We collaborated with Casper designers and engineers to highlight the first light designed specifically for sleep, the Glow.<br />
<br />
Client - Casper<br />
Production Company - Even/Odd<br />
Creative Director - Ashley Rodholm<br />
Executive Producer - Taylor Feltner<br />
<br />
Directed & Edited by Amar Chebib<br />
Produced by Heron Bourke<br />
Cinematography by Jesse Dana<br />
Art Direction by Serena Elston<br />
Animation by Reece Parker<br />
Colour by Silver Lining Post<br />
Music by Wesley Slover<br />
Sound Design & Mix by Coastal Audio

Most kids from underserved communities in the Bay Area would never see a golf course if it wasn't for The First Tee of San Francisco. But more than a youth sports nonprofit, The First Tee provides resources and mentorship to help these adolescents pursue higher education and become successful adults. They asked us to tell the story of their transformational program.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography by Noe Chavez<br />
Sound Recording by Jeff Dragomanovich & Patrick Shaffer<br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Dead Light (Courtesy of Marmoset)<br />
Colourist - David Tomiak<br />
Gaffer/Grip/AC - Tandy Kyne<br />
Production Manager - Rachel Barth<br />
Production Assistant - Shervin Nakhjavani

El Viento is a non-profit providing opportunities for at-risk-youth in the Oak View community of Huntington Beach, California. If Oak View was a city, it would be the 11th poorest in the United States. Most families don't even think of education past high school. Since its inception, El Viento's afterschool program has given many students the support and structure to achieve unprecedented academic success. This is a story of three of those students.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography & Visual Effects by Noe Chavez<br />
Underwater Cinematography by Mike McMillan<br />
Location Sound by Samuel Mutch <br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Keen Collective (Courtesy of Marmoset)<br />
Colourist - Ayumi Ashley<br />
Production Manager - Kimberly Parker<br />
Production Assistants - Kevin Chang & Benjamin Peterson<br />
Translation - Tiffany Sainz & Lindsey Ridgway<br />
Security - Mark Parro

Many People Plan To Accomplish Many Things On The First Day So That The Rest Of The Year Also Goes Well. It’s That Time When People Start The Day With “This Is Going To Be My Year”, And They Love The Support And Wishes They Get From Everyone Close To Them. It’s A New Day, And It Celebrates The End Of 2023. On January 1, We Are Sure To Be Hit With A New Wave Of Hope For A New Beginning. If You Are Looking For Easy-To-Download Happy New Year's Day 2024 Images Or Wishes That Motivate People To Achieve Their Goals To Send On New Year's Day, We Have Made A Nice Collection Of The Same. Go Ahead And Share These Wishes With Everyone You Know.<br />

NIHON is a personal work of mine that explores the uncanny vertigo I enter when I am pulled into Japan. It’s my closest attempt at expressing to others what I experience as a foreigner traveling through its many levels of stimulus.<br />
<br />
For a breakdown on the process please visit - Nihonfilm.com

A much delayed follow-up video to 'A GoPro adventure in Tignes'. All shot on GoPro Hero 6 and GoPro Fusion. This was entirely a fun personal project I've wanted to do for a while and is in no way sponsored or paid for, etc.<br />
<br />
Many thanks to Atrey for letting us use his track 'Galaxy Express' too - Go check out his stuff on Spotify!<br />
<br />
Directed & Edited by myself and co-written by Susie Oosting <br />
<br />
http://www.instagram.com/claudiuvoicu

