After 100 years of progress, AI bots have finally become too human for their own good.<br />
A TED Film<br />
Starring Rebecca Front and Hugh Skinner<br />
Directed by Chris Vernon and Emerald Fennell <br />
Written by James Ross Edwards<br />
Produced by Mother London

insignificant reflections.<br />
<br />
Created by Daniel Koren https://www.instagram.com/daniel_koren_/<br />
Special thanks to Dave Hughes and Adult Swim

Feelings get complicated and oddly mutual amongst a trio of friends in Heavy Chemistry, a short comedy about love, friendship, attraction, hunger, lust, and other complex chemical reactions.<br />
<br />
World Premiere, SXSW 2018<br />
Official Selection, DIFF 2018<br />
<br />
https://www.facebook.com/heavychemistry/<br />
<br />
Writer / Director / Editor: Blair Rowan<br />
Produced by: Quinn Eisenbraun & Blair Rowan<br />
Director of Photography / Colorist: HutcH<br />
<br />
CAST<br />
Jonathan Barnes - Boyfriend<br />
Amber Emery - Girlfriend<br />
Chris Gardner - Best Friend<br />
Chris Billings - Pizza Guy<br />
Farah White - Newscaster<br />
<br />
Assistant Director: Quinn Eisenbraun<br />
Audio Recordist: Mike Walker<br />
Post Audio: Gordon Gibson<br />
Assistant Camera / Grip: Casey Pepin<br />
Head Production Assistant: James Hargrave<br />
Set Photographer / Production Assistant: Clayton Browning

Born out of his Jamaica sound system roots, DJ Kool Herc changed the face of the planet in the 1970s, resourcefully creating something out of nothing called Hip-Hop. Heavy bass, scratching, break dancing, rap, graffiti art and dress code, mixing old flavours and making new, fresh statements are at the core of the culture's expression. All of these component parts of HIP HOP I love, live for and are the driving forces behind what drove me to write, produce, finance and direct my contribution to the culture called Hip Hop Cafe.<br />
<br />
A short film for real HIP-HOP heads globally, this one is for you. As far as I am aware, a film like this hasn’t existed until now. <br />
<br />
<br />
Credits<br />
<br />
Written, directed and produced by Robbie Samuels www.superrocketman.com<br />
Producers: James Pearcey, Pranav Arya, Russell Would<br />
Line Producers: Romain Richard, Alex Olivares & Patrick Greene<br />
<br />
Cast<br />
<br />
Jack: Osy Ikhile<br />
Jenny: Carla Harrison-Hodge<br />
Marge: Shola Adewusi<br />
Bonita: Jenny Mayers<br />
Waitress: Ania Sowinski<br />
Waiter: Tom Haywood<br />
Chess Player: Tunji Falana<br />
Hov: Gary Beadle<br />
Mr Dobalina: Masashi Fujimoto<br />
Saxophone man: Miguel D'Oliveira<br />
Chef: Femi Houghton<br />
<br />
Production<br />
<br />
Director of Photography: Andrew Kuchanny<br />
Production Designer: Vicky Hurley<br />
Editor: Paul Boobyer<br />
Costume Designer: Anne-Aurélie Pillet<br />
First Ad: Chris Malin<br />
Second Ad: Sam Bokma<br />
Gaffer: Jim Agnew<br />
Spark: Edward Hiscox<br />
<br />
Production Assistants: Claire Nolan & Huw Edwards<br />
DIT: Henri Plint<br />
Prop Buyer: Felicity Wetherell<br />
1st AC: Calvin Day<br />
2nd AC: Abi Hurcomb<br />
Grip: Carl ’Lump’ Dunn<br />
Sound Recordist: Rowan October<br />
Wardrobe Assistant: Hanna Szirmai<br />
Makeup Artist: Jessica Goh<br />
Stills Photography: Cregg St. Rose<br />
Catering: Mamma & Honnie Tang<br />
<br />
Post-Production<br />
<br />
Titles and Credit Design: Mark One & Bentley Middlewick<br />
<br />
Digital Distortion<br />
<br />
Pre-Visualisation: Dan Sollis & Phil Trease<br />
<br />
Time Based Arts<br />
<br />
Post Producer: Sean Ewins<br />
Compositing: Jamie Crofts, Ralph Briscoe<br />
Additional Compositing: Linda Cieniawska<br />
Colourist: Jack McGinty<br />
<br />
Vaudeville <br />
<br />
Sound Supervisor: Scott Marshall<br />
Re-Recording Mixer: Luke Hatfield<br />
Dialogue Editor: Vincenzo Bosa<br />
Sound Designer: Tom Joyce<br />
<br />
Music<br />
<br />
Original Music by: Golden Kimono<br />
<br />
Dedicated to Nick, a man that loved the music more than most.

