Director : Guy Ritchie <br />
Production: Soixante Quinze X Reset<br />
Producer : Emmanuel Guiraud, Annabelle Fournier<br />
Post producer: Anne Segrettin <br />
<br />
Post Production : The Mill Paris <br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphanie Mollet <br />
VFX Supervisor : Stéphane Pivron <br />
CG Supervisor : Mathias Barday <br />
Editing : Nicolas Larrouquère <br />
Grading : Jean-Clément Sorret (Company 3) <br />
Concept : Nathan Lucas, Alain Descamps <br />
Modeling & Environnement : Mehdi Rami <br />
Matte Painting : Fabien Barrau, Sergey Likharyev <br />
Generalist : Adrien Borzakian <br />
Keen tools : Tytouan Botte <br />
FX : David Roubah <br />
Lighting : Valentin Lesueur <br />
AI : Yanis - French Faker <br />
Compositing : Eric Lemains Guillaume Poueymarie <br />
Flame : Stéphane Pivron, Damien Canameras, Aurélien Teurlai, Valentin Gingembre, Sébastien Kremer, Damien Peiro, Franck Lambertz<br />
Motion graphics : Agathe Sayegh

Client : Samsung <br />
CMO of MX Business : Stephanie Choi<br />
Vice President, Head of Global Brand Marketing Group : Sonia Chang <br />
Director : Yoonie Park <br />
Senior Manager : Youngeun Kang, MJ Kim, Adrian Wilson<br />
Manager : Sunhong (Sunny) Min, Jisu Goh<br />
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Agency : Widen+Kennedy Amsterdam<br />
Production : Caviar<br />
Director : Los Perez <br />
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Editing Company : Trim Editing <br />
Editor : Gaia Borretti, Paul Hardcastle<br />
Assistant Editor : Jacques Simon <br />
Producer : Tatyana Alexandra<br />
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Post production : The Mill <br />
Epic Nightography<br />
VFX Supervisor: Ben Turner<br />
Lead Flame: Ben Turner, Ricky Weissman<br />
2D Artists: Doru Ondun, Johan Alfort, Lucas Warren, Luis Rosell, Pedro Santos, Sabanayagam Veerasekaran, Stephen Miller, Amresh Kumar, Jai Singh, Luis Rosell, Udaykiran Chowdary, Pratyush Paruchuri, Vivek Takale<br />
3D Supervisor : Laurent Giaume<br />
3D Artists: Can Y. Sanalan, Fabian Frank, Florent Sanglard, Jean Grandgirard, Luca Maccarelli, Maximilian Mallmann, Nicola Gilbert, Paul Autric, Petroc Menuhin, Pol EscaleCabre, Selcuk Ergen, Silvia Bartoli<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Creative Director: Carsten Keller<br />
Executive Producer: Lauren Loftus<br />
Senior VFX Producer: Grace Thorpe, Dave Moore, Arjan Eekels<br />
Previz Artists : Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Roto & Paint : Abdul Labeeb K, Abhishek Deswal, Ajay S Kumbhar, Akhil Mohan, Anita Khandare, Anuj Pathania, Anurag Singh, Avinash Molawade, Avinash Molawade, Chetan Shelar, Dayanand Sinha, Deepak Gupta, Dilip Balu, Harshad Rane, Hetal Agarwala, Hrushikesh Tarade, Imrojul Khan, Jaydeep Rajendra Jadhav, Jegadeesan Velayutham, Karthik A, Laxman Janardhan Pawar, Mayur Chandrakant Kothawade, Mohammad Ghayasuddin, Nilesh Kale, Nilesh Ravindra Sutar, Onkar Ghatage, Pankaj Powar, Prahallad Majhi, Prajakta Rajendra Nagarkar, Prasad Ghadigaonkar, Pratibha Dubey, Rahul Mane, Raushan Kumar, Ravikumar Sharma, Ritesh Patil, Rohit Dinkar Kale, Rohit Kumar Singh, Rohit Kuppekar, Roshan Gawand, Sachin Kumar, Sandeep Mishra, Santosh Kondiba Lokhande, Sekh Sahangir, Sriram Parameshwaran, Sudev S, Suhas Sitaram Jadhav, Tejas Budhawale, Tushar Suresh Bhat, Tushar Tulsidas Burse , Yogesh Ahire, Moumita Pratihar, Narendra Kumar. Jeet, Devappa, Irshad<br />
Matchmove Artist: Anirudh Krishna Kurve, Asif Mohammad, Avaneetharan Karuppasamy, Chetan Balasaheb Kadam, M Lokesh, Nallur Suhas Bhat, Pratik Vilas Pawar, Praveenkumar Palani, Puppala Vinod Kumar, Rais Pinjari, Swapnil Bharat Nerkar, Vedant Jagdish Mutrak, Vurukuti Siva Sarweswar , Elangovan, Manoj Ravi.<br />
