Director : Neels Castillon<br />
<br />
Agency : Publicis Luxe<br />
<br />
Production : Psycho<br />
DOP: Arnaud Potier<br />
<br />
VFX STUDIO<br />
The Mill Paris:<br />
Executive Producer: Cécile Hubin<br />
VFX Producer: Cédric Negrel<br />
VFX Coordinator: Ghalia Chammat<br />
Shoot supervision: Franck Lambertz, Jean-Christophe Olivier<br />
VFX Supervisor: Franck Lambertz, Olivier Jarry<br />
Matte Painting: Benjamin Bardou, Sergey Likharyev<br />
FX: Felix Guglielmi<br />
Lighting: Valentin LeSueur<br />
Compositing: Arthur Sayanoff<br />
Generalist: Paul Goubet, Guillaume Hupe<br />
Concept: Nathan Lucas<br />
Flame: Franck Lambertz, Sebastien Kremer<br />
Motion: Olivier Jarry, Yohann Leroy, Jean Christophe Olivier, Agathe Sayegh, Max Loriot, Jean-Yves Parent -Julien Pinot<br />
Colourist: Sébastien Mingam, Nicolas Guibert<br />
Colourist assistant: Loic Lavaux<br />
Editor: Sébastien/ Motion Palace, Chloé Charrier, Cécile Crilout<br />
<br />
<br />
Music (making-of) : « Open Wide » by @awirleon.

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Run Forever is a digital media artwork visualising the vision of Hyundai Motor’s sustainable design and green energy for a clean mobility society. In Run Forever, the runner is at one with nature, transforming from water, to hydrogen and oxygen, to pure energy, before returning to nature in the form of plants. Inspired by the water cycle, Hyundai Motor’s clean hydrogen fuel process is renewable, generating infinite energy for our runner to ‘run forever’.<br />
<br />
Run Forever launches the new brand space Hyundai Motorstudio Busan. The Motorstudio is a hub for design, exploring the power of design across all disciplines. Experiences in the Motorstudio are guided by the theme ‘Design to Live by’, reflecting how great design enriches and reinvents our everyday lives.<br />
<br />
Run Forever features on the Creative Wall at Hyundai Motorstudio Busan. The digital artwork is among a variety of arts and cultural exhibits in the space that allow visitors to experience the vision of the Hyundai Motor brand.<br />
<br />
The five-story Hyundai Motorstudio Busan is based in F1963, a cultural complex in the former Kiswire Suyeong wire rope factory designed by renowned architect Choi Wook. Universal Everything and Hyundai Motor have previously collaborated on a kinetic display experience and large-scale video artwork for the Hyundai Motorstudio in Goyang.<br />
<br />
Run Forever also features in Hyundai Motor’s commercial TV campaign about clean energy.<br />
<br />
https://universaleverything.co....m/projects/run-forev

A short animation exploring the concept of 'Worldview'.<br />
Working in collaboration with Theos Think Tank, Culham St Gabriel's Trust and Canterbury Christ Church University.<br />
<br />
Directed, animated & designed by Emily Downe<br />
Words by Emily Downe, Trevor Cooling and Bob Bowie<br />
Music & Sound by Jan Willem de With

Introducing Ralph, the new spokes-bunny of the global campaign to ban animal testing for cosmetics. #SaveRalph​​ is a powerful stop-motion animation short film produced by Humane Society International, featuring an all-star multinational cast including Taika Waititi, Ricky Gervais, Zac Efron, Olivia Munn, Pom Klementieff, Rodrigo Santoro, Tricia Helfer and more. https://hsi.global/SaveRalph​<br />
<br />
Save Ralph is a powerful stop-motion animation short film featuring Oscar winner Taika Waititi as the voice of Ralph, who is being interviewed for a documentary as he goes through his daily routine as a “tester” in a lab.<br />
<br />
HSI’s #SaveRalph​ campaign tackles the cruelty of animal testing in an original and unexpected way—using the story of one bunny to shine a light on the plight of countless rabbits and other animals in laboratories around the world.<br />
<br />
While Ralph is animated, the miseries he endures in the short film are far from made up. As Spencer Susser, the director of Save Ralph, says, “It's so important that Ralph feels real because he represents countless real animals who suffer every day.” <br />
<br />
Susser, known for his film Hesher, is among a slate of powerhouse celebrities and influencers who collaborated with Humane Society International on the making of Save Ralph. In addition to Waititi as Ralph and Gervais as the interviewer, the film has Zac Efron as Bobby, Olivia Munn as Marshmallow, Pom Klementieff as Cinnamon and Tricia Helfer as Cottonballs. <br />
<br />
Producer Jeff Vespa (Voices of Parkland) teamed up with the Arch Model studio of puppet maker supreme Andy Gent (Isle of Dogs, The Grand Budapest Hotel) on the production. https://hsi.global/SaveRalph

