Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where<br />
they were born and still live, celebrating the magnificent mountains where their desire to<br />
explore the wilderness has grown.<br />
‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land<br />
like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their<br />
own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the<br />
massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain<br />
enviromental they started appreciating wilderness and developing the outdoor skills that has allowed<br />
them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film,<br />
it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a<br />
devastating earthquake 10 years ago.<br />
<br />
MUSIC<br />
The Nature Of The Game - Dan Fogelberg<br />
Tell Me Lies - The Black Keys<br />
They Wore Blue - Otis Taylor<br />
Secret of Life - Lord Huron<br />
<br />
FILMING EQUIPMENT<br />
Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5<br />
Gimbal camera 1: Feiyu G6 Plus<br />
Lens filter camera1: Mag Filter CPL 42mm<br />
Camera 2: Canon EOS 100D<br />
Primary Lens: Canon EF-S 60 mm F2.8 USM Macro<br />
Spare Lens: Canon EF-S 24 mm F/2.8 STM<br />
GoPro: Hero 5 Black<br />
GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32<br />
GoPro Gimbal: Feiyu Tech WG2X<br />
Drone: DJI Mavic Air<br />
Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL -<br />
ND64/PL<br />
Microphone 1: RØDE VideoMic Pro<br />
Microphone 2: RØDE Lavalier GO<br />
Camera slider: Grip Gear Movie Maker 2<br />
Tripod 1: SIRUI T-025SK Carbon Fiber<br />
Tripod 2: JOBY GorillaPod 1K

Every year in May, the Centifolia rose blooms in Grasse, France. It is the rarest, most fragrant rose in the world and can only be harvested by hand, at dawn, within a four-hour window. Rose pickers from neighboring towns arrive every May at rose fields which have been cultivated by the family for six generations. In this short doc, the harvesters reflect on their relationship to the rose and the personal meaning of this fleeting bloom.<br />
<br />
director BRADLEY TANGONAN <br />
cinematographer JEREMY SNELL<br />
producer ALEXANDRA BYER<br />
line producer MADELEINE ASKWITH <br />
creative director DEBORAH ROYER<br />
creative operations CAROLINA KINA<br />
1st AC TIMOTHEE ARENE<br />
sound recordist CHRISTOPHER SCHNEIDER<br />
editors NICK STONE / BRADLEY TANGONAN<br />
music JORDAIN WALLACE<br />
sound mix and design ZAK ENGEL<br />
color KATH RAISCH / COMPANY 3

Also check out my Pyongyang film here: https://vimeo.com/300271709<br />
<br />
A few weeks back I had the chance to visit Pyongyang and attend the Mass Games there. This show is by far the most incredible and amazing performance I have ever laid my eyes on. Watch this 4 minute film and you will know why. Only a communist country can pull something like this off I guess. However, I do not want to get involved in politics here, so please do your own research. <br />
<br />
<br />
Many thanks to Simon Cockerell and Jessica Mader from Koryo Tours ( https://koryogroup.com ) and Ri So Hyang, Kim Sun Mi, Lee Song Hyok, Kim Yong Un from KITC for arranging permissions and making this project possible. <br />
By the way: I did not get paid to shoot this film!<br />
<br />
Mass Games can basically be described as a synchronized socialist-realist spectacular, featuring over 100,000 participants in a 90-minute display of gymnastics, dance, acrobatics, and dramatic performance, accompanied by music and other effects, all wrapped in a highly politicized package. Students practiced every day from January onwards. The 90 minute performance is held every evening at 7pm and features the 'largest picture in the world' a giant mosaic of individual students each holding a book whose pages links with their neighbours’ to make up one gigantic scene. When the students turn the pages the scene or individual elements of the scene change, up to 170 pages make up one book. <br />
In August 2007, the Mass Games were recognised by Guinness World Records as the largest gymnastic display with 100,090 participants at the May Day Stadium in Pyongyang. (Source Wikipedia)<br />
<br />
A time-lapse tilt-shift film by Joerg Daiber.<br />
<br />
Facebook: https://www.facebook.com/MiniatureFilms<br />
Twitter: http://www.twitter.com/spoonfilm<br />
YouTube: http://www.youtube.com/littlebigworld<br />
Web: http://www.spoonfilm.com<br />
<br />
You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license<br />
<br />
WATCH FULL SCREEN!<br />
Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite.<br />
<br />
Music: The Internationale by Pierre De Geyter, performed by Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky<br />
and Swan Lake by Pyotr Il'yich Tchaikovsky, performed by Apollo Symphony Orchestra.

Most kids from underserved communities in the Bay Area would never see a golf course if it wasn't for The First Tee of San Francisco. But more than a youth sports nonprofit, The First Tee provides resources and mentorship to help these adolescents pursue higher education and become successful adults. They asked us to tell the story of their transformational program.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography by Noe Chavez<br />
Sound Recording by Jeff Dragomanovich & Patrick Shaffer<br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Dead Light (Courtesy of Marmoset)<br />
Colourist - David Tomiak<br />
Gaffer/Grip/AC - Tandy Kyne<br />
Production Manager - Rachel Barth<br />
Production Assistant - Shervin Nakhjavani

