Directed by Mark Waring, the charming stop motion animation tells the story of two neighbouring, but divided villages. They accidentally chance upon each other’s egg and rice trade, and to their surprise, discover the celebrated and much-loved egg fried rice dish.<br />
<br />
<br />
Client: Standard Chartered Bank<br />
Agency: TBWA/Singapore, Six Toes<br />
Producer: Fiona Mcgregor, Joelle Goh, Sariyanti Sannie<br />
ECD: Andy Grant<br />
Creatives: Anne Brander, Franzi Krueger<br />
Production: Passion Pictures<br />
Director: Mark Waring<br />
Executive Producers: Belle Palmer, Debbie Crosscup, Graham Pryor<br />
Head Of Production: Mike Turoff<br />
Producer: Paige Sullivan, Adriana Wong, Carlos Zalapa<br />
Animation: Passion Animation Studios<br />
Head Of CG: Jason Nicholas<br />
VFX Supervisor: Dave Walker<br />
Passion Pipeline TD’s: Javier Edo, Yanti Suryati<br />
Art Direction: Alexandra Walker<br />
Character Design: Crystal Kung/ Reuben Mcnaughton/ Ronnie Mitchell<br />
Environment Design: Tulips & Chimneys<br />
Concept Art: Tulips & Chimneys<br />
Storyboard Lead: Barry Reynolds<br />
Animatic Editors: Kingsley Bailey/ Daniel Budin<br />
Co-Ordinators: Roxy Sibilski<br />
Compositors: Andre Bittencourt, Valeria Romano, Sergei Soley, Daniel Lopez, Eric Venti, Matheus Lacava<br />
Cg Modelling & Texturing: Ian Brown<br />
Lighter: Simon Brown<br />
SFX: Filipe Alcada, Colin Peret, Darlene Buttner,David Berrocoso<br />
DMP: Jakub Gryglicki, Ronnie Mitchell, Christian Mills, David Gibbons<br />
Layout: Idris Honor, David Burtle<br />
Editor: Kingsley Bailey<br />
Stop Motion Shoot<br />
Studios: Arch Film Studios<br />
Studio EP: Andy Gent<br />
Studio Manager: Lisa Hill<br />
DOP: Malcolm Hadley<br />
Principle Animators: Tobias Fouracre, Steve Warn, Andy Biddle<br />
Puppet Rigger: Andre Neemann<br />
Puppet Maintenance: Josie Corben/ Ciara Mcclean<br />
Art Department: Marina Ralph/ Mick Chippington<br />
1st AC: Mark Swaffield<br />
Motion Control Operator: Stuart Galloway<br />
Gaffer: Tim O’ Connell<br />
Spark: Bruno Inacio<br />
Runner: Nancy Duval-Smith<br />
Post Production: Universal Production Partners<br />
Colorist: Simona Cristea<br />
Color Producer: Claudia Burns<br />
Grading Facilities: Coffee & TV<br />
Finishing House: Stone Dogs<br />
3D Printers: Arch Model Studios<br />
Motion Control Supplier: Justin Pentecost @ Portable Motion Control<br />
Music: Soviet Science

Mark Matthews has the eye of an artist when he builds his trails. He finds a picturesque landscape, identifies a line that complements his riding style, and spends hours in the forest, turning his vision into a creative masterpiece that translates beautifully to the screen. His newest line and the surrounding trail network provided the perfect setting to showcase speed and style against the backdrop of a lush Pacific Northwest forest. Complemented by the raw sounds of Mark’s bike on the trail we hope you enjoy ‘Changing Seasons.’<br />
<br />
Supported by: Marin Bikes<br />
<br />
Rider: Mark Matthews - https://www.youtube.com/user/SuperRadmark<br />
<br />
Director: Scott Bell and Mark Matthews<br />
<br />
Cinematography and Post Production: Scott Bell - www.scottbellvisuals.com<br />
<br />
Photography: Jarrett Lindal - https://www.instagram.com/jarrettlindalmedia/<br />
<br />
Trail Building: Mark Matthews, Dougal Browne, Trev Or, and Paul Young<br />
<br />
Special Thanks:<br />
Ryan de Milliano - https://www.instagram.com/rydem_/<br />
Kurt Beaton - https://www.instagram.com/kurtbeaton_/

Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where<br />
they were born and still live, celebrating the magnificent mountains where their desire to<br />
explore the wilderness has grown.<br />
‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land<br />
like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their<br />
own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the<br />
massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain<br />
enviromental they started appreciating wilderness and developing the outdoor skills that has allowed<br />
them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film,<br />
it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a<br />
devastating earthquake 10 years ago.<br />
<br />
MUSIC<br />
The Nature Of The Game - Dan Fogelberg<br />
Tell Me Lies - The Black Keys<br />
They Wore Blue - Otis Taylor<br />
Secret of Life - Lord Huron<br />
<br />
FILMING EQUIPMENT<br />
Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5<br />
Gimbal camera 1: Feiyu G6 Plus<br />
Lens filter camera1: Mag Filter CPL 42mm<br />
Camera 2: Canon EOS 100D<br />
Primary Lens: Canon EF-S 60 mm F2.8 USM Macro<br />
Spare Lens: Canon EF-S 24 mm F/2.8 STM<br />
GoPro: Hero 5 Black<br />
GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32<br />
GoPro Gimbal: Feiyu Tech WG2X<br />
Drone: DJI Mavic Air<br />
Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL -<br />
ND64/PL<br />
Microphone 1: RØDE VideoMic Pro<br />
Microphone 2: RØDE Lavalier GO<br />
Camera slider: Grip Gear Movie Maker 2<br />
Tripod 1: SIRUI T-025SK Carbon Fiber<br />
Tripod 2: JOBY GorillaPod 1K

Apple - Escape From The Office is a winner of the 2022 Best of the Year award in the Branded category. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
<br />
Escaping from their evil boss’s clutches, a team of underdogs finds out how to spin an idea into a product, and a product into a company.<br />
<br />
Directed by Mark Molloy