Director: Elliott Power<br />
Cinematographer: Diego García & Harry Wheeler<br />
Executive Producer: James Guy<br />
<br />
2nd Unit Director: Louis McCourt <br />
2nd Unit Director: Cieron Magat <br />
Stop Frame Animation: Chris Ullens <br />
Directors Assistant: Verity May Lane <br />
<br />
1st AD: Hayley Williams<br />
1st AD: Ewan Stewart <br />
2nd AD: Chris Mears <br />
<br />
Producer: Shirley O’Connor<br />
Production Manager: Kelly Brown <br />
Production Assistant: Hayley West <br />
Cast Coordinator: Joss George Gilbert <br />
<br />
Production Designer: Arthur De Borman<br />
Art Director: Laurie Walters<br />
Art Director: Imogen Toner<br />
Dresser: Paddy McGurn<br />
Dresser: Kiss Marshall<br />
Props: Alastair Fletcher<br />
Props: Oscar McIntosh <br />
Tech: Kenny McGuire<br />
Tech: Alan Crozier<br />
Art Assistant: Molly Shearer<br />
Art Assistant: Cara Connelly<br />
<br />
Focus Puller: Jason Dully<br />
Focus Puller: Damien Leigh<br />
<br />
Service Production Company: MTP<br />
<br />
Producer: Maeve McMahon <br />
Production Manager: Italia Bianco <br />
Production Manager: Marcy Paterson<br />
Production Coordinator: Callum Crozier<br />
Production Assistant: Keran Smyth <br />
Production Assistant: Luke Keogh <br />
Production Assistant: Char Mckelvie <br />
Casting Assistant: Celine Antal<br />
<br />
Location Manager (London): Kim Fenton<br />
Location Manager (Scotland): Neil Mackay<br />
Assistant Location Manager: Davey Gales <br />
<br />
Post Supervisor: Dan Williams<br />
Post Creative Director: Carl Norton <br />
Post Producer:<br />
<br />
Casting (Scotland): Holly Jane Ritchie<br />
Casting (London): Kharmel Cochrane <br />
<br />
Editor: Dom Leung <br />
Edit Producer: Harriet Cawley <br />
<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony <br />
<br />
Music Supervision: Curation Music <br />
<br />
Wardrobe Stylist: Hannah Edwards <br />
Wardrobe Assistant: Marouane Joubba <br />
Wardrobe Assistant: Valentin Bren<br />
Wardrobe Assistant: Denise Coombes <br />
Wardrobe Assistant: Karen Bertolini <br />
Wardrobe Assistant: Katy Smilie <br />
<br />
Make Up & Hair: Kat Morgan<br />
Make Up & Hair Asst: Courtney Lightbody<br />
Make Up & Hair Asst: Paula Rebanks <br />
<br />
Client: EE<br />
Agency: Saatchi & Saatchi <br />
Chief Creative Officer: Ben Mooge<br />
Executive Creative Director: Will John<br />
Senior Creative: Sam Simmonds<br />
Senior Creative: George Boyle<br />
Exec Producer: Dan Heighes <br />
Exec Producer: Alex Pemberton <br />
Managing Partner: Jonathan Tapper<br />
Business Leader: Rania Kouros <br />
Account Manager: James Graham <br />
Account Manager: Louisa Pundey <br />
Production Assistant: Jessie Watkins Homeyard

Also check out my Pyongyang film here: https://vimeo.com/300271709<br />
<br />
A few weeks back I had the chance to visit Pyongyang and attend the Mass Games there. This show is by far the most incredible and amazing performance I have ever laid my eyes on. Watch this 4 minute film and you will know why. Only a communist country can pull something like this off I guess. However, I do not want to get involved in politics here, so please do your own research. <br />
<br />
<br />
Many thanks to Simon Cockerell and Jessica Mader from Koryo Tours ( https://koryogroup.com ) and Ri So Hyang, Kim Sun Mi, Lee Song Hyok, Kim Yong Un from KITC for arranging permissions and making this project possible. <br />
By the way: I did not get paid to shoot this film!<br />
<br />
Mass Games can basically be described as a synchronized socialist-realist spectacular, featuring over 100,000 participants in a 90-minute display of gymnastics, dance, acrobatics, and dramatic performance, accompanied by music and other effects, all wrapped in a highly politicized package. Students practiced every day from January onwards. The 90 minute performance is held every evening at 7pm and features the 'largest picture in the world' a giant mosaic of individual students each holding a book whose pages links with their neighbours’ to make up one gigantic scene. When the students turn the pages the scene or individual elements of the scene change, up to 170 pages make up one book. <br />
In August 2007, the Mass Games were recognised by Guinness World Records as the largest gymnastic display with 100,090 participants at the May Day Stadium in Pyongyang. (Source Wikipedia)<br />
<br />
A time-lapse tilt-shift film by Joerg Daiber.<br />
<br />
Facebook: https://www.facebook.com/MiniatureFilms<br />
Twitter: http://www.twitter.com/spoonfilm<br />
YouTube: http://www.youtube.com/littlebigworld<br />
Web: http://www.spoonfilm.com<br />
<br />
You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license<br />
<br />
WATCH FULL SCREEN!<br />
Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite.<br />
<br />
Music: The Internationale by Pierre De Geyter, performed by Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky<br />
and Swan Lake by Pyotr Il'yich Tchaikovsky, performed by Apollo Symphony Orchestra.