Written & Directed by Harry Israelson<br />
<br />
A Ways & Means Production<br />
www.ways-means.co<br />
<br />
Starring <br />
Lola Kirke<br />
Jack Henry Robbins<br />
<br />
Executive Producers<br />
Lana Kim<br />
Jett Steiger<br />
<br />
Produced by Sonja Mereu<br />
<br />
Cinematography by Jeff Leeds Cohn<br />
<br />
Music by Chaz Bear & Anthony Ferraro<br />
<br />
Color by Mikey Rossiter (The Mill)<br />
<br />
VFX by Dark Arts<br />
<br />
Sound Design by Unbridled Sound<br />
<br />
Special Thanks<br />
PANAVISION<br />
<br />
www.PrimaryColors.tv

How well do you really know your co-workers?<br />
<br />
Created By: Byron Brown & David James Ward<br />
Contact Us: byron.and.dave at gmail dot com<br />
https://twitter.com/davidwardfilm<br />
https://twitter.com/byronbrowntown<br />
<br />
<br />
Starring: <br />
Byron Brown <br />
Nicholas Saenz<br />
Sandra Fountain <br />
Haley Alea Erickson<br />
Sanjay Rao<br />
Shannon McCormick as Rockin' Rodney<br />
<br />
Makeup by: Jenny Lin<br />
Production Assistant: Brandon Spalding<br />
Special Thanks: Jordan Haro, Genuine Joe Coffeehouse<br />
<br />
Filmed on the Sony FS7

Anaben Pawar is an elderly tribal woman accused of witchcraft in rural India. Through Ana's story, we delve into a deep-rooted culture of patriarchy and examine one of the most monstrous attacks on women's bodies in modern India: the witch-hunt.<br />
<br />
<br />
https://www.kinostreetfilm.com/<br />
instagram.com/kinostreet_official/<br />
facebook.com/kinostreetofficial/<br />
twitter.com/Kinostreet1<br />
<br />
<br />
Best Non-Feature Film: 68th National Film Awards of India (Swarna Kamal / Golden Lotus)<br />
Best Short Documentary: 13th International Documentary and Short Film Festival of Kerala<br />
Best Sound Editing: 11th Annual Social Impact Media Awards<br />
Best Short Film: 7th Indie Meme Film Festival (Audience Choice Award)<br />
Best Social Justice Short Film: 16th Tasveer Film Festival<br />
Special Mention: 15th SiGNS Film Festival of Kerala (Cinema of Resistance)<br />
<br />
<br />
World Premiere: 28th Hot Docs Canadian International Documentary Festival<br />
European Premiere: 61st Kraków Film Festival<br />
UK Premiere: 29th Raindance Film Festival<br />
Toruń Premiere: 29th EnergaCAMERIMAGE International Film Festival<br />
Asian Premiere: 13th International Documentary and Short Film Festival of Kerala<br />
French Premiere: 35th Festival International de Programmes Audiovisuels (FIPADOC)<br />
US Premiere: 16th Tasveer Film Festival<br />
Missouri Premiere: 30th St. Louis International Film Festival<br />
Hungarian Premiere: 18th Verzió International Human Rights Documentary Film Festival<br />
Spanish Premiere: 20th Imagine India International Film Festival<br />
Norwegian Premiere: 9th Nordic/Docs Documentary Film Festival<br />
South American Premiere: 9th International Documentary Film Festival, Buenos Aires (FIDBA)<br />
Muvattupuzha Premiere: 15th SiGNS Film Festival, Kerala<br />
Texas Premiere: 7th Indie Meme Film Festival<br />
Odisha Premiere: 3rd Indian Documentary Film Festival of Bhubaneswar<br />
<br />
<br />
Featuring: Anaben Pawar<br />
Director & Editor: Sachin Dheeraj<br />
Producers: Sachin Dheeraj, Janani Vijayanathan<br />
Director of Photography: Rohin Raveendran Nair<br />
Production Sound: Nilesh Jatwa<br />
Assistant Camera: Alpesh Singh Jadeja<br />
Sound Design: Shreyank Nanjappa<br />
Sound Mixing: Morgan Honaker<br />
Colorist: Mahak Gupta<br />
Associate Producer: Utsav Chadha<br />
Line Producer: Roshan Saroliya<br />
Grading Studio: Bridge PostWorks<br />
Editing Supervisor: Anne Lewis<br />
Translators: Laxman Bagul, Sahil Bhoye, Nilesh Pawar<br />
Graphic Designers: Clara Hill León, Utsav Chadha<br />
Production Assistants: Umesh Bhoya, Hiralal Deshmukh, Ramesh Dhoom, Santosh Chaudhary, Pruthvi Bhoye, Akash Chaudhary

