Director: Ian Pons Jewell <br />
Production Company: ProdCo<br />
EP / Founding Partner: Zico Judge<br />
Executive Producer: Maddi Carlton <br />
Producer: Doochy Moult<br />
DOP: Mauro Chiarello<br />
Production Designer: Maruxa Alvar<br />
Prod. Coord: Tuixent Blanco<br />
VFX Supervisor: Giles Cheetham, Thiago Dantas <br />
<br />
Client: Indeed<br />
Client: Federico Carcich<br />
Client: Siobhan Reynolds<br />
Client: Clíona Hayes <br />
<br />
Agency: 72andSunny <br />
President: Simon Usifo<br />
Executive Producer LA: Angelo Mazzamuto<br />
Creative Director: Ashton Rose<br />
Sr. Writer: Natalie Warther <br />
Sr. Designer: Elizabeth Lay<br />
Brand Director: Kayla Moe<br />
Sr. Writer/Cd: Valeria Raimondi<br />
Sr. Producer: Karen Whitehouse<br />
Sr. Brand Manager: Belinda Harfod<br />
Brand Director: Victoria Turner<br />
Sr. Art Director: Reneé Lam<br />
NL Writer: Patrick Van Der Gronde<br />
Fr Speaking Creative: Margot Noel <br />
<br />
Service Company: Blur <br />
Founder: Mario Forniés <br />
Head of Production: Pablo Herraiz <br />
Line Producer: Olatz Herrera <br />
Production Manager: Ixai Olabarrieta<br />
Production Coordinator: Eva Termini<br />
Talent Coordinator: Nona Segimon<br />
Transport Coordinator: Letizia Migliavacca<br />
Set Manager: Javier Bellina<br />
Unit Manager: Carles Rius<br />
BLUR Office Manager: Blanca Cividanes<br />
Office PA: Alba Ufarte<br />
Office PA: Georgina Ruiz<br />
Talent Coord PA: Sarah Contreras Cano<br />
Director Chaperone: Javi Nieto (Bubu)<br />
Head PA: Miguel Michavila<br />
Client Driver: Juanjo Peña<br />
Agency Drivers: Lucas Cruz, Pedro Gall<br />
Crew Drivers: Jesus Quintana, Veronika Evlampieva, Maide Patiño, Rafa Rachitoff, Pedro Muñoz, Ghani Haddad, Diego Carrasco<br />
Talent Drivers: Bea Crespo, Alba Delgado <br />
<br />
Locations <br />
Location Manager: David Bello, Sergi Cabrera, Julian Pico. Dani Galvan <br />
<br />
AD’s:<br />
1st AD: Ferran Rial<br />
2nd AD: Mónica Sánchez<br />
3rd AD: Marc Graells <br />
Script: Gloria Blanes<br />
<br />
Camera<br />
1st AC: Adrian Rodriguez<br />
2nd AC: Pasha Chui<br />
VTR: Alvaro Pineda<br />
VTR Assistant: <br />
DIT: Gulcin Bekar<br />
Gimbal Ninja: Florian Hatwagner<br />
Camera Truck Driver: Fer Monsalve <br />
<br />
Lighting<br />
Gaffer: Rafa Ramirez<br />
Best Boy: Alejandro Narvaez<br />
Sparks: Cristobal Marin, Marc Canalda, Xavi Carrion, Nacho, Raul Gabarron<br />
<br />
Grip<br />
Key Grip: Dani Pulpo<br />
Grip Assistant: Rodrigo Alvarez <br />
<br />
Sound<br />
Sound Operator: Carles Prats<br />
Sound Assistant: Kemen Longo<br />
​​Audio Post Production - String and Tins<br />
Sound Design and Mix - Lawrence Kendrick<br />
