canameras<br />
2D Artists: Paul Goubet, Patrick Bennar<br />
3D Supervisor : Marouan El Bekri<br />
Digital Matte Painting: Nathan Lucas<br />
3D Artists: Marouan El Bekri, Valentin Lesueur<br />
Digital versions: Mickael Moercant, Maxime Orsini<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
VFX Producer: Stephanie Mollet<br />
Executive Producer: Fabrice Damolini<br />
Production Coordinator: Ewan Rosenstrauch, Mathilde Cohen-Selmon<br />
VFX Supervisors Seoul pick-up shoot: Yong Kim, Ian Baxter<br />
<br />
Epic Vision Booster<br />
VFX Supervisors: Ben Turner, Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Lead: Johan Alfort<br />
2D Artists: Johan Alfort, Doru Ondun<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producers: Grace Thorpe, Arjan Eekels<br />
Previz Artists: Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
<br />
Epic Night Video <br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
<br />
Epic Battery<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
<br />
Epic High Resolution<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
<br />
Epic S Pen<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Artists: Ricky Weissman, Anthony Jarvis<br />
Colourist: Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels

[O] imitates nature in its manner of operation. The film depicts cycles in a world entirely based on sound frequency and vibration.<br />
<br />
Film by Mario Radev and Chiara Sgatti<br />
Sound Design and Music by Toni Quiroga at Accept Productions<br />
Colouring Assistance: Anna Smirnova, Dana- Mari Tarakchieva, Vincent Hollywell<br />
5.1 Mix: George Roberts

David Wain discusses life in Los Angeles and international capital cities with writer, director, actor, and comedian David Wain.<br />
<br />
Produced by Flaunt Magazine<br />
Written and Directed by Jimmy Marble<br />
<br />
2012<br />
www.jimmymarble.com

Created using a CG animation technique designed to mimic stop motion animation, this commercial for Club Crackers has a uniquely handcrafted look and feel.<br />
<br />
Exploring what can be possible when your imagination is fuelled by Kellogg's Club Crackers minis...

www.fuckmerichard.com<br />
<br />
SXSW, MIFF, SEATTLE, SXSW SYDNEY, SHOW ME SHORTS, BOLTON SHORTS<br />
<br />
DALLAS INTERNATIONAL, PHILADELPHIA, INDIE STREET, SYDNEY UNDERGROUND, AUSTRALIAN WOMEN’S, KYIV INTERNATIONAL SHORT FILM, HOLLYSHORTS SCREENING SERIES, ADULT FILM, REUNION  <br />
<br />
BEST DIRECTION - AUSTRALIAN WOMEN'S SHORT FILM FESTIVAL<br />
BEST PERFORMANCE - SUMMER SHORT SERIES<br />
BEST NARRATIVE - WALLA WALLA MOVIE CRUSH <br />
<br />
Directed by Lucy McKendrick, Charlie Polinger<br />
Produced by Jenna Grossano, Lucy McKendrick, Charlie Polinger<br />
Written by Lucy McKendrick<br />
Cinematography by Steven Breckon<br />
Production Design by Eloise Ayala<br />
Edited by Ollie Knocker<br />
Costume Design by Katharina Windemuth<br />
Sound Design by Johnny Marshall<br />
Makeup by Blythe Irish <br />
Colorist Natasha Leonnet<br />
Gaffer Joel Kingsbury<br />
Grip Thomas Sireci <br />
<br />
Sally Lucy McKendrick<br />
Richard Nathan Wallace<br />
Mother Kem Metcalf

Join Holden explorer, Fredi Kalbermatten as he he takes us on a journey through his home-town, Saas Fe, Switzerland. Directed on location by Gray Thompson during the spring of 2017, this mini-documentary dives deeper into Fredi’s seasoned mountain knowledge, his lifestyle, and into some deep powder fun along with Gray. Cinematography by Puzzle Media. Featuring music by Zac Marben.

Icelandic teens are trading late-night parties for nocturnal rescues of young seabirds on a remote island.<br />
<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

BIG DATA is the paranoid pop music brainchild of Alan Wilkis. Visit https://www.bigdata.fm/ for more info.<br />
<br />
His new single, “Monster (feat. Jamie Lidell),” is available now: bigdata.lnk.to/monsterYD<br />
<br />
Short of the week: https://www.shortoftheweek.com/2018/11/22/big-data-l1zy/<br />
<br />
"L1ZY" LOGLINE: A typical family is terrorized in a series of commercials for BIG DATA's revolutionary new A.I. product.<br />
<br />
Watch the L1ZY launch spot, here: vimeo.com/271867658<br />
<br />
Credits:<br />
<br />
Created by GHOST+COW and BIG DATA<br />
<br />
Directed by GHOST + COW<br />
<br />
Written by BIG DATA and GHOST+COW<br />
<br />
Executive Produced by BIG DATA<br />
<br />
Produced by Steve Cozzarelli <br />
<br />
Players: <br />
<br />
Claire Burns - Mary<br />
David Levin - Gerry<br />
Juliet Brett - Alison<br />
Alexander Jameson - Brandon<br />
Sondra James Weil - Neighbor<br />
Lizy Ryan - L1ZY<br />
<br />
Director of Photography - Luke Mccoubrey<br />
<br />
Edited by Geordie Anderson<br />
<br />
Score and original music by Alan Wilkis<br />
<br />
Sound design and mix by Brian Goodheart <br />
<br />
Sonic Union Producer - Halle Petro<br />
<br />
Colored by Ashley Ayarza<br />
<br />
Nice Shoes Producer - Elizabeth Mitchell <br />
<br />
VFX artist - Tim Mearini<br />
<br />
Production designer - Jana Bergstedt<br />
<br />
Makeup / SFX artist - Emma Berley<br />
<br />
Art PA / Driver - Scott Raven<br />
<br />
Wardrobe Stylist - Kayci Rothweiler<br />
<br />
1st AD - Ruby Walters<br />
<br />
Assistant camera - Julian Tran<br />
<br />
Sound mixer - Edward Morris<br />
<br />
Camera PA - Beth Fletcher <br />
<br />
Key Grip - Jesse Moritz<br />
<br />
Grips - Landon Yost, Mitch Perrin<br />
<br />
Gaffer - Jesse Sanchez-Strauss<br />
<br />
Swing - Rylie Patterson<br />
<br />
Production assistants - Smij McBee, Angie Blas<br />
<br />
Special thanks to alldayeveryday productions, De Boer Media