Shot in the Arabian desert with a haunting backdrop of the Burj Khalifa, Universal Machine is set in a post-apocalyptic world where a gifted young girl must find a way to understand and overcome a violent encounter with a life-like android<br />
<br />
New York-based director and artist Daniel Askill enlisted a host of international creative talent for this project. Renowned American minimalist composer Philip Glass scores an ominous orchestral piece undercut by a stirring mezzo-soprano. Belgian choreographer and Beyonce’s 2017 Grammy performance director Sidi Larbi Cherkaoui planned the elaborate fight sequences, while the android was CGI mapped to Japanese dancer Tzuki Kozuki. The star of the film, Evnika Sadvakassova, is a boxer who gained the Guiness World Record for the most full contact punch strikes by a female in one minute. She won this accolade in 2018 at the age of 11. <br />
<br />
Read a Q&A about Universal Machine with Daniel Askill: https://bit.ly/2mzVltC

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Forrest Cepeda died in a distracted driving accident eight years ago. Yet the grief and trauma of his loss still haunts his family years later.<br />
<br />
Directed by Errol Morris

Christie's - Santo is a winner of the 2022 Best of the Year award in the Branded category. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
<br />
Featuring dancer and choreographer Botis Seva, this intimate expression of faith was inspired by ancient Greek and Roman sculpture and religious scenes in medieval books of hours.<br />
<br />
Directed by Freddie Leyden

Apple - Escape From The Office is a winner of the 2022 Best of the Year award in the Branded category. To explore the full list of winners, check out vimeo.com/bestoftheyear <br />
<br />
Escaping from their evil boss’s clutches, a team of underdogs finds out how to spin an idea into a product, and a product into a company.<br />
<br />
Directed by Mark Molloy

Content warnings: conversion therapy, coercion, transphobia, psychological harm.<br />
<br />
It’s been nearly five years since the UK Government first promised to ban so-called ‘conversion therapy’. Yet today, more than 1.5 million LGBTQ+ people in England and Wales remain at risk of these harmful attempts to ‘cure’ us.<br />
<br />
We made this short film with Stonewall and 21* other LGBTQ+ organisations, based on the real experiences of conversion therapy survivors.<br />
<br />
The UK Government recently moved to put a legislative ban back on the table. But after years of U-turns and broken promises, it's vital that the UK Government does not delay any further, and publishes a draft Bill and timetable for legislation as soon as possible.<br />
<br />
<br />
Produced by Academy films. Agency The&Partnership.

In many parts of the world, children are leading an increasingly sedentary lifestyle, threatening both their short and long-term health. But the Swedish non-profit organization Generation Pep wants to change that – by creating a unique choreographed dance featuring 10.000 steps, to the iconic track D.A.N.C.E by Justice. Starring the 9-year-old dancing prodigy Lilyana Ilunga. <br />
<br />
“Dance 10.000” is a global campaign created to inspire children and young people to move, while at the same time highlighting the problems and consequences of a sedentary lifestyle. With a unique music video featuring a choreographed dance with the 10.000 steps often referred to as the daily recommendation for physical activity.<br />
<br />
According to the World Health Organisation, WHO, childhood obesity is one of the most serious global public health challenges of the 21st century, affecting every country in the world. In just 40 years, the number of school-age children and adolescents with obesity has risen more than 10-fold, from 11 million to 124 million (2016 estimates). Besides, an estimated 216 million were classified as overweight but not obese in 2016. The condition also affects younger children, with over 38 million children aged under 5 living with overweight or obesity in 2017.<br />
<br />
Dancer - Lilyana Ilunga<br />
Janitor - Gaspard Auge<br />
<br />
Music - Justice D.A.N.C.E<br />
<br />
Agency - Forsman & Bodenfors<br />
Creatives - Adam Ulvegärde, Clara Uddman, Marcus Hägglöf <br />
Agency producer - Magnus Kennhed <br />
<br />
Director - Filip Nilsson<br />
Producer - Sergej israel<br />
DoP - Mattias Rudh<br />
Executive producer- Kalle Wettre<br />
Set Design - Koja - Ulrika Axén & Tobias Eiving<br />
Stylist - Denise Östholm<br />
Hair & Make up - Jenny Fred<br />
<br />
Choreographer - Sabrina Lonis<br />
Manager - Steven Clerima<br />
<br />
Editor - Andreas Arvidsson (WGTAM)<br />
VFX - Swiss<br />
Grade - Tom Poole, CO3<br />
Sound design - Plop - Fredrik Sundberg<br />
Developing 35mm - Focus Film<br />
<br />
Production Manager - Jon Hertov<br />
Coordinator - Alina Grön<br />
Prod ass. - Caroline Lindsten<br />
Prod ass. - Johanna Suxen<br />
Location Manager - Jesper Sundman<br />
First AD - Jimmy Francis<br />
Steadi cam - Johan Philips<br />
1st AC - Simon Bengtsson<br />
2nd AC - Jesper Lundqvist<br />
VTR - Filip Thunberg<br />
Gaffer - Kristian Bergström<br />
Gaffer - Olle Mollander<br />
Spark - Leonard Gaszynski<br />
Spark - Joel Sundqvist<br />
Spark - Anders Dahl<br />
Grip - Elias Branner<br />
Grip - Aurelio van der Smut<br />
Grip - Sebastian Karlsson<br />
Grip ass. Hugo Witting<br />
Props Master - Max Isaksson<br />
Props Assistant. - Alice Andersson

