Director: Elliott Power<br />
Cinematographers: Edson Reyes, Ramón Sampaio, Axel Cuevas de Chaunac <br />

Executive Producer: Nicky Barnes
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Producer: Erin Kennedy<br />
Production Company: Somesuch <br />
Editorial Company: Cut + Run
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Editor: Beau Dickson
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Title Design: Dorçia Studio<br />

Creative Director: Daryl Higgins<br />
Additional Photography: Elliott Power, Saint Louis Chess Club, Kevin Duggin<br />
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Agency: Droga5 <br />
Copywriter: Emily Berger<br />
Senior Art Director: Jason Gold<br />
Associate Producer: Connor Hagan<br />
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Special Thanks: Daniel Wolfe, Adriana Cebada Mora

Agency : Proximity (TBWA)<br />
Production : Diplomats<br />
Post production studio : The Mill Paris <br />
Executive Producer : Fabrice Damolini<br />
VFX Producer : Sébastien Noyon<br />
VFX & CG Supervisor : Mickael Girod<br />
Supervision Shoot : Alban Lelièvre<br />
Grading : Mathieu Caplane<br />
Concept Art/ Environment : Nathan Lucas, Fabien Barrau<br />
Modeling/Shading : Alex Corcoy<br />
Matte Painting : Benjamin Bardou<br />
Rigging : Marine Sisnaki<br />
Previz/Animation : Guillaume Poueymarie, Ferdinand Boutard, Alban Lelièvre, Alexandre Sauthier<br />
FX : Thomas Arsene<br />
Lighting : Adrien Borzakian, Lucas Bachelet, Yohan Grau, François-Xavier Gonnet<br />
Motion : Alexandre Tarquini<br />
Compositing : Laurent Launes, Randy Gudin, Arthur Sayanoff<br />
Flame : Stéphane Pivron

Director : Sivaroj Kongsakul<br />
Agency : BeGood<br />
Production : La Pac<br />
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Executive Producer: Claire Garraud<br />
VFX Producer : Benjamin Cathala<br />
VFX Supervisor: Vincent Venchiaruttil<br />
Modeling & Environnement : Guillaume Thébaut<br />
Matte Painting : Alain Descamps<br />
Animation : Ludovic Martin, Guillaume Thébaut<br />
Lighting - Compositing : Anthony Tran<br />
Motion : Vincent Venchiarutti, Franck Maillet, Maxime Orsini, Jérémy Chicheportiche, Caroline Mistral, Cyril Hiard<br />
Grading : Arthur Paux<br />
Editor Assistant : Maité Tamain

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Executive Producer : Fabrice Damolini <br />
VFX Producer : Sébastien Noyon, Grégory Tournier <br />
CG Supervisor : Guillaume Dadaglio <br />
Shoot : Damien Canameras <br />
Grading : Mathieu Caplana <br />
Generalist : Guillaume Dadaglio <br />
Rigging : Alexandre Sauthier, Marine Sisnaki, Claire Auvin <br />
Animation : Marie Moyer <br />
Lighting : Valentin Lesueur <br />
Motion Design : Julien Maurin, Jean-Martin Mossu, Alexandre Tarquini<br />
Compositing : Sébastien Podsiadlo, Benjamin Boisgard, Aurélie Gondoin, Rémy Meillat, Margaux Chambas

Agency : Chanel <br />
Editor : Maxime GIllier<br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphane Pivron<br />
VFX Supervisor : Nicolas Rochette<br />
Flame : Valentin Gingembre - Damien Canameras<br />
After : Joao De Figeirero - Franck Maillet - Julien Morin

Director : Elena Petitti Di Roreto & Martin de Thurah<br />
Agency : Publicis <br />
Production : Henry<br />
DOP : Timios Bakatakis<br />
Editor : Francesco Roma, Yannick Giffard<br />
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Post production : Prodigious<br />
Post-producer : Nathalie Depas<br />
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VFX Studio :The Mill Paris<br />
Executive Producer : Christophe Huchet<br />
VFX Producer : Kahina Lamblin<br />
VFX Supervisor : Vincent Venchiarutti<br />
Shoot Supervisor : Damien Canameras<br />
CG Supervisor : Guillaume Ho Tsong Fang<br />
Rigging : Marine Sisknaki<br />
Animation : Clotilde Blondel<br />
FX : Karim Lachaize<br />
Lighting : Marouan El Bekri<br />
Compositing : Mathias Barday<br />
Flame : Valentin Gingembre<br />
Motion : Vincent Ewald, Alexandre Tarquini<br />
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- Etalonnage -<br />
Colourist : Jean-Clément Soret<br />
Colourist Assistant : Loïc Lavaux