Foley - The Foley Barn<br />
Audio Producer - Laura-Leigh Smith<br />
Music Edit: Gregory Caron<br />
VO artist: Julienne Jones<br />
<br />
Edit - The Den<br />
Editor: Tobias Suhm <br />
Sr Cutting Assistant: Kayla Hashimoto <br />
Assistant Editor: Joe D'Ovidio <br />
Assistant Editor: Jack Cantrell <br />
Assistant Editor: Louise Robert <br />
Sr. EP: Jennifer Mersis <br />
Sr. Producer: Amanda Ornelas <br />
Producer: Liz Shook<br />
<br />
VFX - ETC<br />
Producer: Oscar Wendt <br />
Co-ord: Emily Coyne<br />
EP: Antonia Vlasto <br />
VFX Supervisor: Thiago Dantas<br />
CG Lead: Dorianne Fibleuil <br />
<br />
Art Department <br />
Production Designer: Maruxa Alvar<br />
Art Director: Antoni Castells <br />
Art Coordinator: Pere Carreras <br />
Set Decorator: Nuria Muni<br />
Assist Set Decorator 1: Laura Agustí<br />
Assist Set Decorator 2: Lucía Dávila<br />
Props Buyer 1: Clara García<br />
Props Buyer 2: Julia Santisteban<br />
Stand By Props 1: Jerôme Gilbert<br />
Stand By Props 2: Marc Garcia<br />
Set Dresser 1: Sebastian M. Ostolaza<br />
Set Dresser 2: Pau Arnau Pascual<br />
Set Dresser 3: Raul Quiñonero<br />
Set Dresser 4: Sergi Ducet<br />
Set Dresser 5: Natalia Jacob <br />
Set Dresser 6: Jonathan Rodriguez <br />
Set Dresser 7: Roger Lopes<br />
Pintor: Lali Canosa<br />
<br />
Hair & Make-Up<br />
HMU Designer: Eva Quilez<br />
HMU Assistant: Lorena García<br />
HMU Assistant: Alvaro Sanchez<br />
HMU Assistant: Nika Ambrozic<br />
<br />
Wardrobe<br />
Stylist: Carolina Galiana<br />
1st Stylist Assistant: Júlia Puig Lombera <br />
1st Stylist Assistant: Marta Hernanz Lamas<br />
Stylist Assistant: Ivan Alarcón Matés<br />
Stylist Assistant: María Aznar Moros<br />
Stylist Assistant: Sofia Larrarte<br />
Stylist Assistant: Clara Elias <br />
Seamstress: Rosa Maria Perez<br />
<br />
Casting<br />
Casting Agency Spain: Bite Casting<br />
Casting Agency UK: Kharmel Cochrane<br />
Casting Agency France: Nohmad Casting<br />
Casting Agency NY: House Casting<br />
Casting Agency Netherlands: Bullet Models <br />
<br />
Talent<br />
Family:<br />
Clara: Cindy A. Teniente <br />
Mother: Marcela Andrade <br />
Father: Tomas Flores<br />
Uncle: Luís Raúl Cáceres <br />
Old Brother: Roberto García <br />
Grandma: Cecilia Bellorin <br />
Young Brother: Jeremy Gomez<br />
<br />
Apartment Couple: <br />
Man: Elan Butler<br />
Woman: Abiola Efunshile<br />
<br />
Dad-Daughter:<br />
Dad: Wenjun Gao <br />
Daughter: Yuya Chen <br />
<br />
Office resume checker:<br />
Clara’s Employer: Tamara Ndog <br />
Office Cv Checker: Jose Luis Miranda <br />
<br />
Plant Shop Owner:<br />
Plant Shop Owner: Dato Bekoshvili<br />
Plant Shop Owner: Dea Shavladze

