15 MINS // HINDI [ENGLISH & SPANISH SUBTITLES] // 2016<br />
<br />
WINNER Best documentary short at RAINDANCE FILM FEST 2017<br />
<br />
A personal project I shot in northern India. It's a short documentary about stunt drivers taking part in the daredevil sport known as "Maut ka kuan" (Well of Death). Premiered on NOWNESS: http://tinyurl.com/hms57ry<br />
Featured on NATIONAL GEOGRAPHIC: http://tinyurl.com/jxrwq9q<br />
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<br />
Directed by<br />
Erik Morales<br />
<br />
Cinematography<br />
Daniel Fernandez Abelló<br />
<br />
Edited by<br />
Marc Soria<br />
<br />
Produced by <br />
CANADA & Early Man Films<br />
<br />
Executive Producers<br />
Oscar Romagosa<br />
Anand Menon<br />
<br />
Head of Production CANADA<br />
Alba Barneda<br />
<br />
Producer Barcelona<br />
Julia Carrasco<br />
<br />
Music by<br />
Toni M. Mir<br />
<br />
Sound FX by<br />
Miguel Mestres<br />
Angel Sound Studio<br />
<br />
Colorist<br />
Marc Morató<br />
La Metropolitana<br />
<br />
Online Editor<br />
Alvaro Posadas<br />
<br />
CAST:<br />
<br />
Riders:<br />
Raees<br />
Maharoof<br />
Aazim<br />
Shakir<br />
Babble<br />
<br />
Organiser:<br />
Imran Khan<br />
<br />
Line Producer<br />
Kaushik Guha<br />
Chanpreet Singh<br />
<br />
Production<br />
Subodh Gupta<br />
Danish<br />
<br />
Focus Puller<br />
Rishi Garg<br />
<br />
Camera Attendant's<br />
Sanju<br />
Ankush<br />
Ravi<br />
<br />
Sound by<br />
Sunil Kumar<br />
<br />
Facility <br />
Teja<br />
Raju<br />
Kamal<br />
<br />
<br />
Thanks:<br />
Nicolas Mendez, Lope Serrano, Sanju Ayappa, Ramon Arteman, Marc Matons, Marta Mancera, Juaco Molins, Trafalgar 13 Music House, Laura Serra Estorch, Luna Esquerdo, Carles Font Clos, Ramón Morejón, Luis Casacuberta, Sonam Sight.<br />
<br />
Special Thanks<br />
To the riders, support staff and the city of Soron for helping us till the end.

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

A PLACE WE CALL REALITY is a short visual memoir, or an alternative take on vlogging, about an existential breakdown and the subsequent breakthrough, featuring Jeff Goldblum, Scientology, extreme violence, public humiliations, and a Taiwanese bodybuilder named Frank Yang.<br />
<br />
Written & Directed by Kristoffer Borgli<br />
Co-Written by Frank Yang<br />
Cinematography by Ben Mullen<br />
Additional Camerawork by Robbie Barnett, Bjarne Bare, Frank Yang, Kristoffer Borgli<br />
Main Theme by Turns (Forevermore, pt.III)<br />
<br />
Please feel free to e-mail me if you are lost in life and need guidance: help@kristofferborgli.com<br />
<br />
...<br />
www.KristofferBorgli.com<br />
Youtube.com/FrankYang<br />
www.BenMullen.com

