Director Paul Herrmann <br />
Executive: Producer: Jakob Preischl <br />
Production: BWGTBLD GmbH <br />
Producer: Keshia Luna Biedermann <br />
Production Coordinator: Paul Maudanz <br />
<br />
Camera Operator 1: Leon Moss <br />
Camera Operator 2: Christoph Michele <br />
<br />
Art Director: Jeff Raven <br />
Gaffer: Avner Eisenstein <br />
<br />
Stylist: Theresa Gross <br />
Stylist Assistant: Illia Kulishovv <br />
Mask: Sita Messer <br />
Hair Artist: Janina Zais <br />
Hair Assistance: Tina Pachta <br />
Nails: Camilla Inge Velbert <br />
<br />
BTS Photographer: Hyesoo Chung <br />
Driver: Marcel Hennig<br />
<br />
Edit: Matthias Graatz <br />
VFX Design: Jakob Lemme <br />
Grading: Jonny Thorpe <br />
<br />
Special Thanks:<br />
Reitanlage MÜNCHEHOFE "REITREVIER"<br />
<br />
Funjump Fehrbelllin: <br />
<br />
Hans Lang @freeflei<br />
Lisa Lehmann @spree.gold

BMW G70 – The Protégé <br />
<br />
I love the way you make me close my eyes<br />
Imagine us runnin' the fields, burnin' adrenaline<br />
Oh, I love the way you lose clothes, close my-<br />
The shadows you cast over me that I've only seen in my dreams<br />
Because you make my whole world go dark<br />
Kill the lights, kill the lights<br />
<br />
Client:  BMW China<br />
Agency:  TBWA\Juice Network<br />
Director: Federico Mazzarisi<br />
Production House: MOD Shanghai<br />
EP: Iris Jin, Vicky Bai<br />
Italian Production: Tapeless Film<br />
Executive Producer: Federico Mazzarisi<br />
Production Manager: Rocco Marcandino<br />
Producer: Maria Chiara Taglienti<br />
First Assssitant Director: Daniele Fagone<br />
Director's Assistant: Elisa Deufemia <br />
Post Producer: Shirley Zhi<br />
DOP: Denis Guth<br />
Production Designter: Heimir Sverrisson<br />
Stylist: Davide Pizzotti<br />
Music: Kill the Lights / Hidden Citizens feat. Lush Machine<br />
Sound Design: Daniele De Virgilio<br />
Mixing: Shao Hang@20KM<br />
Editor: Marco Battiloro (DC)<br />
Song Yang (Client Version), <br />
Colorist: Valerio Liberatore, Frame By Frame<br />
Directors Agents: Nicholas Berglund, Rick Romaniuk <br />
Post House: Bloom Film Design<br />
Executive Producer: Claire Teng<br />
Post Producer: Anon Rungruengbangchan<br />
VFX Supervisor: Julien Vanhoenacker<br />
3D Generalists:<br />
Chatchawai Buangam<br />
Gorragote Dowrueng<br />
Mathilde Chauvelot<br />
Tanapat Chotiyannont<br />
Compositors:<br />
Chaithawat Pinsuwan<br />
Lapatlada Aphiratsakul<br />
Sukit Kongkedkrai<br />
Online Artists:<br />
Mathieu Jacobs<br />
May.W