Earth to COP was the creative response from HTYT Ltd to the brief given to them to produce the Leaders Summit Opening Ceremony for COP26. This film - shown to over 120 World Leaders at the conference - formed the pivotal moment of the ceremony and presents an eyewitness portrait of climate change. Using dramatic mobile phone footage from around the world, this short film shows the extent of damage caused by the change in our climate, contrasted with the beauty of Earth - what is at stake and what our leaders need to protect. It underlines that we have seen some progress, but we need further and faster action.<br />
<br />
The composer of the music for the film, Steven Price is an Academy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him the Academy Award and Critics' Choice Award.<br />
<br />
The Earth to COP film was independently produced by Harder Than You Think and is a partnership with Bloomberg. The film will be widely distributed, including through a principal partnership with Bloomberg, a global partnership with WWF and with TikTok, who share the ambition to help bring Earth to COP to a worldwide audience. It will also be played on digital screens across the UK. <br />
<br />
<br />
<br />
© 2021 HTYT Ltd<br />
<br />
www.earthtocop.org <br />
#earthtocop<br />
<br />
Created by Greg Nugent<br />
Producer: Barnaby Spurrier<br />
Director: Matt Houghton<br />
Editor: Abolfazl Talooni<br />
Executive Producers: Baroness Liz Sugg, Charlotte Todman <br />
Composer: Steven Price<br />
Archive Producer: Aisling Conboy<br />
Production Manager: Paris Faro<br />
Senior Researcher: Calum Campbell<br />
Researcher: Kirsty Asher<br />
<br />
Audio Post Production Studio: String and Tins<br />
Supervising Sound Editor: Will Cohen<br />
Sound Effects Editor: Kaspar Broyd<br />
Re-Recording Mixer: Lawrence Kendrick<br />
Audio Post Producers: Eimear Ní Ghuaire, Alina Miroshnichenko<br />
Picture Post Production Studio: Framestore<br />
Post Production Producers: Sara Beckman, Jake Saunders<br />
Data Services Manager: Nick Rafferty<br />
Post Production Senior Editor: Carey Williams<br />
Flame Artist: Luigi Russo<br />
Head of Grade: Steffan Perry<br />
Digital Assets Editor: Nic Lowicz<br />
Graphic Design: North Studios<br />
Offline Edit Facilities: Azimuth Post Production<br />
<br />
Captions and BSL Production: Cambridgeshire Deaf Association<br />
BSL Translator: Daryl Jackson<br />
Translation Presented by TransPerfect <br />
Accessibility Consultant: Sinéad Burke<br />
Accessibility Consultant: Haben Girma

Each of us are part of a greater whole, a community that grows stronger together especially when it’s open to all. Leanne Pelosi, Jess Kimura, Marion Haerty, Mary Rand, and Amanda Hankison show us just that. A unique look at these inspiring athletes that make up one hell of a portfolio. This one is for the next generation of riders carving their own paths.

Every year more than 20,000 girls are trafficked across the Nepal / India border. Our Daughters chronicles the journey of Karuna, a young woman who since being rescued has dedicated her life to the battle against sexual slavery.<br />
<br />
To help, visit ourdaughtersinternational.org <br />
<br />
Director - Kurt Andrew Schneider<br />
Production - The Eightfold Collective<br />
Executive Producer - Nicholas Stachurski<br />
Cinematographer - Sam Davis<br />
Editor - Kurt Andrew Schneider<br />
Animator - Esteban Melean<br />
Production Design - Brooke Weatherford<br />
Composer - Giosuè Greco<br />
Colorist - Sofie Borup<br />
Sound Design - Gabe Sayre

a Moonhouse film<br />
<br />
featuring Griff Washburn and Sadie<br />
director & cinematography: Ben Moon<br />
executive producer: Sean Patrick Sheahan | Best Friends Music<br />
editor: Jake Price<br />
colorist: Skip Armstrong<br />
music & score: Goth Babe<br />
sound design & final mix: Luke Mathers | Cascadian Sound<br />
archival footage: Levi Hoffbeck | 204Made<br />
<br />
made possible with the support of Amazon Music and JUNESHINE