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KidSuper AW22 “The MisAdventures of KidSuper” Paris Fashion Week<br />
<br />
I often get told: “You need a TV Show.” Most of the time it is for a reality show, but I wanted to take a stab at trying to make my own show. Inspired by my own experience and the KidSuper AW22 collection I am proud to present the MisAdventures of KidSuper!!! <br />
<br />
This was a such a crazy undertaking from trying to produce a whole collection, write a script, cast a group of friends, and bring this vision to life. This was an unrealistic deadline to start with and many people told me we should wait. But you only learn and grow from taking the leap, I have never done a film project where I have learned more. I now know exactly what I want for this series. <br />
<br />
I can’t thank enough for all those involved. What a fucking cast of characters!!!!<br />
As many of you know KidSuper has always lived in its own universe. I wanted to capture the hustle and bustle of starting you own brand as a TV Show. <br />
<br />
Hopefully this leads to a tv show!!!!<br />
<br />
THE MISADVENTURES OF KIDSUPER<br />
_______________________<br />
Created by: Colm Dillane<br />
Directed by: Sebastian Sdaigui<br />
Production Company: AT.LAS<br />
Executive Producer: David Wept <br />
Executive Producer: Colm Dillane <br />
Producer: David Wept<br />
Producer: Farah Idrees<br />
Editor/Post Producer: Jordan Rosenbloom<br />
Director of Photography: Franklin Ricart <br />
Stylist: Lucy Boogaerts <br />
Stylist: Colm Dillane<br />
Original Screenplay by: Colm Dillane<br />
Co-Writer: Jordan Rosenbloom<br />
Music: Powers Pleasant<br />
Associate Producer: Lenny Payan<br />
Creative Consultant: Kenny Shimm<br />
Still Photography: Mike Vitelli<br />
1st AD: Jacqueline Eastzer<br />
2nd AD: Deighton McKoy<br />
2nd 2nd AD: Aria Mendoza<br />
Production Manager: Jagger Corcione<br />
Production Coordinator: Kevin Douglas<br />
Staff Production Coordinator: Frank Scott<br />
Steadicam / B-Cam: Kyle Fasanella <br />
1st AC (A-Cam): Manny Rodriguez<br />
1st AC (B-Cam): Karleah Del Moral<br />
2nd AC: Percio Luciano<br />
DIT: Kenny Shimm<br />
Gaffer: David Reichman<br />
Key Grip: Chris Yannaco <br />
BBE: Dillon Puswald<br />
BBG: Corey Gailit<br />
Electric: Alex Rizzo<br />
Grip: Casey Wooden<br />
Grip: Rome Peterson<br />
Grip Driver: Scott Giameo<br />
Production Designer: Linnea Crabtree<br />
Set Dresser: Jenny Melendez<br />
Set Dresser: Zachary Koenig<br />
Set Dresser: Javier Scalley<br />
Set Dresser: Eli Edwards<br />
Set Dresser: Colton Paquette<br />
Art Driver: Yve Bee<br />
Location Scout: Ron Dabach<br />
Parking Coordinator: Extreme Parking<br />
Hair: Penelope Sierra<br />
Makeup: Penelope Sierra<br />
Makeup: Keila Rivera<br />
Makeup Asst: Randall Rosenthal<br />
Style Asst: Chloe Mango<br />
Style Asst: Isabel Catlett<br />
CCO: Akil Mavruk<br />
Key PA: Theo Douglas<br />
AD PA: Christopher Lalli Strauss<br />
Camera Truck PA: Jariel Maria<br />
Production Truck PA: Kristoff Bishop<br />
15 Pass PA: Ezekiel Duncan<br />
15 Pass PA: Dumarck Bartilier<br />
PA: Tyrese Schultz<br />
PA: Massimo Cancelliere<br />
BTS Video: Sebastian Buendia<br />
Assistant Editor: Kenny Shimm<br />
Animation: Jon Frier, Colm Dillane, Kevin Murphy<br />
VFX Production: Dreambear<br />
VFX Artist: Bradley Crawford<br />
Colorist: Josh Bohoskey<br />
Color Producer: Laura Hardy<br />
Color Assistant: Charles Brown<br />
Color Post House: Visual Creatures<br />
Storyboard Artist: Zachary Bright<br />
Boom Op / Sound Mixer: David Chorowski<br />
Boom Op / Sound Mixer: Jude McCormick<br />
Boom Op / Sound Mixer: Nathan Bonetto<br />
Post Sound Services: Soularity Sound<br />
Supervising Sound Editor: Korey Pereira, MPSE<br />
Re-Recording Mixer: Glenn Eanes, CAS<br />
Sound Designer: Tim Rakoczy<br />
<br />
Casting: Bok Creative + DV Casting + KidSuper <br />
Colm: Colm Dillane<br />
Will: Kenneth Cash<br />
Danny: Alex Goldberg<br />
Foda: Rabiullah Sikander<br />
Safa: Joey Bada$$<br />
Yuri: Michael Meth<br />
Maria: Susan Slatin<br />
Brother 1: Big Body Bes<br />
Brother 2: Jonah Mendez<br />
Deli Worker: Rocky the Ocky<br />
Destiny: Princess Nokia<br />
Boy Playing Soccer: Noah Biton<br />
Random Man: Will Erickson<br />
Marc Jacobs: Marc Jacobs<br />
Tattoo Artist: Jo Jerusalem<br />
DJ: Dj Jazzy Jeff<br />
Destiny’s Boyfriend: Myles Garrett<br />
Young Colm: Gabriel Kocis<br />
Young Will: Skylar McDonald<br />
Young Safa: Tyheem “Ty Cash” Barnes<br />
Young Danny: Antonio Costanza<br />
Young Foda: Jonathan Matato<br />
<br />
Music by Powers Pleasant <br />
<br />
“Intro” <br />
featuring Gemaine, Kenneth Cash <br />
Produced by Powers Pleasant, Sucuki, and Shuko<br />
<br />
“Wassup” <br />
featuring Jasiah<br />
Produced by Powers Pleasant, Mason Sacks, and Falcons  <br />
<br />
Music by Safa Gaw<br />
<br />
“Right Wrong”<br />
featuring Safa Gaw<br />
Produced by Khalifa Santo<br />
<br />
“Patience”<br />
featuring Safa Gaw<br />
Produced by FastLife Beats <br />
<br />
All Rights Reserved to the KidSuper Universe

Photographer Ben Depp has set out to chronicle the wetlands in a series of aerial photographs that he captures with the help of a paramotor that he straps to his back. From above he has become acutely aware of the vast network of pipeline canals which are reportedly responsible for up to 30% of the land loss. In this episode we take a trip to the barrier islands where Ben flies his glider and observes the recent restoration that the state has put into rebuilding the land in this area.