ADIDAS ORIGINALS – SAM FENDER (GAZELLE)<br />
<br />
Production Company: Agile Films <br />
Director: Yoni Lappin <br />
Executive Producer: Myles Payne Executive Producer: Andy Eaton<br />
Producer: Laura Mival <br />
Director of Photography: Sam Meyers <br />
Production Designer: Elena Isolini <br />
Stylist: Lorena Maza <br />
Production Manager: Erinn Fitzgerald <br />
Production Manager: Harry Chambers <br />
<br />
CLIENT <br />
<br />
Senior Brand Comms Manager: Will Wall <br />
Senior Brand Comms Manager: Nicky Waller <br />
Originals Category Lead: Georgia Wagstaff <br />
Senior Director Brand Comms: Steve Marks <br />
Digital Publishing Manager: Pooja Popat <br />
Partner Publishing Assistant Manager: Lynette Sraha <br />
<br />
AGENCY <br />
<br />
Agency: UDOX <br />
Creative Director: Jack Reynolds <br />
Associate Creative Director: Jake Wesley <br />
Senior Creative Producer: Michael Radford <br />
Head of Production: Claire Ramasamy <br />
Senior Account Manager: Becky Burchell <br />
<br />
POST-PRODUCTION <br />
<br />
Edit House: MARSHEEN <br />
Editor: Rob Daglish <br />
Assistant Editor: Matthew Blacklock <br />
Post-producer: Harriet Cawley <br />
Colour: Electric Theatre Company<br />
Colourist: Jason Wallis <br />
Post-producer: Oliver Whitworth <br />
Sound Designer: Christian Blad <br />
Post-producer: Oksana Steblyk <br />
Head of Post: Martin Fickling <br />
Online Editor: Mossie Cassidy <br />
Online Editor: Natalya Holley <br />
Online Editor: Jamie Thomas Kirby

After suffering from suicidal depression, Darius Sam, a 20-year-old from Lower Nicola First Nation, finds running as a catalyst for transformation. Within a matter of months, he attempts a 100-mile ultramarathon in subzero temperatures to raise awareness for addiction and mental health in his community.<br />
<br />
Featuring – Darius Sam, Mark Nendick, Danielle McDougall, Shane Charters<br />
<br />
Director, Producer, & Editor – Amar Chebib<br />
Producer – Hayley Morin<br />
Executive Producer – Geoff Vreeken<br />
Cinematographer – Jason Mannings<br />
<br />
Line Producer – Olivia Golosky<br />
Production Manager – Mia Metz<br />
Camera Assistant – Soloman Chiniquay<br />
Drone Operator – Rob Antill<br />
Location Sound – Tyler Devon Gillis<br />
Colourist – Sam Gilling<br />
Sound Designer/Mixer – Matt Drake<br />
In Association with Kiddo Films<br />
With Support from Even/Odd, Marmoset, & Lorne Lapham<br />
Distributed by The New Yorker

From a migrant family from UP to representing India globally, witness a story of belief and faith from the grassroot of India with a young boy poised to lead the nation’s quest for a medal at Breakdance for the first time and bring India the ULTIMATE GLORY.<br /><br />#kadambadhaoindia #righttosports #exide #exidecare #outlookindia #indiamovesonexide #asiangames #olympics #sports #sportsinindia #indiansports #asiangames2023 #breaking #breakdance #parisolympics #olympics

Since he was a kid growing up in Upper Marlboro Maryland, Chase Young dreamed of playing Pro Football and getting “the call” on draft day – but he didn’t imagine the moment being under quarantine and in a COVID-19 world. <br />
<br />
We teamed up with Beats by Dre to capture the last days before Chase’s dreams of becoming a Pro came true. While in quarantine, Chase reflects on his journey and how the current times give him a renewed perspective on the importance of family. <br />
<br />
This project was developed, produced, and captured remotely following strict health and safety guidelines with Chase, his family, and our crews’ safety top of mind.<br />
<br />
Client - Beats by Dre<br />
Production Company - Even/Odd<br />
Directors - Amar Chebib & Mohammad Gorjestani<br />
Producer - Heron Bourke<br />
Remote Shooter - Ian Thomas<br />
Editor - Lauren Connelly

