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A new action packed short film straight from the palms of a Nigerian mother who on one fateful night, serves her son a set of slaps so powerful that it changes his life forever. Full of twist and turns this film celebrates the most neglected heroes of today: Black Mums.<br />
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BIFA 2023 BEST SHORT FILM WINNER <br />
AESTHETICA 2023 BEST SHORT FILM WINNER <br />
BFI LFF 2023 AUDIENCE AWARD FOR BEST FILM/WORK<br />
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Learn more about the project: <br />
https://directorsnotes.com/202....3/11/13/abdou-cisse- <br />
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<br />
Credits: <br />
<br />
Supported By: BBC Film <br />
Production Company: June & Stella Productions<br />
In Association With: Joi Productions & Ugly Child"<br />
<br />
Written & Directed By: Abdou Cissé<br />
Produced By: Cheri Darbon & George Telfer<br />
<br />
Executive Producers: Dionne Farrell, Joy Gharoro-Akpojotor, Akwasi Poku & Abdou Cissé<br />
<br />
Director Of Photography: Anna Macdonald<br />
Editors: André Rodrigues & Marvin Jay Alvarez<br />
Production Designer: Paix Robinson<br />
Costume Designer: Rhona Ezuma<br />
Hair & Makeup Designer: Olimpia Stoicea<br />
Sound Design & Mix: Adam Smyth<br />
Casting Director: Hannah Marie Williams<br />
<br />
First Assistant Director: Sam Barnham<br />
Production Manager: Chanel Parkinson<br />
Sound Recordist: Antonios Moutzianou<br />
Gaffer: Vini Curtis<br />
<br />
Cast<br />
(In Order Of Appearance)<br />
Mrs Adeyemi Kemi Lofinmakin<br />
Ade Tom Moutchi<br />
Mr Adeyemi Femi Ogunjobi<br />
Young Ade Josh Tedeku<br />
Jess Isabella Sylvester<br />
Mrs Adeyemi's Friend Tomi Ogunjobi<br />
Younger Ade Aston Poku<br />
Waiter Tom Bonington<br />
Emma Ozioma Ihesiene<br />
<br />
Production Assistant: Kelsey Mcinnis<br />
Production Assistant: Darren Sintes<br />
Production Runner: Ollie Morris<br />
Production Runner (Daily): Ethan Mcdowell <br />
<br />
Second Assistant Director: Fred Searle<br />
Third Assistant Director: Keerthana Rajakulasingham<br />
Floor Runner: James Barnham <br />
<br />
First Assistant Camera: Ondrej Rybar<br />
Second Assistant Camera: Chelsea Bernard<br />
Camera Trainee: Ester Edusi<br />
Camera Trainee: Nathan Rubins<br />
<br />
Gaffer (Daily): Jamie Hitchin<br />
Lighting Technician: Jorge Higgins<br />
Lighting Technician: Seb Barnett<br />
<br />
Steadicam Operator Junior: Agyeman Owusu<br />
<br />
Boom Operator: Collin Patterson<br />
<br />
Art Director: Oli Cassels<br />
Set Dresser: Rema Kashay<br />
Art Department Assistant: Jaimin Patel<br />
Art Department Assistant: Christine Cave<br />
Art Department (Daily): Lucy Barsegian <br />
<br />
Costume Assistant: Tilly Phelan<br />
Costume Assistant (Daily): Pascale Davies<br />
<br />
Hair & Makeup Assistant: Lily Rayan<br />
Hair & Makeup (Daily): Tillie Robinson-Smith<br />
<br />
Script Supervisor: Paul Rosescu<br />
<br />
Movement Director: Ronin Traynor<br />
<br />
Stills Photographer: Aliyah Ochere<br />
<br />
Casting Assistant: Bryony Pulizzi<br />
<br />
Chaperone: Kwabena Poku<br />
<br />
Health And Safety Advisor: Hollie Johnson Jha Safe T<br />
Medic & Covid Supervisor: Jamie Lewis The Movie Medics<br />
<br />
<br />
<br />