Concept: Steve Horn and Ezra Ewen (https://stevenjameshorn.com)<br />
Director/actor: Ezra Ewen (https://ezraewen.com)<br />
Custom suit: High Society (https://high-society.com)<br />
Suit designers: David Lim and Jeremy Reimnitz<br />
DP: Gus Bendinelli<br />
Art Director: Jeremy Reimnitz<br />
EP: Kevin Clark<br />
Colorist: Gus Bendinelli<br />
Production company: Screens<br />
Mr. Chung: as Himself<br />
Mr. Chung's Voice: Mr. Han<br />
Hand Model: Jon Weisburst<br />
Music: "Night Tide" by Camell Jones<br />
Korean translation: Min Ji Son<br />
Thank you Florsheim for the shoes!<br />
Thank you David Lim, Nuage Lepage, Owen Campbell, Hand Prop Room, Standard Camera, Thom, Ben Mullen, and Forrest Florsheim.

[O] imitates nature in its manner of operation. The film depicts cycles in a world entirely based on sound frequency and vibration.<br />
<br />
Film by Mario Radev and Chiara Sgatti<br />
Sound Design and Music by Toni Quiroga at Accept Productions<br />
Colouring Assistance: Anna Smirnova, Dana- Mari Tarakchieva, Vincent Hollywell<br />
5.1 Mix: George Roberts

Creativity has the power to change the way we see each other, and the world. Sometimes, seeing things through a new lens can make all the difference.<br />
<br />
Animation Director: Anna Mantzaris

A daughter comes home for the weekend to look after her father, ailing with Dementia. The appearance of a mysterious woman shines a light on their changing parent-child power dynamic, threatening to throw their world out of orbit.<br />
<br />
Follow us on instagram @dark_moon_film

In a documentary presented by Errol Morris and directed by Daniel Lombroso, a grandmother reckons with her sister’s sudden disappearance during the Second World War.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

Lost in the trappings of his own success, Jeremy embarks on a journey of self discovery. <br />
<br />
Official selection Fantasia Film Festival 2023<br />
Special section Uppsala Short Film Festival 2023<br />
<br />
A film by Andrew Duncan<br />
Production Pral

Icelandic teens are trading late-night parties for nocturnal rescues of young seabirds on a remote island.<br />
<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d

A journey into the vibrant and competitive world of Southern house culture told through the eyes of vogue dancer Starfyyre Ninja, member of the Iconic House of Ninja and House Mother of the Florida Chapter of the Kiki House 'Old Navy'. <br />
<br />
<br />
Directed by: Aisha Amin<br />
Producer: Cameron Morton<br />
Executive Producers: Matt Seger, Dexter Brierley, Alex Max, Meetra Javed<br />
DP: Xavi Portillo<br />
Editor: Jamie Lansdowne<br />
Sound Design & Mix: Zack Wright<br />
Color: Kath Raisch at Company 3<br />
Sound Ops: Jeff Cannon and Tyler Cardwell<br />
1st ACs: Andy Patania and Thomas Blanks<br />
Gaffer: Andy Seely<br />
<br />
An Underhill Film Production<br />
Made in Partnership with Ghetto Film School and Red Bull Media House.

Misty field, crowded locker room. Margo belongs to neither. Maybe if she loses her virginity, she will finally find her place.<br />
<br />
Written and directed by Marija Apcevska<br />
Production Kino Oko in Co-Production with Servia Film and For Grade<br />
Produced by Robert Naskov<br />
Co-Produced by Miloš Ljubomirović and Milan Popović<br />
<br />
Cast: Antonija Belazelkoska and Luka Mitev<br />
Director of Photography: Vladimir Samoilovski<br />
Production Designer: Kiril Spaseski<br />
Costume Designer: Biljana Grgur<br />
Editor: Dragan Von Petrović<br />
Make Up Designer: Goran Ignjatovski<br />
Sound Designers: Igor Popovski and Bojan Palikuča<br />
<br />
Festival distribution: Lights On https://www.lightsonfilm.com/northpole.html<br />
Sales: Premium Films https://www.premium-films.com/