Cortometraje dirigido por Florentina Gonzalez y gran equipo:<br />
<br />
Guion: Florentina Gonzalez y Luz Marquez<br />
Arte: Florentina González y "Same" Daniela Barella<br />
Layouts: Florentina González y Florencia Ponticelli <br />
Música: Juana Molina<br />
Animación: Autour de Minuit<br />
Compo: Florentina González y Pablo Kondratas<br />
<br />
La humanidad ya no existe, solo quedan Fluor y Carlix, dos fantasmas en ropa cómoda y deportiva. <br />
Se conocen mientras deambulan entre los restos de una civilización extinta, buscando conexión wifi y la cabeza de un cetáceo gigante.<br />
//<br />
Mankind no longer exists, only Fluor and Carlix, two ghosts in sportswear, remain.They wander among the ruins of an extinct civilization, one in search of a Wi-Fi connection, the other in search of the head of a giant cetacean. A story of encounter and friendship, punctuated by a final playlist: that of the end of the world.<br />
<br />
Estrenado en el 2022, participó de los siguientes festivales:<br />
<br />
2022<br />
1. Fantasia International Film Festival - Montréal - Canada<br />
2. Bucheon International Animation Festival - South Korea >> Special Distinction Prize<br />
3. Weird Market - Segovia - Spain<br />
4. Catalonia Fantastic International Film Festival - Sitges - Spain<br />
5. Anima - Cordoba Int. Animation Festival - Córdoba - Argentina >> 3rd Prize for the Best Argentinian Animation + Audience Award<br />
6. Strasbourg European Fantastic Film Festival - France<br />
7. Bit Bang - Buenos Aires - Argentina >> Best Latin American Short Film Award<br />
8. Anim'est International Animation Film Festival - Bucharest - Romania<br />
9. Innsbruck Nature Film Festival - Austria<br />
10. New Chitose Airport International Animation Festival - Japan<br />
11. Armagnac Short Film Festival - Condom - France<br />
12. Uppsala International Short Film Festival - Sweden<br />
13. Etiuda&Anima - Krakow - Poland<br />
14. Alcine - Alcalá de Henares - Spain<br />
15. CutOut Fest, International Animation Film Festival - Querétaro - Mexico<br />
16. Curta Cinema International Short Film Festival - Rio de Janeiro - Brazil<br />
<br />
2023<br />
1. Festival Premiers Plans - Angers - France<br />
2. Clermont-Ferrand International Short Film Festival - France<br />
3. Rennes French Animation Film Festival - France<br />
4. Anima - Brussels Animation Film Festival - Belgium<br />
5. Film Maudit 2.0 - Los Angeles - USA<br />
6. African, Asian and Latin American Film Festival - Milano - Italy<br />
7. Tricky Women Animation Film Festival - Vienna - Austria >> Tricky Women/Tricky Realities Award<br />
8. Stuttgart International Festival of Animated Film (ITFS) - Germany<br />
9. Animac - Mostra Internacional de Cinema d'Animació de Catalunya - Lleida - Spain<br />
10. Go Short - Int. Short Film Festival - Nijmegen - The Netherlands<br />
11. Animocje International Animated Films Festival - Bydgoszcz - Poland<br />
12. Regard Saguenay International Short Film Festival - Chicoutimi - Canada<br />
13. Bordeaux European Short Film Festival - France<br />
14. Ciné Filou Festival / Festival Trois Jours Trop Courts - Castres & Albi les Cordeliers - France<br />
15. Tout Court ! - Gisors - France<br />
16. Animafest - Zagreb - Croatia >> Special Award<br />
17. Festival 2ANNAS, Riga International Short Film Festival - Latvia<br />
18. Cinema Jove - Valencia - Spain<br />
19. Los Angeles Latino International Film Festival (LALIFF) - USA<br />
20. Euganea Film Festival - Monselice (Padova) - Italy<br />
21. Short Shorts Film Festival & Asia - Tokyo - Japan<br />
22. Imaxinaria - A Coruña - Spain<br />
23. Baixada Animada, Mostra Ibero-Americana de Cinema de Animação - Rio de Janeiro - Brazil >> Best international film<br />
24. Mecal Pro, the Barcelona International Short and Animation Festival - Barcelone - Spain<br />
25. Contis Film Festival - Contis - France<br />
26. São Paulo Int. Short Film Festival - São Paulo - Brazil<br />
27. Festival du film merveilleux & imaginaire - Paris - France<br />
28. Fantoche - Baden - Switzerland<br />
29. Pixelatl - Guadalajara - Mexico<br />
30. Festival Internacional Jóvenes Realizadores de Granada - Grenade - Spain<br />
31. Auch Short Film Festival - France