Finn takes a regular route into a hookup...<br />
<br />
Festivals: BFI London Film Festival/ BFI Flare/ Anima Belgium/ LSFF/ Outshine <br />
<br />
Direction & Animation - David McShane<br />
Finn - Simon Manyonda <br />
Alex - Arun Blair-Mangat <br />
Sound & Mix - Ines Adriana<br />
Composition - Will Turner

An overworked woman in the midst of an existential crisis realises that she must refocus on what’s important.<br />
<br />
<br />
<br />
<br />
<br />
Written and Directed by Sam Southward<br />
<br />
Art Direction by Dirk Schuster, Benjamin Simon, Anastasiia Ibragimova<br />
<br />
Associate Art Director Tim Eiden<br />
<br />
Music & Sound by Peter Albertz AKA Fonty Music<br />
<br />
3D Artists Konstantin Twardzik, Martin Thul, Anastasiia Ibragimova, Dirk Schuster, Benjamin Simon, Tim Eiden, Anastasia Berezhnaya<br />
<br />
3D Animation Martin Thul, Konstantin Twardzik<br />
<br />
2D Animation Dirk Schuster, Tim Eiden<br />
<br />
Character Design Anastasiia Ibragimova<br />
<br />
Storyboard Sam Southward, Tim Eiden<br />
<br />
Graphic Design & Illustration Anastasiia Ibragimova, Tim Eiden<br />
<br />
Produced by: FOREAL®<br />
<br />
www.weareforeal.com<br />
<br />
<br />
www.samsouthward.co.uk

Once commonplace in the United States, today Los Angeles is by far the largest and one of the last American cities to provide free and freely repaired musical instruments to its public schoolchildren, a continuous service since 1959. From Academy Award®-nominated directing duo Kris Bowers and Ben Proudfoot, The Last Repair Shop grants an all access pass to the nondescript downtown warehouse where a dwindling handful of devoted craftspeople keep over 80,000 student instruments in good repair.

Directed by Ben Proudfoot & Kris Bowers
Featuring Dana Atkinson, Paty Moreno, Duane Michaels & Steve Bagmanyan
Edited by Nick Garnham Wright
Cinematography by David Feeney-Mosier
Original Score by Katya Richardson
with themes by Kris Bowers
Color by Stephen Derluguian
Executive Produced by Jane Solomon, Peter Rotter, Ben Proudfoot, Kris Bowers, Briana Henry
Produced by Ben Proudfoot, Kris Bowers, Jeremy Lambert, & Josh Rosenberg


Produced by Breakwater Studios
Presented by Searchlight Pictures and L.A. Times Studios