CG Artist: Aman Jain, Dipak Chularam Nimje, Govardhan B, Harshad Suresh Jadhav, Kanad Mohurle, Monu Bakoliya, Piyush Sharma, Premanand Shivanand Naik, Rachit Bhatia, Sandeep Kumar Yadav, Sindhuja M S, Sumit Yadav, Sumitha D, Yallamraju Venkata Raja Chandra, Yogesh Subhash Zend, Vikas Soni, Girish GR.<br />
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Epic Performance<br />
VFX Supervisors: Damien Canameras, Ben Turner<br />
Lead Flame: Damien Canameras<br />
2D Artists: Paul Goubet, Patrick Bennar<br />
3D Supervisor : Marouan El Bekri<br />
Digital Matte Painting: Nathan Lucas<br />
3D Artists: Marouan El Bekri, Valentin Lesueur<br />
Digital versions: Mickael Moercant, Maxime Orsini<br />
Bangalore VFX Producer: Dipesh Mahesh Gajjarr<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
VFX Producer: Stephanie Mollet<br />
Executive Producer: Fabrice Damolini<br />
Production Coordinator: Ewan Rosenstrauch, Mathilde Cohen-Selmon<br />
VFX Supervisors Seoul pick-up shoot: Yong Kim, Ian Baxter<br />
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Epic Vision Booster<br />
VFX Supervisors: Ben Turner, Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Lead: Johan Alfort<br />
2D Artists: Johan Alfort, Doru Ondun<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producers: Grace Thorpe, Arjan Eekels<br />
Previz Artists: Alexandre Sauthier, Geoffroy Barbet-Massin, Laura Pham Van Cang<br />
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Epic Night Video <br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
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Epic Battery<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Philip Hambi<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
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Epic High Resolution<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Alexis Da Camara<br />
Colourist : Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels<br />
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Epic S Pen<br />
VFX Supervisor: Alexis Da Camara<br />
Lead Flame: Ricky Weissman<br />
2D Artists: Ricky Weissman, Anthony Jarvis<br />
Colourist: Peter Oppersdorff<br />
Colour Assistants: Caitlin Donaldson, Kennedy Dawson, Lucrezia Pollice<br />
Executive Producer: Arjan Eekels

Agency : Chanel <br />
Editor : Maxime GIllier<br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphane Pivron<br />
VFX Supervisor : Nicolas Rochette<br />
Flame : Valentin Gingembre - Damien Canameras<br />
After : Joao De Figeirero - Franck Maillet - Julien Morin

Director : Elena Petitti Di Roreto & Martin de Thurah<br />
Agency : Publicis <br />
Production : Henry<br />
DOP : Timios Bakatakis<br />
Editor : Francesco Roma, Yannick Giffard<br />
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Post production : Prodigious<br />
Post-producer : Nathalie Depas<br />
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VFX Studio :The Mill Paris<br />
Executive Producer : Christophe Huchet<br />
VFX Producer : Kahina Lamblin<br />
VFX Supervisor : Vincent Venchiarutti<br />
Shoot Supervisor : Damien Canameras<br />
CG Supervisor : Guillaume Ho Tsong Fang<br />
Rigging : Marine Sisknaki<br />
Animation : Clotilde Blondel<br />
FX : Karim Lachaize<br />
Lighting : Marouan El Bekri<br />
Compositing : Mathias Barday<br />
Flame : Valentin Gingembre<br />
Motion : Vincent Ewald, Alexandre Tarquini<br />
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- Etalonnage -<br />
Colourist : Jean-Clément Soret<br />
Colourist Assistant : Loïc Lavaux

