In this short film, you will be taken on a journey through the incredibly varied landscapes of this imposing continent, South America. <br />
<br />
One year of travel, nine countries, countless hours on busses, motorbikes, and cars. Hundreds of thousands of images taken. 30TB of data used, 5 months of editing. The time-lapse film features South America like it has never been before with images from Brazil, Venezuela, Guyana, Colombia, Argentina, Chile, Peru, Bolivia and Ecuador.<br />
Read more about the project on https://www.mortenrustad.com/south-america<br />
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The music is specially composed for this video by Jogeir. Check him out on Soundcloud: https://soundcloud.com/jogeirmusic<br />
<br />
To see what equipment I used, see this video: https://youtu.be/Vg6h0U3S8_o<br />
Motion control gear by Syrp (https://www.syrp.co/)<br />
<br />
The clips in this film are available for licensing at resolutions up to 8K (7680*4320). Contact information can be found at mortenrustad.com<br />
<br />
Produced by VJUS (https://www.vjus.no)<br />
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For more of Morten's work, check out https://www.mortenrustad.com

At Crankworx Cairns in 2023, Nicholi Rogatkin had a season-ending injury. This was the first time in his career that he had to sit out a season. This short highlights the magic of getting back on a bike again after injury.<br />
<br />
Presented by Specialized Bikes<br />
Directed, filmed, and edited by Keenan DesPlanques

Choose Go! for Conoco<br />
<br />
produced by Taylor Vandegrift for Ways & Means<br />
DP David Robert Jones<br />
Contributing Animators: Bento Box, Stephen Pagano, Stanley Sunday, Emma at Night Lab, Ben Jones, John McGlaughlin, and Julian Gander<br />
Production Design Sean Costello<br />
Styling Jamie Catino<br />
MU Stephanie Nicole Smith<br />
Hair Preston Wada

BMW G70 – The Protégé <br />
<br />
I love the way you make me close my eyes<br />
Imagine us runnin' the fields, burnin' adrenaline<br />
Oh, I love the way you lose clothes, close my-<br />
The shadows you cast over me that I've only seen in my dreams<br />
Because you make my whole world go dark<br />
Kill the lights, kill the lights<br />
<br />
Client:  BMW China<br />
Agency:  TBWA\Juice Network<br />
Director: Federico Mazzarisi<br />
Production House: MOD Shanghai<br />
EP: Iris Jin, Vicky Bai<br />
Italian Production: Tapeless Film<br />
Executive Producer: Federico Mazzarisi<br />
Production Manager: Rocco Marcandino<br />
Producer: Maria Chiara Taglienti<br />
First Assssitant Director: Daniele Fagone<br />
Director's Assistant: Elisa Deufemia <br />
Post Producer: Shirley Zhi<br />
DOP: Denis Guth<br />
Production Designter: Heimir Sverrisson<br />
Stylist: Davide Pizzotti<br />
Music: Kill the Lights / Hidden Citizens feat. Lush Machine<br />
Sound Design: Daniele De Virgilio<br />
Mixing: Shao Hang@20KM<br />
Editor: Marco Battiloro (DC)<br />
Song Yang (Client Version), <br />
Colorist: Valerio Liberatore, Frame By Frame<br />
Directors Agents: Nicholas Berglund, Rick Romaniuk <br />
Post House: Bloom Film Design<br />
Executive Producer: Claire Teng<br />
Post Producer: Anon Rungruengbangchan<br />
VFX Supervisor: Julien Vanhoenacker<br />
3D Generalists:<br />
Chatchawai Buangam<br />
Gorragote Dowrueng<br />
Mathilde Chauvelot<br />
Tanapat Chotiyannont<br />
Compositors:<br />
Chaithawat Pinsuwan<br />
Lapatlada Aphiratsakul<br />
Sukit Kongkedkrai<br />
Online Artists:<br />
Mathieu Jacobs<br />
May.W

ADIDAS ORIGINALS – SAM FENDER (GAZELLE)<br />
<br />
Production Company: Agile Films <br />
Director: Yoni Lappin <br />
Executive Producer: Myles Payne Executive Producer: Andy Eaton<br />
Producer: Laura Mival <br />
Director of Photography: Sam Meyers <br />
Production Designer: Elena Isolini <br />
Stylist: Lorena Maza <br />
Production Manager: Erinn Fitzgerald <br />
Production Manager: Harry Chambers <br />
<br />
CLIENT <br />
<br />
Senior Brand Comms Manager: Will Wall <br />
Senior Brand Comms Manager: Nicky Waller <br />
Originals Category Lead: Georgia Wagstaff <br />
Senior Director Brand Comms: Steve Marks <br />
Digital Publishing Manager: Pooja Popat <br />
Partner Publishing Assistant Manager: Lynette Sraha <br />
<br />
AGENCY <br />
<br />
Agency: UDOX <br />
Creative Director: Jack Reynolds <br />
Associate Creative Director: Jake Wesley <br />
Senior Creative Producer: Michael Radford <br />
Head of Production: Claire Ramasamy <br />
Senior Account Manager: Becky Burchell <br />
<br />
POST-PRODUCTION <br />
<br />
Edit House: MARSHEEN <br />
Editor: Rob Daglish <br />
Assistant Editor: Matthew Blacklock <br />
Post-producer: Harriet Cawley <br />
Colour: Electric Theatre Company<br />
Colourist: Jason Wallis <br />
Post-producer: Oliver Whitworth <br />
Sound Designer: Christian Blad <br />
Post-producer: Oksana Steblyk <br />
Head of Post: Martin Fickling <br />
Online Editor: Mossie Cassidy <br />
Online Editor: Natalya Holley <br />
Online Editor: Jamie Thomas Kirby