Photographer Ben Depp has set out to chronicle the wetlands in a series of aerial photographs that he captures with the help of a paramotor that he straps to his back. From above he has become acutely aware of the vast network of pipeline canals which are reportedly responsible for up to 30% of the land loss. In this episode we take a trip to the barrier islands where Ben flies his glider and observes the recent restoration that the state has put into rebuilding the land in this area.

A Small Antelope Horn’ by Carlo Rovelli, theoretical physicist, founder of loop quantum gravity theory and bestselling author, is out now exclusively on Alexander. Set in northern Tanzania, this non-fiction feature follows Rovelli’s recent journey from studying black holes to tracking animals with the Hadza—one of the last hunter-gatherer societies in Africa. Read by Academy Award-nominated actor Richard E. Grant, ‘A Small Antelope Horn’ speaks of the history of civilisation, and the timeless wisdom of nomadic lifestyles of the past.<br />
<br />
Read, listen, and watch the full story on Alexander. Available in the App Store.<br />
<br />
Written by @carlitorovelli <br />
Read by @richard.e.grant <br />
Directed by @_rubberband<br />
Animated by @james_siewert_artwork<br />
Music by @cosmosheldrake<br />
Creative direction @lookstudiosnyc

SATELLIKE - artistic sceneries of Asia, created with ink on a piece of paper.<br />
<br />
This project was initiated by a job I did for the National Palace Museum of Taipeh. The museum ran an exhibition on culture treasures of the history of Taiwan in 2020. I was hired to create fluid and abstract interpretations of some iconic items, a collection of several drawings and artworks. I decided to develop my existing methods further, stepping away from stock paints and ink and creating most of the paints myself. One important aspect was to implement natural colors and realistic earth tones to the color palette and focus more on details than on a commercial look with punchy color and contrast.<br />
Over a period of 4 months, I experimented with natural substances like sand, stone powder and historic pigments. Some of these supplies are rare and expensive, for example jade and malachite powder. <br />
<br />
On Set: https://vimeo.com/507198210<br />
<br />
What you see in SATELLIKE are very long shots of watery ink in motion on several coats of half dried paint. Drying the paint leads to organic structures which can be brought to life again with water, ink and sour flow release mediums. The results look different from my usual approach, way more realistic and less otherworldly. I was excited about the aesthetics of the images and decided to do an individual piece. Although this is the final result for now, it feels more like I’m at the very beginning.<br />
<br />
Thanks for watching.<br />
<br />
_________________________________________________________<br />
This video is available in 8K SDR and HDR for commercial usage. <br />
Request a license here: https://www.terracollage.com/licensing<br />
Music licensed via Premiumbeat: "The Watch" by Tristan Barton.<br />
_________________________________________________________<br />
<br />
Terracollage // Experimental Fluid Art and Macro Cinematography // Stock Footage // Licensing // Production // 8K // HDR<br />
<br />
http://www.terracollage.com<br />
http://www.facebook.com/terracollage<br />
http://www.instagram.com/romandegiuli

Made by Capsaicinco for Walden Pond Books in Oakland, CA. Buy from Walden Pond Books online at: https://bookshop.org/shop/waldenpondbooks<br />
<br />
Writer/Director: Ryland Walker Knight<br />
Creative Director: Sean Gillane<br />
Producer: Chris Walters<br />
<br />
Narrator: Esmé Weijun Wang<br />
Customer: Tracy Nguyen<br />
<br />
Director of Photography: Peggy Peralta<br />
Gaffer: Matt Stouppe<br />
Art Director: Amanda Beane<br />
Asst. Director: Andrew Juncker<br />
<br />
1st AC: Annie Li<br />
2nd AC: Brandon Smith<br />
Best Boy Electric: Marc Lenahan<br />
Key Grip: Ryan Moore<br />
Best Boy Grip: Jon Sun<br />
Grip: DeVron Randle<br />
<br />
Additional photography: Seng Chen<br />
Additional 1st AC: Anthony Rosario<br />
<br />
Production Asst.: Maxine Day Johnson<br />
<br />
Edit+VFX: Capsaicinco<br />
VO Recording Engineer: Jeremy Goody<br />
Sound Designer + Re-recording Mixer: Matthew Tammariello