Joe Buffalo is an Indigenous skateboarding legend. He’s also a survivor of Canada’s notorious Indian Residential School system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dream of turning pro.<br />
<br />
A short hybrid documentary executive produced by Tony Hawk and distributed by The New Yorker. <br />
<br />
Watch the full film here: https://vimeo.com/757444197<br />
<br />
<br />
IDA Awards - Best Short Nomination<br />
DOC NYC - Awards Shortlist<br />
SXSW - Audience Award<br />
Tribeca - Official Selection<br />
REGARD - Jury & Audience Awards<br />
Calgary Underground - Jury & Audience Awards<br />
NorthwestFest - Best Canadian Short<br />
Planet In-Focus – Best Canadian Short<br />
Local Sightings - Best Short Documentary<br />
Nevada City - Best Cinematography & Editing<br />
Bendfilm - Best Indigenous Short<br />
Cordillera - Best Indigenous Short<br />
Telefilm Canada’s “Not Short On Talent” @ Cannes 2021<br />
<br />
Director & Editor - Amar Chebib<br />
Writers - Joe Buffalo & Amar Chebib<br />
Producers - Hayley Morin, Mack Stannard, Amar Chebib<br />
Executive Producer - Tony Hawk & Mohammad Gorjestani<br />
Cinematographer - Liam Mitchell<br />
1st AC - Solomon Chiniquay<br />
Sound Design & Mix - Matt Drake<br />
Post-Sound Mentee - Kaitlyn Redcrow<br />
Colourist - Sam Gilling<br />
<br />
Production Company - Luminus Films<br />
In Association With - Even/Odd<br />
With the Participation of - The Canada Council for the Arts<br />
Distributed by The New Yorker

Created for the launch of Brightseed's Forager™, a computational intelligence that understands nature more profoundly than humans can.<br />
<br />
Client - Brightseed<br />
Production Company - Even/Odd<br />
Creative Director - Malcolm Pullinger<br />
Executive Producer - Taylor Feltner<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Cinematography by Joshua Pausanos<br />
Animation by Output Media<br />
Colour by Silver Lining Post<br />
Sound Design & Mix by White Hart Post

We collaborated with Casper designers and engineers to highlight the first light designed specifically for sleep, the Glow.<br />
<br />
Client - Casper<br />
Production Company - Even/Odd<br />
Creative Director - Ashley Rodholm<br />
Executive Producer - Taylor Feltner<br />
<br />
Directed & Edited by Amar Chebib<br />
Produced by Heron Bourke<br />
Cinematography by Jesse Dana<br />
Art Direction by Serena Elston<br />
Animation by Reece Parker<br />
Colour by Silver Lining Post<br />
Music by Wesley Slover<br />
Sound Design & Mix by Coastal Audio

Most kids from underserved communities in the Bay Area would never see a golf course if it wasn't for The First Tee of San Francisco. But more than a youth sports nonprofit, The First Tee provides resources and mentorship to help these adolescents pursue higher education and become successful adults. They asked us to tell the story of their transformational program.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography by Noe Chavez<br />
Sound Recording by Jeff Dragomanovich & Patrick Shaffer<br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Dead Light (Courtesy of Marmoset)<br />
Colourist - David Tomiak<br />
Gaffer/Grip/AC - Tandy Kyne<br />
Production Manager - Rachel Barth<br />
Production Assistant - Shervin Nakhjavani

El Viento is a non-profit providing opportunities for at-risk-youth in the Oak View community of Huntington Beach, California. If Oak View was a city, it would be the 11th poorest in the United States. Most families don't even think of education past high school. Since its inception, El Viento's afterschool program has given many students the support and structure to achieve unprecedented academic success. This is a story of three of those students.<br />
<br />
Directed, Produced, & Edited by Amar Chebib<br />
Executive Produced by Mohammad Gorjestani<br />
Cinematography & Visual Effects by Noe Chavez<br />
Underwater Cinematography by Mike McMillan<br />
Location Sound by Samuel Mutch <br />
Sound Design & Mixing by Jeremy Therrien<br />
Music by Keen Collective (Courtesy of Marmoset)<br />
Colourist - Ayumi Ashley<br />
Production Manager - Kimberly Parker<br />
Production Assistants - Kevin Chang & Benjamin Peterson<br />
Translation - Tiffany Sainz & Lindsey Ridgway<br />
Security - Mark Parro