2012, shot w super8

DAVID JONES // COURAGE // #itsinyou<br />
<br />
Featuring Australian actor Alex Russell<br />
Music Track : Kanye West // Power<br />
Director : www.benbriand.com<br />
Production : www.collider.com.au<br />
DOP : http://www.rossgiardina.com<br />
Editor : http://www.adamwills.com.au<br />
Agency : Whybin TBWA Sydney // Maud

DAVID JONES // SWAGGER // #itsinyou<br />
<br />
Featuring You Am I frontman : Tim Rogers<br />
Music Track : Kanye West // Power<br />
Director : www.benbriand.com<br />
Production : www.collider.com.au<br />
DOP : http://www.rossgiardina.com<br />
Editor : http://www.adamwills.com.au<br />
Agency : Whybin TBWA Sydney // Maud

David Wain discusses life in Los Angeles and international capital cities with writer, director, actor, and comedian David Wain.<br />
<br />
Produced by Flaunt Magazine<br />
Written and Directed by Jimmy Marble<br />
<br />
2012<br />
www.jimmymarble.com

An overworked woman in the midst of an existential crisis realises that she must refocus on what’s important.<br />
<br />
<br />
<br />
<br />
<br />
Written and Directed by Sam Southward<br />
<br />
Art Direction by Dirk Schuster, Benjamin Simon, Anastasiia Ibragimova<br />
<br />
Associate Art Director Tim Eiden<br />
<br />
Music & Sound by Peter Albertz AKA Fonty Music<br />
<br />
3D Artists Konstantin Twardzik, Martin Thul, Anastasiia Ibragimova, Dirk Schuster, Benjamin Simon, Tim Eiden, Anastasia Berezhnaya<br />
<br />
3D Animation Martin Thul, Konstantin Twardzik<br />
<br />
2D Animation Dirk Schuster, Tim Eiden<br />
<br />
Character Design Anastasiia Ibragimova<br />
<br />
Storyboard Sam Southward, Tim Eiden<br />
<br />
Graphic Design & Illustration Anastasiia Ibragimova, Tim Eiden<br />
<br />
Produced by: FOREAL®<br />
<br />
www.weareforeal.com<br />
<br />
<br />
www.samsouthward.co.uk

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?<br />
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<br />
<br />
Client: We Are Playgrounds<br />
Director: Erwin van den IJssel<br />
<br />
Additional Animation: Hugo Morais, Kanso Ogbolu<br />
Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

'Nomadic Life' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com <br />
written and directed by www.benbriand.com

Beware of the killer pigeon !<br />
<br />
---<br />
Directed, shot and edited by Morgan Jouquand<br />
Starring : Miel de Montagne & Victor Cascarigny<br />
Production Designer : Thibault Ceasar<br />
Produced by Etienne Piketty for Recherche & Développement<br />
Assistant Cam & FPV Drone : Bruce Touron<br />
Location Manager : Julien Chatelain<br />
<br />
---<br />
Seamstress : Belza Beausoleil - Roxane Eygret - Thomas Ceseldi<br />
Grind Guitar Construction : Luigi Loridan<br />
Thanks to Antoine Gautron - Sudside - La Cité Des Arts De La Rue

El Viento is a non-profit providing opportunities for at-risk-youth in the Oak View community of Huntington Beach, California. If Oak View was a city, it would be the 11th poorest in the United States. Most families don't even think of education past high school. Since its inception, El Viento's afterschool program has given many students the support and structure to achieve unprecedented academic success. This is a story of three of those students.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography & Visual Effects by Noe Chavez<br />
Underwater Cinematography by Mike McMillan<br />
Location Sound by Samuel Mutch <br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Keen Collective (Courtesy of Marmoset)<br />
Colourist - Ayumi Ashley<br />
Production Manager - Kimberly Parker<br />
Production Assistants - Kevin Chang & Benjamin Peterson<br />
Translation - Tiffany Sainz & Lindsey Ridgway<br />
Security - Mark Parro