Director - Ian Pons Jewell<br />
Director of Photography - Mauro Chiarello <br />
Production company - Reset Content<br />
Managing Director - Dave Morrison<br />
Executive Producer - Deannie O'Neil<br />
Producer - Jon Adams<br />
Production Manager - Marketa Husecka<br />
Director’s Assistant - Emmanuelle Le Chat <br />
Production Designer - Robin Brown <br />
Costume Designer - Ameena Callender<br />
Gimbal - Florian Hatwagner<br />
Choreographer - Charlie Mayhew<br />
Choreographer Assist - Ryan Perkins <br />
1st AD - James Dyer <br />
Casting Director - Kharmel Cochrane <br />
<br />
Editorial - The Assembly Rooms<br />
Editor - Gaia Boretti <br />
Assistant Editor - Andre Rodrigues<br />
Executive Producer - Daniel Breheny<br />
<br />
Sound Design and Mix - String and Tins<br />
Sound Designer - Lawrence Kendrick<br />
Audio Producer - Laura-Leigh Smith<br />
<br />
Music - KOM <br />
Composer - Phil Kay <br />
Director/Head of Production - Andy Oskwarek<br />
<br />
Service Company - Radioaktive Film <br />
Executive Producer - Sasha Bevko<br />
Producer - Olya Kosenko <br />
1st AD - Val Semko <br />
2nd AD - Vadim Yuzba<br />
Production Manager - Yulia Sotnikova<br />
Production Coordinators - Val Petyshkin +Max Golubenko <br />
PAs - Vova Altsybeev + Anna Refel<br />
Chaperones - Roksolana Mudryk, Yura Korotun, Andrew Birch<br />
Photo BTS - Artem Nadezhyn<br />
Video BTS - Artur Byzhenko<br />
1st AC - Sergey Kolesnik<br />
Focuspuller - Peter Chetverykov<br />
AC cam A - Vadim Dubas <br />
AC cam B - Segrey Trush<br />
AC cam C - Yarik Braiko<br />
Gaffer - Leonid Sidorenko<br />
Key Grip - Andrey Gorovoy <br />
Chief Electric - Andrey Gorovoy<br />
Sparks - Firas Al Rikabi, Dmitry Remez, Artem Tischenko, Aleksandr Kasyanchuk, Evgeny Sherbak, Vova Tsukalo, Sasha Getman, Vova Akulov<br />
DITs - Jan Wachowski + Dima Samus<br />
Sound - Denis Ryskal + Bogdan Zynkevich<br />
Art Director - Vlad Ryzhikov <br />
Brigader - Vitaly Karpenko <br />
Stylist - Kostya Goncharuk <br />
Stylist - Scarlett Wallis<br />
Stylist Assistants - Maksimenko Andrey, Bondarenko Igor, Snesar Valeria<br />
MUA - Marta Skalska <br />
Pyro - Alexander Suvorov<br />
Prosthetics - Logos Anton, Alexander Antonyk, Alexander Ludanik, Kostya Zadorozhniy, Eugene Shtein, Kyryll Zhuravel <br />
<br />
VFX/Post - The Mill<br />
Executive Producer - Alex Fitzgerald, Heath Raymond<br />
Producer - Dan Crozier<br />
Associate Producer - Kevin Liu<br />
Production Supervisor - Colin Blaney, Noan John Vinod<br />
Line Producer - Rima Mondal, Bhawesh Upadhyay<br />
Creative Director - Dan Williams<br />
VFX Supervisor - Adam Droy<br />
2D Lead - Gianluca Di Marco, Antoine Douadi, Vinod Gopinathan<br />
CG Lead - Justin Kurtz<br />
Matte Painting - Cedric Mernard<br />