BIG DATA is the paranoid pop music brainchild of Alan Wilkis. Visit https://www.bigdata.fm/ for more info.<br />
<br />
His new single, “Monster (feat. Jamie Lidell),” is available now: bigdata.lnk.to/monsterYD<br />
<br />
Short of the week: https://www.shortoftheweek.com/2018/11/22/big-data-l1zy/<br />
<br />
"L1ZY" LOGLINE: A typical family is terrorized in a series of commercials for BIG DATA's revolutionary new A.I. product.<br />
<br />
Watch the L1ZY launch spot, here: vimeo.com/271867658<br />
<br />
Credits:<br />
<br />
Created by GHOST+COW and BIG DATA<br />
<br />
Directed by GHOST + COW<br />
<br />
Written by BIG DATA and GHOST+COW<br />
<br />
Executive Produced by BIG DATA<br />
<br />
Produced by Steve Cozzarelli <br />
<br />
Players: <br />
<br />
Claire Burns - Mary<br />
David Levin - Gerry<br />
Juliet Brett - Alison<br />
Alexander Jameson - Brandon<br />
Sondra James Weil - Neighbor<br />
Lizy Ryan - L1ZY<br />
<br />
Director of Photography - Luke Mccoubrey<br />
<br />
Edited by Geordie Anderson<br />
<br />
Score and original music by Alan Wilkis<br />
<br />
Sound design and mix by Brian Goodheart <br />
<br />
Sonic Union Producer - Halle Petro<br />
<br />
Colored by Ashley Ayarza<br />
<br />
Nice Shoes Producer - Elizabeth Mitchell <br />
<br />
VFX artist - Tim Mearini<br />
<br />
Production designer - Jana Bergstedt<br />
<br />
Makeup / SFX artist - Emma Berley<br />
<br />
Art PA / Driver - Scott Raven<br />
<br />
Wardrobe Stylist - Kayci Rothweiler<br />
<br />
1st AD - Ruby Walters<br />
<br />
Assistant camera - Julian Tran<br />
<br />
Sound mixer - Edward Morris<br />
<br />
Camera PA - Beth Fletcher <br />
<br />
Key Grip - Jesse Moritz<br />
<br />
Grips - Landon Yost, Mitch Perrin<br />
<br />
Gaffer - Jesse Sanchez-Strauss<br />
<br />
Swing - Rylie Patterson<br />
<br />
Production assistants - Smij McBee, Angie Blas<br />
<br />
Special thanks to alldayeveryday productions, De Boer Media

Anna Mantzaris created a beautiful and melancholy Christmas film for Greenpeace France. Ending with a pledge to make our cities breathable, the film tells the story of a little girl who appears to be protecting her bear from the cold, but it turns out she's aware of an even more dangerous problem.

Content warnings: conversion therapy, coercion, transphobia, psychological harm.<br />
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It’s been nearly five years since the UK Government first promised to ban so-called ‘conversion therapy’. Yet today, more than 1.5 million LGBTQ+ people in England and Wales remain at risk of these harmful attempts to ‘cure’ us.<br />
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We made this short film with Stonewall and 21* other LGBTQ+ organisations, based on the real experiences of conversion therapy survivors.<br />
<br />
The UK Government recently moved to put a legislative ban back on the table. But after years of U-turns and broken promises, it's vital that the UK Government does not delay any further, and publishes a draft Bill and timetable for legislation as soon as possible.<br />
<br />
<br />
Produced by Academy films. Agency The&Partnership.

In this short film, you will be taken on a journey through the incredibly varied landscapes of this imposing continent, South America. <br />
<br />
One year of travel, nine countries, countless hours on busses, motorbikes, and cars. Hundreds of thousands of images taken. 30TB of data used, 5 months of editing. The time-lapse film features South America like it has never been before with images from Brazil, Venezuela, Guyana, Colombia, Argentina, Chile, Peru, Bolivia and Ecuador.<br />
Read more about the project on https://www.mortenrustad.com/south-america<br />
<br />
The music is specially composed for this video by Jogeir. Check him out on Soundcloud: https://soundcloud.com/jogeirmusic<br />
<br />
To see what equipment I used, see this video: https://youtu.be/Vg6h0U3S8_o<br />
Motion control gear by Syrp (https://www.syrp.co/)<br />
<br />
The clips in this film are available for licensing at resolutions up to 8K (7680*4320). Contact information can be found at mortenrustad.com<br />
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Produced by VJUS (https://www.vjus.no)<br />
<br />
For more of Morten's work, check out https://www.mortenrustad.com

Executive Producer : Fabrice Damolini <br />
VFX Producer : Sébastien Noyon, Grégory Tournier <br />
CG Supervisor : Guillaume Dadaglio <br />
Shoot : Damien Canameras <br />
Grading : Mathieu Caplana <br />
Generalist : Guillaume Dadaglio <br />
Rigging : Alexandre Sauthier, Marine Sisnaki, Claire Auvin <br />
Animation : Marie Moyer <br />
Lighting : Valentin Lesueur <br />
Motion Design : Julien Maurin, Jean-Martin Mossu, Alexandre Tarquini<br />
Compositing : Sébastien Podsiadlo, Benjamin Boisgard, Aurélie Gondoin, Rémy Meillat, Margaux Chambas

Amidst the depths of despair, a grieving mother finds her voice to challenge the forces of injustice and inspire hope.