After suffering from suicidal depression, Darius Sam, a 20-year-old from Lower Nicola First Nation, finds running as a catalyst for transformation. Within a matter of months, he attempts a 100-mile ultramarathon in subzero temperatures to raise awareness for addiction and mental health in his community.<br />
<br />
Featuring – Darius Sam, Mark Nendick, Danielle McDougall, Shane Charters<br />
<br />
Director, Producer, & Editor – Amar Chebib<br />
Producer – Hayley Morin<br />
Executive Producer – Geoff Vreeken<br />
Cinematographer – Jason Mannings<br />
<br />
Line Producer – Olivia Golosky<br />
Production Manager – Mia Metz<br />
Camera Assistant – Soloman Chiniquay<br />
Drone Operator – Rob Antill<br />
Location Sound – Tyler Devon Gillis<br />
Colourist – Sam Gilling<br />
Sound Designer/Mixer – Matt Drake<br />
In Association with Kiddo Films<br />
With Support from Even/Odd, Marmoset, & Lorne Lapham<br />
Distributed by The New Yorker

NIHON is a personal work of mine that explores the uncanny vertigo I enter when I am pulled into Japan. It’s my closest attempt at expressing to others what I experience as a foreigner traveling through its many levels of stimulus.<br />
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For a breakdown on the process please visit - Nihonfilm.com

Also check out my Pyongyang film here: https://vimeo.com/300271709<br />
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A few weeks back I had the chance to visit Pyongyang and attend the Mass Games there. This show is by far the most incredible and amazing performance I have ever laid my eyes on. Watch this 4 minute film and you will know why. Only a communist country can pull something like this off I guess. However, I do not want to get involved in politics here, so please do your own research. <br />
<br />
<br />
Many thanks to Simon Cockerell and Jessica Mader from Koryo Tours ( https://koryogroup.com ) and Ri So Hyang, Kim Sun Mi, Lee Song Hyok, Kim Yong Un from KITC for arranging permissions and making this project possible. <br />
By the way: I did not get paid to shoot this film!<br />
<br />
Mass Games can basically be described as a synchronized socialist-realist spectacular, featuring over 100,000 participants in a 90-minute display of gymnastics, dance, acrobatics, and dramatic performance, accompanied by music and other effects, all wrapped in a highly politicized package. Students practiced every day from January onwards. The 90 minute performance is held every evening at 7pm and features the 'largest picture in the world' a giant mosaic of individual students each holding a book whose pages links with their neighbours’ to make up one gigantic scene. When the students turn the pages the scene or individual elements of the scene change, up to 170 pages make up one book. <br />
In August 2007, the Mass Games were recognised by Guinness World Records as the largest gymnastic display with 100,090 participants at the May Day Stadium in Pyongyang. (Source Wikipedia)<br />
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A time-lapse tilt-shift film by Joerg Daiber.<br />
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Facebook: https://www.facebook.com/MiniatureFilms<br />
Twitter: http://www.twitter.com/spoonfilm<br />
YouTube: http://www.youtube.com/littlebigworld<br />
Web: http://www.spoonfilm.com<br />
<br />
You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license<br />
<br />
WATCH FULL SCREEN!<br />
Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite.<br />
<br />
Music: The Internationale by Pierre De Geyter, performed by Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky<br />
and Swan Lake by Pyotr Il'yich Tchaikovsky, performed by Apollo Symphony Orchestra.

A short film exploring the longevity and limitations of artificial intelligence, and the loneliness of deep space.<br />
<br />
Written & animated by Charlie Stewart<br />
Music & sound design - Caspar Leopard <br />
Al - Matt Cundill<br />
Sandy - Kathy Curtis

Amidst the depths of despair, a grieving mother finds her voice to challenge the forces of injustice and inspire hope.

A film by Erin Semine Kökdil
Featuring Teresa Smith

2016 || Black & White || 16mm
Shot on a Bolex

Trailer: https://vimeo.com/195874915

Screenings:
Camden International Film Festival, 2018
Hot Docs International Film Festival, 2018
Big Sky Documentary Film Festival, 2018
New Filmmakers New York, 2018
Denton Black Film Festival, 2018
The People’s Film Festival, 2018
FECIBogotá, 2018
Drunken Film Fest - Oakland, 2018
International Documentary Film Festival Amsterdam (IDFA), 2017
San Francisco Frozen Film Festival, 2017
March on Washington Film Festival, 2017
SF DocFest, 2017
Palm Springs International Shortfest, 2017

A much delayed follow-up video to 'A GoPro adventure in Tignes'. All shot on GoPro Hero 6 and GoPro Fusion. This was entirely a fun personal project I've wanted to do for a while and is in no way sponsored or paid for, etc.<br />
<br />
Many thanks to Atrey for letting us use his track 'Galaxy Express' too - Go check out his stuff on Spotify!<br />
<br />
Directed & Edited by myself and co-written by Susie Oosting <br />
<br />
http://www.instagram.com/claudiuvoicu