Supporting Artists <br />
<br />
Chefs & Waiters:<br />
Douglas Grant - Clive Cohen -Naida Khvrych - Martin Crossingham - Peter Wilkinson - Nico Jouavell "<br />
<br />
Restaurant Diners: <br />
Michelle Sedgemore - Graham Andrew- Alex Leleszis - Jose Soria-Cano<br />
Julia Satue - Xahria Preudhomme - P.J. Perkin - Grace Kelly - Abbey Monteiro <br />
- Sophie Leseberg - Maggie Chapman - Glyn Lewis - Igor Belache - Carla Lopes"<br />
<br />
SA Casting: Mad Dog Casting<br />
<br />
Post Production <br />
Edit House: The Assembly Rooms<br />
Edit Producer: Joshua Gochez<br />
<br />
Audio Post Production: String And Tins<br />
Additional Sound Design: Jim Stewart<br />
Audio Producer: Alina Miroshnichenko<br />
<br />
Colour And Finish By: Electric Theatre Collective<br />
Colourist: Jason Wallis<br />
Colour Executive Producer: Oliver Whitworth<br />
Colour Grading Assistant: Janak Griffin-Rai<br />
Additional Post House: Comppo<br />
Additional Post Director: Julián L. Cóppola<br />
<br />
Vfx Supervisor: Ruslan Borysov<br />
Cg Generalist & Motion Design: Stepan Polivanov <br />
Motion Design Ekaterina Platonova<br />
<br />
Music Consultant: Dane Bradshaw <br />
<br />
Title Designer: Gideon Cudjoe<br />
<br />
Production Legals: Sheridans<br />
<br />
Production Insurance: WK Film Insurance <br />
Camera & Lighting Truck Driver: Mark Hatton Rs Management Services <br />
Caterers Fresh & Funky <br />
<br />
Camera Equipment Provided By: Feral Equipment Extreme Facilities<br />
Lighting Equipment Provided By: Green Kit<br />
Sfx Equipment: Matter Sfx<br />
<br />
Locationsuk Film Location - Salt Film Radios Wavevend <br />
Film Director Of BBC Films: Rose Garnett<br />
Commissioning Executive: Eva Yates<br />
Legal And Business Affairs Manager: Livy Sandler<br />
Production Executive: Emma Kayee<br />
Production Manager: Brett Webb<br />
Legal & Business Affairs Assistant: Ruth Sanders<br />
<br />
Developed By BBC Films
A little girl receives a letter from Santa Claus. Narrated by Academy Award Winner F. Murray Abraham.
Directed by Sam Davis & Tom Andrew<br />
<br />
<br />
www.dadbodfilms.com<br />
@dadbod_films
As Hinkley Point C, Britain’s biggest nuclear power plant, rises next door, Sam, 11, dreams of protecting the fish he identifies with. He believes the only way is to go a private school – but his parents can’t afford the offer. As a last resort, they turn to the power company for funding, forcing Sam to decide what kind of person he wants to be.
This 16mm short film undertakes a journey from slavery to ‘Morabeza’, a multi-faceted word that describes Cape Verde’s gentle spirit. Allow yourself be guided to discover the diversity and beauty of this African country.<br />
<br />
https://directorsnotes.com/2019/01/02/amar-hernandez-morabeza/<br />
<br />
https://tv.booooooom.com/2019/01/02/morabeza-amar-hernandez/<br />
<br />
Production: Inlight.<br />
Script: Amar Hernández & Marina Outeda.<br />
Voice Over: Fee Reega.<br />
Sound Design: Galgo.<br />
Camera Assistant: Prince Bright.<br />
Location Manager: Samira Pereira.<br />
Graphic Design: David Negrone.<br />
Process & Scan: Cinelab London.<br />
Color Grading: Jorge Jesús (El Colorado)<br />
<br />
Thanks: Jacobo Saiz, Lucía Outeda, Mariola Manent, Javier Bejarano, Ramón Corominas, Alberto Bañares, Daniel Meré, Foto R3 and Cape Verdeans.