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Director : Guy Ritchie <br />
Production: Soixante Quinze X Reset<br />
Producer : Emmanuel Guiraud, Annabelle Fournier<br />
Post producer: Anne Segrettin <br />
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Post Production : The Mill Paris <br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphanie Mollet <br />
VFX Supervisor : Stéphane Pivron <br />
CG Supervisor : Mathias Barday <br />
Editing : Nicolas Larrouquère <br />
Grading : Jean-Clément Sorret (Company 3) <br />
Concept : Nathan Lucas, Alain Descamps <br />
Modeling & Environnement : Mehdi Rami <br />
Matte Painting : Fabien Barrau, Sergey Likharyev <br />
Generalist : Adrien Borzakian <br />
Keen tools : Tytouan Botte <br />
FX : David Roubah <br />
Lighting : Valentin Lesueur <br />
AI : Yanis - French Faker <br />
Compositing : Eric Lemains Guillaume Poueymarie <br />
Flame : Stéphane Pivron, Damien Canameras, Aurélien Teurlai, Valentin Gingembre, Sébastien Kremer, Damien Peiro, Franck Lambertz<br />
Motion graphics : Agathe Sayegh

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At Crankworx Cairns in 2023, Nicholi Rogatkin had a season-ending injury. This was the first time in his career that he had to sit out a season. This short highlights the magic of getting back on a bike again after injury.<br />
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Presented by Specialized Bikes<br />
Directed, filmed, and edited by Keenan DesPlanques

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Director : Neels Castillon<br />
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Agency : Publicis Luxe<br />
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Production : Psycho<br />
DOP: Arnaud Potier<br />
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VFX STUDIO<br />
The Mill Paris:<br />
Executive Producer: Cécile Hubin<br />
VFX Producer: Cédric Negrel<br />
VFX Coordinator: Ghalia Chammat<br />
Shoot supervision: Franck Lambertz, Jean-Christophe Olivier<br />
VFX Supervisor: Franck Lambertz, Olivier Jarry<br />
Matte Painting: Benjamin Bardou, Sergey Likharyev<br />
FX: Felix Guglielmi<br />
Lighting: Valentin LeSueur<br />
Compositing: Arthur Sayanoff<br />
Generalist: Paul Goubet, Guillaume Hupe<br />
Concept: Nathan Lucas<br />
Flame: Franck Lambertz, Sebastien Kremer<br />
Motion: Olivier Jarry, Yohann Leroy, Jean Christophe Olivier, Agathe Sayegh, Max Loriot, Jean-Yves Parent -Julien Pinot<br />
Colourist: Sébastien Mingam, Nicolas Guibert<br />
Colourist assistant: Loic Lavaux<br />
Editor: Sébastien/ Motion Palace, Chloé Charrier, Cécile Crilout<br />
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Music (making-of) : « Open Wide » by @awirleon.

In this short film, you will be taken on a journey through the incredibly varied landscapes of this imposing continent, South America. <br />
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One year of travel, nine countries, countless hours on busses, motorbikes, and cars. Hundreds of thousands of images taken. 30TB of data used, 5 months of editing. The time-lapse film features South America like it has never been before with images from Brazil, Venezuela, Guyana, Colombia, Argentina, Chile, Peru, Bolivia and Ecuador.<br />
Read more about the project on https://www.mortenrustad.com/south-america<br />
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The music is specially composed for this video by Jogeir. Check him out on Soundcloud: https://soundcloud.com/jogeirmusic<br />
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To see what equipment I used, see this video: https://youtu.be/Vg6h0U3S8_o<br />
Motion control gear by Syrp (https://www.syrp.co/)<br />
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The clips in this film are available for licensing at resolutions up to 8K (7680*4320). Contact information can be found at mortenrustad.com<br />
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Produced by VJUS (https://www.vjus.no)<br />
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For more of Morten's work, check out https://www.mortenrustad.com