Directed by The McGloughlin Brothers<br />
<br />
Agency: Arts & Letters Creative Co.<br />
ECD: Charles Hodges<br />
ECD: Molly Jamison<br />
Director of Strategy: Andy Grayson<br />
Strategy Director: Zack Stergar<br />
Strategist: Bodi Karsono<br />
Group Business Director: Brenda Schneider<br />
Business Director: Lindsey Kirkner<br />
Business Manager: Salim Collins<br />
Senior Producer: Beata Mastalerz<br />
Producer: Sean Riojas<br />
Creative Directors: Andrew Kong & Chris Kim<br />
Creatives: Sam Christian, Brendan Howard & Joe Hartley<br />
Music Supervisors: Casey Wheeler & Cam DiNunzio<br />
Director of Business Affairs: Lenora Cushing<br />
Business Affairs Managers: Jennifer Kmetzsch<br />
<br />
<br />
Production Company: Hinterland Films<br />
Producer: Lorraine Geoghegan<br />
Post Production Support: Jen Connolly, Penco Post<br />
VFX Support: Eddie Sheanon<br />
End Titles: Ian Downes<br />
Colorist: Philip Hambi<br />
Color Producer: Dan Hills<br />
<br />
Music:<br />
Composer: Nathan Micay<br />
Artist Management: !K7 Music<br />
Artist Manager: Will Saul<br />
Publishing: Domino Publishing Co.<br />
Senior Director, Creative Synch: Jess Martin<br />
VP, Licensing & Copyright: Seigo Takeshima<br />
Audio: Sonic Union<br />
Sound Designer/Mix Engineer: Julienne Guffain<br />
Audio Post Producer: Justine Cortale<br />
VO Talent: Nana Dadzie<br />
<br />
Client: ESPN<br />
EVP, Creative Studio and Marketing at ESPN: Tina Thornton<br />
Senior Director, Sports Marketing: Curtis Friends<br />
Senior Director, Sports Marketing: Lucas Ferraro<br />
Associate Director, Sports Marketing: Jason Ritchkoff<br />
Associate Manager, Sports Marketing: Maximo Reyes<br />
Marketing Coordinator, Sports Marketing: Mohammed Ahmed<br />
Associate Director, Marketing Production: Matt Cheron<br />
Associate Producer II: Jonathan Little<br />
Production Coordinator: Sean Andersen<br />
Production Coordinator: David Wimberly<br />
Production Coordinator: Chelsea Mikell<br />
Producer, G&L: Edward Nieves

nice video

Two dudes think they found the cure for zombie bites.<br />
SXSW <br />
Telluride Horror Show<br />
Shivers <br />
Monsterfest GOLDEN LOMAX<br />
Mutoscope<br />
Berlin FIlm Night<br />
Nevermore BEST SHORT US/CANADA & AUDIENCE AWARD BEST SHORT US/CANADA<br />
Regard<br />
Landshut<br />
Panic Fest <br />
Florida<br />
Brussels Fantastic <br />
Calgary Underground<br />
Bonebat<br />
Fantaspoa <br />
Milwaukee <br />
Cabane A Sang <br />
Dark Bridges SILVER AUDIENCE AWARD - SHORT<br />
Portland Horror<br />
Hyperreal Film Club<br />
Southside <br />
StokerCon <br />
Chattanooga <br />
InFest <br />
Six Feet Under Horror Fest FUNNIEST SHORT<br />
Snake Alley<br />
Fantosfreak FIRST PLACE<br />
Fantasia <br />
Houston Horror <br />
Popcorn Frights <br />
Defy <br />
Ravenheart <br />
FRIGHTFEST <br />
Genreblast<br />
Sydney Underground <br />
MotelX <br />
Skate Or Die <br />
Southern Horror Showcase<br />
Court Metrange <br />
El Paso<br />
Charlotte<br />
Bolton BEST THREE MINUTE QUICKIE<br />
Dark Red<br />
Joe Bob World Drive-In HUBIE<br />
Eerie Horror <br />
Dead Of Night <br />
Screamfest <br />
Brooklyn Horror <br />
Atlanta Horror BEST MICRO SHORT<br />
Halloweenapalooza BEST ONE-LINER<br />
Mayhem <br />
Happenstance <br />
TOHORROR Fantastic <br />
Dead and Sudburied<br />
Spasm<br />
Knoxville Horror<br />
Celluloid Screams <br />
Vancouver Horror Show <br />
Hysteria Fest <br />
IMAGINE <br />
FilmQuest <br />
Winter Chills <br />
24fps International <br />
Anomoly<br />
Southern Screen <br />
La Vieja Encina BEST SHORT FILM - NON-SPANISH <br />
Zubroffka BEST MIDNIGHT SHORT<br />
Courts Mais Trash

