How well do you really know your co-workers?<br />
<br />
Created By: Byron Brown & David James Ward<br />
Contact Us: byron.and.dave at gmail dot com<br />
https://twitter.com/davidwardfilm<br />
https://twitter.com/byronbrowntown<br />
<br />
<br />
Starring: <br />
Byron Brown <br />
Nicholas Saenz<br />
Sandra Fountain <br />
Haley Alea Erickson<br />
Sanjay Rao<br />
Shannon McCormick as Rockin' Rodney<br />
<br />
Makeup by: Jenny Lin<br />
Production Assistant: Brandon Spalding<br />
Special Thanks: Jordan Haro, Genuine Joe Coffeehouse<br />
<br />
Filmed on the Sony FS7

OFFICIAL SELECTION: San Francisco Another Hole in the Head, Indie Memphis, HorrorFest International, Nashville, FERATUM International, Brooklyn Horror, Tallgrass, IndieCork, Omaha, Waco Independent, Philadelphia Independent, NEPA Horror Fest, Boston Underground, Chattanooga, Nitehawk Shorts Festival, Lighthouse International, Sarasota Film Fest, FINAL FRAME Horror Short Competition, HorrorHaus, Anomaly, and Sherman Oaks<br />
<br />
<br />
LOGLINE: Halloween night, three friends high in a van, and an urban legend surrounding a cult singer's mysterious death in a fire - what could go wrong?<br />
<br />
<br />
Starring - Jack Russell Richardson, Andrea Granera, Glori Dei Filippone, Nick Corbo, Matt Weir, Rob Christie <br />
Written & Directed by Zach Fleming<br />
Produced by Lizz Astor<br />
Director of Photography - Jake Moore<br />
Assistant Director - Jonathan Hall<br />
Production Design & Miniature Build - Sophie Porter-Hyatt<br />
Art Assistant - Josie Heston<br />
SFX - Matt Weir<br />
Makeup + SFX Assistant - Rob Christie<br />
Costume Designer - Meredith King<br />
Production Assistants - Jordan Unverzagt and Caleb Brown<br />
Assistant Camera - Remington Long<br />
Gaffer - Tony Mikhnevich<br />
Key Grip - Rob Douthat<br />
Swing - Olivia Tyler<br />
Steadicam - Quinn Gundersen<br />
Sound - Ian Berman<br />
Sound Design & Mix - Matthew Scott Baker<br />
Editor - Phil Chernyak <br />
Composer - Nick Corbo / Mood Ring Music<br />
Title Design & Visual Effects - Tyler Rubenfeld + Richard Krolewicz<br />
Colorist - Matthew Greenberg / Irving Harvey<br />
Artwork by Tyler Rubenfeld + Stephanie Monahan

A heavily pregnant criminal and her partner-in-crime head to a remote service station off the A90 for one last job.<br />
<br />
Starring Jeanie Crystal & Michael Socha<br />
Written and Directed by Theo James Krekis<br />
Produced by Sorcha Bacon & Archie Johnston Stewart<br />
A Try Hard and Mumbo Jumbo Production<br />
<br />
/// <br />
<br />
66th BFI London Film Festival 2022<br />
HollyShorts Film Festival 2023<br />
POFF Tallinn Black Nights Film Festival 2022<br />
London Short Film Festival 2023<br />
Glasgow Short Film Festival 2023<br />
Berlin British Shorts Film Festival 2023<br />
LOCO Film Festival 2023<br />
This is England Film Festival 2023<br />
Bolton Film Festival 2023<br />
<br />
///<br />
<br />
Awards:<br />
<br />
BIFA Longlist 2022<br />
Gold for Best Short Film at Kinsale Shark Awards 2023<br />
Gold for Best Short Film at 1.4 Awards 2022<br />
Silver Award for Best Short Film at YDA Cannes Lions 2023

If you met yourself, would you like yourself?<br />
<br />
'Alex' is this week's Staff Pick Premiere! Read more about it on the Vimeo blog here: https://vimeo.com/blog/post/Alex<br />
<br />
Cast<br />
<br />
Alex (F) - Caroline Lindy<br />
Alex (M) - Nunzio Randazzo <br />
Bartender - Spencer Rollins<br />
Uber Driver - Sebastian Baron<br />
<br />
<br />
Crew:<br />
<br />
Directed + Edited by - Jack Henry Robbins<br />
<br />
Written By - Nunzio Randazzo & Jack Henry Robbins<br />
<br />
Produced by - Landon Sorgenstein<br />
<br />
Director of Photography - Dan Chen<br />
<br />
Production Design- James Francis Whelan IV<br />
<br />
Sound Design - Matthew Schwartz<br />
Sound Recordist - Daniel Guerra<br />
<br />
Music Supervisor - Angela Asistio<br />
Original Score: Sam KS<br />
<br />
B Camera Operator - Jeff Cohn<br />
<br />
with songs by Jimmy Whispers