Color - Damien Vandercruyssen<br />
Compositing - Declan Andrews, Jonny Freeman, Malligeswaran K, Richard McKeand, Luke Midgley, Gangadharam Raja, Rich Roberts, Jyoti Tiwari, Giacomo Verri, Rafael Vormittag<br />
3D Supervisor - Gaurav Mathur<br />
Asset Lead - Dhanesh Sudhakaran <br />
CG - Kartik Arora, Joe Besagni, Kalpesh Bhikhabhai Patel, Harsh Borah, Yong Chan Kim, Maxime Cronier, Joshua Curtis, Amit Das, C Dinesh Reddy, Paul Donnellan, Laurie Estampes, Nicola Gilbert, Ujasgiri Goswami, Girish GR, Andreas Graichen, Shahid Hussain, Doug Johnson, Kieran Jordan, Dinesh Kanakaraj, Pradeep Katta, Fazal Khan, Sparsh Kumar, Alberto Lara, Tatjana Ljubimtseva, Mahesh M S, Keith McMenamy, Vijay Mohan, Robert Moore, Sriram Namana, Umesh Namdev, Melanie Okamura, Loganathan P, Kiran Prabhu, Guru Prasad, Nikhat Praween, Rijo R, Krushna Ramrao Kulsange, Vudatha Sai Krishna, Anil Sarki, Vikas Shinde, Navdeep Singh, Kuldeep Singh Waldia, Sudakshina Sridharan, Renato Suetake, Adem Suleyman, Akshay Suresh Lanjewar, Jadheer T P, Paul Tempelman, Somesh Tiwari, Alek Vacura, Dongili Varaprasad, Roman Vrbovsky<br />
Matchmove Lead - Murali Krishna Reddy<br />
Design - Wendy Eduarte, Fionna Mariani, Tetsuro Mise, Laura Nash, David Nelson, Sam Singleton<br />
Finishing - Michael Almodovar<br />
Shoot Supervisor - Aleksandar Djordjevic, Jim Radford, Dan Williams<br />
<br />
Agency - TBWA/Chiat/Day NY <br />
Executive Producer - Tina Lam<br />
Business Director - Nora Chivelly <br />
Operations Manager - Olivia Scala<br />
Business Manager - Nico Rodriguez<br />
Chief Strategy Officer - James Sowden<br />
Senior Strategists - Katelyn Saks, Sophie Engelstien, Mani Schlisser, Kayla Sredni<br />
Chief Creative Officer - Chris Beresford-Hill <br />
Creative Directors - Jexy Holman and Nuno Teixeira<br />
Senior Copywriter - Athanasia Efthimiu<br />
Senior Art Director - Alyssa Cavanaugh <br />
Director of Integrated Production - John Doris <br />
<br />
Client - Oculus / Facebook<br />
Creative Directors - Robbin Ingvarsson + Kako Mendez <br />
Executive Producer - Angela Fung <br />
Producer - Brian Coate <br />
<br />
Cast<br />
Hero Twins + Kaylee + Taitlyn Jaiy<br />
POP One Friend - Ryan Perkins<br />
POP One Friend - Malcolm Atobrah<br />
Beatsaber - Dreya Mac<br />
MoH Player - Jack Morris<br />
Walking Dead NPC - Vadim Pavlenko <br />
<br />
Zombies - <br />
Misha Makarov<br />
Tonya Romanenko<br />
Michael Anyim<br />
Sveta Оnopa<br />
Pavel Evchin<br />
<br />
POP One - Akeem Bello <br />
Chair Zombie/MoH Stunt/POP One stunt - Andrey Kaba<br />
Zombie/MoH Stunt/POP One stunt - Roman Korzhuk<br />
<br />
MoH / POP One stunt - <br />
Ivan Strizhakov<br />
Roman Stankevich <br />
Evgeniy Poliakov<br />
Nikolay Zavarygin <br />
Andrey Bezverkhniy<br />
Vadim Bezverkhniy<br />
Anton Zubchenko