In Thanasis Neofotistos’s short film, a flight attendant tries to keep it together as her new set of braces and a devastating secret threaten to unravel her.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/screening-room/i

Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their Auntie Pinky’s house in southeast San Diego in 2006.<br />
<br />
—<br />
<br />
50+ FESTIVAL SELECTIONS AND WINNER OF:<br />
2023 Sundance Film Festival · Short Film Grand Jury Prize (Academy Qualifying)<br />
2023 SXSW Film & TV Festival · Special Jury Award for Vision<br />
2023 Nevada City Film Festival · Best Production Design, Best Editing<br />
2023 San Diego Filipino Film Festival · Jury Award for Best Short Narrative, Audience Award<br />
2023 Drunken Film Fest Oakland · Best U.S. Narrative<br />
2023 San Diego Asian Film Festival · Grand Jury Prize<br />
<br />
—<br />
<br />
FEATURING<br />
Kailyn Dulay<br />
Melissa Arcaya<br />
Elle Rodriguez<br />
Whitney Agustin<br />
Gina Gimongala<br />
Alex Atienza<br />
Allen Wayne Anderson<br />
Joseph Mayang<br />
<br />
WRITER AND DIRECTOR<br />
Kayla Abuda Galang<br />
<br />
PRODUCERS<br />
Samantha Skinner<br />
Udoy Rahim<br />
Alifya Ali<br />
David Oconer<br />
Kayla Abuda Galang<br />
<br />
FIRST ASSISTANT DIRECTOR<br />
Matt Stryker<br />
<br />
SCRIPT SUPERVISOR<br />
Cleveen Dominguez<br />
<br />
PRODUCTION ASSISTANTS<br />
Nikia Fenix<br />
Edrian Pangilinan<br />
Jamuelle Zumel<br />
<br />
DIRECTOR OF PHOTOGRAPHY<br />
Rajinee Buquing<br />
<br />
FIRST ASSISTANT CAMERA<br />
Emily Sanchez<br />
<br />
SECOND ASSISTANT CAMERA<br />
Marissa Roxas<br />
<br />
DIGITAL IMAGING TECHNICIAN<br />
Jonathan De Guzman II<br />
<br />
GAFFER<br />
Hannah Barker<br />
<br />
KEY GRIP<br />
Roland Lazarte<br />
<br />
GRIP<br />
Matthew Fitzpatrick<br />
<br />
PRODUCTION SOUND MIXER AND RECORDIST<br />
Will Kurzner<br />
<br />
PRODUCTION DESIGNERS<br />
Meryl Aquino<br />
Serina Chantrachuck<br />
<br />
FOOD STYLIST<br />
Anthony Ayatin<br />
<br />
WARDROBE SUPERVISORS<br />
Annabelle Sundara<br />
Carlo Ybanez<br />
<br />
MAKEUP & HAIR ARTIST<br />
Rochelle Sunglao<br />
<br />
ASSISTANT HAIR & MAKEUP ARTIST<br />
Lily Soleil Correa Lewites<br />
<br />
STILLS PHOTOGRAPHERS<br />
David Oconer<br />
Matt Stryker<br />
<br />
EDITORS<br />
Kayla Abuda Galang<br />
Matt Stryker<br />
<br />
ASSISTANT EDITOR<br />
Jonathan De Guzman II<br />
<br />
SOUND DESIGNER AND COMPOSER<br />
Will Kurzner<br />
<br />
RE-RECORDING MIXERS<br />
Will Kurzner<br />
Morgan Honaker<br />
<br />
VISUAL EFFECTS<br />
Tate Gibson<br />
<br />
COLORIST<br />
Alex Winker<br />
<br />
TITLE DESIGNER<br />
Serina Chantrachuck<br />
<br />
MUSIC CONSULTANT<br />
Graham Kurzner<br />
<br />
AUSTIN UNIT GAFFER<br />
Maurice Vellas<br />
<br />
AUSTIN UNIT PRODUCTION DESIGNER<br />
Emily Sturrock