Synopsis: <br />
Maria Luisa is ready to escape immigration limbo, but when her green<br />
card interview takes an unexpected turn, she faces the anxiety of<br />
losing the life she had planned.<br />
<br />
<br />
Director: Luis Fernando Puente<br />
Screenwriter: Luis Fernando Puente<br />
Producer: Rollins Wimber<br />
Producer: Lizde Arias<br />
Assistant Producer: Elizabeth K. Martinez<br />
Executive Producers: Rachel B. Davis,<br />
Brandon Cummings, Robert Machoian. Laura Heberton<br />
Cinematography: Oscar Ignacio Jiménez<br />
1st AC: Mars Moreno Lee<br />
Production Design: Elizabeth Harrison Valle<br />
Hair and Makeup: Marcelle Leon<br />
Edited By: Marshal Davis<br />
Composer: Jorge Murcia<br />
Sound Design: Erik Naumann<br />
Color: J. Cody Baker<br />
Production Designer: Elizabeth Harrison Valle<br />
Principal Cast: Alejandra Herrera, Enoc Oteo, Cherie Julander, <br />
<br />
Thumbnail by Mathew Chadbourne<br />
<br />
OFFICIAL SELECTION:<br />
Sundance Film Festival <br />
Montclair Film Festival<br />
South side Film Festival Bethlehem, PA<br />
Deserscape International Film Festival<br />
HollyShorts Film Festival<br />
Shorts Not Pants<br />
Salute Your Shorts Festival<br />
Calgary International Film Festival<br />
Mallorca International Film Festival<br />
Loft Film Fest<br />
Hill Country Film Festival<br />
Cleveland International Film Festival<br />
Indie Memphis Film Festival<br />
Sun Valley Film Festival<br />
Houston Latino Film Festival<br />
Brooklyn Film Festival<br />
Aspen ShortsFest<br />
Guanajuato International Film Festival<br />
Nashville Film Festival<br />
Santa Bárbara International Film Festival<br />
Julien Dubuque International Film Festival<br />
Florida Film Festival<br />
San Luis Obispo International Film Festival <br />
Palm Springs International ShortsFest<br />
The Micheaux Film Festival<br />
Middlebury New Filmmakers Festival<br />
Atlantic International Film Festival<br />
New York Latino Film Festival<br />
Lone Star Film Festival <br />
<br />
WINNER:<br />
Nevada City Film Festival: Winner Best Film<br />
Nevada City Film Festival: Winner Best Short Film<br />
Cine Las Americas International Film Festival: Best Hecho en Tejas <br />
Dallas International Film Festival: Best Short Film<br />
44 CineFestival San Antonio: Best Texas Short Film<br />
Fear No Film: Utah Short Film of The Year<br />
Fear No Film: Best Conematography

It’s Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. During the course of the night, she'll be forced to make a fateful decision. (Synnøve and Michelle are mother and daughter in real life and play versions of themselves in a story that’s very close to their own lives.) <br />
<br />
Cast: Synnøve Muren, Michelle Muren, Aurora Gaczek, Maren Sennels Jenssen, Ole Victor Corral.<br />
<br />
Writer & director: Aslak Danbolt<br />
Cinematographer: Lukasz Zamaro<br />
Editor: Mathias Hamre Askeland<br />
Sound: Fanny Wadman<br />
Sound Design & Mix: Carl Svensson<br />
Production Design: Kristian Lahn Vestby<br />
Make-up: Hannah Ortner<br />
Costume: Elise Nystad<br />
Casting: Vilde Bie<br />
VFX: Pål Hoem Sletsjø<br />
Colorist: Didrik Bråten<br />
Poster Design: Jakob Vege<br />
Line Producer: Mari Ellefsæter

“FATHERS” is a powerful film that interrogates and challenges stereotypes surrounding the role of the black father in modern society.<br />
<br />
“FATHERS” gives us an insight into the emotional and spiritual lives of a group of young black men, whose mental health is all too often disregarded. <br />
<br />
It charts their experiences navigating the persistent tug of war between providing for their families, fulfilling their creative and artistic ambitions and raising a young family. <br />
<br />
The film is underscored by a beautiful sound-bed, with music from the album "Our Father" by Azekel, and accompanied by the rich tones of artist and poet Sophia Thakur. Thakur’s voice is heard on the film itself – highlighting a mother’s perspective of the battle that she sees these "superheroes" going through. <br />
<br />
Created by BYUS Group, consisting of Azekel, Ade Adesina, Olan Collardy & Dumas Haddad, who are all young fathers in the creative industry themselves. They have endeavoured to provide a truly artistic, innovative unique and artistic approach to documentary storytelling.<br />
<br />
https://directorsnotes.com/2019/07/04/dumas-haddad-fathers/<br />
<br />
Artist: Azekel<br />
Director: Dumas Haddad<br />
Creative Director: Ade Adesina<br />
Director of Photography: Olan Collardy<br />
Production Company: ByUsGroup Films<br />
1st AC: Kairo Jones<br />
Colourist: Peter Oppersdorff<br />
Grade House: MPC<br />
Audio Mix: Delvinder Singh<br />
Music Courtesy of Azekel from the album 'Our Fathers'<br />
Narrator & Voice Over: Sophia Thakur<br />
<br />
All footage available to license from Film Supply: flmsp.ly/fthrsdh