El Viento is a non-profit providing opportunities for at-risk-youth in the Oak View community of Huntington Beach, California. If Oak View was a city, it would be the 11th poorest in the United States. Most families don't even think of education past high school. Since its inception, El Viento's afterschool program has given many students the support and structure to achieve unprecedented academic success. This is a story of three of those students.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography & Visual Effects by Noe Chavez<br />
Underwater Cinematography by Mike McMillan<br />
Location Sound by Samuel Mutch <br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Keen Collective (Courtesy of Marmoset)<br />
Colourist - Ayumi Ashley<br />
Production Manager - Kimberly Parker<br />
Production Assistants - Kevin Chang & Benjamin Peterson<br />
Translation - Tiffany Sainz & Lindsey Ridgway<br />
Security - Mark Parro

Lost in the trappings of his own success, Jeremy embarks on a journey of self discovery. <br />
<br />
Official selection Fantasia Film Festival 2023<br />
Special section Uppsala Short Film Festival 2023<br />
<br />
A film by Andrew Duncan<br />
Production Pral

It’s Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. During the course of the night, she'll be forced to make a fateful decision. (Synnøve and Michelle are mother and daughter in real life and play versions of themselves in a story that’s very close to their own lives.) <br />
<br />
Cast: Synnøve Muren, Michelle Muren, Aurora Gaczek, Maren Sennels Jenssen, Ole Victor Corral.<br />
<br />
Writer & director: Aslak Danbolt<br />
Cinematographer: Lukasz Zamaro<br />
Editor: Mathias Hamre Askeland<br />
Sound: Fanny Wadman<br />
Sound Design & Mix: Carl Svensson<br />
Production Design: Kristian Lahn Vestby<br />
Make-up: Hannah Ortner<br />
Costume: Elise Nystad<br />
Casting: Vilde Bie<br />
VFX: Pål Hoem Sletsjø<br />
Colorist: Didrik Bråten<br />
Poster Design: Jakob Vege<br />
Line Producer: Mari Ellefsæter

Last year we traveled to Ethiopia to shoot 'Letisha’s Well', a documentary by Run For Water - a non profit organization bringing clean water to communities in Ethiopia. This is a visual diary of some of the people we met and places we visited, but also the lasting impression it left on us.<br />
<br />
You can donate at this link to help some of these communities: runforwater.ca/donate<br />
<br />
Featured on: https://tv.booooooom.com/2018/07/26/premiere-ethiopia-a-visual-diary-matej-balaz-cole-graham/<br />
<br />
<br />
Director: Matej Balaz<br />
Producer: Peg Peters, Matej Balaz<br />
Cinematographer: Cole Graham<br />
Editor: Cole Graham<br />
Colourist: Sam Gilling<br />
1st AC: Mikael Bidard<br />
Sound Recording: Dasa Netikova<br />
Production assistant: Eyerusalem Abebe<br />
Production: Run For Water, Falling Frogs Media, Colla Films<br />
Music: Mulatu Astatke - Tezeta (Nostalgia)<br />
<br />
Thank you to RAW Camera for helping us with camera equipment

Content warnings: conversion therapy, coercion, transphobia, psychological harm.<br />
<br />
It’s been nearly five years since the UK Government first promised to ban so-called ‘conversion therapy’. Yet today, more than 1.5 million LGBTQ+ people in England and Wales remain at risk of these harmful attempts to ‘cure’ us.<br />
<br />
We made this short film with Stonewall and 21* other LGBTQ+ organisations, based on the real experiences of conversion therapy survivors.<br />
<br />
The UK Government recently moved to put a legislative ban back on the table. But after years of U-turns and broken promises, it's vital that the UK Government does not delay any further, and publishes a draft Bill and timetable for legislation as soon as possible.<br />
<br />
<br />
Produced by Academy films. Agency The&Partnership.

Every year more than 20,000 girls are trafficked across the Nepal / India border. Our Daughters chronicles the journey of Karuna, a young woman who since being rescued has dedicated her life to the battle against sexual slavery.<br />
<br />
To help, visit ourdaughtersinternational.org <br />
<br />
Director - Kurt Andrew Schneider<br />
Production - The Eightfold Collective<br />
Executive Producer - Nicholas Stachurski<br />
Cinematographer - Sam Davis<br />
Editor - Kurt Andrew Schneider<br />
Animator - Esteban Melean<br />
Production Design - Brooke Weatherford<br />
Composer - Giosuè Greco<br />
Colorist - Sofie Borup<br />
Sound Design - Gabe Sayre

Full VFX breakdown: https://youtu.be/FkK7ty8ymDc

Director : Elena Petitti Di Roreto & Martin de Thurah<br />
Agency : Publicis <br />
Production : Henry<br />
DOP : Timios Bakatakis<br />
Editor : Francesco Roma, Yannick Giffard<br />
<br />
<br />
Post production : Prodigious<br />
Post-producer : Nathalie Depas<br />
<br />
VFX Studio :The Mill Paris<br />
Executive Producer : Christophe Huchet<br />
VFX Producer : Kahina Lamblin<br />
VFX Supervisor : Vincent Venchiarutti<br />
Shoot Supervisor : Damien Canameras<br />
CG Supervisor : Guillaume Ho Tsong Fang<br />
Rigging : Marine Sisknaki<br />
Animation : Clotilde Blondel<br />
FX : Karim Lachaize<br />
Lighting : Marouan El Bekri<br />
Compositing : Mathias Barday<br />
Flame : Valentin Gingembre<br />
Motion : Vincent Ewald, Alexandre Tarquini<br />
<br />
- Etalonnage -<br />
Colourist : Jean-Clément Soret<br />
Colourist Assistant : Loïc Lavaux

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