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Full VFX breakdown: https://youtu.be/FkK7ty8ymDc

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Morocco is a heady mix of languages, cultures, religions, ancient traditions and modern sensibilities. It conjures up images of mint tea and tagine, date plantations and minarets, labyrinth medinas and pungent spice talls. Here's some shots that were taken during my road trip from Morocco starting from Fez to Chefchaouen to Casablanca to Marrakech and all the way to Sahara desert. Don't forget to watch it Full HD 1080p.<br />
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Camera: DJI OSMO Pro X5 with Tiffen Variable ND Filter<br />
Grading: After Effects with Film Convert Pro<br />
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Sound: Profound by LIGHTS & MOTION (download yours at musicbed.com/songs/profound/8580)

Director : Neels Castillon<br />
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Agency : Publicis Luxe<br />
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Production : Psycho<br />
DOP: Arnaud Potier<br />
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VFX STUDIO<br />
The Mill Paris:<br />
Executive Producer: Cécile Hubin<br />
VFX Producer: Cédric Negrel<br />
VFX Coordinator: Ghalia Chammat<br />
Shoot supervision: Franck Lambertz, Jean-Christophe Olivier<br />
VFX Supervisor: Franck Lambertz, Olivier Jarry<br />
Matte Painting: Benjamin Bardou, Sergey Likharyev<br />
FX: Felix Guglielmi<br />
Lighting: Valentin LeSueur<br />
Compositing: Arthur Sayanoff<br />
Generalist: Paul Goubet, Guillaume Hupe<br />
Concept: Nathan Lucas<br />
Flame: Franck Lambertz, Sebastien Kremer<br />
Motion: Olivier Jarry, Yohann Leroy, Jean Christophe Olivier, Agathe Sayegh, Max Loriot, Jean-Yves Parent -Julien Pinot<br />
Colourist: Sébastien Mingam, Nicolas Guibert<br />
Colourist assistant: Loic Lavaux<br />
Editor: Sébastien/ Motion Palace, Chloé Charrier, Cécile Crilout<br />
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Music (making-of) : « Open Wide » by @awirleon.

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Run Forever is a digital media artwork visualising the vision of Hyundai Motor’s sustainable design and green energy for a clean mobility society. In Run Forever, the runner is at one with nature, transforming from water, to hydrogen and oxygen, to pure energy, before returning to nature in the form of plants. Inspired by the water cycle, Hyundai Motor’s clean hydrogen fuel process is renewable, generating infinite energy for our runner to ‘run forever’.<br />
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Run Forever launches the new brand space Hyundai Motorstudio Busan. The Motorstudio is a hub for design, exploring the power of design across all disciplines. Experiences in the Motorstudio are guided by the theme ‘Design to Live by’, reflecting how great design enriches and reinvents our everyday lives.<br />
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Run Forever features on the Creative Wall at Hyundai Motorstudio Busan. The digital artwork is among a variety of arts and cultural exhibits in the space that allow visitors to experience the vision of the Hyundai Motor brand.<br />
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The five-story Hyundai Motorstudio Busan is based in F1963, a cultural complex in the former Kiswire Suyeong wire rope factory designed by renowned architect Choi Wook. Universal Everything and Hyundai Motor have previously collaborated on a kinetic display experience and large-scale video artwork for the Hyundai Motorstudio in Goyang.<br />
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Run Forever also features in Hyundai Motor’s commercial TV campaign about clean energy.<br />
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https://universaleverything.co....m/projects/run-forev

A short animation exploring the concept of 'Worldview'.<br />
Working in collaboration with Theos Think Tank, Culham St Gabriel's Trust and Canterbury Christ Church University.<br />
<br />
Directed, animated & designed by Emily Downe<br />
Words by Emily Downe, Trevor Cooling and Bob Bowie<br />
Music & Sound by Jan Willem de With