Our 8 days trip to Morocco was so fast paced and intense but this was the only way we could have explored so much of this mysterious and vibrant country. We travelled from Casablanca to Marrakech, passing through Volubilis, Meknes, Fes, Merzouga and Ait Ben Haddou. <br />
<br />
I spent most of the time with the camera and mic turned on trying to capture most of it, ending up with more than 230 Gb of raw footage edited in this short movie about Morocco's specific vibe. 2 weeks later, I've got this short clip sorted out and meant to pass this vibe on to anyone who watches it.

Since he was a kid growing up in Upper Marlboro Maryland, Chase Young dreamed of playing Pro Football and getting “the call” on draft day – but he didn’t imagine the moment being under quarantine and in a COVID-19 world. <br />
<br />
We teamed up with Beats by Dre to capture the last days before Chase’s dreams of becoming a Pro came true. While in quarantine, Chase reflects on his journey and how the current times give him a renewed perspective on the importance of family. <br />
<br />
This project was developed, produced, and captured remotely following strict health and safety guidelines with Chase, his family, and our crews’ safety top of mind.<br />
<br />
Client - Beats by Dre<br />
Production Company - Even/Odd<br />
Directors - Amar Chebib & Mohammad Gorjestani<br />
Producer - Heron Bourke<br />
Remote Shooter - Ian Thomas<br />
Editor - Lauren Connelly

In a documentary presented by Errol Morris and directed by Daniel Lombroso, a grandmother reckons with her sister’s sudden disappearance during the Second World War.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

Once commonplace in the United States, today Los Angeles is by far the largest and one of the last American cities to provide free and freely repaired musical instruments to its public schoolchildren, a continuous service since 1959. From Academy Award®-nominated directing duo Kris Bowers and Ben Proudfoot, The Last Repair Shop grants an all access pass to the nondescript downtown warehouse where a dwindling handful of devoted craftspeople keep over 80,000 student instruments in good repair.

Directed by Ben Proudfoot & Kris Bowers
Featuring Dana Atkinson, Paty Moreno, Duane Michaels & Steve Bagmanyan
Edited by Nick Garnham Wright
Cinematography by David Feeney-Mosier
Original Score by Katya Richardson
with themes by Kris Bowers
Color by Stephen Derluguian
Executive Produced by Jane Solomon, Peter Rotter, Ben Proudfoot, Kris Bowers, Briana Henry
Produced by Ben Proudfoot, Kris Bowers, Jeremy Lambert, & Josh Rosenberg


Produced by Breakwater Studios
Presented by Searchlight Pictures and L.A. Times Studios

Finn takes a regular route into a hookup...<br />
<br />
Festivals: BFI London Film Festival/ BFI Flare/ Anima Belgium/ LSFF/ Outshine <br />
<br />
Direction & Animation - David McShane<br />
Finn - Simon Manyonda <br />
Alex - Arun Blair-Mangat <br />
Sound & Mix - Ines Adriana<br />
Composition - Will Turner

After 100 years of progress, AI bots have finally become too human for their own good.<br />
A TED Film<br />
Starring Rebecca Front and Hugh Skinner<br />
Directed by Chris Vernon and Emerald Fennell <br />
Written by James Ross Edwards<br />
Produced by Mother London

winter 2016<br />
<br />
production company: Ways & Means<br />
Producer: Taylor Vandegrift<br />
DP: Andrew Wheeler<br />
PD: Margaux Rust

"Final Offer" by Mark Slutsky<br />
<br />
A down-on-his-luck lawyer awakes in a doorless room to find he's been selected to negotiate on behalf of the human race.