Client: Channel 4<br />
Agency: 4creative<br />
Production: Art Practice <br />
<br />
Executive Creative Director: Lynsey Atkin<br />
Creative Directors: Mike Skrgatic, Daniel Wolfe, Lynsey Atkin, Bafic<br />
<br />
Directors: Elliott Power, Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic and James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, The Romantix, Dan Tobin Smith, Daniel Wolfe & Matthew Watson<br />
<br />
Voiceover: John Joseph Holt<br />
<br />
4Creative<br />
<br />
Executive Creative Director: Lynsey Atkin<br />
Managing Director: Katie Jackson<br />
Executive Producer: Louise Oliver<br />
Senior Producer: Lauren Holden<br />
Production Manager: Hope Sutherland<br />
Junior Producer: Jazz Stradling<br />
<br />
Channel 4<br />
<br />
Chief Marketing Officer: Zaid Al-Qassab<br />
Marketing Director: Amber Kirby<br />
Head of Brand Transformation: Matt Berry<br />
Marketing Lead, Brand Transformation: Simi Murthy<br />
Marketing Executive, Brand Transformation: Lana Camp<br />
<br />
Art Practice x Love Song<br />
<br />
Creative Director (Art Practice): Mike Skrgatic<br />
Creative Director (Love Song): Daniel Wolfe<br />
<br />
<br />
Executive Producer: James Guy<br />
Producer: Bonnie Anthony<br />
Production Manager: Julia Guignabel<br />
Production Coordinator: Shirley Crawford <br />
Production Assistant: Katie Reid<br />
<br />
Directors of Photography: Daniel Landin, Eponine Momenceau<br />
Moco Supervisor: Simone Tartaglia <br />
Moco Operator: Tomi Keeling <br />
1st Assistant Director: Rob Blishen <br />
Production Designer: Arthur De Borman<br />
Art Directors: Matthew Fraser, Imogen Grant Toner<br />
Casting Directors: Kharmel Cochrane, Claire Catterson, Found Casting, Belinda Norcliffe<br />
Costume Designers: Hannah Edwards, Bratsk Collective, Ella Lucia <br />
Hair & Makeup: Lu Hinton, Ainslie Currie <br />
Editor: Fouad Gaber, Trim Editing<br />
VFX and Post Production: Time Based Arts<br />
Audio Post Production: String and Tins <br />
<br />
<br />
Time Based Arts<br />
<br />
Producer: Chris Aliano<br />
2D Supervisors: Stephen Grasso, Leo Weston, Miguel Wratten<br />
CG Supervisors: Mike Battcock, Sam Osborne, Nick Smalley<br />
2D Team: Manolo Perez, Jamie Crofts, Olivia O’Neil, Lucy Lawrence, Valeria Scalamandre, Eleonora Laddago, Bernie Varela, Chris Fraser, Dan Cowley, Tom Robinson<br />
CG Team: Ben Cantor, Nigel Timms, Bethan Williams, Ian Baird, Jordan Coles, Maxime Ponsart, Joe Ibbett, Teodora Retegan, Quentin Corker-Marin, Stephen Ross <br />
Grading: Max Ferguson Hook, Simone Grattarola<br />
<br />
String and Tins <br />
<br />
Audio Post Production: String and Tins<br />
Sound Supervisor: Will Cohen<br />
Sound Designers: Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen, Mike Bamford<br />
Music Composers: Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman, Anthony Moore<br />
Music Supervisors: Laura-Leigh Smith and Mike Bamford<br />
Audio Producers: Laura-Leigh Smith and Rachel Hough<br />
<br />
Optical Arts & Dan Tobin Smith<br />
<br />
Founder / Creative Director: Dan Tobin Smith<br />
EP / Studio Director: Hannah May<br />
Creative Directors: Fabrice Le Nezet, Martin Pryor, Joe Jackson<br />
CG team: Nicolas Damour, Flora Macleod<br />
Creative Assistant: Minna Griffiths<br />
Production Assistant: Stephanie Skarbek<br />
<br />
The Line <br />
<br />
Directors: Tim McCourt, Max Taylor<br />
Executive Producer: Laura Breaden<br />
Producer: Macarena Gaset