A film by Erin Semine Kökdil
Featuring Teresa Smith

2016 || Black & White || 16mm
Shot on a Bolex

Trailer: https://vimeo.com/195874915

Screenings:
Camden International Film Festival, 2018
Hot Docs International Film Festival, 2018
Big Sky Documentary Film Festival, 2018
New Filmmakers New York, 2018
Denton Black Film Festival, 2018
The People’s Film Festival, 2018
FECIBogotá, 2018
Drunken Film Fest - Oakland, 2018
International Documentary Film Festival Amsterdam (IDFA), 2017
San Francisco Frozen Film Festival, 2017
March on Washington Film Festival, 2017
SF DocFest, 2017
Palm Springs International Shortfest, 2017

Client: Channel 4<br />
Agency: 4creative<br />
Production: Art Practice <br />
<br />
Executive Creative Director: Lynsey Atkin<br />
Creative Directors: Mike Skrgatic, Daniel Wolfe, Lynsey Atkin, Bafic<br />
<br />
Directors: Elliott Power, Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic and James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, The Romantix, Dan Tobin Smith, Daniel Wolfe & Matthew Watson<br />
<br />
Voiceover: John Joseph Holt<br />
<br />
4Creative<br />
<br />
Executive Creative Director: Lynsey Atkin<br />
Managing Director: Katie Jackson<br />
Executive Producer: Louise Oliver<br />
Senior Producer: Lauren Holden<br />
Production Manager: Hope Sutherland<br />
Junior Producer: Jazz Stradling<br />
<br />
Channel 4<br />
<br />
Chief Marketing Officer: Zaid Al-Qassab<br />
Marketing Director: Amber Kirby<br />
Head of Brand Transformation: Matt Berry<br />
Marketing Lead, Brand Transformation: Simi Murthy<br />
Marketing Executive, Brand Transformation: Lana Camp<br />
<br />
Art Practice x Love Song<br />
<br />
Creative Director (Art Practice): Mike Skrgatic<br />
Creative Director (Love Song): Daniel Wolfe<br />
<br />
<br />
Executive Producer: James Guy<br />
Producer: Bonnie Anthony<br />
Production Manager: Julia Guignabel<br />
Production Coordinator: Shirley Crawford <br />
Production Assistant: Katie Reid<br />
<br />
Directors of Photography: Daniel Landin, Eponine Momenceau<br />
Moco Supervisor: Simone Tartaglia <br />
Moco Operator: Tomi Keeling <br />
1st Assistant Director: Rob Blishen <br />
Production Designer: Arthur De Borman<br />
Art Directors: Matthew Fraser, Imogen Grant Toner<br />
Casting Directors: Kharmel Cochrane, Claire Catterson, Found Casting, Belinda Norcliffe<br />
Costume Designers: Hannah Edwards, Bratsk Collective, Ella Lucia <br />
Hair & Makeup: Lu Hinton, Ainslie Currie <br />
Editor: Fouad Gaber, Trim Editing<br />
VFX and Post Production: Time Based Arts<br />
Audio Post Production: String and Tins <br />
<br />
<br />
Time Based Arts<br />
<br />
Producer: Chris Aliano<br />
2D Supervisors: Stephen Grasso, Leo Weston, Miguel Wratten<br />
CG Supervisors: Mike Battcock, Sam Osborne, Nick Smalley<br />
2D Team: Manolo Perez, Jamie Crofts, Olivia O’Neil, Lucy Lawrence, Valeria Scalamandre, Eleonora Laddago, Bernie Varela, Chris Fraser, Dan Cowley, Tom Robinson<br />
CG Team: Ben Cantor, Nigel Timms, Bethan Williams, Ian Baird, Jordan Coles, Maxime Ponsart, Joe Ibbett, Teodora Retegan, Quentin Corker-Marin, Stephen Ross <br />
Grading: Max Ferguson Hook, Simone Grattarola<br />
<br />
String and Tins <br />
<br />
Audio Post Production: String and Tins<br />
Sound Supervisor: Will Cohen<br />
Sound Designers: Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen, Mike Bamford<br />
Music Composers: Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman, Anthony Moore<br />
Music Supervisors: Laura-Leigh Smith and Mike Bamford<br />
Audio Producers: Laura-Leigh Smith and Rachel Hough<br />
<br />
Optical Arts & Dan Tobin Smith<br />
<br />
Founder / Creative Director: Dan Tobin Smith<br />
EP / Studio Director: Hannah May<br />
Creative Directors: Fabrice Le Nezet, Martin Pryor, Joe Jackson<br />
CG team: Nicolas Damour, Flora Macleod<br />
Creative Assistant: Minna Griffiths<br />
Production Assistant: Stephanie Skarbek<br />
<br />
The Line <br />
<br />
Directors: Tim McCourt, Max Taylor<br />
Executive Producer: Laura Breaden<br />
Producer: Macarena Gaset