A multi-perspective journey, heading into the most intimate and underground performance I could dream up. We handed out two dozen cameras of various formats to the fans—orchestrating fisheye lens barrel rolls and “shitty Matrix” camera moves along the way—and let their footage and photos help drive the video.<br />
<br />
Re-filming through viewfinders and recapturing footage off of old displays, slapping VCRs and praying tapes don't break--it was a wild one.<br />
<br />
DIRECTED AND EDITED BY COLIN READ<br />
PRODUCTION COMPANY: MIRMADE<br />
PRODUCER: MIRANDA KAHN<br />
PRODUCTION DESIGNER: JACOB IRELAND<br />
PRODUCTION MANAGER: JOE ALBINO<br />
DIRECTOR OF PHOTOGRAPHY: KEVIN HAYDEN<br />
1st AC: YUYA KUDO<br />
CAMERA OPERATORS:<br />
EMMA PENROSE<br />
DANIEL CONTALDO<br />
…AND THE FANS<br />
GAFFER: ALEXA CARROLL<br />
KEY GRIP: CHRIS ANGARONE<br />
SWING GRIP: RIEDE DURVAY<br />
GRIP: MICHAEL HAYDEN ROY<br />
KEY PA: GEORGE BENO<br />
PA: TUI JORDAN<br />
PA: RICH GOLD<br />
PA: EVA FRIEDBERG<br />
PA: TESS MCGUINNESS<br />
PA: HANNA WELLISH<br />
PA: JESSE KATZ<br />
PA: MYRIAM HAYDEN ROY<br />
PA: NICO TEPPER<br />
COMMISSIONER: RIK GREEN<br />
COLORIST: SAMUEL GURSKY / IRVING HARVEY<br />
<br />
Special thanks to:<br />
Daniel Frank<br />
Jacob Campbell<br />
Takeshi Nagamatsu<br />
James Trussin<br />
Willem Holzer<br />
Sachi Bahr<br />
Brandon Stepanow<br />
Connor Kammerer<br />
Steve Fletch<br />
Joe Bressler<br />
Lou Sarowski<br />
E-Waste Gowanus

To celebrate the 15 year-anniversary of Staff Picks, we invited 15 icons from the program to create interactive mixtapes of their favorite Staff Picks. This mixtape was created by Sindha Agha <br />
<br />
Visit https://vimeo.com/campaigns/generation-vimeo to see more and keep an eye out for new mixtapes in the coming months! <br />
<br />
Join us and create your own Staff Picks Mixtape of work that has inspired you from the last 15 years! Learn how and enter to win exclusive Staff Pick swag here: https://vimeo.com/blog/make-yo....ur-own-staff-picks-m