Also check out my Pyongyang film here: https://vimeo.com/300271709<br />
<br />
A few weeks back I had the chance to visit Pyongyang and attend the Mass Games there. This show is by far the most incredible and amazing performance I have ever laid my eyes on. Watch this 4 minute film and you will know why. Only a communist country can pull something like this off I guess. However, I do not want to get involved in politics here, so please do your own research. <br />
<br />
<br />
Many thanks to Simon Cockerell and Jessica Mader from Koryo Tours ( https://koryogroup.com ) and Ri So Hyang, Kim Sun Mi, Lee Song Hyok, Kim Yong Un from KITC for arranging permissions and making this project possible. <br />
By the way: I did not get paid to shoot this film!<br />
<br />
Mass Games can basically be described as a synchronized socialist-realist spectacular, featuring over 100,000 participants in a 90-minute display of gymnastics, dance, acrobatics, and dramatic performance, accompanied by music and other effects, all wrapped in a highly politicized package. Students practiced every day from January onwards. The 90 minute performance is held every evening at 7pm and features the 'largest picture in the world' a giant mosaic of individual students each holding a book whose pages links with their neighbours’ to make up one gigantic scene. When the students turn the pages the scene or individual elements of the scene change, up to 170 pages make up one book. <br />
In August 2007, the Mass Games were recognised by Guinness World Records as the largest gymnastic display with 100,090 participants at the May Day Stadium in Pyongyang. (Source Wikipedia)<br />
<br />
A time-lapse tilt-shift film by Joerg Daiber.<br />
<br />
Facebook: https://www.facebook.com/MiniatureFilms<br />
Twitter: http://www.twitter.com/spoonfilm<br />
YouTube: http://www.youtube.com/littlebigworld<br />
Web: http://www.spoonfilm.com<br />
<br />
You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license<br />
<br />
WATCH FULL SCREEN!<br />
Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite.<br />
<br />
Music: The Internationale by Pierre De Geyter, performed by Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky<br />
and Swan Lake by Pyotr Il'yich Tchaikovsky, performed by Apollo Symphony Orchestra.

Amidst the depths of despair, a grieving mother finds her voice to challenge the forces of injustice and inspire hope.

A film by Erin Semine Kökdil
Featuring Teresa Smith

2016 || Black & White || 16mm
Shot on a Bolex

Trailer: https://vimeo.com/195874915

Screenings:
Camden International Film Festival, 2018
Hot Docs International Film Festival, 2018
Big Sky Documentary Film Festival, 2018
New Filmmakers New York, 2018
Denton Black Film Festival, 2018
The People’s Film Festival, 2018
FECIBogotá, 2018
Drunken Film Fest - Oakland, 2018
International Documentary Film Festival Amsterdam (IDFA), 2017
San Francisco Frozen Film Festival, 2017
March on Washington Film Festival, 2017
SF DocFest, 2017
Palm Springs International Shortfest, 2017

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Many People Plan To Accomplish Many Things On The First Day So That The Rest Of The Year Also Goes Well. It’s That Time When People Start The Day With “This Is Going To Be My Year”, And They Love The Support And Wishes They Get From Everyone Close To Them. It’s A New Day, And It Celebrates The End Of 2023. On January 1, We Are Sure To Be Hit With A New Wave Of Hope For A New Beginning. If You Are Looking For Easy-To-Download Happy New Year's Day 2024 Images Or Wishes That Motivate People To Achieve Their Goals To Send On New Year's Day, We Have Made A Nice Collection Of The Same. Go Ahead And Share These Wishes With Everyone You Know.<br />

A short film exploring the longevity and limitations of artificial intelligence, and the loneliness of deep space.<br />
<br />
Written & animated by Charlie Stewart<br />
Music & sound design - Caspar Leopard <br />
Al - Matt Cundill<br />
Sandy - Kathy Curtis

NIHON is a personal work of mine that explores the uncanny vertigo I enter when I am pulled into Japan. It’s my closest attempt at expressing to others what I experience as a foreigner traveling through its many levels of stimulus.<br />
<br />
For a breakdown on the process please visit - Nihonfilm.com

