Director: Elliott Power<br />
Cinematographers: Edson Reyes, Ramón Sampaio, Axel Cuevas de Chaunac <br />

Executive Producer: Nicky Barnes
<br />
Producer: Erin Kennedy<br />
Production Company: Somesuch <br />
Editorial Company: Cut + Run
<br />
Editor: Beau Dickson
<br />
Title Design: Dorçia Studio<br />

Creative Director: Daryl Higgins<br />
Additional Photography: Elliott Power, Saint Louis Chess Club, Kevin Duggin<br />
<br />
Agency: Droga5 <br />
Copywriter: Emily Berger<br />
Senior Art Director: Jason Gold<br />
Associate Producer: Connor Hagan<br />
<br />
Special Thanks: Daniel Wolfe, Adriana Cebada Mora

Director: Elliott Power<br />
Cinematographer: Deepa Keshvala <br />
Executive Producer: Daniel Wolfe <br />
Producer: Elliott Power <br />
Production Company: Love Song <br />
Editor: Dave Davis at Trim<br />
Producer: Tatyana Alexandra <br />
Edit Assistant: Zach Milonas<br />
Colourist: Simon Bourne at Framestore<br />
Colour Producer: Chris Anthony <br />
Flame Artist: Chris norton at The Mill <br />
VFX Producer: Clare Melia <br />
<br />
Local Production: Radioaktive <br />
Executive Producer: Sasha Bevka<br />
Producer: Valentyn Petyshkin<br />
Production Manager: Emil Skulskiy<br />
1st Assistant Director: Kristina Ilyina<br />
Steadicam Operator: Max Salo <br />
Stills Photographer: Artem Nadyozhin <br />
Stylist: Lee Christmas <br />
Make Up Artist: Dasha Taivas<br />
Hair Stylist: Iris Onufrienko<br />
Runner: Anton Chykalovets<br />
<br />
Special Thanks: Dan Williams, Louis Ganellin, Miink

Director: Elliott Power<br />
Cinematographer: Josep Pardo & Pau Muñoz<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: José Barrera <br />
Producer: Cristina Barres <br />
Creative Director: Laura Urraca<br />
Production Company: The Lift x Love Song <br />
1st Assistant Director: Lloret Gironés <br />
Production Manager: Renzo Zorrilla <br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Executive Creative Director: Dan Williams at The Mill<br />
Creative Director: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Titles: Dorçia Studio <br />
Stylist: Paola Alfaro & Xochitl West <br />
Stylist Assistant: Zyanya Lizbeth Galvan Medina <br />
Sfx Make Up: Adam Zoller <br />
Make Up: Valeria Salas <br />
Art Department: Ana Cristina Icazbalceta <br />
Locations: Andreas Macias<br />
<br />
Special Thanks: Alejandro Garcia Contreras, Ángela Leyva, Lorena Vega, Samatha Zabaleta

Director: Elliott Power<br />
Cinematographer: Diego Garcia<br />
Managing Partner: Kelly Bayett<br />
Executive Producer: Daniel Wolfe <br />
Executive Producer: Deannie O’Neil<br />
Head of Production: Paige Kauffman<br />
Production Company: Love Song <br />
1st Assistant Director: Khucame Morales<br />
2nd Unit Directors: Louis McCourt<br />
Producer: Natalia Casanova<br />
Editor: Dom Leung<br />
Edit Producer: Harriet Cawley<br />
Edit Assistant: Matthew Blacklock<br />
Colourist: Simon Bourne <br />
Colour Producer: Chris Anthony<br />
Local Production: The Lift <br />
Partner: José Barrera<br />
Executive Creative Director: Dan Williams at The Mill<br />
Flame Artist: Carl Norton at The Mill<br />
Vfx Producer: Clare Melia, Matt Squires <br />
Score: Miink <br />
Music Supervision: Sunny Kapoor Curation <br />
Sfx: Barking Owl Gus koven <br />
VO: Ja’Lisa Arnold <br />
Stylist: Paola Alfaro & Void<br />
Make Up: Valeria Salas <br />
Production Design: Christian Stone <br />
<br />
Client: Stock X<br />
Agency: Mojo Supermarket