Director - Ian Pons Jewell<br />
Director of Photography - Mauro Chiarello <br />
Production company - Reset Content<br />
Managing Director - Dave Morrison<br />
Executive Producer - Deannie O'Neil<br />
Producer - Jon Adams<br />
Production Manager - Marketa Husecka<br />
Director’s Assistant - Emmanuelle Le Chat <br />
Production Designer - Robin Brown <br />
Costume Designer - Ameena Callender<br />
Gimbal - Florian Hatwagner<br />
Choreographer - Charlie Mayhew<br />
Choreographer Assist - Ryan Perkins <br />
1st AD - James Dyer <br />
Casting Director - Kharmel Cochrane <br />
<br />
Editorial - The Assembly Rooms<br />
Editor - Gaia Boretti <br />
Assistant Editor - Andre Rodrigues<br />
Executive Producer - Daniel Breheny<br />
<br />
Sound Design and Mix - String and Tins<br />
Sound Designer - Lawrence Kendrick<br />
Audio Producer - Laura-Leigh Smith<br />
<br />
Music - KOM <br />
Composer - Phil Kay <br />
Director/Head of Production - Andy Oskwarek<br />
<br />
Service Company - Radioaktive Film <br />
Executive Producer - Sasha Bevko<br />
Producer - Olya Kosenko <br />
1st AD - Val Semko <br />
2nd AD - Vadim Yuzba<br />
Production Manager - Yulia Sotnikova<br />
Production Coordinators - Val Petyshkin +Max Golubenko <br />
PAs - Vova Altsybeev + Anna Refel<br />
Chaperones - Roksolana Mudryk, Yura Korotun, Andrew Birch<br />
Photo BTS - Artem Nadezhyn<br />
Video BTS - Artur Byzhenko<br />
1st AC - Sergey Kolesnik<br />
Focuspuller - Peter Chetverykov<br />
AC cam A - Vadim Dubas <br />
AC cam B - Segrey Trush<br />
AC cam C - Yarik Braiko<br />
Gaffer - Leonid Sidorenko<br />
Key Grip - Andrey Gorovoy <br />
Chief Electric - Andrey Gorovoy<br />
Sparks - Firas Al Rikabi, Dmitry Remez, Artem Tischenko, Aleksandr Kasyanchuk, Evgeny Sherbak, Vova Tsukalo, Sasha Getman, Vova Akulov<br />
DITs - Jan Wachowski + Dima Samus<br />
Sound - Denis Ryskal + Bogdan Zynkevich<br />
Art Director - Vlad Ryzhikov <br />
Brigader - Vitaly Karpenko <br />
Stylist - Kostya Goncharuk <br />
Stylist - Scarlett Wallis<br />
Stylist Assistants - Maksimenko Andrey, Bondarenko Igor, Snesar Valeria<br />
MUA - Marta Skalska <br />
Pyro - Alexander Suvorov<br />
Prosthetics - Logos Anton, Alexander Antonyk, Alexander Ludanik, Kostya Zadorozhniy, Eugene Shtein, Kyryll Zhuravel <br />
<br />
VFX/Post - The Mill<br />
Executive Producer - Alex Fitzgerald, Heath Raymond<br />
Producer - Dan Crozier<br />
Associate Producer - Kevin Liu<br />
Production Supervisor - Colin Blaney, Noan John Vinod<br />
Line Producer - Rima Mondal, Bhawesh Upadhyay<br />
Creative Director - Dan Williams<br />
VFX Supervisor - Adam Droy<br />
2D Lead - Gianluca Di Marco, Antoine Douadi, Vinod Gopinathan<br />
CG Lead - Justin Kurtz<br />
Matte Painting - Cedric Mernard<br />
Color - Damien Vandercruyssen<br />
Compositing - Declan Andrews, Jonny Freeman, Malligeswaran K, Richard McKeand, Luke Midgley, Gangadharam Raja, Rich Roberts, Jyoti Tiwari, Giacomo Verri, Rafael Vormittag<br />
3D Supervisor - Gaurav Mathur<br />
Asset Lead - Dhanesh Sudhakaran <br />
CG - Kartik Arora, Joe Besagni, Kalpesh Bhikhabhai Patel, Harsh Borah, Yong Chan Kim, Maxime Cronier, Joshua Curtis, Amit Das, C Dinesh Reddy, Paul Donnellan, Laurie Estampes, Nicola Gilbert, Ujasgiri Goswami, Girish GR, Andreas Graichen, Shahid Hussain, Doug Johnson, Kieran Jordan, Dinesh Kanakaraj, Pradeep Katta, Fazal Khan, Sparsh Kumar, Alberto Lara, Tatjana Ljubimtseva, Mahesh M S, Keith McMenamy, Vijay Mohan, Robert Moore, Sriram Namana, Umesh Namdev, Melanie Okamura, Loganathan P, Kiran Prabhu, Guru Prasad, Nikhat Praween, Rijo R, Krushna Ramrao Kulsange, Vudatha Sai Krishna, Anil Sarki, Vikas Shinde, Navdeep Singh, Kuldeep Singh Waldia, Sudakshina Sridharan, Renato Suetake, Adem Suleyman, Akshay Suresh Lanjewar, Jadheer T P, Paul Tempelman, Somesh Tiwari, Alek Vacura, Dongili Varaprasad, Roman Vrbovsky<br />
Matchmove Lead - Murali Krishna Reddy<br />
Design - Wendy Eduarte, Fionna Mariani, Tetsuro Mise, Laura Nash, David Nelson, Sam Singleton<br />
Finishing - Michael Almodovar<br />
Shoot Supervisor - Aleksandar Djordjevic, Jim Radford, Dan Williams<br />
<br />
Agency - TBWA/Chiat/Day NY <br />
Executive Producer - Tina Lam<br />
Business Director - Nora Chivelly <br />
Operations Manager - Olivia Scala<br />
Business Manager - Nico Rodriguez<br />
Chief Strategy Officer - James Sowden<br />
Senior Strategists - Katelyn Saks, Sophie Engelstien, Mani Schlisser, Kayla Sredni<br />
Chief Creative Officer - Chris Beresford-Hill <br />
Creative Directors - Jexy Holman and Nuno Teixeira<br />
Senior Copywriter - Athanasia Efthimiu<br />
Senior Art Director - Alyssa Cavanaugh <br />
Director of Integrated Production - John Doris <br />
<br />
Client - Oculus / Facebook<br />
Creative Directors - Robbin Ingvarsson + Kako Mendez <br />
Executive Producer - Angela Fung <br />
Producer - Brian Coate <br />
<br />
Cast<br />
Hero Twins + Kaylee + Taitlyn Jaiy<br />
POP One Friend - Ryan Perkins<br />
POP One Friend - Malcolm Atobrah<br />
Beatsaber - Dreya Mac<br />
MoH Player - Jack Morris<br />
Walking Dead NPC - Vadim Pavlenko <br />
<br />
Zombies - <br />
Misha Makarov<br />
Tonya Romanenko<br />
Michael Anyim<br />
Sveta Оnopa<br />
Pavel Evchin<br />
<br />
POP One - Akeem Bello <br />
Chair Zombie/MoH Stunt/POP One stunt - Andrey Kaba<br />
Zombie/MoH Stunt/POP One stunt - Roman Korzhuk<br />
<br />
MoH / POP One stunt - <br />
Ivan Strizhakov<br />
Roman Stankevich <br />
Evgeniy Poliakov<br />
Nikolay Zavarygin <br />
Andrey Bezverkhniy<br />
Vadim Bezverkhniy<br />
Anton Zubchenko