Director: Nicolas Gordon<br />
Agency: HAVAS<br />
Client: Brooklyn Film Festival<br />
Line Producer: Dustin Highbridge<br />
1st AD: Lazzy Bear Walker<br />
<br />
Voiceover: Thomas Lennon<br />
<br />
Production Manager: Ben Thorn<br />
Production Coordinator: Lama Mouawad<br />
<br />
DP: J. D. Butler<br />
1st AC: Sai Aung Tun<br />
2nd AC: Austin Page<br />
<br />
Gaffer: Tristan Moffatt<br />
BBE: Travis Moffatt<br />
KG: Leo Sanchez<br />
BBG: Logan Alesso<br />
<br />
DIT: Brian Bigler<br />
VTR: Sam Baek<br />
Sound Mixer: Alex Dawson<br />
<br />
Production Designer: Lisa Garcia<br />
Art Director: Brian Marquez<br />
Prop Master: Natasha Romano<br />
Set Decorator: Annie Grafe<br />
Set Dresser: Antaeus Littlejohn<br />
<br />
Gill: Ellie Suh<br />
Interviewer: David Eli<br />
Woman: Danie Marie<br />
<br />
Stylist: Krisse Torgesson<br />
Make-Up Artist: Lisa Campos<br />
<br />
Location Manager: Travis Beck<br />
Location Scout: Suzanne LaChasse<br />
Site Rep: Franklyn James<br />
CCO: Melissa Goncalves<br />
Truck PA: Mitchell Nguyen<br />
Key PA: Amy Seach<br />
PA: Adam Rozenberg<br />
PA: Skye Grissom<br />
Pass Van PA: Martin Nazario<br />
Pass Van PA: Edgar Cortes<br />
<br />
Storyboard Artist: Vince Wei<br />
<br />
Production Company: Kin Films LLC<br />
President: Dustin Highbridge<br />
<br />
Editorial: Final Cut<br />
Editor: Antonio Gómez-Pan<br />
Assistant Editor: Julio Samaniego<br />
Head of Production: Rebecca Mitchell<br />
Executive Producer: Sarah Roebuck<br />
Producer: Kelly Budish<br />
<br />
Color: The Mill<br />
Colorist: Logan Highlen<br />
Color Assistant: Bap Man<br />
Color Assistant: Erwin Pasia<br />
Head of Production: Brandee Probasco<br />
Executive Producer: Krista Staudt<br />
Producer: Jackson Winkler<br />
<br />
Sound Design/Mix: Machine Sound<br />
Sound Design and Mix: Alex Bingham<br />
Sound Design and Mix: James Cobbold<br />
Assistant Engineer: Chas Langston<br />
Assistant Engineer: Michele Covio<br />
Executive Producer: Matej Oreskovic<br />
Senior Producer: Andi Lewis<br />
<br />
Conform: Significant Others<br />
Managing Director: Justin Brukman<br />
Executive Producer: Alyssa St. Vincent<br />
Head of Production: Gwynne Evans Reid<br />
ECD: Dirk Greene<br />
Lead Flame Artist: Phil Apostol<br />
GFX Artist: Phil B<br />
VFX Assistant: Kogan Li<br />
Producer: Kyla Amols<br />
Production Coordinator: Hoa Vu<br />
<br />
Music: Duotone<br />
Composer: Jordan Lieb<br />
Composer: Brad Fischer<br />
Executive Producer: Ross Hopman<br />
Senior Producer: Gio Lobato<br />
Creative Director: Peter Nashel<br />
<br />
Casting: AHC Casting

In Dmytro Sukholytkyy-Sobchuk’s film, sculptors in western Ukraine who used to make religious statues retrain to fight the Russian invasion.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

Icelandic teens are trading late-night parties for nocturnal rescues of young seabirds on a remote island.<br />
<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