CREDITS<br />
<br />
Directors<br />
Clara Franciosi<br />
Salomé Hammann<br />
Valentine Vendroux<br />
<br />
Kind of Morning<br />
Written, produced and arranged by Please<br />
<br />
Backgrounds<br />
Clara Franciosi<br />
<br />
Character Layout <br />
Valentine Vendroux<br />
<br />
Animation <br />
Elie Martens<br />
Roman Guillanton<br />
Salomé Hammann<br />
Valentine Vendroux<br />
Julien Sarraute<br />
<br />
Animation interns<br />
Edmonde Fassola<br />
Zhen Zhou<br />
<br />
Compositing<br />
Sébastien Kirszenblat <br />
<br />
Credit Sequence<br />
Samy Baudoin<br />
<br />
Animation Studio<br />
Brunch Studio <br />
<br />
Post Production<br />
Everest<br />
<br />
Color Grading<br />
Baptiste Vieillard<br />
<br />
Production<br />
Eddy<br />
<br />
Producer<br />
Stella Ramsden<br />
<br />
Line Producer<br />
Romane Belaïsch<br />
<br />
Production Assistants<br />
Josepha Kaptur<br />
Maria Markova<br />
<br />
Special thanks to<br />
Good Manners Records<br />
Jean-Baptiste Bertholom <br />
Isa Taoui<br />
With the support of CNC and CNM

The woman and the man are in a room, a gecko sits in a terrarium, several flies are circling a lamp. Gradually we find more and more dependencies and analogies between their activities and observed elements as the rhythm of their universes accelerates. The microcosms shown seem to interact rhythmically and belong to some cosmic order.<br />
___________<br />
<br />
written, designed and directed by Marta Magnuska<br />
animation: Marta Magnuska, Mārtiņš Dūmiņš, Kristīne Zvirbule<br />
editing: Ewa Golis, Marta Magnuska<br />
sound: Michał Fojcik MPSE<br />
producers: Piotr Szczepanowicz, Grzegorz Wacławek<br />
line producer: Karolina Barciszewska<br />
co-producer: Sabine Andersone<br />
production: Animoon<br />
co-production: Atom Art<br />
Production & Promotion co-financed by the Polish Film Institute

A young girl struggles to be present in her life while navigating the arbitrary rules of society, capitalism, and consumerism through the lens of childhood toys.

For Your Consideration. Best Short Documentary. <br />
<br />
<br />
An 81-year old Black American woman speaks about her life as a teacher, author, wife and friend whilst seeing the last of her living siblings for the first time in 25 years. <br />
<br />
<br />
Directer/Producer/Cinematographer/Composer/Editor/Colorist: Sterling Hampton IV<br />
Drone/Aerial Photography: Joey Killeen<br />
5.1 Mix: Bob Tiwana<br />
<br />
<br />
<br />
<br />
Sterling Hampton IV<br />
https://www.clashoftheartisticminds.com/

In a documentary by Christine Turner, the painters behind the official portraits of Barack and Michelle Obama share their thoughts on the portrayal of Black bodies on canvas.<br />
<br />
The story behind the film: https://www.newyorker.com/cult....ure/the-new-yorker-d