A cautionary tale.

CAST
Best Friend ... John Craven
Best Friend ... Charles Shaw Robinson

CREW
Director / Writer / Cinematographer ... Mario Furloni
Composer ... William Ryan Fritch
Editor ... Mario Furloni
Producers ... Mario Furloni, Kate McLean, Laura Heberton
Co-Producers ... Robert Arnold, Jason Sussberg
Colorist ... Robert Arnold
Sound Recordist ... Henrique Campos
Story By ... Mario Furloni
Sound Designer ... Peter Albrechtsen
Re-recording Sound Mixer ... David Barber
Dialogue Editor ... Thomas Pape
Sound Effects Editor ... Mikkel Nielsen
Foley Artist ... Heikki Kossi, MPSE
Foley Mixer ... Lauri Marjamaa
Foley Editor ... Pietu Korhonen
Sound Facilities ... Offscreen, Copenhagen
Foley Studio ... H5 Film Sound, Ltd

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?<br />
<br />
<br />
<br />
Client: We Are Playgrounds<br />
Director: Erwin van den IJssel<br />
<br />
Additional Animation: Hugo Morais, Kanso Ogbolu<br />
Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

In a documentary by Christine Turner, the painters behind the official portraits of Barack and Michelle Obama share their thoughts on the portrayal of Black bodies on canvas.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

For Your Consideration. Best Short Documentary. <br />
<br />
<br />
An 81-year old Black American woman speaks about her life as a teacher, author, wife and friend whilst seeing the last of her living siblings for the first time in 25 years. <br />
<br />
<br />
Directer/Producer/Cinematographer/Composer/Editor/Colorist: Sterling Hampton IV<br />
Drone/Aerial Photography: Joey Killeen<br />
5.1 Mix: Bob Tiwana<br />
<br />
<br />
<br />
<br />
Sterling Hampton IV<br />
https://www.clashoftheartisticminds.com/

A young girl struggles to be present in her life while navigating the arbitrary rules of society, capitalism, and consumerism through the lens of childhood toys.

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

CREDITS<br />
<br />
Directors<br />
Clara Franciosi<br />
Salomé Hammann<br />
Valentine Vendroux<br />
<br />
Kind of Morning<br />
Written, produced and arranged by Please<br />
<br />
Backgrounds<br />
Clara Franciosi<br />
<br />
Character Layout <br />
Valentine Vendroux<br />
<br />
Animation <br />
Elie Martens<br />
Roman Guillanton<br />
Salomé Hammann<br />
Valentine Vendroux<br />
Julien Sarraute<br />
<br />
Animation interns<br />
Edmonde Fassola<br />
Zhen Zhou<br />
<br />
Compositing<br />
Sébastien Kirszenblat <br />
<br />
Credit Sequence<br />
Samy Baudoin<br />
<br />
Animation Studio<br />
Brunch Studio <br />
<br />
Post Production<br />
Everest<br />
<br />
Color Grading<br />
Baptiste Vieillard<br />
<br />
Production<br />
Eddy<br />
<br />
Producer<br />
Stella Ramsden<br />
<br />
Line Producer<br />
Romane Belaïsch<br />
<br />
Production Assistants<br />
Josepha Kaptur<br />
Maria Markova<br />
<br />
Special thanks to<br />
Good Manners Records<br />
Jean-Baptiste Bertholom <br />
Isa Taoui<br />
With the support of CNC and CNM