KidSuper AW22 “The MisAdventures of KidSuper” Paris Fashion Week<br />
<br />
I often get told: “You need a TV Show.” Most of the time it is for a reality show, but I wanted to take a stab at trying to make my own show. Inspired by my own experience and the KidSuper AW22 collection I am proud to present the MisAdventures of KidSuper!!! <br />
<br />
This was a such a crazy undertaking from trying to produce a whole collection, write a script, cast a group of friends, and bring this vision to life. This was an unrealistic deadline to start with and many people told me we should wait. But you only learn and grow from taking the leap, I have never done a film project where I have learned more. I now know exactly what I want for this series. <br />
<br />
I can’t thank enough for all those involved. What a fucking cast of characters!!!!<br />
As many of you know KidSuper has always lived in its own universe. I wanted to capture the hustle and bustle of starting you own brand as a TV Show. <br />
<br />
Hopefully this leads to a tv show!!!!<br />
<br />
THE MISADVENTURES OF KIDSUPER<br />
_______________________<br />
Created by: Colm Dillane<br />
Directed by: Sebastian Sdaigui<br />
Production Company: AT.LAS<br />
Executive Producer: David Wept <br />
Executive Producer: Colm Dillane <br />
Producer: David Wept<br />
Producer: Farah Idrees<br />
Editor/Post Producer: Jordan Rosenbloom<br />
Director of Photography: Franklin Ricart <br />
Stylist: Lucy Boogaerts <br />
Stylist: Colm Dillane<br />
Original Screenplay by: Colm Dillane<br />
Co-Writer: Jordan Rosenbloom<br />
Music: Powers Pleasant<br />
Associate Producer: Lenny Payan<br />
Creative Consultant: Kenny Shimm<br />
Still Photography: Mike Vitelli<br />
1st AD: Jacqueline Eastzer<br />
2nd AD: Deighton McKoy<br />
2nd 2nd AD: Aria Mendoza<br />
Production Manager: Jagger Corcione<br />
Production Coordinator: Kevin Douglas<br />
Staff Production Coordinator: Frank Scott<br />
Steadicam / B-Cam: Kyle Fasanella <br />
1st AC (A-Cam): Manny Rodriguez<br />
1st AC (B-Cam): Karleah Del Moral<br />
2nd AC: Percio Luciano<br />
DIT: Kenny Shimm<br />
Gaffer: David Reichman<br />
Key Grip: Chris Yannaco <br />
BBE: Dillon Puswald<br />
BBG: Corey Gailit<br />
Electric: Alex Rizzo<br />
Grip: Casey Wooden<br />
Grip: Rome Peterson<br />
Grip Driver: Scott Giameo<br />
Production Designer: Linnea Crabtree<br />
Set Dresser: Jenny Melendez<br />
Set Dresser: Zachary Koenig<br />
Set Dresser: Javier Scalley<br />
Set Dresser: Eli Edwards<br />
Set Dresser: Colton Paquette<br />
Art Driver: Yve Bee<br />
Location Scout: Ron Dabach<br />
Parking Coordinator: Extreme Parking<br />
Hair: Penelope Sierra<br />
Makeup: Penelope Sierra<br />
Makeup: Keila Rivera<br />
Makeup Asst: Randall Rosenthal<br />
Style Asst: Chloe Mango<br />
Style Asst: Isabel Catlett<br />
CCO: Akil Mavruk<br />
Key PA: Theo Douglas<br />
AD PA: Christopher Lalli Strauss<br />
Camera Truck PA: Jariel Maria<br />
Production Truck PA: Kristoff Bishop<br />
15 Pass PA: Ezekiel Duncan<br />
15 Pass PA: Dumarck Bartilier<br />
PA: Tyrese Schultz<br />
PA: Massimo Cancelliere<br />
BTS Video: Sebastian Buendia<br />
Assistant Editor: Kenny Shimm<br />
Animation: Jon Frier, Colm Dillane, Kevin Murphy<br />
VFX Production: Dreambear<br />
VFX Artist: Bradley Crawford<br />
Colorist: Josh Bohoskey<br />
Color Producer: Laura Hardy<br />
Color Assistant: Charles Brown<br />
Color Post House: Visual Creatures<br />
Storyboard Artist: Zachary Bright<br />
Boom Op / Sound Mixer: David Chorowski<br />
Boom Op / Sound Mixer: Jude McCormick<br />
Boom Op / Sound Mixer: Nathan Bonetto<br />
Post Sound Services: Soularity Sound<br />
Supervising Sound Editor: Korey Pereira, MPSE<br />
Re-Recording Mixer: Glenn Eanes, CAS<br />
Sound Designer: Tim Rakoczy<br />
<br />
Casting: Bok Creative + DV Casting + KidSuper <br />
Colm: Colm Dillane<br />
Will: Kenneth Cash<br />
Danny: Alex Goldberg<br />
Foda: Rabiullah Sikander<br />
Safa: Joey Bada$$<br />
Yuri: Michael Meth<br />
Maria: Susan Slatin<br />
Brother 1: Big Body Bes<br />
Brother 2: Jonah Mendez<br />
Deli Worker: Rocky the Ocky<br />
Destiny: Princess Nokia<br />
Boy Playing Soccer: Noah Biton<br />
Random Man: Will Erickson<br />
Marc Jacobs: Marc Jacobs<br />
Tattoo Artist: Jo Jerusalem<br />
DJ: Dj Jazzy Jeff<br />
Destiny’s Boyfriend: Myles Garrett<br />
Young Colm: Gabriel Kocis<br />
Young Will: Skylar McDonald<br />
Young Safa: Tyheem “Ty Cash” Barnes<br />
Young Danny: Antonio Costanza<br />
Young Foda: Jonathan Matato<br />
<br />
Music by Powers Pleasant <br />
<br />
“Intro” <br />
featuring Gemaine, Kenneth Cash <br />
Produced by Powers Pleasant, Sucuki, and Shuko<br />
<br />
“Wassup” <br />
featuring Jasiah<br />
Produced by Powers Pleasant, Mason Sacks, and Falcons  <br />
<br />
Music by Safa Gaw<br />
<br />
“Right Wrong”<br />
featuring Safa Gaw<br />
Produced by Khalifa Santo<br />
<br />
“Patience”<br />
featuring Safa Gaw<br />
Produced by FastLife Beats <br />
<br />
All Rights Reserved to the KidSuper Universe