Director : Guy Ritchie <br />
Production: Soixante Quinze X Reset<br />
Producer : Emmanuel Guiraud, Annabelle Fournier<br />
Post producer: Anne Segrettin <br />
<br />
Post Production : The Mill Paris <br />
Executive Producer : Claire Garraud <br />
VFX Producer : Stéphanie Mollet <br />
VFX Supervisor : Stéphane Pivron <br />
CG Supervisor : Mathias Barday <br />
Editing : Nicolas Larrouquère <br />
Grading : Jean-Clément Sorret (Company 3) <br />
Concept : Nathan Lucas, Alain Descamps <br />
Modeling & Environnement : Mehdi Rami <br />
Matte Painting : Fabien Barrau, Sergey Likharyev <br />
Generalist : Adrien Borzakian <br />
Keen tools : Tytouan Botte <br />
FX : David Roubah <br />
Lighting : Valentin Lesueur <br />
AI : Yanis - French Faker <br />
Compositing : Eric Lemains Guillaume Poueymarie <br />
Flame : Stéphane Pivron, Damien Canameras, Aurélien Teurlai, Valentin Gingembre, Sébastien Kremer, Damien Peiro, Franck Lambertz<br />
Motion graphics : Agathe Sayegh

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Executive Producer : Fabrice Damolini <br />
VFX Producer : Sébastien Noyon, Grégory Tournier <br />
CG Supervisor : Guillaume Dadaglio <br />
Shoot : Damien Canameras <br />
Grading : Mathieu Caplana <br />
Generalist : Guillaume Dadaglio <br />
Rigging : Alexandre Sauthier, Marine Sisnaki, Claire Auvin <br />
Animation : Marie Moyer <br />
Lighting : Valentin Lesueur <br />
Motion Design : Julien Maurin, Jean-Martin Mossu, Alexandre Tarquini<br />
Compositing : Sébastien Podsiadlo, Benjamin Boisgard, Aurélie Gondoin, Rémy Meillat, Margaux Chambas

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Director : Sivaroj Kongsakul<br />
Agency : BeGood<br />
Production : La Pac<br />
<br />
Executive Producer: Claire Garraud<br />
VFX Producer : Benjamin Cathala<br />
VFX Supervisor: Vincent Venchiaruttil<br />
Modeling & Environnement : Guillaume Thébaut<br />
Matte Painting : Alain Descamps<br />
Animation : Ludovic Martin, Guillaume Thébaut<br />
Lighting - Compositing : Anthony Tran<br />
Motion : Vincent Venchiarutti, Franck Maillet, Maxime Orsini, Jérémy Chicheportiche, Caroline Mistral, Cyril Hiard<br />
Grading : Arthur Paux<br />
Editor Assistant : Maité Tamain

Agency : Proximity (TBWA)<br />
Production : Diplomats<br />
Post production studio : The Mill Paris <br />
Executive Producer : Fabrice Damolini<br />
VFX Producer : Sébastien Noyon<br />
VFX & CG Supervisor : Mickael Girod<br />
Supervision Shoot : Alban Lelièvre<br />
Grading : Mathieu Caplane<br />
Concept Art/ Environment : Nathan Lucas, Fabien Barrau<br />
Modeling/Shading : Alex Corcoy<br />
Matte Painting : Benjamin Bardou<br />
Rigging : Marine Sisnaki<br />
Previz/Animation : Guillaume Poueymarie, Ferdinand Boutard, Alban Lelièvre, Alexandre Sauthier<br />
FX : Thomas Arsene<br />
Lighting : Adrien Borzakian, Lucas Bachelet, Yohan Grau, François-Xavier Gonnet<br />
Motion : Alexandre Tarquini<br />
Compositing : Laurent Launes, Randy Gudin, Arthur Sayanoff<br />
Flame : Stéphane Pivron