Directed by Mark Waring, the charming stop motion animation tells the story of two neighbouring, but divided villages. They accidentally chance upon each other’s egg and rice trade, and to their surprise, discover the celebrated and much-loved egg fried rice dish.<br />
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<br />
Client: Standard Chartered Bank<br />
Agency: TBWA/Singapore, Six Toes<br />
Producer: Fiona Mcgregor, Joelle Goh, Sariyanti Sannie<br />
ECD: Andy Grant<br />
Creatives: Anne Brander, Franzi Krueger<br />
Production: Passion Pictures<br />
Director: Mark Waring<br />
Executive Producers: Belle Palmer, Debbie Crosscup, Graham Pryor<br />
Head Of Production: Mike Turoff<br />
Producer: Paige Sullivan, Adriana Wong, Carlos Zalapa<br />
Animation: Passion Animation Studios<br />
Head Of CG: Jason Nicholas<br />
VFX Supervisor: Dave Walker<br />
Passion Pipeline TD’s: Javier Edo, Yanti Suryati<br />
Art Direction: Alexandra Walker<br />
Character Design: Crystal Kung/ Reuben Mcnaughton/ Ronnie Mitchell<br />
Environment Design: Tulips & Chimneys<br />
Concept Art: Tulips & Chimneys<br />
Storyboard Lead: Barry Reynolds<br />
Animatic Editors: Kingsley Bailey/ Daniel Budin<br />
Co-Ordinators: Roxy Sibilski<br />
Compositors: Andre Bittencourt, Valeria Romano, Sergei Soley, Daniel Lopez, Eric Venti, Matheus Lacava<br />
Cg Modelling & Texturing: Ian Brown<br />
Lighter: Simon Brown<br />
SFX: Filipe Alcada, Colin Peret, Darlene Buttner,David Berrocoso<br />
DMP: Jakub Gryglicki, Ronnie Mitchell, Christian Mills, David Gibbons<br />
Layout: Idris Honor, David Burtle<br />
Editor: Kingsley Bailey<br />
Stop Motion Shoot<br />
Studios: Arch Film Studios<br />
Studio EP: Andy Gent<br />
Studio Manager: Lisa Hill<br />
DOP: Malcolm Hadley<br />
Principle Animators: Tobias Fouracre, Steve Warn, Andy Biddle<br />
Puppet Rigger: Andre Neemann<br />
Puppet Maintenance: Josie Corben/ Ciara Mcclean<br />
Art Department: Marina Ralph/ Mick Chippington<br />
1st AC: Mark Swaffield<br />
Motion Control Operator: Stuart Galloway<br />
Gaffer: Tim O’ Connell<br />
Spark: Bruno Inacio<br />
Runner: Nancy Duval-Smith<br />
Post Production: Universal Production Partners<br />
Colorist: Simona Cristea<br />
Color Producer: Claudia Burns<br />
Grading Facilities: Coffee & TV<br />
Finishing House: Stone Dogs<br />
3D Printers: Arch Model Studios<br />
Motion Control Supplier: Justin Pentecost @ Portable Motion Control<br />
Music: Soviet Science
Directed by Erik Morales<br />
Produced by CANADA<br />
Agency: DDB<br />
<br />
www.lawebdecanada.com<br />
www.erikmorales.tv
Toast 2 is the triumphant follow-up to 2015’s tour de force on the culture of makernistas. Watch the original film here: https://vimeo.com/152218119<br />
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For every giant leap forward, there are baby leaps backward. For every thumbs up, a middle finger. Middle fingers can stop you or you can use them as kindling. Kindling that starts a powerful fire. And the longer that fire endures, the smell of burning middle fingers gives way to something far sweeter – the smell of victory. This is the story of that smell. <br />
<br />
Written by Andy Corbett<br />
Directed by Matt Sklar<br />
DP - Eric Bader<br />
Color - Ryland Jones <br />
Original song by Charles Ingram <br />
<br />
find us on the gram:<br />
@mattasklar<br />
@corblazmo
It was time to escape. We were done. Tapped out.<br />
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A week of festivities during the contest in France with an embarrassingly small amount of surfing had us refocused on what actually matters, so we left for Portugal. The Algarve. We gathered a merry crew: Chippa Wilson, Brendon Gibbens and Noah Collins. We rented a team manager and a van and hit the road. <br />
<br />
Oh the Algarve!<br />
<br />
Such warmth, such affordable prices. The Algarve is a dream. It is a west coast to pick up swell and a south coast to shelter you. The early days of the trip were marred by inconsistent swell and wind. Too big for the west coast. Too small for the south. Not to worry. We kill time. We eat. We sunbathe. We drink. We Scroll. We dip into Lagos. Inhibitions are loosened. <br />
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The swell arrives – a return to normal programming. The west and the south. The west is modor-esq black cliffs in the cloud and the south is novelty beachbreaks with the most marvellous of backdrops in the sun. In true fashion, Portugal delivers and we surf until the very last smudge of light over the Atlantic, and as the inky blackness descends we clink Super Bocks and with weary eyes we reluctantly pack the van. It was time to head north. For some would stay in Portugal. Others would head to France. Others to LA. Others to Japan. Wetsuits still wet on arrival in Shibuya. <br />
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The Retreat. <br />
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A Wasted Talent short film, supported by Monster Energy.<br />
<br />
Filmed by Yentl Touboul & Guillem Cruells<br />
Edited by Yentl Touboul<br />
Produced by Alexei Obolensky<br />
Graphics by George Hatton<br />
Filmed on 16mm, super 8 & 4k in Portugal, November 2019.<br />
<br />
Check out the full feature in Wasted Talent Volume VI, now available via: https://www.wastedtalentmag.com/print
It’s not always what we achieve that defines us, rather it is why we achieve such things that creates clarity in our existence.<br />
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In 2018, Hilaree Nelson and Jim Morrison completed the first ski descent of the 27,940-foot Lhotse, the fourth-highest mountain in the world. This is their story.