A much delayed follow-up video to 'A GoPro adventure in Tignes'. All shot on GoPro Hero 6 and GoPro Fusion. This was entirely a fun personal project I've wanted to do for a while and is in no way sponsored or paid for, etc.<br />
<br />
Many thanks to Atrey for letting us use his track 'Galaxy Express' too - Go check out his stuff on Spotify!<br />
<br />
Directed & Edited by myself and co-written by Susie Oosting <br />
<br />
http://www.instagram.com/claudiuvoicu

Director: Elliott Power<br />
Cinematographer: Diego García & Harry Wheeler<br />
Executive Producer: James Guy<br />
<br />
2nd Unit Director: Louis McCourt <br />
2nd Unit Director: Cieron Magat <br />
Stop Frame Animation: Chris Ullens <br />
Directors Assistant: Verity May Lane <br />
<br />
1st AD: Hayley Williams<br />
1st AD: Ewan Stewart <br />
2nd AD: Chris Mears <br />
<br />
Producer: Shirley O’Connor<br />
Production Manager: Kelly Brown <br />
Production Assistant: Hayley West <br />
Cast Coordinator: Joss George Gilbert <br />
<br />
Production Designer: Arthur De Borman<br />
Art Director: Laurie Walters<br />
Art Director: Imogen Toner<br />
Dresser: Paddy McGurn<br />
Dresser: Kiss Marshall<br />
Props: Alastair Fletcher<br />
Props: Oscar McIntosh <br />
Tech: Kenny McGuire<br />
Tech: Alan Crozier<br />
Art Assistant: Molly Shearer<br />
Art Assistant: Cara Connelly<br />
<br />
Focus Puller: Jason Dully<br />
Focus Puller: Damien Leigh<br />
<br />
Service Production Company: MTP<br />
<br />
Producer: Maeve McMahon <br />
Production Manager: Italia Bianco <br />
Production Manager: Marcy Paterson<br />
Production Coordinator: Callum Crozier<br />
Production Assistant: Keran Smyth <br />
Production Assistant: Luke Keogh <br />
Production Assistant: Char Mckelvie <br />
Casting Assistant: Celine Antal<br />
<br />
Location Manager (London): Kim Fenton<br />
Location Manager (Scotland): Neil Mackay<br />
Assistant Location Manager: Davey Gales <br />
<br />
Post Supervisor: Dan Williams<br />
Post Creative Director: Carl Norton <br />
Post Producer:<br />
<br />
Casting (Scotland): Holly Jane Ritchie<br />
Casting (London): Kharmel Cochrane <br />
<br />
Editor: Dom Leung <br />
Edit Producer: Harriet Cawley <br />
<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony <br />
<br />
Music Supervision: Curation Music <br />
<br />
Wardrobe Stylist: Hannah Edwards <br />
Wardrobe Assistant: Marouane Joubba <br />
Wardrobe Assistant: Valentin Bren<br />
Wardrobe Assistant: Denise Coombes <br />
Wardrobe Assistant: Karen Bertolini <br />
Wardrobe Assistant: Katy Smilie <br />
<br />
Make Up & Hair: Kat Morgan<br />
Make Up & Hair Asst: Courtney Lightbody<br />
Make Up & Hair Asst: Paula Rebanks <br />
<br />
Client: EE<br />
Agency: Saatchi & Saatchi <br />
Chief Creative Officer: Ben Mooge<br />
Executive Creative Director: Will John<br />
Senior Creative: Sam Simmonds<br />
Senior Creative: George Boyle<br />
Exec Producer: Dan Heighes <br />
Exec Producer: Alex Pemberton <br />
Managing Partner: Jonathan Tapper<br />
Business Leader: Rania Kouros <br />
Account Manager: James Graham <br />
Account Manager: Louisa Pundey <br />
Production Assistant: Jessie Watkins Homeyard

Located deep in the Saint Elias mountains where Alaska, British Columbia, and the Yukon converge, there is a place most skiers and snowboarders only dream of visiting. Brought to you by The North Face and Sherpas Cinema, Tsirku is a big-mountain adventure ski film featuring snowboarder Ralph Backstrom and skiers Hadley Hammer and Sam Anthamatten, who set out to tackle the fabled Corrugated spine lines of the Tsirku Glacier.