Amidst the depths of despair, a grieving mother finds her voice to challenge the forces of injustice and inspire hope.

A film by Erin Semine Kökdil
Featuring Teresa Smith

2016 || Black & White || 16mm
Shot on a Bolex

Trailer: https://vimeo.com/195874915

Screenings:
Camden International Film Festival, 2018
Hot Docs International Film Festival, 2018
Big Sky Documentary Film Festival, 2018
New Filmmakers New York, 2018
Denton Black Film Festival, 2018
The People’s Film Festival, 2018
FECIBogotá, 2018
Drunken Film Fest - Oakland, 2018
International Documentary Film Festival Amsterdam (IDFA), 2017
San Francisco Frozen Film Festival, 2017
March on Washington Film Festival, 2017
SF DocFest, 2017
Palm Springs International Shortfest, 2017

>

https://www.imdb.com/title/tt1....5290820/?ref_=nm_knf

Long live

Trailer

WANDA<br />
<br />
Fiction | 2018 | Canada | 19min | 2.1 | 2K | Color | Film 16mm | French. Eng Subs.<br />
<br />
With<br />
Lili-Rose Ste-Marie<br />
Véronique Beaudet<br />
Joanie Poirier<br />
Marie-Pier Labrecque<br />
Christian Cardin<br />
Eliott Perron<br />
<br />
Produced by Inna Pan<br />
<br />
Co producer Philippe Lalande at 4ZERO1<br />
Line producer Clara L'Heureux-Garcia<br />
<br />
Directed by Benjamin Nicolas<br />
Cinematography by Kristof Brandl

Director | Benjamin Nicolas<br />
Cinematographer | Kristof Brandl<br />
Editing | Ben<br />
<br />
Executive Producer | Inna Pan | Rocket Science Production LT<br />
Production Paris | Satellite My Love | Alain Dib - Omar Cabbabé - Andy Standley<br />
Creative Agency | Ogilvy Beijing<br />
<br />
Cast | Nagisa Morimoto, Nicolas Phongpheth, Aurelie Serrine, Arnaud Deprez, Dat Vi Ha, Clara Joly, Claire Tran, Noémie Demeule, Hugo Hainault, Jiaxi Gao, Thomas Charpentier Souagnon, Sienna Miu, Lea Swan streck <br />
<br />
Casting director Paris | Alexis Millet @ Inkonitocasting.com<br />
<br />
Color Grader | Arthur Paux<br />
<br />
1ST ASSISTANT DIRECTOR Gary Brocaud <br />
2ND ASSISTANT DIRECTOR Leila Macaire<br />
<br />
LOCATION MANAGER Cedric Freni <br />
ASSISTANT LOCATION MANAGER Sébastien Coppini <br />
DRIVER CREW Cédric Deprez <br />
DRIVER AGENCY Philippe Rinino <br />
DRIVER AGENCY Olivier Suffert <br />
DRIVER CREW Alexandre Pettelat <br />
RUNNER Charles Jacques <br />
PA TRUCK Clément Herraiz <br />
PA HMC Sylvain Maignan <br />
<br />
1ST ASSISTANT CAMERA Quentin Guichard<br />
2ND ASSISTANT CAMERA Benjamin Cohenca <br />
<br />
KEY GRIP Cédric Lemonnier <br />
GRIP Julien Loferon <br />
<br />
GAFFER Pierre Antoine Conan <br />
ELECTRICIAN Emmanuel Roudaut <br />
<br />
ART DIRECTOR Vincent Olivieri <br />
STYLIST Nathalie Frachon <br />
<br />
HAIR AND MAKE UP ARTIST Bérengère DUCLOUX