Apple - Escape From The Office is a winner of the 2022 Best of the Year award in the Branded category. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
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Escaping from their evil boss’s clutches, a team of underdogs finds out how to spin an idea into a product, and a product into a company.<br />
<br />
Directed by Mark Molloy
Director: Nicolas Gordon<br />
Agency: HAVAS<br />
Client: Brooklyn Film Festival<br />
Line Producer: Dustin Highbridge<br />
1st AD: Lazzy Bear Walker<br />
<br />
Voiceover: Thomas Lennon<br />
<br />
Production Manager: Ben Thorn<br />
Production Coordinator: Lama Mouawad<br />
<br />
DP: J. D. Butler<br />
1st AC: Sai Aung Tun<br />
2nd AC: Austin Page<br />
<br />
Gaffer: Tristan Moffatt<br />
BBE: Travis Moffatt<br />
KG: Leo Sanchez<br />
BBG: Logan Alesso<br />
<br />
DIT: Brian Bigler<br />
VTR: Sam Baek<br />
Sound Mixer: Alex Dawson<br />
<br />
Production Designer: Lisa Garcia<br />
Art Director: Brian Marquez<br />
Prop Master: Natasha Romano<br />
Set Decorator: Annie Grafe<br />
Set Dresser: Antaeus Littlejohn<br />
<br />
Gill: Ellie Suh<br />
Interviewer: David Eli<br />
Woman: Danie Marie<br />
<br />
Stylist: Krisse Torgesson<br />
Make-Up Artist: Lisa Campos<br />
<br />
Location Manager: Travis Beck<br />
Location Scout: Suzanne LaChasse<br />
Site Rep: Franklyn James<br />
CCO: Melissa Goncalves<br />
Truck PA: Mitchell Nguyen<br />
Key PA: Amy Seach<br />
PA: Adam Rozenberg<br />
PA: Skye Grissom<br />
Pass Van PA: Martin Nazario<br />
Pass Van PA: Edgar Cortes<br />
<br />
Storyboard Artist: Vince Wei<br />
<br />
Production Company: Kin Films LLC<br />
President: Dustin Highbridge<br />
<br />
Editorial: Final Cut<br />
Editor: Antonio Gómez-Pan<br />
Assistant Editor: Julio Samaniego<br />
Head of Production: Rebecca Mitchell<br />
Executive Producer: Sarah Roebuck<br />
Producer: Kelly Budish<br />
<br />
Color: The Mill<br />
Colorist: Logan Highlen<br />
Color Assistant: Bap Man<br />
Color Assistant: Erwin Pasia<br />
Head of Production: Brandee Probasco<br />
Executive Producer: Krista Staudt<br />
Producer: Jackson Winkler<br />
<br />
Sound Design/Mix: Machine Sound<br />
Sound Design and Mix: Alex Bingham<br />
Sound Design and Mix: James Cobbold<br />
Assistant Engineer: Chas Langston<br />
Assistant Engineer: Michele Covio<br />
Executive Producer: Matej Oreskovic<br />
Senior Producer: Andi Lewis<br />
<br />
Conform: Significant Others<br />
Managing Director: Justin Brukman<br />
Executive Producer: Alyssa St. Vincent<br />
Head of Production: Gwynne Evans Reid<br />
ECD: Dirk Greene<br />
Lead Flame Artist: Phil Apostol<br />
GFX Artist: Phil B<br />
VFX Assistant: Kogan Li<br />
Producer: Kyla Amols<br />
Production Coordinator: Hoa Vu<br />
<br />
Music: Duotone<br />
Composer: Jordan Lieb<br />
Composer: Brad Fischer<br />
Executive Producer: Ross Hopman<br />
Senior Producer: Gio Lobato<br />
Creative Director: Peter Nashel<br />
<br />
Casting: AHC Casting
A short film by Diego Berakha Otal<br />
Original Spanish version vimeo.com/685320983?share=copy<br />
