A cautionary tale.

CAST
Best Friend ... John Craven
Best Friend ... Charles Shaw Robinson

CREW
Director / Writer / Cinematographer ... Mario Furloni
Composer ... William Ryan Fritch
Editor ... Mario Furloni
Producers ... Mario Furloni, Kate McLean, Laura Heberton
Co-Producers ... Robert Arnold, Jason Sussberg
Colorist ... Robert Arnold
Sound Recordist ... Henrique Campos
Story By ... Mario Furloni
Sound Designer ... Peter Albrechtsen
Re-recording Sound Mixer ... David Barber
Dialogue Editor ... Thomas Pape
Sound Effects Editor ... Mikkel Nielsen
Foley Artist ... Heikki Kossi, MPSE
Foley Mixer ... Lauri Marjamaa
Foley Editor ... Pietu Korhonen
Sound Facilities ... Offscreen, Copenhagen
Foley Studio ... H5 Film Sound, Ltd

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?<br />
<br />
<br />
<br />
Client: We Are Playgrounds<br />
Director: Erwin van den IJssel<br />
<br />
Additional Animation: Hugo Morais, Kanso Ogbolu<br />
Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

In a documentary by Christine Turner, the painters behind the official portraits of Barack and Michelle Obama share their thoughts on the portrayal of Black bodies on canvas.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

For Your Consideration. Best Short Documentary. <br />
<br />
<br />
An 81-year old Black American woman speaks about her life as a teacher, author, wife and friend whilst seeing the last of her living siblings for the first time in 25 years. <br />
<br />
<br />
Directer/Producer/Cinematographer/Composer/Editor/Colorist: Sterling Hampton IV<br />
Drone/Aerial Photography: Joey Killeen<br />
5.1 Mix: Bob Tiwana<br />
<br />
<br />
<br />
<br />
Sterling Hampton IV<br />
https://www.clashoftheartisticminds.com/

A young girl struggles to be present in her life while navigating the arbitrary rules of society, capitalism, and consumerism through the lens of childhood toys.

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

CREDITS<br />
<br />
Directors<br />
Clara Franciosi<br />
Salomé Hammann<br />
Valentine Vendroux<br />
<br />
Kind of Morning<br />
Written, produced and arranged by Please<br />
<br />
Backgrounds<br />
Clara Franciosi<br />
<br />
Character Layout <br />
Valentine Vendroux<br />
<br />
Animation <br />
Elie Martens<br />
Roman Guillanton<br />
Salomé Hammann<br />
Valentine Vendroux<br />
Julien Sarraute<br />
<br />
Animation interns<br />
Edmonde Fassola<br />
Zhen Zhou<br />
<br />
Compositing<br />
Sébastien Kirszenblat <br />
<br />
Credit Sequence<br />
Samy Baudoin<br />
<br />
Animation Studio<br />
Brunch Studio <br />
<br />
Post Production<br />
Everest<br />
<br />
Color Grading<br />
Baptiste Vieillard<br />
<br />
Production<br />
Eddy<br />
<br />
Producer<br />
Stella Ramsden<br />
<br />
Line Producer<br />
Romane Belaïsch<br />
<br />
Production Assistants<br />
Josepha Kaptur<br />
Maria Markova<br />
<br />
Special thanks to<br />
Good Manners Records<br />
Jean-Baptiste Bertholom <br />
Isa Taoui<br />
With the support of CNC and CNM

Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their Auntie Pinky’s house in southeast San Diego in 2006.<br />
<br />
—<br />
<br />
50+ FESTIVAL SELECTIONS AND WINNER OF:<br />
2023 Sundance Film Festival · Short Film Grand Jury Prize (Academy Qualifying)<br />
2023 SXSW Film & TV Festival · Special Jury Award for Vision<br />
2023 Nevada City Film Festival · Best Production Design, Best Editing<br />
2023 San Diego Filipino Film Festival · Jury Award for Best Short Narrative, Audience Award<br />
2023 Drunken Film Fest Oakland · Best U.S. Narrative<br />
2023 San Diego Asian Film Festival · Grand Jury Prize<br />
<br />
—<br />
<br />
FEATURING<br />
Kailyn Dulay<br />
Melissa Arcaya<br />
Elle Rodriguez<br />
Whitney Agustin<br />
Gina Gimongala<br />
Alex Atienza<br />
Allen Wayne Anderson<br />
Joseph Mayang<br />
<br />
WRITER AND DIRECTOR<br />
Kayla Abuda Galang<br />
<br />
PRODUCERS<br />
Samantha Skinner<br />
Udoy Rahim<br />
Alifya Ali<br />
David Oconer<br />
Kayla Abuda Galang<br />
<br />
FIRST ASSISTANT DIRECTOR<br />
Matt Stryker<br />
<br />
SCRIPT SUPERVISOR<br />
Cleveen Dominguez<br />
<br />
PRODUCTION ASSISTANTS<br />
Nikia Fenix<br />
Edrian Pangilinan<br />
Jamuelle Zumel<br />
<br />
DIRECTOR OF PHOTOGRAPHY<br />
Rajinee Buquing<br />
<br />
FIRST ASSISTANT CAMERA<br />
Emily Sanchez<br />
<br />
SECOND ASSISTANT CAMERA<br />
Marissa Roxas<br />
<br />
DIGITAL IMAGING TECHNICIAN<br />
Jonathan De Guzman II<br />
<br />
GAFFER<br />
Hannah Barker<br />
<br />
KEY GRIP<br />
Roland Lazarte<br />
<br />
GRIP<br />
Matthew Fitzpatrick<br />
<br />
PRODUCTION SOUND MIXER AND RECORDIST<br />
Will Kurzner<br />
<br />
PRODUCTION DESIGNERS<br />
Meryl Aquino<br />
Serina Chantrachuck<br />
<br />
FOOD STYLIST<br />
Anthony Ayatin<br />
<br />
WARDROBE SUPERVISORS<br />
Annabelle Sundara<br />
Carlo Ybanez<br />
<br />
MAKEUP & HAIR ARTIST<br />
Rochelle Sunglao<br />
<br />
ASSISTANT HAIR & MAKEUP ARTIST<br />
Lily Soleil Correa Lewites<br />
<br />
STILLS PHOTOGRAPHERS<br />
David Oconer<br />
Matt Stryker<br />
<br />
EDITORS<br />
Kayla Abuda Galang<br />
Matt Stryker<br />
<br />
ASSISTANT EDITOR<br />
Jonathan De Guzman II<br />
<br />
SOUND DESIGNER AND COMPOSER<br />
Will Kurzner<br />
<br />
RE-RECORDING MIXERS<br />
Will Kurzner<br />
Morgan Honaker<br />
<br />
VISUAL EFFECTS<br />
Tate Gibson<br />
<br />
COLORIST<br />
Alex Winker<br />
<br />
TITLE DESIGNER<br />
Serina Chantrachuck<br />
<br />
MUSIC CONSULTANT<br />
Graham Kurzner<br />
<br />
AUSTIN UNIT GAFFER<br />
Maurice Vellas<br />
<br />
AUSTIN UNIT PRODUCTION DESIGNER<br />
Emily Sturrock

In Thanasis Neofotistos’s short film, a flight attendant tries to keep it together as her new set of braces and a devastating secret threaten to unravel her.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/screening-room/i

Two dudes think they found the cure for zombie bites.<br />
SXSW <br />
Telluride Horror Show<br />
Shivers <br />
Monsterfest GOLDEN LOMAX<br />
Mutoscope<br />
Berlin FIlm Night<br />
Nevermore BEST SHORT US/CANADA & AUDIENCE AWARD BEST SHORT US/CANADA<br />
Regard<br />
Landshut<br />
Panic Fest <br />
Florida<br />
Brussels Fantastic <br />
Calgary Underground<br />
Bonebat<br />
Fantaspoa <br />
Milwaukee <br />
Cabane A Sang <br />
Dark Bridges SILVER AUDIENCE AWARD - SHORT<br />
Portland Horror<br />
Hyperreal Film Club<br />
Southside <br />
StokerCon <br />
Chattanooga <br />
InFest <br />
Six Feet Under Horror Fest FUNNIEST SHORT<br />
Snake Alley<br />
Fantosfreak FIRST PLACE<br />
Fantasia <br />
Houston Horror <br />
Popcorn Frights <br />
Defy <br />
Ravenheart <br />
FRIGHTFEST <br />
Genreblast<br />
Sydney Underground <br />
MotelX <br />
Skate Or Die <br />
Southern Horror Showcase<br />
Court Metrange <br />
El Paso<br />
Charlotte<br />
Bolton BEST THREE MINUTE QUICKIE<br />
Dark Red<br />
Joe Bob World Drive-In HUBIE<br />
Eerie Horror <br />
Dead Of Night <br />
Screamfest <br />
Brooklyn Horror <br />
Atlanta Horror BEST MICRO SHORT<br />
Halloweenapalooza BEST ONE-LINER<br />
Mayhem <br />
Happenstance <br />
TOHORROR Fantastic <br />
Dead and Sudburied<br />
Spasm<br />
Knoxville Horror<br />
Celluloid Screams <br />
Vancouver Horror Show <br />
Hysteria Fest <br />
IMAGINE <br />
FilmQuest <br />
Winter Chills <br />
24fps International <br />
Anomoly<br />
Southern Screen <br />
La Vieja Encina BEST SHORT FILM - NON-SPANISH <br />
Zubroffka BEST MIDNIGHT SHORT<br />
Courts Mais Trash