Director: Nicolas Gordon<br />
Agency: HAVAS<br />
Client: Brooklyn Film Festival<br />
Line Producer: Dustin Highbridge<br />
1st AD: Lazzy Bear Walker<br />
<br />
Voiceover: Thomas Lennon<br />
<br />
Production Manager: Ben Thorn<br />
Production Coordinator: Lama Mouawad<br />
<br />
DP: J. D. Butler<br />
1st AC: Sai Aung Tun<br />
2nd AC: Austin Page<br />
<br />
Gaffer: Tristan Moffatt<br />
BBE: Travis Moffatt<br />
KG: Leo Sanchez<br />
BBG: Logan Alesso<br />
<br />
DIT: Brian Bigler<br />
VTR: Sam Baek<br />
Sound Mixer: Alex Dawson<br />
<br />
Production Designer: Lisa Garcia<br />
Art Director: Brian Marquez<br />
Prop Master: Natasha Romano<br />
Set Decorator: Annie Grafe<br />
Set Dresser: Antaeus Littlejohn<br />
<br />
Gill: Ellie Suh<br />
Interviewer: David Eli<br />
Woman: Danie Marie<br />
<br />
Stylist: Krisse Torgesson<br />
Make-Up Artist: Lisa Campos<br />
<br />
Location Manager: Travis Beck<br />
Location Scout: Suzanne LaChasse<br />
Site Rep: Franklyn James<br />
CCO: Melissa Goncalves<br />
Truck PA: Mitchell Nguyen<br />
Key PA: Amy Seach<br />
PA: Adam Rozenberg<br />
PA: Skye Grissom<br />
Pass Van PA: Martin Nazario<br />
Pass Van PA: Edgar Cortes<br />
<br />
Storyboard Artist: Vince Wei<br />
<br />
Production Company: Kin Films LLC<br />
President: Dustin Highbridge<br />
<br />
Editorial: Final Cut<br />
Editor: Antonio Gómez-Pan<br />
Assistant Editor: Julio Samaniego<br />
Head of Production: Rebecca Mitchell<br />
Executive Producer: Sarah Roebuck<br />
Producer: Kelly Budish<br />
<br />
Color: The Mill<br />
Colorist: Logan Highlen<br />
Color Assistant: Bap Man<br />
Color Assistant: Erwin Pasia<br />
Head of Production: Brandee Probasco<br />
Executive Producer: Krista Staudt<br />
Producer: Jackson Winkler<br />
<br />
Sound Design/Mix: Machine Sound<br />
Sound Design and Mix: Alex Bingham<br />
Sound Design and Mix: James Cobbold<br />
Assistant Engineer: Chas Langston<br />
Assistant Engineer: Michele Covio<br />
Executive Producer: Matej Oreskovic<br />
Senior Producer: Andi Lewis<br />
<br />
Conform: Significant Others<br />
Managing Director: Justin Brukman<br />
Executive Producer: Alyssa St. Vincent<br />
Head of Production: Gwynne Evans Reid<br />
ECD: Dirk Greene<br />
Lead Flame Artist: Phil Apostol<br />
GFX Artist: Phil B<br />
VFX Assistant: Kogan Li<br />
Producer: Kyla Amols<br />
Production Coordinator: Hoa Vu<br />
<br />
Music: Duotone<br />
Composer: Jordan Lieb<br />
Composer: Brad Fischer<br />
Executive Producer: Ross Hopman<br />
Senior Producer: Gio Lobato<br />
Creative Director: Peter Nashel<br />
<br />
Casting: AHC Casting

Tanya, world’s sexiest inventor, has just finished her newest invention: A future seeing machine. But, the future gets stuck in a loop and it’s super annoying.<br />
<br />
'UGH!' is this week's Staff Pick Premiere! Read more about it here: https://vimeo.com/blog/post/st....aff-pick-premiere-ug