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In a first-of-its-kind Polo collaboration, Grammy-nominated pianist and composer Romain Collin was asked to, quite literally, make music with Ralph Lauren clothing. Along with Jeremy Loucas, the duo named FOSS (@_fossfossfoss) accepted the challenge, making a song in a remote New York cabin in two days, using clothes as the foundation.<br />
<br />
Directed by Matthew Palmer<br />
Shot by Samuel Ott and Matthew Palmer<br />
Edited by Sam Zarrin at Legion Post<br />
Color by Yoomin Lee<br />
Sound Design / Mix by Sam Costello at Legion Post<br />
Clothing by Ralph Lauren<br />
Music by FOSS - Romain Collin and Jeremy Loucas

Director: Ivan Zacharias<br />
Production Company: SMUGGLER<br />
EPs: Patrick Milling-Smith, Brain Carmody, Allison Kunzman<br />
Producer: Nick Landon<br />
Editorial House: Robota<br />
Editor: Filip Malasek<br />
Advertising Agency: Grey<br />
Global CCO: John Patroulis<br />
CCO EU & Creative Chairman UK: Javier Campopiano<br />
President/CCO UK: Laura Jordan Bambach<br />
Global ECD, Volvo: Emiliano Gonzalez De Pietri<br />
Creative Directors: Sam Haynes, John Gibson<br />
Copywriters: Sam Haynes, Javier Campopiano<br />
Art Director: John Gibson<br />
CSO: Raquel Chicourel<br />
Strategic Planners: Bhavin Pabari, Gilliam Caldwell-Dunn<br />
Chief Client Officer: Jeremy Pyne<br />
Business Director: Justine Johnson<br />
Account Director: Andy Wynn<br />
Account Manager: Cara Simcock<br />
Agency Senior Producer: Lindsay Moyes<br />
Agency Print Producer: Richard Ross<br />
Designer: Michael Stephens<br />
Social Media Agency: Wildfire<br />
Managing Director: Olivia Clarkson<br />
Creative Director: Vikesh Amey Bhatt<br />
Account Director: Charlotte Scott<br />
Strategy Director: Asad Shaykh