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"Now I Know Where to Find you" is a story about my childhood in Spain and the trip I made to Argentina when I was 12 years old. One day I decided that I wanted to live with my father. I missed him too much. 10,000 km later a whole new life began for me, but my childhood memories didn't fade away. And, of all these memories, the memory of my yaya (grandmother) was always vivid. She raised me as if I was her own son, when none of my parents were ready to do that.<br />
<br />
The story stems from a unique discovery that I made while wandering around with Google Maps. This discovery was so moving that I felt the need to tell the story, my story.<br />
<br />
_<br />
<br />
Premiered at 2022 BAFICI
Director: Ian Pons Jewell <br />
Production Company: ProdCo<br />
EP / Founding Partner: Zico Judge<br />
Executive Producer: Maddi Carlton <br />
Producer: Doochy Moult<br />
DOP: Mauro Chiarello<br />
Production Designer: Maruxa Alvar<br />
Prod. Coord: Tuixent Blanco<br />
VFX Supervisor: Giles Cheetham, Thiago Dantas <br />
<br />
Client: Indeed<br />
Client: Federico Carcich<br />
Client: Siobhan Reynolds<br />
Client: Clíona Hayes <br />
<br />
Agency: 72andSunny <br />
President: Simon Usifo<br />
Executive Producer LA: Angelo Mazzamuto<br />
Creative Director: Ashton Rose<br />
Sr. Writer: Natalie Warther <br />
Sr. Designer: Elizabeth Lay<br />
Brand Director: Kayla Moe<br />
Sr. Writer/Cd: Valeria Raimondi<br />
Sr. Producer: Karen Whitehouse<br />
Sr. Brand Manager: Belinda Harfod<br />
Brand Director: Victoria Turner<br />
Sr. Art Director: Reneé Lam<br />
NL Writer: Patrick Van Der Gronde<br />
Fr Speaking Creative: Margot Noel <br />
<br />
Service Company: Blur <br />
Founder: Mario Forniés <br />
Head of Production: Pablo Herraiz <br />
Line Producer: Olatz Herrera <br />
Production Manager: Ixai Olabarrieta<br />
Production Coordinator: Eva Termini<br />
Talent Coordinator: Nona Segimon<br />
Transport Coordinator: Letizia Migliavacca<br />
Set Manager: Javier Bellina<br />
Unit Manager: Carles Rius<br />
BLUR Office Manager: Blanca Cividanes<br />
Office PA: Alba Ufarte<br />
Office PA: Georgina Ruiz<br />
Talent Coord PA: Sarah Contreras Cano<br />
Director Chaperone: Javi Nieto (Bubu)<br />
Head PA: Miguel Michavila<br />
Client Driver: Juanjo Peña<br />
Agency Drivers: Lucas Cruz, Pedro Gall<br />
Crew Drivers: Jesus Quintana, Veronika Evlampieva, Maide Patiño, Rafa Rachitoff, Pedro Muñoz, Ghani Haddad, Diego Carrasco<br />
Talent Drivers: Bea Crespo, Alba Delgado <br />
<br />
Locations <br />
Location Manager: David Bello, Sergi Cabrera, Julian Pico. Dani Galvan <br />
<br />
AD’s:<br />
1st AD: Ferran Rial<br />
2nd AD: Mónica Sánchez<br />
3rd AD: Marc Graells <br />
Script: Gloria Blanes<br />
<br />
Camera<br />
1st AC: Adrian Rodriguez<br />
2nd AC: Pasha Chui<br />
VTR: Alvaro Pineda<br />
VTR Assistant: <br />
DIT: Gulcin Bekar<br />
Gimbal Ninja: Florian Hatwagner<br />
Camera Truck Driver: Fer Monsalve <br />
<br />
Lighting<br />
Gaffer: Rafa Ramirez<br />
Best Boy: Alejandro Narvaez<br />
Sparks: Cristobal Marin, Marc Canalda, Xavi Carrion, Nacho, Raul Gabarron<br />
<br />
Grip<br />
Key Grip: Dani Pulpo<br />