'Letter to a Cycad' is a visual homage to the historic Palmhouse in Copenhagen, and a reflection on the evolution of plants and our human impact on the planet. Using a fictional voice of the late botanist Frederik Liebmann (1813-1856) who found and described the cycad species Dioon edule, the oldest specimen in the Palmhouse, the film explores life histories and the current biodiversity crisis. <br />
<br />
CREDITS<br />
<br />
PRODUCER<br />
Anders Drud<br />
<br />
ASSOCIATE PRODUCER<br />
Frederik Wolff<br />
<br />
MANUSCRIPT<br />
Rasmus Zwicki<br />
<br />
VOICE AND SOUND<br />
Rasmus Zwicki<br />
<br />
ART DIRECTION, STORY BOARD AND ANIMATION<br />
DarkMatters.dk<br />
<br />
<br />
THANKS <br />
Jesper Riis Christiansen<br />
Ole Seberg<br />
Tonni Eilertsen<br />
Hanne Espersen<br />
Henning Knudsen<br />
Nele Høgsbro<br />
<br />
Supported by IARU Virtual Museum Tours / UNIVERSITY OF COPENHAGEN

Made by Capsaicinco for Walden Pond Books in Oakland, CA. Buy from Walden Pond Books online at: https://bookshop.org/shop/waldenpondbooks<br />
<br />
Writer/Director: Ryland Walker Knight<br />
Creative Director: Sean Gillane<br />
Producer: Chris Walters<br />
<br />
Narrator: Esmé Weijun Wang<br />
Customer: Tracy Nguyen<br />
<br />
Director of Photography: Peggy Peralta<br />
Gaffer: Matt Stouppe<br />
Art Director: Amanda Beane<br />
Asst. Director: Andrew Juncker<br />
<br />
1st AC: Annie Li<br />
2nd AC: Brandon Smith<br />
Best Boy Electric: Marc Lenahan<br />
Key Grip: Ryan Moore<br />
Best Boy Grip: Jon Sun<br />
Grip: DeVron Randle<br />
<br />
Additional photography: Seng Chen<br />
Additional 1st AC: Anthony Rosario<br />
<br />
Production Asst.: Maxine Day Johnson<br />
<br />
Edit+VFX: Capsaicinco<br />
VO Recording Engineer: Jeremy Goody<br />
Sound Designer + Re-recording Mixer: Matthew Tammariello

Director : Neels Castillon<br />
<br />
Agency : Publicis Luxe<br />
<br />
Production : Psycho<br />
DOP: Arnaud Potier<br />
<br />
VFX STUDIO<br />
The Mill Paris:<br />
Executive Producer: Cécile Hubin<br />
VFX Producer: Cédric Negrel<br />
VFX Coordinator: Ghalia Chammat<br />
Shoot supervision: Franck Lambertz, Jean-Christophe Olivier<br />
VFX Supervisor: Franck Lambertz, Olivier Jarry<br />
Matte Painting: Benjamin Bardou, Sergey Likharyev<br />
FX: Felix Guglielmi<br />
Lighting: Valentin LeSueur<br />
Compositing: Arthur Sayanoff<br />
Generalist: Paul Goubet, Guillaume Hupe<br />
Concept: Nathan Lucas<br />
Flame: Franck Lambertz, Sebastien Kremer<br />
Motion: Olivier Jarry, Yohann Leroy, Jean Christophe Olivier, Agathe Sayegh, Max Loriot, Jean-Yves Parent -Julien Pinot<br />
Colourist: Sébastien Mingam, Nicolas Guibert<br />
Colourist assistant: Loic Lavaux<br />
Editor: Sébastien/ Motion Palace, Chloé Charrier, Cécile Crilout<br />
<br />
<br />
Music (making-of) : « Open Wide » by @awirleon.