Agency: Joga<br />
ECD: Antoine Defaye <br />
President: Olivier Lopez <br />
Chief Strategy Officer: Clément Audard<br />
<br />
Cast: Sofiane Marsaoui & Sylvain Richard<br />
<br />
Directed by: David Findlay <br />
Production: Solab Pictures<br />
Producer: Édouard Chassaing <br />
Production Manager: Lina Maldonado <br />
DP: Julien Meurice <br />
PD: Lucie Libotte <br />
1st AD: Édouard Tardan<br />
Steadicam op: Guillaume Quilichini<br />
<br />
Made in association with: Section80<br />
<br />
Post-Production: Firm Studio<br />
Editor: Gwen Ghelid<br />
Sound: Anthony Leblond<br />
Colour: Sam Gilling, Bacon X

Jump inside the mind of Bryn Atkinson as he blasts through the trails of interior British Columbia on his 2020 Norco Optic.<br />
<br />
For more on the completely redesigned Optic: https://www.norco.com/2020optic <br />
<br />
Video: Scott Secco<br />
Rider: Bryn Atkinson

A complex construction site, New York’s skyline in the distance, and fresh betrayal. Stane is in charge on-site, soon to inherit the family business from her father, who built it up as a Croatian immigrant also building the American dream. But Stane’s marriage is under threat of demolition. What ensues is a public reckoning between traditional, patriarchal expectations made upon wives versus Stane’s own pain and anger. But Stane is building her own life story though — outside of the permission of men.<br />
<br />
"Stane", a film by Antoneta Alamat Kusijanović, is the 26th commission from Miu Miu Women’s Tales. The acclaimed short-film series invites today’s most profound and original female directors to investigate vanity and femininity in the 21st century.<br />
<br />
Antoneta Alamat Kusijanović (b.1985) is a Dubrovnik-born and New York based Croatian and American screenwriter and filmmaker. Her directorial feature debut, "Murina", executive produced by Martin Scorsese, premiered at the 2021 Cannes Film Festival in the Directors Fortnight section, and was honored with the Caméra d'Or Award presented to the Best First Film, subsequently garnering critical acclaim to become one of the Best Films of 2022. "Murina" was nominated for three Film Independent Spirit Awards, including Best First Feature, Best Breakthrough Performer and Best Cinematography. Her short-film, "Into the Blue", was awarded at the 67th Berlin International Film Festival.<br />
<br />
“What does it mean to ‘give women power’ and ‘put women in power’?” says Kusijanovic. “I constantly hear it and I’m conflicted about that expression — power that is ‘given’ then also can be ‘taken’ away.” "Stane" reflects Kusijanović’s belief that, “sensuality needs to breathe through everything.” Although all her films, including this latest episode for Miu Miu Women’s Tales, invariably deal with the plight of women, Kusijanović admits that she never thinks first, “through politics or social message. I always start from character.” And from there the “issues of the world naturally emerge.” <br />
<br />
"Stane" ’s themes are specific to her own culture but also universal: the sacrifices women must make to uphold the fabric of society; the familial frictions felt between generations of immigrants; cultural norms and private disquiet; the asymmetry of honour and dishonour between genders. <br />
<br />
Antoneta Alamat Kusijanović’s new episode for Women’s Tales premiered at the Venice Film Festival’s “Giornate degli Autori” on September 3rd 2023<br />
<br />
<br />
#miumiu #miumiuwomenstales #giornatedegliautori #venicefilmfestival #stanefilm #nyc

Globe and Monster present a series of relatively short films about surfing <br />
and everything that goes along with it….CULT OF FREEDOM!<br />
<br />
Ok, It’s been a while but it’s worth the wait! The fourth installment in the CULT OF FREEDOM series features Creed McTaggart dancing his way through large funnels in WA and drawing wild lines on a recent strike to maxing Indo. Behold, THE CREED PART!<br />
<br />
A FILM BY JOE G<br />
<br />
SHOT BY:<br />
TOM JENNINGS<br />
BEREN HALL<br />
REX NINK-MOWDAY<br />
ISAAC JONES<br />
<br />
EDIT BY: <br />
MATT PAYNE<br />
<br />
POST:<br />
MAX EDIT!<br />
<br />
SOUNDTRACK<br />
<br />
WEST OZ<br />
"KICK OUT THE JAMS"<br />
BY: MC 5 <br />
<br />
INDO<br />
"RAIN (LIVE)" <br />
BY: DRAGON

How are you? A question asked many times but rarely honestly answered…<br />
We proudly present the TELEKOM christmas film “The Teacher”.<br />
<br />
Directed by Jonathan Alric<br />
Cinematography by Paul Özgür<br />
Edited by Zoe Sassier<br />
Service by magic<br />
Produced by Iconoclast Germany

It’s not always what we achieve that defines us, rather it is why we achieve such things that creates clarity in our existence.<br />
<br />
In 2018, Hilaree Nelson and Jim Morrison completed the first ski descent of the 27,940-foot Lhotse, the fourth-highest mountain in the world. This is their story.

Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where<br />
they were born and still live, celebrating the magnificent mountains where their desire to<br />
explore the wilderness has grown.<br />
‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land<br />
like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their<br />
own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the<br />
massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain<br />
enviromental they started appreciating wilderness and developing the outdoor skills that has allowed<br />
them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film,<br />
it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a<br />
devastating earthquake 10 years ago.<br />
<br />
MUSIC<br />
The Nature Of The Game - Dan Fogelberg<br />
Tell Me Lies - The Black Keys<br />
They Wore Blue - Otis Taylor<br />
Secret of Life - Lord Huron<br />
<br />
FILMING EQUIPMENT<br />
Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5<br />
Gimbal camera 1: Feiyu G6 Plus<br />
Lens filter camera1: Mag Filter CPL 42mm<br />
Camera 2: Canon EOS 100D<br />
Primary Lens: Canon EF-S 60 mm F2.8 USM Macro<br />
Spare Lens: Canon EF-S 24 mm F/2.8 STM<br />
GoPro: Hero 5 Black<br />
GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32<br />
GoPro Gimbal: Feiyu Tech WG2X<br />
Drone: DJI Mavic Air<br />
Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL -<br />
ND64/PL<br />
Microphone 1: RØDE VideoMic Pro<br />
Microphone 2: RØDE Lavalier GO<br />
Camera slider: Grip Gear Movie Maker 2<br />
Tripod 1: SIRUI T-025SK Carbon Fiber<br />
Tripod 2: JOBY GorillaPod 1K

Production Co: Prettybird<br />
Executive Producer Suzanne Hargrove<br />
Line Producer Tina Palvides<br />
<br />
Voice actors:<br />
Geoff Ross<br />
Stefanie Lynch<br />
Spencer Sheridan<br />
Julia Pott<br />
Brendan Clifford<br />
Naomi Ekperigin<br />
Ted Tremper<br />
Liz Fohl<br />
Billy Chew<br />
Joey Romaine<br />
Natalie Garcia-Mayor<br />
<br />
Music by Alessandro Tabora

"That moment when perspective changes everything". A content piece for Texas Monthly and Frost Bank. Musician 'Shakey Graves' describes a pivotal moment in his life which became a catalyst for creativity.<br />
<br />
Direction: Lee Arkapaw and Tessa Chong<br />
Animation: Clem Stamation, Lee Arkapaw, and Tessa Chong<br />
Sound design and audio: Alister Mew

Mark Matthews has the eye of an artist when he builds his trails. He finds a picturesque landscape, identifies a line that complements his riding style, and spends hours in the forest, turning his vision into a creative masterpiece that translates beautifully to the screen. His newest line and the surrounding trail network provided the perfect setting to showcase speed and style against the backdrop of a lush Pacific Northwest forest. Complemented by the raw sounds of Mark’s bike on the trail we hope you enjoy ‘Changing Seasons.’<br />
<br />
Supported by: Marin Bikes<br />
<br />
Rider: Mark Matthews - https://www.youtube.com/user/SuperRadmark<br />
<br />
Director: Scott Bell and Mark Matthews<br />
<br />
Cinematography and Post Production: Scott Bell - www.scottbellvisuals.com<br />
<br />
Photography: Jarrett Lindal - https://www.instagram.com/jarrettlindalmedia/<br />
<br />
Trail Building: Mark Matthews, Dougal Browne, Trev Or, and Paul Young<br />
<br />
Special Thanks:<br />
Ryan de Milliano - https://www.instagram.com/rydem_/<br />
Kurt Beaton - https://www.instagram.com/kurtbeaton_/

Director: Saschka Unseld

Director: againstallodds<br />
This Christmas, Very.co.uk are celebrating the joy of giving in a film created by directors againstallodds. The film, part of a campaign by creative agency St Luke’s, follows the story of a woman as she travels home for Christmas accompanied by a flying heart. The heart flutters and grows as our heroine spreads joy with familiar Very-pink presents. As she spreads Christmas spirit her joy grows with every gift she gives.