nice video

Directed by The McGloughlin Brothers<br />
<br />
Agency: Arts & Letters Creative Co.<br />
ECD: Charles Hodges<br />
ECD: Molly Jamison<br />
Director of Strategy: Andy Grayson<br />
Strategy Director: Zack Stergar<br />
Strategist: Bodi Karsono<br />
Group Business Director: Brenda Schneider<br />
Business Director: Lindsey Kirkner<br />
Business Manager: Salim Collins<br />
Senior Producer: Beata Mastalerz<br />
Producer: Sean Riojas<br />
Creative Directors: Andrew Kong & Chris Kim<br />
Creatives: Sam Christian, Brendan Howard & Joe Hartley<br />
Music Supervisors: Casey Wheeler & Cam DiNunzio<br />
Director of Business Affairs: Lenora Cushing<br />
Business Affairs Managers: Jennifer Kmetzsch<br />
<br />
<br />
Production Company: Hinterland Films<br />
Producer: Lorraine Geoghegan<br />
Post Production Support: Jen Connolly, Penco Post<br />
VFX Support: Eddie Sheanon<br />
End Titles: Ian Downes<br />
Colorist: Philip Hambi<br />
Color Producer: Dan Hills<br />
<br />
Music:<br />
Composer: Nathan Micay<br />
Artist Management: !K7 Music<br />
Artist Manager: Will Saul<br />
Publishing: Domino Publishing Co.<br />
Senior Director, Creative Synch: Jess Martin<br />
VP, Licensing & Copyright: Seigo Takeshima<br />
Audio: Sonic Union<br />
Sound Designer/Mix Engineer: Julienne Guffain<br />
Audio Post Producer: Justine Cortale<br />
VO Talent: Nana Dadzie<br />
<br />
Client: ESPN<br />
EVP, Creative Studio and Marketing at ESPN: Tina Thornton<br />
Senior Director, Sports Marketing: Curtis Friends<br />
Senior Director, Sports Marketing: Lucas Ferraro<br />
Associate Director, Sports Marketing: Jason Ritchkoff<br />
Associate Manager, Sports Marketing: Maximo Reyes<br />
Marketing Coordinator, Sports Marketing: Mohammed Ahmed<br />
Associate Director, Marketing Production: Matt Cheron<br />
Associate Producer II: Jonathan Little<br />
Production Coordinator: Sean Andersen<br />
Production Coordinator: David Wimberly<br />
Production Coordinator: Chelsea Mikell<br />
Producer, G&L: Edward Nieves

Misty field, crowded locker room. Margo belongs to neither. Maybe if she loses her virginity, she will finally find her place.<br />
<br />
Written and directed by Marija Apcevska<br />
Production Kino Oko in Co-Production with Servia Film and For Grade<br />
Produced by Robert Naskov<br />
Co-Produced by Miloš Ljubomirović and Milan Popović<br />
<br />
Cast: Antonija Belazelkoska and Luka Mitev<br />
Director of Photography: Vladimir Samoilovski<br />
Production Designer: Kiril Spaseski<br />
Costume Designer: Biljana Grgur<br />
Editor: Dragan Von Petrović<br />
Make Up Designer: Goran Ignjatovski<br />
Sound Designers: Igor Popovski and Bojan Palikuča<br />
<br />
Festival distribution: Lights On https://www.lightsonfilm.com/northpole.html<br />
Sales: Premium Films https://www.premium-films.com/

A journey into the vibrant and competitive world of Southern house culture told through the eyes of vogue dancer Starfyyre Ninja, member of the Iconic House of Ninja and House Mother of the Florida Chapter of the Kiki House 'Old Navy'. <br />
<br />
<br />
Directed by: Aisha Amin<br />
Producer: Cameron Morton<br />
Executive Producers: Matt Seger, Dexter Brierley, Alex Max, Meetra Javed<br />
DP: Xavi Portillo<br />
Editor: Jamie Lansdowne<br />
Sound Design & Mix: Zack Wright<br />
Color: Kath Raisch at Company 3<br />
Sound Ops: Jeff Cannon and Tyler Cardwell<br />
1st ACs: Andy Patania and Thomas Blanks<br />
Gaffer: Andy Seely<br />
<br />
An Underhill Film Production<br />
Made in Partnership with Ghetto Film School and Red Bull Media House.

Icelandic teens are trading late-night parties for nocturnal rescues of young seabirds on a remote island.<br />
<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

Lost in the trappings of his own success, Jeremy embarks on a journey of self discovery. <br />
<br />
Official selection Fantasia Film Festival 2023<br />
Special section Uppsala Short Film Festival 2023<br />
<br />
A film by Andrew Duncan<br />
Production Pral

In a documentary presented by Errol Morris and directed by Daniel Lombroso, a grandmother reckons with her sister’s sudden disappearance during the Second World War.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

A daughter comes home for the weekend to look after her father, ailing with Dementia. The appearance of a mysterious woman shines a light on their changing parent-child power dynamic, threatening to throw their world out of orbit.<br />
<br />
Follow us on instagram @dark_moon_film

Creativity has the power to change the way we see each other, and the world. Sometimes, seeing things through a new lens can make all the difference.<br />
<br />
Animation Director: Anna Mantzaris

[O] imitates nature in its manner of operation. The film depicts cycles in a world entirely based on sound frequency and vibration.<br />
<br />
Film by Mario Radev and Chiara Sgatti<br />
Sound Design and Music by Toni Quiroga at Accept Productions<br />
Colouring Assistance: Anna Smirnova, Dana- Mari Tarakchieva, Vincent Hollywell<br />
5.1 Mix: George Roberts