Written & Directed by Harry Israelson<br />
<br />
A Ways & Means Production<br />
www.ways-means.co<br />
<br />
Starring <br />
Lola Kirke<br />
Jack Henry Robbins<br />
<br />
Executive Producers<br />
Lana Kim<br />
Jett Steiger<br />
<br />
Produced by Sonja Mereu<br />
<br />
Cinematography by Jeff Leeds Cohn<br />
<br />
Music by Chaz Bear & Anthony Ferraro<br />
<br />
Color by Mikey Rossiter (The Mill)<br />
<br />
VFX by Dark Arts<br />
<br />
Sound Design by Unbridled Sound<br />
<br />
Special Thanks<br />
PANAVISION<br />
<br />
www.PrimaryColors.tv

Short Film for Breast Cancer Now !!! I was asked to visualise the nuances and complexities of women’s relationship with their breasts. I hope you find some relatable moments in here and are inspired to check your boobs however you may feel about them. <br />
<br />
OUTSTANDING ANGEL ALERT ....<br />
<br />
Production company - Strange Beast<br />
Producer - Amy Ashton<br />
Senior Producer - Zoe Muslim<br />
Executive Producer - Kitty Turley<br />
Animation - Anna Ginsburg, Matt Lloyd, George Wheeler, Sheetal Thankey, Harriet Gillian <br />
Animation Assistants - Laura Jayne Hodkin, Natasha Pollack, Maria Beverley Morris, Eloise Garlick, Sorrel Milne<br />
Music Composition - George Grinling<br />
Executive Creative Director - Steve Back, Weber Shandwick<br />
Associate Creative Director - Janelle Feliciano, Weber Shandwick<br />
<br />
THANK YOU EVERYONE THIS ONE WAS A REAL JOY. Gonna order some nipple tassels to celebrate.

Director: Saschka Unseld

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'Nomadic Life' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com <br />
written and directed by www.benbriand.com

In September 2017, I stepped up to the starting line of the Run Rabbit Run 100 in Steamboat Springs, Colorado, alongside my friend Jayson Sime. The race is a 102.9-mile ultramarathon with 20,000 feet of elevation gain, which is no small feat for a couple of guys who don’t know what they’re doing.<br />
<br />
Jayson had talked me into it, and if I were to be completely honest, I’d say we were there to test out his life philosophy, which is basically that you can do anything you dream up, as long as you put in the work and refuse to quit. That ethic has worked for him in almost every other area of life, despite growing up in poverty, one of six children with no father, and dyslexia.<br />
<br />
In the six months leading up to the race, we figured since we weren’t naturally talented runners, the best thing we could do is work hard. So we ran 50- to 70-mile weeks all summer, and went through a full range of feelings: fear, regret, sadness, FOMO, hunger, thirst, exhaustion, pain, and joy. And gluttony, which is not a feeling, but what happens after you run 20 or more miles. The chart below is a representation of a training plan for a 100-mile race (but if you’re really looking to train for a 100-mile race, you should find a real training plan online or in a book).<br />
<br />
How did the race go? You can watch our film, How to Run 100 Miles, to find out. No spoilers here.<br />
<br />
Directed and produced by Brendan Leonard<br />
<br />
Co-Directors: Hilary Oliver and Aidan Haley<br />
Editor: Aidan Haley<br />
Cinematography: Brendan Leonard and Hilary Oliver<br />
Animation: Brendan Leonard and Eric Bucy<br />
<br />
Steamboat Springs Unit:<br />
Director of Photography: Forest Woodward<br />
Additional Cinematography:<br />
Aidan Haley, Brody Leven, Syd Jones, Jayson Sime, and Brendan Leonard<br />
<br />
Original Score: Cleod9 Music<br />
Featured Performers: Ian McLeod, Peter Mulcahy, and Matt Sedivy<br />
Audio Post Production: Scotty Beam/Cleod9 Music<br />
<br />
“Puppets”<br />
Performed by Atmosphere<br />
Written & Produced by Atmosphere<br />
S. Daley for Upsidedown Heart Music (ASCAP) & A. Davis for Ant Turn That Snare Down (ASCAP)<br />
Taken from the album When Life Gives You Lemons, You Paint That Shit Gold<br />
Used Courtesy of Rhymesayers Entertainment, LLC <br />
<br />
Thanks<br />
Run Rabbit Run<br />
U.S. Forest Service<br />
Meghan Hicks<br />
Joe and Kathy Leonard<br />
Cheryl Sime<br />
Anders Norblom<br />
Kate Duch<br />
Paolo Mottola<br />
Syd Jones and Debi Sule<br />
Angie Lundstedt<br />
Brody Leven<br />
Christian Folk<br />
Luke Nelson<br />
Bodie Johnson<br />
Jessica DiCarlo<br />
Mr. Rider<br />
<br />
-----------------------------------------------------------------------------------------------------------<br />
At Recreational Equipment, Inc. (REI), we love to get outside and play, and we know first-hand the importance of quality outdoor gear. We stand behind all our products with a 100% satisfaction guarantee, and we design our own line of award-winning REI brand gear and clothing. Whether you're new to outdoor adventure or a seasoned pro, we gladly share our enthusiasm for our products—and the trails, slopes and waterways where we play.<br />
<br />
Shop REI.com: https://www.rei.com/<br />
Take a class: https://www.rei.com/learn.html<br />
Travel with REI: https://www.rei.com/adventures<br />
Learn something new: https://www.rei.com/learn/expert-advice<br />
Find a trail: https://www.rei.com/h/adventure-projects<br />
Read: https://www.rei.com/blog<br />
REI Membership: https://www.rei.com/membership/benefits