Grip Assistant: Rodrigo Alvarez <br />
<br />
Sound<br />
Sound Operator: Carles Prats<br />
Sound Assistant: Kemen Longo<br />
Audio Post Production - String and Tins<br />
Sound Design and Mix - Lawrence Kendrick<br />
Foley - The Foley Barn<br />
Audio Producer - Laura-Leigh Smith<br />
Music Edit: Gregory Caron<br />
VO artist: Julienne Jones<br />
<br />
Edit - The Den<br />
Editor: Tobias Suhm <br />
Sr Cutting Assistant: Kayla Hashimoto <br />
Assistant Editor: Joe D'Ovidio <br />
Assistant Editor: Jack Cantrell <br />
Assistant Editor: Louise Robert <br />
Sr. EP: Jennifer Mersis <br />
Sr. Producer: Amanda Ornelas <br />
Producer: Liz Shook<br />
<br />
VFX - ETC<br />
Producer: Oscar Wendt <br />
Co-ord: Emily Coyne<br />
EP: Antonia Vlasto <br />
VFX Supervisor: Thiago Dantas<br />
CG Lead: Dorianne Fibleuil <br />
<br />
Art Department <br />
Production Designer: Maruxa Alvar<br />
Art Director: Antoni Castells <br />
Art Coordinator: Pere Carreras <br />
Set Decorator: Nuria Muni<br />
Assist Set Decorator 1: Laura Agustí<br />
Assist Set Decorator 2: Lucía Dávila<br />
Props Buyer 1: Clara García<br />
Props Buyer 2: Julia Santisteban<br />
Stand By Props 1: Jerôme Gilbert<br />
Stand By Props 2: Marc Garcia<br />
Set Dresser 1: Sebastian M. Ostolaza<br />
Set Dresser 2: Pau Arnau Pascual<br />
Set Dresser 3: Raul Quiñonero<br />
Set Dresser 4: Sergi Ducet<br />
Set Dresser 5: Natalia Jacob <br />
Set Dresser 6: Jonathan Rodriguez <br />
Set Dresser 7: Roger Lopes<br />
Pintor: Lali Canosa<br />
<br />
Hair & Make-Up<br />
HMU Designer: Eva Quilez<br />
HMU Assistant: Lorena García<br />
HMU Assistant: Alvaro Sanchez<br />
HMU Assistant: Nika Ambrozic<br />
<br />
Wardrobe<br />
Stylist: Carolina Galiana<br />
1st Stylist Assistant: Júlia Puig Lombera <br />
1st Stylist Assistant: Marta Hernanz Lamas<br />
Stylist Assistant: Ivan Alarcón Matés<br />
Stylist Assistant: María Aznar Moros<br />
Stylist Assistant: Sofia Larrarte<br />
Stylist Assistant: Clara Elias <br />
Seamstress: Rosa Maria Perez<br />
<br />
Casting<br />
Casting Agency Spain: Bite Casting<br />
Casting Agency UK: Kharmel Cochrane<br />
Casting Agency France: Nohmad Casting<br />
Casting Agency NY: House Casting<br />
Casting Agency Netherlands: Bullet Models <br />
<br />
Talent<br />
Family:<br />
Clara: Cindy A. Teniente <br />
Mother: Marcela Andrade <br />
Father: Tomas Flores<br />
Uncle: Luís Raúl Cáceres <br />
Old Brother: Roberto García <br />
Grandma: Cecilia Bellorin <br />
Young Brother: Jeremy Gomez<br />
<br />
Apartment Couple: <br />
Man: Elan Butler<br />
Woman: Abiola Efunshile<br />
<br />
Dad-Daughter:<br />
Dad: Wenjun Gao <br />
Daughter: Yuya Chen <br />
<br />
Office resume checker:<br />
Clara’s Employer: Tamara Ndog <br />
Office Cv Checker: Jose Luis Miranda <br />
<br />
Plant Shop Owner:<br />
Plant Shop Owner: Dato Bekoshvili<br />
Plant Shop Owner: Dea Shavladze
In Thanasis Neofotistos’s short film, a flight attendant tries to keep it together as her new set of braces and a devastating secret threaten to unravel her.<br />
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The story behind the film: https://www.newyorker.com/cult....ure/screening-room/i