CREDITS<br />
<br />
Directors<br />
Clara Franciosi<br />
Salomé Hammann<br />
Valentine Vendroux<br />
<br />
Kind of Morning<br />
Written, produced and arranged by Please<br />
<br />
Backgrounds<br />
Clara Franciosi<br />
<br />
Character Layout <br />
Valentine Vendroux<br />
<br />
Animation <br />
Elie Martens<br />
Roman Guillanton<br />
Salomé Hammann<br />
Valentine Vendroux<br />
Julien Sarraute<br />
<br />
Animation interns<br />
Edmonde Fassola<br />
Zhen Zhou<br />
<br />
Compositing<br />
Sébastien Kirszenblat <br />
<br />
Credit Sequence<br />
Samy Baudoin<br />
<br />
Animation Studio<br />
Brunch Studio <br />
<br />
Post Production<br />
Everest<br />
<br />
Color Grading<br />
Baptiste Vieillard<br />
<br />
Production<br />
Eddy<br />
<br />
Producer<br />
Stella Ramsden<br />
<br />
Line Producer<br />
Romane Belaïsch<br />
<br />
Production Assistants<br />
Josepha Kaptur<br />
Maria Markova<br />
<br />
Special thanks to<br />
Good Manners Records<br />
Jean-Baptiste Bertholom <br />
Isa Taoui<br />
With the support of CNC and CNM

“FATHERS” is a powerful film that interrogates and challenges stereotypes surrounding the role of the black father in modern society.<br />
<br />
“FATHERS” gives us an insight into the emotional and spiritual lives of a group of young black men, whose mental health is all too often disregarded. <br />
<br />
It charts their experiences navigating the persistent tug of war between providing for their families, fulfilling their creative and artistic ambitions and raising a young family. <br />
<br />
The film is underscored by a beautiful sound-bed, with music from the album "Our Father" by Azekel, and accompanied by the rich tones of artist and poet Sophia Thakur. Thakur’s voice is heard on the film itself – highlighting a mother’s perspective of the battle that she sees these "superheroes" going through. <br />
<br />
Created by BYUS Group, consisting of Azekel, Ade Adesina, Olan Collardy & Dumas Haddad, who are all young fathers in the creative industry themselves. They have endeavoured to provide a truly artistic, innovative unique and artistic approach to documentary storytelling.<br />
<br />
https://directorsnotes.com/2019/07/04/dumas-haddad-fathers/<br />
<br />
Artist: Azekel<br />
Director: Dumas Haddad<br />
Creative Director: Ade Adesina<br />
Director of Photography: Olan Collardy<br />
Production Company: ByUsGroup Films<br />
1st AC: Kairo Jones<br />
Colourist: Peter Oppersdorff<br />
Grade House: MPC<br />
Audio Mix: Delvinder Singh<br />
Music Courtesy of Azekel from the album 'Our Fathers'<br />
Narrator & Voice Over: Sophia Thakur<br />
<br />
All footage available to license from Film Supply: flmsp.ly/fthrsdh

A PLACE WE CALL REALITY is a short visual memoir, or an alternative take on vlogging, about an existential breakdown and the subsequent breakthrough, featuring Jeff Goldblum, Scientology, extreme violence, public humiliations, and a Taiwanese bodybuilder named Frank Yang.<br />
<br />
Written & Directed by Kristoffer Borgli<br />
Co-Written by Frank Yang<br />
Cinematography by Ben Mullen<br />
Additional Camerawork by Robbie Barnett, Bjarne Bare, Frank Yang, Kristoffer Borgli<br />
Main Theme by Turns (Forevermore, pt.III)<br />
<br />
Please feel free to e-mail me if you are lost in life and need guidance: help@kristofferborgli.com<br />
<br />
...<br />
www.KristofferBorgli.com<br />
Youtube.com/FrankYang<br />
www.BenMullen.com

A young actress is willing to do whatever it takes to get a part in the film of a famous director.<br />
<br />
Grand Prize - Best Comedy Short - Rhode Island International Film Festival<br />
Best Cinematography - Fantasia International Film Festival<br />
<br />
Stars / Sophie Faucher and Jade-Mariuka Robitaille<br />
Writers / Benoit Lach and Vincent Lafortune<br />
<br />
Director / Benoit Lach<br />
Cinematographer / Olivier Gossot<br />
Art Director / William Boucher<br />
Costumes / Marie-Claude Guay<br />
Hair, Make-up / Léonie Lévesque Robert<br />
Son / Laurent Ouellette<br />
Casting / Denise Charest<br />
Mix - Martin Boisselle<br />
Editing / Benoit Lach<br />
Art Departement / Stephanie Pelletier Grenier, Etienne Paquette<br />
Camera and Electrical Departement / Maxime Boutin,<br />
Jean-Philippe Therrien, Maxime Forget.<br />
Location Management / Philppe Gravel<br />
Production assistant / Joelle Raymond, François Bouchard,<br />
Alex Da Cunha.<br />
<br />
Producers / Vincent Lafortune and Benoit Lach<br />
Production / Blachfilms