'Letter to a Cycad' is a visual homage to the historic Palmhouse in Copenhagen, and a reflection on the evolution of plants and our human impact on the planet. Using a fictional voice of the late botanist Frederik Liebmann (1813-1856) who found and described the cycad species Dioon edule, the oldest specimen in the Palmhouse, the film explores life histories and the current biodiversity crisis. <br />
<br />
CREDITS<br />
<br />
PRODUCER<br />
Anders Drud<br />
<br />
ASSOCIATE PRODUCER<br />
Frederik Wolff<br />
<br />
MANUSCRIPT<br />
Rasmus Zwicki<br />
<br />
VOICE AND SOUND<br />
Rasmus Zwicki<br />
<br />
ART DIRECTION, STORY BOARD AND ANIMATION<br />
DarkMatters.dk<br />
<br />
<br />
THANKS <br />
Jesper Riis Christiansen<br />
Ole Seberg<br />
Tonni Eilertsen<br />
Hanne Espersen<br />
Henning Knudsen<br />
Nele Høgsbro<br />
<br />
Supported by IARU Virtual Museum Tours / UNIVERSITY OF COPENHAGEN

Empathy, efficiency, and a willingness to adapt – Kai Lin’s KLIPPA prosthetic foot is inspired by mountain goats and a desire to help people. Kai’s story explores his unlikely alliance with Arc’teryx athlete, Craig DeMartino, from which the pair serve up a holy grail for adaptive rock climbers – a badass prosthetic foot, that won’t just level the playing field, but will dish up, if not superpowers, then a real sense of empowerment. Which is almost the same thing.<br />
<br />
Part 1 of the Arc'teryx series "Problem Solvers".<br />
<br />
Directed by: Jordan Manley<br />
<br />
Featuring: Kai Lin & Craig Demartino<br />
<br />
Producers:<br />
<br />
Diana Bruccullieri<br />
Angela Percival<br />
James Kim<br />
Jill Young<br />
Laura Yale<br />
<br />
Cinematography, Editing, Sound Design: Jordan Manley<br />
<br />
Additional Sound Design and Mix: Jeff Yellen / Ridgeline Sound<br />
<br />
Animation: Jordan Manley and Daniel Irvine<br />
<br />
Editorial Advisors: Daniel Irvine and Chad Manley<br />
<br />
Grip, Assistant Camera, Assistant Editor: Bill Hawley<br />
<br />
Rigging:<br />
<br />
Cyndy DeMartino<br />
Paul McSorely<br />
Angela Vanwiemeersch<br />
Ken Gibson

·Production Company: The Youth<br />
·Director: YUCA<br />
·Director of Photography: Giordano Maestrelli<br />
·Still Photography & Video Collection: YUCA<br />
·Direção de arte: YUCA e The Youth crew<br />
·Editing: YUCA<br />
·Executive Producer: Eduardo Lubiazi<br />
·Color Grade: Acauan Pastore<br />
·1st AC: Duran Sodré<br />
·Post Production Supervisor: Diogo Gameiro <br />
<br />
·Creatives: Renan Molin, Lindsei Barros, Charles Faria<br />
·Music Production Company: Jamute<br />
·Music Producers: James Pedrozo Pinto, Daniel Telles, Thiago Lester, Leck Gomes and Marcos Vaz<br />
·Executive Producer: Alejandro Ramos Lepez<br />
·Sound Engineers: Otavio Bertolo, Fernanda Galetti and Rafael Laurenti<br />
·Production Coordinators: Julianna Zuppo and Leonardo Vieira<br />
<br />
·Special thanks: Lab:Lab Analógico, Sabiá Laranjeira, Armada, Tatunca Nara.