In September 2017, I stepped up to the starting line of the Run Rabbit Run 100 in Steamboat Springs, Colorado, alongside my friend Jayson Sime. The race is a 102.9-mile ultramarathon with 20,000 feet of elevation gain, which is no small feat for a couple of guys who don’t know what they’re doing.<br />
<br />
Jayson had talked me into it, and if I were to be completely honest, I’d say we were there to test out his life philosophy, which is basically that you can do anything you dream up, as long as you put in the work and refuse to quit. That ethic has worked for him in almost every other area of life, despite growing up in poverty, one of six children with no father, and dyslexia.<br />
<br />
In the six months leading up to the race, we figured since we weren’t naturally talented runners, the best thing we could do is work hard. So we ran 50- to 70-mile weeks all summer, and went through a full range of feelings: fear, regret, sadness, FOMO, hunger, thirst, exhaustion, pain, and joy. And gluttony, which is not a feeling, but what happens after you run 20 or more miles. The chart below is a representation of a training plan for a 100-mile race (but if you’re really looking to train for a 100-mile race, you should find a real training plan online or in a book).<br />
<br />
How did the race go? You can watch our film, How to Run 100 Miles, to find out. No spoilers here.<br />
<br />
Directed and produced by Brendan Leonard<br />
<br />
Co-Directors: Hilary Oliver and Aidan Haley<br />
Editor: Aidan Haley<br />
Cinematography: Brendan Leonard and Hilary Oliver<br />
Animation: Brendan Leonard and Eric Bucy<br />
<br />
Steamboat Springs Unit:<br />
Director of Photography: Forest Woodward<br />
Additional Cinematography:<br />
Aidan Haley, Brody Leven, Syd Jones, Jayson Sime, and Brendan Leonard<br />
<br />
Original Score: Cleod9 Music<br />
Featured Performers: Ian McLeod, Peter Mulcahy, and Matt Sedivy<br />
Audio Post Production: Scotty Beam/Cleod9 Music<br />
<br />
“Puppets”<br />
Performed by Atmosphere<br />
Written & Produced by Atmosphere<br />
S. Daley for Upsidedown Heart Music (ASCAP) & A. Davis for Ant Turn That Snare Down (ASCAP)<br />
Taken from the album When Life Gives You Lemons, You Paint That Shit Gold<br />
Used Courtesy of Rhymesayers Entertainment, LLC <br />
<br />
Thanks<br />
Run Rabbit Run<br />
U.S. Forest Service<br />
Meghan Hicks<br />
Joe and Kathy Leonard<br />
Cheryl Sime<br />
Anders Norblom<br />
Kate Duch<br />
Paolo Mottola<br />
Syd Jones and Debi Sule<br />
Angie Lundstedt<br />
Brody Leven<br />
Christian Folk<br />
Luke Nelson<br />
Bodie Johnson<br />
Jessica DiCarlo<br />
Mr. Rider<br />
<br />
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At Recreational Equipment, Inc. (REI), we love to get outside and play, and we know first-hand the importance of quality outdoor gear. We stand behind all our products with a 100% satisfaction guarantee, and we design our own line of award-winning REI brand gear and clothing. Whether you're new to outdoor adventure or a seasoned pro, we gladly share our enthusiasm for our products—and the trails, slopes and waterways where we play.<br />
<br />
Shop REI.com: https://www.rei.com/<br />
Take a class: https://www.rei.com/learn.html<br />
Travel with REI: https://www.rei.com/adventures<br />
Learn something new: https://www.rei.com/learn/expert-advice<br />
Find a trail: https://www.rei.com/h/adventure-projects<br />
Read: https://www.rei.com/blog<br />
REI Membership: https://www.rei.com/membership/benefits