Introducing Ralph, the new spokes-bunny of the global campaign to ban animal testing for cosmetics. #SaveRalph​​ is a powerful stop-motion animation short film produced by Humane Society International, featuring an all-star multinational cast including Taika Waititi, Ricky Gervais, Zac Efron, Olivia Munn, Pom Klementieff, Rodrigo Santoro, Tricia Helfer and more. https://hsi.global/SaveRalph​<br />
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Save Ralph is a powerful stop-motion animation short film featuring Oscar winner Taika Waititi as the voice of Ralph, who is being interviewed for a documentary as he goes through his daily routine as a “tester” in a lab.<br />
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HSI’s #SaveRalph​ campaign tackles the cruelty of animal testing in an original and unexpected way—using the story of one bunny to shine a light on the plight of countless rabbits and other animals in laboratories around the world.<br />
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While Ralph is animated, the miseries he endures in the short film are far from made up. As Spencer Susser, the director of Save Ralph, says, “It's so important that Ralph feels real because he represents countless real animals who suffer every day.” <br />
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Susser, known for his film Hesher, is among a slate of powerhouse celebrities and influencers who collaborated with Humane Society International on the making of Save Ralph. In addition to Waititi as Ralph and Gervais as the interviewer, the film has Zac Efron as Bobby, Olivia Munn as Marshmallow, Pom Klementieff as Cinnamon and Tricia Helfer as Cottonballs. <br />
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Producer Jeff Vespa (Voices of Parkland) teamed up with the Arch Model studio of puppet maker supreme Andy Gent (Isle of Dogs, The Grand Budapest Hotel) on the production. https://hsi.global/SaveRalph

Earth to COP was the creative response from HTYT Ltd to the brief given to them to produce the Leaders Summit Opening Ceremony for COP26. This film - shown to over 120 World Leaders at the conference - formed the pivotal moment of the ceremony and presents an eyewitness portrait of climate change. Using dramatic mobile phone footage from around the world, this short film shows the extent of damage caused by the change in our climate, contrasted with the beauty of Earth - what is at stake and what our leaders need to protect. It underlines that we have seen some progress, but we need further and faster action.<br />
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The composer of the music for the film, Steven Price is an Academy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him the Academy Award and Critics' Choice Award.<br />
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The Earth to COP film was independently produced by Harder Than You Think and is a partnership with Bloomberg. The film will be widely distributed, including through a principal partnership with Bloomberg, a global partnership with WWF and with TikTok, who share the ambition to help bring Earth to COP to a worldwide audience. It will also be played on digital screens across the UK. <br />
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<br />
<br />
© 2021 HTYT Ltd<br />
<br />
www.earthtocop.org <br />
#earthtocop<br />
<br />
Created by Greg Nugent<br />
Producer: Barnaby Spurrier<br />
Director: Matt Houghton<br />
Editor: Abolfazl Talooni<br />
Executive Producers: Baroness Liz Sugg, Charlotte Todman <br />
Composer: Steven Price<br />
Archive Producer: Aisling Conboy<br />
Production Manager: Paris Faro<br />
Senior Researcher: Calum Campbell<br />
Researcher: Kirsty Asher<br />
<br />
Audio Post Production Studio: String and Tins<br />
Supervising Sound Editor: Will Cohen<br />
Sound Effects Editor: Kaspar Broyd<br />
Re-Recording Mixer: Lawrence Kendrick<br />
Audio Post Producers: Eimear Ní Ghuaire, Alina Miroshnichenko<br />
Picture Post Production Studio: Framestore<br />
Post Production Producers: Sara Beckman, Jake Saunders<br />
Data Services Manager: Nick Rafferty<br />
Post Production Senior Editor: Carey Williams<br />
Flame Artist: Luigi Russo<br />
Head of Grade: Steffan Perry<br />
Digital Assets Editor: Nic Lowicz<br />
Graphic Design: North Studios<br />
Offline Edit Facilities: Azimuth Post Production<br />
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Captions and BSL Production: Cambridgeshire Deaf Association<br />
BSL Translator: Daryl Jackson<br />
Translation Presented by TransPerfect <br />
Accessibility Consultant: Sinéad Burke<br />
Accessibility Consultant: Haben Girma