June 2014<br />
<br />
Featuring Angela Trimbur and Graham Becket<br />
<br />
Director: Jimmy Marble<br />
Producer: Sage Price<br />
Executive Producers: Jett Steiger and Lana Kim<br />
Production Company: Ways & Means<br />
Production Coordinator: Jake Breslaurer<br />
DP: Eli Goldstein<br />
Production Designer: Aron Filkey<br />
Hair/Makeup: Sabrina Wilson<br />
Stylist: Georgia Stockwell<br />
1st AC: Erin Douglas<br />
2nd AC: Skylar Boccio<br />
Gaffer: Alvin Octoman<br />
Key Grip: Joeseph Wagoner<br />
Production Assistants: Lani Trock<br />
On site chef: Colin Kohler<br />
Colorist: Danny Reams<br />
<br />
Lani Trock, Jake Breslaurer, and Joeseph Wagoner as the cloaked figures
Melbourne’s original award show is back. Join us and celebrate world class work with the presentation of the MADC Stars Creative Showcase and party. <br />
November 1, 6:30pm<br />
Forester’s Hall, Collingwood. <br />
Tickets just $50.<br />
https://www.eventbrite.com.au/e/the-2018-madc-stars-creative-showcase-party-tickets-51240354279<br />
<br />
Client: MADC<br />
Agency: Cummins & Partners<br />
Creative Director: Chris Ellis<br />
Creative Director/Art Director: Heath Collins<br />
Copywriter: Liam Jenkins<br />
Chief Creative Officer: Sean Cummins<br />
CEO: Chris Jeffares<br />
<br />
MADC President: Adrian Bosich<br />
MADC Stars sub-committee: Ed Howley, Elle Bullen, Tracy Proposch, Nicky Finlay, Tony Prysten.<br />
Thanks to: Matt Stoddart, Connor Beaver, Sarah McGregor, Emma Robbins.<br />
<br />
Production Company: //Thirteen & Co<br />
Director: Armand de Saint-Salvy<br />
Producer: Charity Downing<br />
Executive Producer: Roy De Giorgio<br />
Colourist: Matt Fezz<br />
Post production: Hogarth<br />
Motion Graphics: Kane Dixon<br />
Post Producer: Cat Park<br />
Audio Mix: Bang Bang Studios<br />
Sound Designer: Rob Stephens<br />
Sound Producers: Polly McGregor/Holli Dee
The search for affordable housing and pressures created by gentrification lead to a unique predicament for a young artist, in this sharp satirical comedy by Amina Sutton and Maya Tanaka.<br />
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Directors: Amina Sutton and Maya Tanaka<br />
Writer: Amina Sutton<br />
Executive Producers: Amber Dennis, Amina Sutton, and Maya Tanaka<br />
Producers: Selah Peterson, Amina Sutton, and Maya Tanaka<br />
Actors: Amina Sutton and Wyatt Cenac<br />
Director of Photography: Alexa Mignon Hiramitsu <br />
Art Director: Katie Quinlisk<br />
Film Editor: Priscilla Mena<br />
Composer: Jacob Rosati<br />
Assistant Camera: Kayli Weiss<br />
Sound Mixer: Alanna Murray <br />
Gaffer: Julia Gowesky <br />
Makeup: Blythe Irish <br />
Assistant Editor: Jenn Nielsen<br />
Additional Editing: Kevin Tully <br />
Sound Designer: Jacob Rosati <br />
Colorist: Stefan Hueneke<br />
Title Design: Jeannette Lee<br />
Production Assistant: Chanelle Jones<br />
All archival courtesy of The Prelinger Archives
A tale of unrequited love and escalating hostility. FUN music video for Etta Bond and Raf Riley's Not UR GF. <br />
Directed/Animated by Everyone's Favourite www.instagram.com/everyones_favourite