The restaurant is closing, and Oleg Maratovich wants to celebrate. Taking along three employees who are no longer able to resist his charm, he sets off in search of adventure. <br />
<br />
"MERRY-GO-ROUND" is this week's Staff Pick Premiere. Read more about it here: https://vimeo.com/blog/post/merry-go-round<br />
<br />
Director -- <br />
Ruslan Bratov<br />
<br />
Script -- <br />
Ruslan Bratov, Grigory Dobrygin, Ilya Nosochenko<br />
<br />
Producers -- <br />
Grigory Dobrygin, Pavel Karykhalin, Sergey Yahontov<br />
<br />
Director of Photography --<br />
Vladimir Ushakov<br />
<br />
Edit -- <br />
Roman Geygert<br />
<br />
Cast -- <br />
Evgeny Sytiy, Alexey Vertkov, Pavel Vorozhtsov, Sergey Abroskin, Alexander Bashirov, Sergey Legostaev

Our 8 days trip to Morocco was so fast paced and intense but this was the only way we could have explored so much of this mysterious and vibrant country. We travelled from Casablanca to Marrakech, passing through Volubilis, Meknes, Fes, Merzouga and Ait Ben Haddou. <br />
<br />
I spent most of the time with the camera and mic turned on trying to capture most of it, ending up with more than 230 Gb of raw footage edited in this short movie about Morocco's specific vibe. 2 weeks later, I've got this short clip sorted out and meant to pass this vibe on to anyone who watches it.

Directed by Kyra & Constantin 'First Christmas' is a love story told in beautiful animation with woodland characters spreading the message. We follow Henry the Hedgehog as he starts at a new school. His spikes make it hard for him to fit in but luckily he has a friend, Squirrel, looking out for him. The CGI animation has been given a truly unique tactile and fuzzy feel with Kyra & Constantin telling the story of love through the adorable characters.

Christie's - Santo is a winner of the 2022 Best of the Year award in the Branded category. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
<br />
Featuring dancer and choreographer Botis Seva, this intimate expression of faith was inspired by ancient Greek and Roman sculpture and religious scenes in medieval books of hours.<br />
<br />
Directed by Freddie Leyden

Iceland is one of my favorite countries to travel to & I absolutely love capturing my experiences there. It was even better getting to show my Wife’s family this place we’ve grown to love so much over the past 5 years. “Gusts From The Highlands” is my 3rd travel piece I’ve had the pleasure of creating there. Bringing along the Leica Q2 was a great addition in the toolkit for shooting the photos you see in this piece. It was fun experimenting with the Sirui anamorphic’s as well. Thanks to my love Christie LaPlant for all the killer drone shots!<br />
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Dir/DP/Edit/Color: Cody LaPlant<br />
Drone Op: Christie LaPlant<br />
Music licensed by Musicbed: Tony Anderson - Farthest Seas

Directed by Erik Morales<br />
Produced by CANADA<br />
Agency: DDB<br />
<br />
www.lawebdecanada.com<br />
www.erikmorales.tv

for Time Magazine<br />
DP Drew Bienenmann<br />
editor Sage Price<br />
produce by Vacation Theory

The search for affordable housing and pressures created by gentrification lead to a unique predicament for a young artist, in this sharp satirical comedy by Amina Sutton and Maya Tanaka.<br />
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Directors: Amina Sutton and Maya Tanaka<br />
Writer: Amina Sutton<br />
Executive Producers: Amber Dennis, Amina Sutton, and Maya Tanaka<br />
Producers: Selah Peterson, Amina Sutton, and Maya Tanaka<br />
Actors: Amina Sutton and Wyatt Cenac<br />
Director of Photography: Alexa Mignon Hiramitsu <br />
Art Director: Katie Quinlisk<br />
Film Editor: Priscilla Mena<br />
Composer: Jacob Rosati<br />
Assistant Camera: Kayli Weiss<br />
Sound Mixer: Alanna Murray <br />
Gaffer: Julia Gowesky <br />
Makeup: Blythe Irish <br />
Assistant Editor: Jenn Nielsen<br />
Additional Editing: Kevin Tully <br />
Sound Designer: Jacob Rosati <br />
Colorist: Stefan Hueneke<br />
Title Design: Jeannette Lee<br />
Production Assistant: Chanelle Jones<br />
All archival courtesy of The Prelinger Archives