Melbourne’s original award show is back. Join us and celebrate world class work with the presentation of the MADC Stars Creative Showcase and party. <br />
November 1, 6:30pm<br />
Forester’s Hall, Collingwood. <br />
Tickets just $50.<br />
https://www.eventbrite.com.au/e/the-2018-madc-stars-creative-showcase-party-tickets-51240354279<br />
<br />
Client: MADC<br />
Agency: Cummins & Partners<br />
Creative Director: Chris Ellis<br />
Creative Director/Art Director: Heath Collins<br />
Copywriter: Liam Jenkins<br />
Chief Creative Officer: Sean Cummins<br />
CEO: Chris Jeffares<br />
<br />
MADC President: Adrian Bosich<br />
MADC Stars sub-committee: Ed Howley, Elle Bullen, Tracy Proposch, Nicky Finlay, Tony Prysten.<br />
Thanks to: Matt Stoddart, Connor Beaver, Sarah McGregor, Emma Robbins.<br />
<br />
Production Company: //Thirteen & Co<br />
Director: Armand de Saint-Salvy<br />
Producer: Charity Downing<br />
Executive Producer: Roy De Giorgio<br />
Colourist: Matt Fezz<br />
Post production: Hogarth<br />
Motion Graphics: Kane Dixon<br />
Post Producer: Cat Park<br />
Audio Mix: Bang Bang Studios<br />
Sound Designer: Rob Stephens<br />
Sound Producers: Polly McGregor/Holli Dee

The restaurant is closing, and Oleg Maratovich wants to celebrate. Taking along three employees who are no longer able to resist his charm, he sets off in search of adventure. <br />
<br />
"MERRY-GO-ROUND" is this week's Staff Pick Premiere. Read more about it here: https://vimeo.com/blog/post/merry-go-round<br />
<br />
Director -- <br />
Ruslan Bratov<br />
<br />
Script -- <br />
Ruslan Bratov, Grigory Dobrygin, Ilya Nosochenko<br />
<br />
Producers -- <br />
Grigory Dobrygin, Pavel Karykhalin, Sergey Yahontov<br />
<br />
Director of Photography --<br />
Vladimir Ushakov<br />
<br />
Edit -- <br />
Roman Geygert<br />
<br />
Cast -- <br />
Evgeny Sytiy, Alexey Vertkov, Pavel Vorozhtsov, Sergey Abroskin, Alexander Bashirov, Sergey Legostaev

The search for affordable housing and pressures created by gentrification lead to a unique predicament for a young artist, in this sharp satirical comedy by Amina Sutton and Maya Tanaka.<br />
<br />
Directors: Amina Sutton and Maya Tanaka<br />
Writer: Amina Sutton<br />
Executive Producers: Amber Dennis, Amina Sutton, and Maya Tanaka<br />
Producers: Selah Peterson, Amina Sutton, and Maya Tanaka<br />
Actors: Amina Sutton and Wyatt Cenac<br />
Director of Photography: Alexa Mignon Hiramitsu <br />
Art Director: Katie Quinlisk<br />
Film Editor: Priscilla Mena<br />
Composer: Jacob Rosati<br />
Assistant Camera: Kayli Weiss<br />
Sound Mixer: Alanna Murray <br />
Gaffer: Julia Gowesky <br />
Makeup: Blythe Irish <br />
Assistant Editor: Jenn Nielsen<br />
Additional Editing: Kevin Tully <br />
Sound Designer: Jacob Rosati <br />
Colorist: Stefan Hueneke<br />
Title Design: Jeannette Lee<br />
Production Assistant: Chanelle Jones<br />
All archival courtesy of The Prelinger Archives

The fever dream of a 1980s stand-up comic who is either having a nervous breakdown or the best set of his life.<br />
<br />
"Allen Anders - Live at the Comedy Castle (circa 1987)" is this week's Staff Pick Premiere! Read more about it on the Vimeo Blog here: https://vimeo.com/blog/post/allen-anders