The fight of Li Xian, rising star actor in China.<br />
<br />
Production - Rocket Science Production china LT<br />
Executive producer - Inna Pan<br />
Line Producer - Baozi<br />
Production manager - Moting Ren and Dudu<br />
Production Assistant - Yiding<br />
<br />
Agency - 180 Shanghai<br />
<br />
Director - Benjamin Nicolas<br />
Cinematographer - Ming Hu<br />
1st Assistant Director - David<br />
Editor - Ben<br />
Colorist - Nikola Stefanovic at MPC Shanghai<br />
<br />
Talent -<br />
Actor - Li Xian<br />
Music/singer - MATT HOLUBOWSKI<br />
<br />
SFX Post production : MPC Shanghai<br />
<br />
Music and sound design : CULT NATION Montreal<br />
composer : connor seidel<br />
<br />
Stylism - Sakura Fisher<br />
Make up - Xin Wu

Directed by Benjamin Nicolas<br />
Produced by The Jacks/Sixtine Création <br />
Dop - José Gérel

A short animation, voiced by Dr Kathryn Mannix, which guides you gently on a step by step journey through the process of dying.<br />
<br />
<br />
Acclaimed author, speaker and former palliative care physician Dr Kathryn Mannix has spent her medical career working with people who have incurable, advanced illnesses. The author of two Sunday Times Bestsellers – With The End in Mind and Listen, Dr Mannix is on a mission to reclaim the public’s understanding of dying.<br />
<br />
CREDITS<br />
Written and voiced by Dr Kathryn Mannix<br />
Directed and designed by Emily Downe<br />
Animated by Martha Halliday<br />
Music and sound by Jan Willem de With<br />
Produced by Theos with thanks to The Fetzer institute

Based on an audio clip from episode 50 of The Sacred podcast with Professor Miroslav Volf, the film brings us into the world of a young girl who, in pursuit of her dreams, ends up detached from others and the world around her.<br />
<br />
Directed, animated & designed by Emily Downe<br />
Music & sound by Jan Willem de With<br />
<br />
Narrated by Professor Miroslav Volf, Henry B. Wright Professor of Theology at Yale Divinity School and Founder and Director of the Yale Center for Faith and Culture.<br />
<br />
Shortlisted for awards at the following films festivals:<br />
Carmarthen Bay Film Festival <br />
Tricky Women <br />
London International Animation Festival <br />
Manchester Animation Festival<br />
Monstra Animation Festival <br />
Dam Short Film Festival <br />
Factual Animation Film Festival <br />
Tbilisi International Animation Festival

I am Nick, a freelance photographer. <br />
In the past 10 years I‘ve been travelling and photographing around the world. <br />
What I realized, though, was that I had gradually stopped seeking new destinations. I found a place that offered me a sense of stability and warmth where my inspiration and creativity amplified. Nature in all its’ forms was still surrounding me: Snowy landscapes, deep canyons, lakes and rivers, vast forests and of course the sea.<br />
<br />
In the end, I think I found my destination, a place that has nurtured me, and has always been so close to me. That makes me feel home! <br />
Greece.<br />
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<br />
Produced and directed - Nick Kontostavlakis<br />
Editing - FKY https://vimeo.com/fky<br />
Cinematography - Nick Kontostavlakis & Antonis Kitsikis<br />
Voice - Dimitris Kaplanis<br />
Camera - Antonis Kitsikis<br />
Time-lapse - Nick Kontostavlakis & Nikos Pomonis<br />
Drone - Nick Kontostavlakis<br />
<br />
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Music - Tony Anderson<br />
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<br />
Camera Equipment :<br />
<br />
www.anima-vision.com & www.whitebalance.gr <br />
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<br />
You can follow me at: <br />
Facebook - facebook.com/nickkontostavlakispage<br />
Instagram - instagram.com/nickkontostavlakis<br />
Website - http://www.nickkontostavlakis.com <br />
Google + - plus.google.com/u/0/102206608476266130067<br />
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<br />
Some technical info:<br />
Shot mostly with Canon C200 + Angenieux 30-90 EZ 1<br />
DJI Inspire + X5s <br />
Nikon Dslrs for timelapse.