'Mystery' is one installment of 3 short films produced in conjunction with the launch of www.thebenah.com<br />
<br />
written and directed by www.benbriand.com

Empathy, efficiency, and a willingness to adapt – Kai Lin’s KLIPPA prosthetic foot is inspired by mountain goats and a desire to help people. Kai’s story explores his unlikely alliance with Arc’teryx athlete, Craig DeMartino, from which the pair serve up a holy grail for adaptive rock climbers – a badass prosthetic foot, that won’t just level the playing field, but will dish up, if not superpowers, then a real sense of empowerment. Which is almost the same thing.<br />
<br />
Part 1 of the Arc'teryx series "Problem Solvers".<br />
<br />
Directed by: Jordan Manley<br />
<br />
Featuring: Kai Lin & Craig Demartino<br />
<br />
Producers:<br />
<br />
Diana Bruccullieri<br />
Angela Percival<br />
James Kim<br />
Jill Young<br />
Laura Yale<br />
<br />
Cinematography, Editing, Sound Design: Jordan Manley<br />
<br />
Additional Sound Design and Mix: Jeff Yellen / Ridgeline Sound<br />
<br />
Animation: Jordan Manley and Daniel Irvine<br />
<br />
Editorial Advisors: Daniel Irvine and Chad Manley<br />
<br />
Grip, Assistant Camera, Assistant Editor: Bill Hawley<br />
<br />
Rigging:<br />
<br />
Cyndy DeMartino<br />
Paul McSorely<br />
Angela Vanwiemeersch<br />
Ken Gibson

·Production Company: The Youth<br />
·Director: YUCA<br />
·Director of Photography: Giordano Maestrelli<br />
·Still Photography & Video Collection: YUCA<br />
·Direção de arte: YUCA e The Youth crew<br />
·Editing: YUCA<br />
·Executive Producer: Eduardo Lubiazi<br />
·Color Grade: Acauan Pastore<br />
·1st AC: Duran Sodré<br />
·Post Production Supervisor: Diogo Gameiro <br />
<br />
·Creatives: Renan Molin, Lindsei Barros, Charles Faria<br />
·Music Production Company: Jamute<br />
·Music Producers: James Pedrozo Pinto, Daniel Telles, Thiago Lester, Leck Gomes and Marcos Vaz<br />
·Executive Producer: Alejandro Ramos Lepez<br />
·Sound Engineers: Otavio Bertolo, Fernanda Galetti and Rafael Laurenti<br />
·Production Coordinators: Julianna Zuppo and Leonardo Vieira<br />
<br />
·Special thanks: Lab:Lab Analógico, Sabiá Laranjeira, Armada, Tatunca Nara.

The fever dream of a 1980s stand-up comic who is either having a nervous breakdown or the best set of his life.<br />
<br />
"Allen Anders - Live at the Comedy Castle (circa 1987)" is this week's Staff Pick Premiere! Read more about it on the Vimeo Blog here: https://vimeo.com/blog/post/allen-anders