Earth to COP was the creative response from HTYT Ltd to the brief given to them to produce the Leaders Summit Opening Ceremony for COP26. This film - shown to over 120 World Leaders at the conference - formed the pivotal moment of the ceremony and presents an eyewitness portrait of climate change. Using dramatic mobile phone footage from around the world, this short film shows the extent of damage caused by the change in our climate, contrasted with the beauty of Earth - what is at stake and what our leaders need to protect. It underlines that we have seen some progress, but we need further and faster action.<br />
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The composer of the music for the film, Steven Price is an Academy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him the Academy Award and Critics' Choice Award.<br />
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The Earth to COP film was independently produced by Harder Than You Think and is a partnership with Bloomberg. The film will be widely distributed, including through a principal partnership with Bloomberg, a global partnership with WWF and with TikTok, who share the ambition to help bring Earth to COP to a worldwide audience. It will also be played on digital screens across the UK. <br />
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<br />
© 2021 HTYT Ltd<br />
<br />
www.earthtocop.org <br />
#earthtocop<br />
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Created by Greg Nugent<br />
Producer: Barnaby Spurrier<br />
Director: Matt Houghton<br />
Editor: Abolfazl Talooni<br />
Executive Producers: Baroness Liz Sugg, Charlotte Todman <br />
Composer: Steven Price<br />
Archive Producer: Aisling Conboy<br />
Production Manager: Paris Faro<br />
Senior Researcher: Calum Campbell<br />
Researcher: Kirsty Asher<br />
<br />
Audio Post Production Studio: String and Tins<br />
Supervising Sound Editor: Will Cohen<br />
Sound Effects Editor: Kaspar Broyd<br />
Re-Recording Mixer: Lawrence Kendrick<br />
Audio Post Producers: Eimear Ní Ghuaire, Alina Miroshnichenko<br />
Picture Post Production Studio: Framestore<br />
Post Production Producers: Sara Beckman, Jake Saunders<br />
Data Services Manager: Nick Rafferty<br />
Post Production Senior Editor: Carey Williams<br />
Flame Artist: Luigi Russo<br />
Head of Grade: Steffan Perry<br />
Digital Assets Editor: Nic Lowicz<br />
Graphic Design: North Studios<br />
Offline Edit Facilities: Azimuth Post Production<br />
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Captions and BSL Production: Cambridgeshire Deaf Association<br />
BSL Translator: Daryl Jackson<br />
Translation Presented by TransPerfect <br />
Accessibility Consultant: Sinéad Burke<br />
Accessibility Consultant: Haben Girma

Introducing Ralph, the new spokes-bunny of the global campaign to ban animal testing for cosmetics. #SaveRalph​​ is a powerful stop-motion animation short film produced by Humane Society International, featuring an all-star multinational cast including Taika Waititi, Ricky Gervais, Zac Efron, Olivia Munn, Pom Klementieff, Rodrigo Santoro, Tricia Helfer and more. https://hsi.global/SaveRalph​<br />
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Save Ralph is a powerful stop-motion animation short film featuring Oscar winner Taika Waititi as the voice of Ralph, who is being interviewed for a documentary as he goes through his daily routine as a “tester” in a lab.<br />
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HSI’s #SaveRalph​ campaign tackles the cruelty of animal testing in an original and unexpected way—using the story of one bunny to shine a light on the plight of countless rabbits and other animals in laboratories around the world.<br />
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While Ralph is animated, the miseries he endures in the short film are far from made up. As Spencer Susser, the director of Save Ralph, says, “It's so important that Ralph feels real because he represents countless real animals who suffer every day.” <br />
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Susser, known for his film Hesher, is among a slate of powerhouse celebrities and influencers who collaborated with Humane Society International on the making of Save Ralph. In addition to Waititi as Ralph and Gervais as the interviewer, the film has Zac Efron as Bobby, Olivia Munn as Marshmallow, Pom Klementieff as Cinnamon and Tricia Helfer as Cottonballs. <br />
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Producer Jeff Vespa (Voices of Parkland) teamed up with the Arch Model studio of puppet maker supreme Andy Gent (Isle of Dogs, The Grand Budapest Hotel) on the production. https://hsi.global/SaveRalph

A short animation exploring the concept of 'Worldview'.<br />
Working in collaboration with Theos Think Tank, Culham St Gabriel's Trust and Canterbury Christ Church University.<br />
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Directed, animated & designed by Emily Downe<br />
Words by Emily Downe, Trevor Cooling and Bob Bowie<br />
Music & Sound by Jan Willem de With